Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-
Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.
I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”
They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.
ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally
Papae Solas is incredible conceptwise, but as an angst demon, I MUST make it a torment. its like my only biological imperative is to make things much much worse. anyway wouldn't it be fucked up if the timing of their breakup was juuust so, that he didn't even KNOW there was a child. Like it's not like Lavellan would be taking a toddler along with the party during Trespasser. If they broke up RIGHT BEFORE the final fight with Corypheus, then it's entirely possible neither of them would have known when Solas disappeared. It's not like Lavellan could track him down. Fuck, if they're bitter about it they might not even want to. it could cause so much fucking drama and problems i cant stop thinking about it
Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.
Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:
Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.
Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.
Mordred.
That night, Arthur holds Mordred and weeps.
There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.
Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.
*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*
**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^
Additional notes below the break:
Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.
I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)
Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*
Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D
been seeing a lot of posts about how glasses (and the way society acts about normalized glasses/vision correction) are great examples of how important accessibility tech for disabilities—and effective monetary coverage for those things—is. took a walk today without my glasses and remembered all over again that those posts are right and the normalization of glasses as accessibility tech, as fashion, as something people just "have" is essential and very good but also we should never forget they are actually correcting for a disability.
if you need glasses—even if your vision is fine without them, but especially if your vision is really significantly impaired without them—there's no piece of advice i wish people talked about more often than the fact that you should always, always always, have a contingency plan of how to get around without your glasses. you should know how to change the accessibility settings to make your phone or computer usable, even if you don't have your glasses on while you're doing it. if your vision is significantly impaired enough without your glasses that you wouldn't feel safe moving around outside of the home, you should look into getting, and learning to use, a tactile cane. you should know how to read the tactile labelling for elevators and signs and recognize where you are without being able to read street signs. you should keep the stuff to repair your glasses in your bag/purse/suitcase, you should know how to navigate your home, feed yourself, clean yourself, and find and ask for help without your glasses.
my vision was already significantly impaired before i broke my glasses in 2018, but i "technically" see 20/20 with my correct scrip and i hadn't taken the time to be proactive with accessibility tech on my phone or my laptop. i could get around without them using a tactile cane and backup sunglasses and having walked around the city without them, but i couldn't check my email, grade my papers, play games with my friends, or call my husband for help. i had to crash-course learn all of that in less than a week.
making use of accessibility technology to make things easier to use without your glasses can make it easier to use with them on, too. reducing eye strain and headaches because the font is of a size that's more readable or you have twilight cutting your blue light or you have tinted lenses that help fix glare from fluorescent lights or the sun, redoing the colors on a game to be easier to see or turning off significant shadows, marking buttons on your remotes or your keyboards or your light switches, being able to find food in your kitchen without having to check labels, all of that?? there's nothing wrong with that. you should learn to do it.
in a worst-case scenario, where you break or lose or don't otherwise have your glasses, being able to do basic tasks like use your phone, navigate around outside your home, or get food could save your life. the rest of the time, there's no reason to make seeing harder on yourself, and these technologies exist to be used.
i just wish more people, especially more people who are significantly vision impaired without their glasses, would be proactive and make plans and learn how to exist without their glasses. it's important! it's really important! don't forget that they're still accessibility technology correcting for a significant disability!
I don't know especially with the lastest chapter (ch 265) this just feels so much like Yuuji.
Like especially in the first season people kept asking why he is doing all this, why he wants to save people, why he's beating himself up so much over people he barely knows. People kept wanting to know Yuuji's why and he couldn't explain it he was holding unto the promise he made to his granfther as an explanation but that wasnt really is.
And then you have Mahito who tried to force his own defintion of who yuuji was unto him and beat him down until Yuuji believed it too. He's just a machine killing curses because thats his nature vs Mahito killing humans cause thats his nature. They are beings of instinct slaves to their nature, cogs in the machine. And Yuuji internalizes that so much it weighs so heavily on him the idea that his job isnt to save people but kill curses doesn't sit right with him.
but then at what should be his lowest point he stares his biggest tormentor in the face and said you know what I don't particulalry care what you or anyone else thinks about my reasons. I don't think you have to have grand or innate reasons to do something. Sometimes you just do! and what yuuji wants, more than anything; more than killing curses more than keeping the "weak" safe, is to save his friends.
And it's too late for a lot of them, Yuuji was too late but goddam it he won't be late for this. So fuck Sukuna he's bringing Megumi home.
PETITION!!!!!! FOR THE ATLA X JJK STUFF!!!! OMG NOW I HAVE A BRAINROT love this idea sm.....
i have SOOOO many ideas you have no idea how near and dead atla is to me… i could rant about this day and night…. reader’s bending or non-bending abilities always change in the au for me, but i feel very strongly about everyone’s bending abilities teehee…. except satoru… i can pickle many aus for satoru bc that’s pookie <3
firebender reader that captures airbender yuuta to take him back to the fire nation as a reward and honestly he should fight back, he could fight back, and he probably shouldn’t blush when you’re rough with him, but you’re really pretty and stubborn and sure the ropes you put around his hands and ankles are really tight but it could have been worse. and you haven’t burned or scarred him, and you even give him some of fish you capture and cook along the way, so maybe you don’t really hate him that much. it’s so much of yuuta nervously rambling as you two travel and you not responding, but that doesn’t stop yuuta, nor does it deter him from thinking that you’re not all bad. clearly you’re strong and determined and you believe capturing him with worth something so he kinda…. let’s it be (also he thinks he’d lose a fight to you) and somewhere along the way he gets the courage to point blank as you why you’re taking him and i’d love to say he talk no jutsus you into not turning him in but also love the idea of someone else attacking you and yuuta turning on the airbending to choke them out which is insane bc you’ve done nothing but capture him but who’s to say that’s not a form of love too xoxo
or we can consider you and megumi growing up in the south pole together, it’s a small town so it’s not a coincidence that you two become friends, even if megumi is a little gruff at first. you two do everything together, even though your water bending abilities start to differ as you get older—you become much more mischievous, while megumi becomes focused on precision and healing. it’s why, despite the tradition being father and son to go out hunting, toji takes you out to sea to go ice fishing and you always run back home to megumi with your capture in hand, damn near tackling him every time and happily proclaiming you caught his favorite; and every time he tells you to calm down and not cause a scene, but you don’t, and toji and his mom chuckle as you tackle him and megumi tries to blush and wrangles you into a seat inside while he helps his mom with dinner. and really, all is well until some snobby prince from another town claims that your family is indebted to his and that you’re betrothed as collateral and everyone finds out very quickly that even though megumi spent all his time focusing on healing, that he’s still toji’s son and can make one hell of a tsunami if it calls for it. (and when the storm, literally, passes, megumi huffs as he digs through his belonging and stuffs a necklace in your hand and all you can do is blink and wonder what’s going on while his mom snickers in the background and winks at you “i think that’s a proposal, dear.”)
orrrrrr even though i firmly believe in airbender satoru superiority, i do make an exception for stealing yue’s plot line and making satoru a waterbender and prince who’s hair is only white because he blessed and saved by the moon spirit when he was very young. ofc, that’s not enough to make him nearly as humble as he should be, and satoru spends all his days ignoring his princely duties and bothering you and a nanami instead, ditching his masters and servants in favor of pouting at you to teach him your skills instead because satoru wholly believes his duty is not to serve as the bridge between his people and the moon, but instead to annoy you and hopefully make you mrs half-moon someday
I Honestly wasn't sure what you meant! Because i have drawn him so so many times digitally BUT this one is special
BECAUSE!
Normally i do do my sketch Traditionally, But i chose to take this ask as a personall challenge to do the WHOLE thing digitally
looky at my digital sketch!!
just like my trad sketches, it is just very very light. Im so used to drawing lightly because i erase a LOT
oh and hey, while i'm at it, just take my ding dang time-lapse
ahahaha just in case you guys ever wante to watch me manually color and yes yes, do those shading lines by hand because i love them.
oh and ty Ibis for having background elements bc backgrounds are HARD. (But putting the little stickers and bgs together feels like scrapbooking and its fun!!)
If you actually watched me draw, you may get motion sickness from just how much i move my canvas around lmao
I have seen a wild amount of people complaining about the context of Wind Breaker and how "unrealistic" it is for the characters to go to school but without any teachers or adults being shown or protecting them and... First of all, realism is not what you're going to find reading a Shonen and if you want a full-on high school experience, read another manga. It is very common to skip those details as a writer because they are not interesting in the slightest and they have confirmed multiple times that all of their grades are awful, so you won't get a silly little arc about them studying, because they directly don't. To say it is "unrealistic" is to ask for boring, pointless, plotless occurrences in a Shonen manga about fighting. Are people even hearing themselves when they complain?
But it's not only from a writer's perspective skipping what's unimportant that justifies the lack of teachers and responsible adults, but the plot itself. At first, it is confusing, but I think you only have to look a bit deeper into the cultural context of the story to understand why there aren't teachers/adults shown.
I'm around chapter 100, so I am not sure this gets explained further in the manga, but my theory as to why they behave this way is pretty simple, honestly: They are poor and in ruins, and adults with the power to change things do not care about them. Easy as that.
Whether it is real or just an exaggeration of what's actually going on, it has been shown countless times (especially in Umemiya's backstory, explaining directly how authorities don't care about the kids or anybody, really) that the whole city is made for outcasts and left to rot by the government. It is not some apocalyptic bullshit, it is stuff that happens every goddamn day in real life. They go to school but they aren't shown studying and the place itself is a mess. We only see Umemiya running the school but it is confirmed that there's staff and somebody grading them somehow, despite never being shown studying or doing anything other than patrolling. But they have shown us that the city used to be extremely problematic and chaotic and only recently have things started to change for the better. Most villains and even main characters are orphans and live on their own. There's a whole arc about a group of kids being left to rot in poverty without any means to study or live a normal life. Even our main character lives on his own in a horrendous apartment. Like--
I believe you have to be blind to not see that, if this isn't just literally some people turning their backs against poor kids in a place in ruins, it is at least an exaggeration of these things happening in real life. Because they could have classes and teachers and everything you want in the manga to make it more realistic, but this is, after all, from the perspective of teenagers who can't rely on anybody but themselves. There's only so much a teacher can do, and we know most of them do nothing for these kids. So if it is "unrealistic" perhaps you aren't aware of what damn hyperboles and metaphors are, but this is from the students' points of view, and when you live in a place like this, it doesn't matter how many teachers there are or police, because they won't help. So they are directly erased from the story to be replaced with Sakura's point of view of Umemiya running the whole place.
So I think that instead of looking for realistic interpretations of their high school experience, perhaps you should empathize a little with the actual real high school experiences of people like them.
oihguiuhj omg. bee going back to the comet is givng me like last unicorn vibes like idk. like she used to be a immortal otherworldly being that was then forced to experience life and the bad and good things that come with it. but now she's back at her home with her sister mother thing but since she's gone through the experience of being with guto and hunter and stuff she could never be the way she was before she was taken from her home. would she even feel like she fits in with the rest of the comet anymore. she already didnt feel like she belonged on whatever planet fusionsprunt takes place in but what if now she feels like she belongs nowhere??? sorry for rambling, my brain is infected with bees.
anyway please show love to your queer and indigenous friends and show support for the groups and organizations trying to make a difference for these communities IN the states they live in. most of us don’t want to leave, and we shouldn’t HAVE to leave to be recognized as humans worthy of rights and respect and love, not just by our representatives but also by queer people (especially white people) in big cities in the north who assume their experiences are universal.