i dont want this to come across as mean or to be as some sort of example as to why being trans is bad. but i think a lot of the time when i see ppl talk abt having gender envy its not in a very constructive way.
Like ofc lots of us have dysphoria and dysmorphia,, but i just want to point out that theres not a lot of difference between trans ppl looking at skinny androgynous ppl and saying "i wish i had that gender" and the stereotype of a teenager looking at a magazine going "i wish i had that body".
A lot of the time the things i see ppl say they want the gender of are like. Just normal ppl wearing a shirt and jeans lol. But the appeal is to have their body. And i get that. I also feel like that. But i dont know how constructive it is to look at ppl and go i want to be like them instead of like me when the "like them" things are things you cant really change.
Im not saying seeing someone with a cool aesthetic and wanting that aesthetic is problematic. Im not saying anything is problematic at all ! Im just saying as a kinda chunky trans man myself that looking at skinny tall cis men and constantly going "i WISH i had what they have :(" isnt good for me and i dont think its good for a lot of other ppl too.
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Watched Nimona recently and although it was a fairly enjoyable film and I would still recommend a watch. I got a bunch of thoughts about its ending and themes and how despite it trying to build itself up as this cool queer anticop story it fails to stick the landing and instead suffers from Treasure Planet syndrome. I've decided to ramble it out under the keep reading link so spoilers for Nimona starts there
So this movie is built upon a "knight system" which is established to be an obvious cop parallel, where the knights are essentially the police of this world. The allegory doesn't stop at the job description however, as the movie takes a bold move and introduces this system as very corrupt early on; from the main character being framed by a high-ranking, police-adjacent authority, to revealing that the entire system was built on false hatred and intolerance, to Nimona outright stating that it doesn't end at the true perpetrator, but that "the WHOLE system is corrupt". Time and time again we are given proof of how the knights, whether purposefully or not, hurt, indoctrinate, and brainwash the innocent. This is a great message, and they did an excellent job of carrying it throughout the runtime until doing a sudden 180 at the end. Not only do we see the cop system still in place, with knights in universe portrayed clearly on screen, but they're painted as good with a member playing soccer with a child. They tried to reject corruption by denouncing their founder, yet they still intend to perpetuate the job built to maintain her ideals from the ground up.
Despite attempting to dive into more meaningful territory with a daring dive into a serious modern problem, the ending they gave us was palatable and conveniently perfect in a way that satisfies everyone on a shallow level, which only works with a message that's equally shallow and inoffensive. This sort of trying to have cake and eat it too conclusion is what I refer to when saying Treasure Planet syndrome, as watching the movie gave me deja vu for the same faults- because, while Treasure Planet attempts to weave a unique and subversive narrative that touches upon deeper subjects which would lead up to an unconventional yet impactful end, what they finished with was jarringly standard hogwash where they attempted to tie lose ends in a conventionally pretty, corporate-ceo approved bow. For example, one of if not the main plot of the movie was Jim Hawkins addressing his trauma regarding an absent father that abandoned him and his mom at an early age, finding a better father figure in John Silver and gradually healing from his past with a better role model. Yet at the end, the cycle repeats itself as John ends up leaving (just like Jim's father) with narry a negative emotion from Jim. Jim then goes to cop academy where, despite his journey being about rejecting societal expectations and gaining self-improvement and growth through his own means, he becomes an A-Plus goody-two shoes cop loving poster boy in no time. The syndrome also hits particularly hard with Captain Amelia and Doctor Doppler, where despite their relationship being a man and woman, it still openly rejects heteronormativity with natural romantic progression (no love at first site bullshit) that involves Amelia being way more masculine and competent than Doppler and him being the well meaning yet gullible scientist. Even the way they flirt is subversive, with Amelia calling Doppler's eyes beautiful (a traditionally feminine descriptor) rather than the instigation being made by the man. Yet at the end, heteronormativity hits as Doppler is shown suddenly more assertive and masculine as he dips Amelia in a dance, not to mention their children fall into the trop of the girls looking exactly like the mother and the boy looking exactly like the father (Also. they put a bunch of makeup on the baby girls????). In short, Treasure Planet Syndrome is writing a subversive plot/story that ends abruptly in a palatable perfect way that sacrifices both natural progression and its messages in an effort to create a more appealing happy end. A movie that I think actually LANDED its subversive storyline was Strange World, where it successfully carried through with it's deeper narrative and provided a slightly uncomfortable yet incredibly understandable and meaningful ending.
One last thing before I stop my ramble- the queer rep in Nimona is pretty bad. I mean don't get me wrong, the main character (who is canonically mlm) is fine and I'm always happy to see upfront representation in my media, but the man he was saddle with as his boyfriend treats him terribly throughout most of the movie, to the point where I was genuinely shocked seeing them together at the end. His boyfriend is this nepotism golden child who's beloved by everyone and so neck deep in the corrupt system that he: slices off the mc's arm (just says a vague sorry later), spends most of the movie refusing to trust or believe him, spends most of the movie trying to hunt him down and arrest him, easily succumbs to peer pressure when it comes down to hurting him, prefers to stay loyal to the system rather than his bf, barely questions the situation, and refuses to listen to his bf provide him with explanations or answers. Even the MC recognizes how much he hurt him, because he ends up outright BREAKING UP WITH HIM and begging him to leave him alone, only to get back with him at the end like nothing ever happened. I want a happy ending for canon queer couples as much as the next guy, but if they wanted a happy end, why did the write the love interest to be so awful? They could've made him question the motives of his superiors and the entire situation more, he could've gone out of his way to seek out an explanation before forming his own conclusion, he could've made more attempts to break the rules for harm reduction, to try and understand what happened, hell to try and TALK to the MC- it's really baffling how they tried to paint this as true love when what should've happened is the MC getting a better spouse. I see this as an extension of Treasure Planet syndrome and trying to have and eat cake at the same time mentality, to say I wasn't surprised when I discovered this movie was written by the people behind modern She-Ra would be an understatement.
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Like. okay stay with me for a second yes this is gonna be another hyttd post
pov: you are me, a dragon obsessed 14 year old, super into the whole biology of them thing, and the first movie presents you with: hey, turns out all dragons are different body language wise and even though they all breathe fire all their fires are different etc, and they are portrayed as realistic animals theyre allowed to be weird etc etc etc and im like OH COOL!!!
and then the second movie rolls around and after you get past the initial ooahhh of stoic dying and whatever else happens youre like ok. I didnt learn a single thing about the dragons this time, even tho there were MORE dragons, and they retconned their older lore where the Red Death was holding them hostage to feed itself, so now another dragon we’ve never even heard of before for some reason controls them like theyre bees? And we just never learn how that works either. And furthermore, Valka has all this knowledge of dragons she never shares. you get to see it once or twice when she fucking pressure-point-knockouts a couple of them but you never get any honest to god info like you did in the training arena sections of the first film. But yeah whatwver anyways toothless becomes alpha inexplicably so they re-retcon their own lore in the same movie and youre like, ok i guess
and then the THIRD movie happens and its like. what the fuck? the problem is that there are too many dragons in berk, right? And yet theres barely any dragons in that movie at all. You dont see them act like animals theyre more like, smartass Entities (except for toothless who gets all of his braincells deleted in the favor of being Horny).
Barring everything obviously wrong with the sequels which both I and many others have endlessly harped on for ages already, on a more personal note it feels like the dragons stopped being part of the movies, so to speak. The plot somehow still revolves around them, but they are only important as set pieces. Like the bewilderbeest, or cloudjumper, or god forbid the funny venom guys from hidden world (and the one big horned dragon I guess). They stop being animals with high intellect and defined behaviors and personalities and just become Funny Alive Vehicle. The only ones who ever get development are toothless, kind of, and the main gang at the start of the second film (I think? Though I might be confusing said development with riders of berk. Ill stop here though I feel like im going insane. thanks for reading if you did. like and subscribe for more lukewarm takes)
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HOLY COW YOUR BIBLE POSTS
I’ve been Christian for 15 years and I never thought about the prophets as whumpees. I am enraptured by this take on the Bible.
Also, have you gotten to Jezebel yet? Her death is *chef’s kiss*
JEZEBEL IS ANOTHER FAVOURITE OF MINE YES. not as in omg i love her but as in wow amazing story. for anyone who doesnt know jezebel was prophesised to die and have her body be eaten by dogs so that she would never be buried. and thats exactly what happened. very very whumpy. and u know what? im not mad abt it at all bc she wanted to hurt my dear dear elijah... no one hurts my dear dear elijah.
im glad u like my bible posting :) ive been told my comments and opinions r... very fresh. a new perspective /j the thing is- yes im reading the bible but im also super super cynical abt it and i also have "must project onto the characters and must read it like its a YA novel" disease. like bc of my bad experience w religion i went into it Wanting to poke holes in it lol but the more i read the more i understand how it works. and the more i understand that most of the Bad Bible Things ive heard growing up were either completely taken out of context or straight up lies. its a little comforting ngl
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me crawling out of bed to type this and disappear back to my cocoon right after but-specifically looking at the hewitts since granted i know more on the remakes than the others but,
the hewitts only got vague, limited police action looking into them in '03 after erin chops thomas' arm off and gets away. and even though theres' coverage of it and everything, that literally ONLY happens after 4-5 straight years of the hewitts doing what they do, from 69-73 in terms of solely the remake timeline.
that's still a shitton of time to be ACTIVELY killing people to y'know. not fucking die yourselves. then combine that with the sawyers - their additional family members, their own trails of ruthlessness added into the mix, and this entire combined family unit likely has kill counts all around in the hundreds if not even way past that.
but even with the police involvement in the remakes?
its all SO SLOPPY, its hardly conducted with any real CARE about their own well-beings. like??? ya'll went into that house while THOMAS was STILL THERE... didnt even SECURE THE HOUSE.....
and even with the found footage? no arrests, presumably. the remaining hewitts are still at large, thomas is still at large. like... all ya'll did was corral them to their fucking confusing ass tunnel system and made luda (if we count the comics) far more involved and ruthless in the actual killings than she was in the movies lol
and yes technically speaking with charlie's death that could sever the stronghold they've got on the police and sheriffs' around them - but at the same time - how bad would it look of them to SUDDENLY flip a switch and try to unpack the years worth of missing persons, cold cases, murders, kidnappings, break-ins, assaults, etc etc that they swept under the rug? that's WAY too much man power, esp for back then. no one is gonna do that shit.
so. i truly dont think they have much to worry about even in the event of charlie dying - because the fear and influence they've instilled stands for law enforcement to continue to do fuck all - to save and cover their own asses.
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