#yep it's going on that tag

[ethosiab]

I spent 4 game changer episodes making this

I think it's the best thing I've ever made

[milkbreadtoast]

idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻

[brainman1987]

@scary-spaghetti-enjoyer thank you for the prompt /j

Also drawing this was really fun hehoo

[sadie-wolfdawn]

not sso positive, not sso negative, but a secret third thing (adult w a job)

[swearingcactus]

lil v and johnny doesn’t survive long (or even together), but if they had it’d be something like this

[koterkot]

@nanaten hey hey pspspspspspps

[ejsuperstar]

Long live the king.

ty @lilybug-02 for keeping on posting about avm and making me go "oo i need to do my avm human designs" every time i see one of your avm posts

[cyn-bot]

ME AS HELL.

[meymeyzart]

Better Luck Next Time!

(Lewis Smith on his own without the effects below):

[narcoticwriter]

I'm Finally Breaking My Silence.

I can't take it anymore. Someone has to know about this. It's been years since the realization dawned on me and years since I've kept my lips sealed, but I can bear it no longer.

It makes no fucking sense how the tall Genshin women have heels.

This is a meme, but I'm also on something else entirely. Maybe it's delusion.

I don't care if it's for the fanservice, I don't care if it's hot, and I certainly don't care if people like it because it makes no sense whatsoever.

I don't know how people can run around in varying landscapes and roads on heels. I don't know how the heel itself would survive such treatment. And I don't know how the wearer, no matter how skilled, would not trip and fall on their ass.

Some instances can be afforded more forgiveness than others, but this will not stop me from compiling a list of how I feel about them individually and as people:

Actual Insanity -

Beidou: The Alcor is a wooden boat. One day, that heel is slipping through a small hole in the floor, snapping off, and sending her careening across the starboard. Someone's going to laugh. And then they will be tossed into the brine before being pulled back out and promptly begging for forgiveness. I cry.

Jean: The Gunnhildrs are masochists. The pain is worth it for Mondstadt, as always. How does she do it, running around everywhere and carrying the Knights of Favonius on her back? There's no way that she doesn't kick off the boots while sitting at her desk when it becomes too much to bear.

Dehya: When she says that she wants to slay on the battlefield as much as her looks, I did not think that the shoes would also be a thing to consider. And in sand? Are you mad? Those heels are sinking. No wonder her burst cancels when she jumps. Imagine having to rework your precarious footing every single time.

Yelan: This sick woman unironically likes it. She probably enjoys the sensation of pain every single time it becomes borderline pleasurable. It doesn't help that she looks forward to it being treated too. Herbalist Gui is getting really sick of having to wrap her feet in gauze after slathering it with medicinal foot cream.

Rosaria: I don't know if she's capable of caring anymore, actually. She doesn't seem to process this the same. The woman has an aesthetic to commit to and she doesn't do anything halfway, including her fit. She says she doesn't get drunk, but you know damn well that it and the nicotine numb the pain.

Eula: Anyone who says that they can do reconnaissance work and wear those things is lying, and Eula Lawrence is no exception to this rule. To add insult to injury, she also has spurs on them. Spurs on those beasts of shoes. Respectfully, she needs to twist her ankle and be put on bedrest for the day, so she can think about it.

Candace: I can't believe that this mentally brought me to my fucking knees. How dare you? You live in an area that is mostly sand and dust! You go out in the night and kill things! You're constantly out and about taking care of things! WHY ARE YOU IN SUCH HIGH HEELS?!?

Shenhe: (head in hands) I don't even know if she knows that this isn't normal to wear. I'm going to Cloud Retainer's domain and demanding that she be put in something that makes more sense. She lives in the mountains for Archon's sake! She may not act entirely human, but trust me, she is one at the end of the day.

It Makes Some Sense -

Kujou Sara: She's won, actually. Geta are allegedly much more comfortable to wear than heels. She slays, stays stylish, and isn't suffering while doing so. Good for her, because this is one of the only wins she has in a long, long list of L's, mostly attributed to Yae Miko if you take the time to really look at it.

Lisa: Is she really going to be running around all that much? No! Because she has her little helpers to go around and do things for her. And even if she has to go around by herself, she does so at a rate that isn't breakneck speed. Also, I personally believe that she has some potions and enhancements to help out with it.

Ningguang: She barely gets a pass. Barely. I personally don't believe she takes that walk around the pier every day. It's every other day at the most consistent. At every other function, you can trust that she has a seat and that she's not on her feet. She can afford to have such accommodation.

Raiden Shogun: If her body wasn't a puppet that she made for herself, I would absolutely put her in the other category. She absolutely made sure that she wouldn't feel pain while wearing those things and it shows with how she's able to move like she does in combat.

Yae Miko: I won't call it foul and say that since she can shift into a kitsune form, she's not going into this category, but provide the proof in other ways. Do you really see her going anywhere in a hurry? Precisely the point. She could probably get away with people carrying her places.

[AAAAAA] -

Arlecchino: I have no words for the atrocity that is those heels. None at all. If I think about them too much, I'll start frothing at the mouth, and not in any good way.

Conclusion - My heart weeps prematurely for Clorinde and Navia. Fontainian fashion can kiss my ass. I mourn their feet.

[rysttle]

Doodle of a guy i only know via osmosis

[livuvur]

Oh to be Winry Rockbell... *Sighs dreamily*

[letapollojusticesayfuck]

happy pride! klavier and apollo as pears

[enden-k]

i love how ppl are all 👀 at the leash in my galladay doodle like. my mans wearing a bdsm harness, hes lit asking for a leash <3 /hj

(the leash will happen more often tho sry im gay and in need)

[brainman1987]

Howdy howdy hey! I’ve been thinking about thinking more about that cowboy au, and so I’m trying to make some satisfying human designs for it :D this is what I’ve got so far though:

Kremy Lecroux, african American! One of the more recently learned black men after the civil rights act of 1866 (with help of course from Remy Guru) Conman and cook extraordinaire! People only ‘trust‘ him because he’s a stupid black man (wrong) The stache is still penciled on of course.

Gideon Coal, Mexican. Forced to help his pop in the Coal Mines after his mother left the two on their own with little money. His father died in the mines and Gideon was exploited (even more) as easy labor by white men. Has a set of manacles and chains he used to kill his original employers during an uprising and uses them as a lassoooooo

Morning Frost, Chinese immigrant. He originally came to America with his parents during the California gold rush. Learned English from whatever posters and newspapers he could find along with listening to white people speak. He also learned his mind games by doing the same thing. His robes are a gift from his parents when he set off to do…. Something

Gricko, Native American. He’s a younger generation, and is trying to meld into society after hearing their musics. Was kicked out of his tribe and eventually found a carnival (witchlight). There he met a young hard of hearing girl nicknamed hootsie and adopted her and ran. The two are slowly making a sort of sign language that the rest of the party eventually also learns to speak with Hootsie. Gricko picked up whittling to make toys and such for Hootsie and makes carvings of interesting animals he sees or hears about.

That’s all I have for them rn… I will likely change or flesh out certain parts of backstory’s and character designs. If there‘s any suggestions I’d love to hear them! (Im worried this comes off as insensitive or racist, I’m trying my best but there’s only so much research I can do) I’m really having fun making this so far hehe >:3c

[lavernius]

Locus and Lopez vs. dehumanization and seeing your own humanity through someone else

AKA 1.5k words worth of me trying to justify a random pairing I've been trying to sell people on for 5 years. Feat. a lot of my own introspection on both characters, CW for mentions of abuse.

It's kind of easy to assume that Locpez as a ship only exists because Locus is one of the few people who understands Lopez and one of even fewer who has had an actual (off-screen) conversation with him with full mutual fluency, especially since they interact directly, like, twice in canon (Objects In Space and the "Holy shit he's bilingual" scene from The Federal Army of Chorus). To be honest, that was my initial reason for shoving them together whenever I got into RVB and there was literally no content for them because no one was really considering them together in any capacity but a brief, funny passing interaction.

I do think language is an inherent motivator in their relationship with each other. It's a catalyst. Spanish, of course, is perhaps the most obvious thing they share--Locus being a Latino man and Lopez being the same in a convoluted and meta-racist metaphor. Beggars, choosers: anyone who knows how I operate knows I lean into reclaiming their depictions for my own brown person machinations. For Lopez it's the beauty of meeting someone who not only understands him, but isn't going to belittle him for the language he speaks or imply it'd be easier if he learned English. Locus will just listen to him talk and respond without commenting on the language barrier; Lopez isn't exotic or abnormal or "broken" for it, he just speaks Spanish, big deal, Locus speaks it too.

For Locus, it leans more toward reminding him of who he used to be when he was a simpler and kinder person. His culture seems like a forgone part of himself in many ways, but even if only because he's so distant from his humanity that he doesn't remember HOW to embrace his culture, or what the point of cultural pride even is. Lopez is like, reverse culture shock for him, where Locus is very familiar with Spanish as a language--grew up with it, learned it young, whatever, he canonically understands it and given he's Latino it's easy to assume it could be his native language--but has divorced himself from it so much to be malleable to his abusers that hearing someone speak it so unabashedly feels new. It's the lack of it that makes it so foreign, but it's so ingrained into him that it's easy for him to just slip back into it.

And Lopez being so stubbornly proud of what he is plays into that language dynamic, yes--now that there's someone who will listen and not judge, he has room to be adamant and own his monolingualism, and having someone as aggressively, straightforwardly prideful as Lopez forces Locus to recognize the beauty in the language too--but it applies on a grander scale, which is what I suppose the point of this post is: Locus and Lopez don't just share Spanish, but also histories of abuse and dehumanization, of being overlooked as living, thinking things in favor of taking advantage of their skills. And the results of this abuse manifest differently in both of them, but they're alike in just enough ways that their differences stimulate each other into bettering themselves and reflecting on what makes them, dramatic pause, human.

Some of Lopez and Locus's defining personality traits to me are their shared low empathy (forcibly learned on both of their parts) and the way they feel so alien in any group they're a part of. They're people with a lot of potential who don't care how others see them (at their worst, especially in Locus's case), but are limited by someone who only sees them for their usefulness (Sarge, Felix) and doesn't truly see them as a person. Lopez may be a Red, but they don't really care about anything he says, so he's just a wrench to them. Locus has Felix, but he doesn't recognize that Felix has one-sided power over him and is keeping him on a short leash; he's a shield and a weapon. They're tools, they don't have feelings, and if they realize as much it's a fault in their programming, they can and have to be steered back into place.

They're reflective of each other in this way. However, they're not identical in disposition: Locus resigns very easily to what he's told to be. He had more hope once, made attempts to be humanitarian, but was swiftly taught that kindness is suicide and that the point is to survive, no matter the cost. It was easy for Felix to take advantage of him by saying they needed each other when Locus was at his worst, because having kindness ripped out of him gave Locus little else to rely on but his hands. Locus has no room for questions, because a rulebook is absolute. It takes a reminder of what he used to be to make him falter, but even when Santa is showing him one of the inciting incidents of his "soldier" mindset, Locus can't stop himself from resigning to the mindlessness that Felix and the UNSC have already taught him.

Lopez feels trapped and is hyper-aware of it. He'll listen, but only because there's nothing else in the world for him. He's subservient but not in the same way Locus is, because he's angry about his situation: he knows it's not fair, but what can he fucking do about it? He was made to be Red Team's mechanic, and every word he says falls on deaf ears. He carries this self-awareness like a shield, like a threat: he could do something, but there's no point because his nature as a robot defines him. All he has is a sharp tongue and his hands, and the Reds only need one of those things from him. He revels in being able to complain and reminds himself that he's meant for something greater, but he's so fatalistic that he won't take action.

The balance comes from this anger. They're so alike in how they see the world and how much life has mistreated them, but they don't fully understand each other despite it. Locus sees Lopez as privileged for having a team because Locus has never had people to belong with, but he doesn't understand that Red Team isn't a safe place for Lopez. Lopez thinks Locus is misguided for letting himself believe he could ever be reduced to a mindless weapon, because Lopez has only ever been an object and Locus can't comprehend what that's really like. They see each other for their imperfections first and foremost and it frustrates them mutually: "You could've fixed this sooner, you could've escaped the grief, why didn't you try?"

It's this back-and-forth that they both need in order to reflect on themselves. They're harsh people who don't want to be coddled and admonished, but they're not making forward motion on their own because they're both stubborn and tend to decathect before they even recognize they CAN feel. They refuse to see themselves as human, but they can only see the humanity in each other, and they're both so alike that it could make them hypocrites. For a robot, Lopez's anger is so potent that it's alive: Locus sees more feeling in him than he's ever felt in his own life. Locus wants to be a weapon so bad, but he doesn't realize an object doesn't have heart the way he does, doesn't mourn the years it spent under someone's thumb, doesn't want to fix itself.

They're both brutally honest and they both need brutal honesty. They get along WELL by nature of being as similar as they are, but they argue so much because they want to understand each other and don't realize they already do. They're mapping details of their reflections. It's great: Locus is so hurt that he can only see the damage he causes, Lopez is difficult to hurt and notoriously good at fixing things. Lopez wants true accountability and retribution and Locus has cultivated complicity and guilt to perfection.

After Felix, Locus needs room to command his own life and put others in place when they overstep his boundaries, but he's scared of becoming Felix, so he also needs an anchor to keep him grounded in reality and reasonable. Lopez has never had real control over his own life before and would kill to have the power to make small choices and do as he wants, but he's a very private person who also needs a lot of space to work. They balance each other out and know the other's limits so well that they can easily go "You're hurting yourself and I'm not going to let you get away with it."

It's about understanding yourself through someone else and vice versa. Realizing that you share so much that if they deserve good, you do too. Reclaiming pain, experiencing freedom, finding support. They will deconstruct each other to the metal and muscles and rebuild one another over and over again, and they'll never get it perfectly right, but they're both going to learn more and more as they go. Flawless navigation of a road you've driven a million times, forward and back, potholes and all.