#you presence makes a difference

[enii]

Sometimes, all you need is a warm hug💕

[turtleblogatlast]

[ cw: dismemberment / ]

I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)

I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.

[kitamars]

hi (my pockets explode and ginhiji doodles fall out) i won’t even try to justify myself

[aethersflood]

Just don't say I didn't warn you. You're Cid now, and if anything happens to him, we're finished.

[sergle]

what do you think is the hardest part of being an artist? personally I hate the process of "finishing" any piece. do you ever feel like a piece is truly done?

tbh... Finishing is such a weird one, I NEVER feel like a drawing is finished, only that I'm finished looking at it but I think the hardest part of being an artist (as a Trade) is that most of what you have to do, in order to be an artist, isn't art. So the organizing, the emails, the customer service, self promotion, order fulfillment, keeping a Schedule, things like that. None of that has anything to do with actually making stuff. and I think that's what's always the hardest for me. If I never had to manage my own presence, advertise, or figure out how to handle customer service / emails / organization in general, and my job was just to make things, I think "being an artist" is easy. If I could just draw, I think that would be the ideal. But 78% of being an artist actually has nothing to do with drawing.

[sneez]

Edward -> Èideard

hello dear friends! just letting you know that i have decided to try out the scots gaelic spelling of my name for a while to see if i prefer it to the english one. i deliberated about the matter for a long time before settling on edward but i have been Gazing Wistfully at the alternate spelling ever since then so i figured i may as well give it a chance given that i am as much scottish as i am english in all except physical location. in my accent the pronunciation is the same, and most of you call me ned anyway, so there will probably be very little change on the whole, but [vague gesture]. who am i to resist a little E with an accent

[stop-breaking-my-heart-telltale]

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.

[mayfieldss]

👏stop👏hating👏millie👏bobby👏brown👏for👏being👏a👏loud👏woman👏

[bumblingbabooshka]

The amount of copium T'Pring is ingesting in this scene is unprecedented and deeply sad especially paired with Spock immediately going "Yeah of course, you know me so well babe." Someone SAVE her. You HAVE to understand. He made out with Chapel IN FRONT OF HER and her response is to immediately rationalize both that action and the clear 'passion' she saw in it - then to have sex with him. HELP HER!!!!

[presentmic]

i reblogged some of that barabims persons art but looking at it again today zooming and moving around the image its AI generated with some retouching. i saved an image of joseph last night and what clued me was this weird lump that looks like an ai conglomerated signature that theyve since deleted with an updated image.

structure is inconsistent without seeming human logic or intention,bangs blending with the headband design for example, masses of clothing folds that have no human logic to them. some images have very low resolution, and zooming in on any image shows lots of the image tends to smear and blend together. hands while having the right number of fingers, they dont have logical proportions or positioning when the other parts of the piece are extremely anatomically correct. shading and lighting under closer inspection i very nonsensical in some areas. things that if an artist intentionally stylized i would think nothing of but become very obvious its the work of an AI when compounded with everything else. these are things that come off as amateur mistakes that an artist of that presumed skill level wouldn’t make often, but that a computer that doesnt understand would.

jotaro extra knuckle kujo, giorno weird ear and floating earring. weird giorno earrings the sequel.

hair blending with design in sleeve, etc. these are tells that come with AI art. its been getting better and can do the correct number of fingers and more stylized images, i was even tricked at first glance. but any close scrutiny reveals these things.

[brittlebutch]

finally found a place to read With the Light online and i'm thrilled; if you haven't read this manga i do Legitimately recommend it

[jahiera]

sorry I'm gonna cringepost again.

there's something I need to expel from my brain in terms of how astarion grapples and feels resentment/disgust/derision toward the concepts of heroics and ""good"" people and the way that emrys craves deeply to be good but will ultimately always fall short of the mark (in her own mind, at least) because she's too angry + too violent + too impulsive + too outraged (toward injustice, cruelty, in the world), the paladin ideal will never be met. and how when they're put together in the same room they line up to smack each other RIGHT in the thing theyre sensitive about. astarion lays out clearly the failures of the very foundations of her belief systems, makes her grapple with the things that are too extreme, whats long since become burdens to her, and she forces him to endure the fact that there are at least a few people in the world that are willing to fight with him and for others. and they're both? scrappy people, really. and go hard in the opposite directions but on the same wavelength of... interaction; both snarky, stubborn, toe to toe on everything, admirable of resilience. sort of forced together by circumstance, but completely filling in the gaps the other's got going on. it's just where he's got the lying and the charades and the bullshit and she is so Brusque and bludgeoning through at all times that the charade is moot. completely antithetical to everything he's been doing for the last 200 yrs, which is as irritating as it can maybe be refreshing. and he makes her laugh. WHICH IS NICE.

[dreamlanddeluxe]

I need to educate myself further on the depths of early tech advancements and video art, but eventually I'd love to make a video essay about how it connects to electric dreams because I truly believe that in a way it's a love letter to the rising genre of video art and electronic sound art present in the movie's time period. I know it I just need more context to make proper connections.

[spicyicymeloncat]

Ninjago au:

But almost all the ninja go through what Nya did in Seabound, in their respective seasons. When half a century spent connected to the forbidden scroll in the never realm left Zane mostly made of ice. When Jay and his powers were the only energy source strong enough to power a portal back from prime empire since Zane’s absence but he had to sacrifice his body in order to become fully digital. When the spinjitzu burst was never fully mastered by Lilly because it mean becoming stone and earth and still Cole made that sacrifice. When Nya returns to sea and whatever crystalised has in store for Lloyd. But Kai had his powers stolen before all of that, and they never returned. He had to learn to be a hero without those powers, and he was lucky enough to be a hero without the price of them too.

[yuriyuruandyuraart]

HAPPY (late) BIRTHDAY @zu-is-here!!!!

i can't believe i missed your b-day again!! i had to make you something this year and so why not draw the bean the legend, the sweetest baby ever as a gift!!! >:Dc

thank you so much for all of your sweet words and making your blog one of the most comforting places to be at!! hope you're having an amazing day<3333

[nebulouscoffee]

That scene between Tuvok and B'Elanna from 'Resistance' wrecks me actually... It's such a great moment for both characters (and actors, Tim Russ is SO underrated ugh) which highlights the differences between the two of them so well- yet, ultimately shows that under certain circumstances (in this case, torture) the distinctions between people... don't really matter. In an episode full of political violence, this moment is so significant, and I don't even really think I have the smarts to articulate why but I'll try lol.

TORRES: We told you already. We don't know anything about the Resistance.  AUGRIS: I've heard that many times, from many people. Take him.  (The forcefield is lowered, and Torres grabs the guard that steps through.)  TUVOK: Lieutenant, stop! That will not help either of us.  AUGRIS: He's right.

Everything about the way this scene (and the final shot where she's shoved back into her seat) is framed makes B'Elanna appear small, helpless- and embarrassed at her own helplessness- in that cell. We see her fidgeting, unable to sit down, constantly trying to break out or improvise her way out of the situation (she gets electrocuted earlier while trying to tamper with the circuitry)- it makes me wonder whether Tuvok was chosen to be tortured not because they believed he was more likely to have information, but because B'Elanna was more likely to be demoralised watching helplessly as he's dragged off. Augris's line implies that he's "broken" a great many people in the past; a tactic to instil fear and a helpless sense of inevitability in them both (torture doesn't work as a reliable way of extracting information; this is stated in dialogue in other Trek episodes such as 'Chain of Command' so the assertion here is at least not that- but what it does do is demoralise the public involved in resistances like this one.)

Later, B'Elanna is still trying to escape (do the guards know she's doing this? Are they just not intervening?) and she hears him screaming. Tuvok is someone who considers letting others witness him lose control over his exterior a huge (indecent, violating, humiliating) vulnerability, and the fact that he's the one being tortured is Not Insignificant in this context but like- it could've been the other way round. And B'Elanna knows that. It could've been her, and perhaps a small, scared part of her is relieved that it wasn't her, which is an awful way to feel (and if there's one thing B'Elanna hates, it's feeling like a coward). Also- the sheer violation of this, for B'Elanna to have witnessed him in this state, against her will- to later see him bloodied and weakened and flung in a cell, to have heard him screaming in pain- without his consent, knowing she can never un-witness it, knowing it wasn't her fault but still being put in such a situation where she has now played that role... Does this experience forcibly rewrite their respective conceptualisations of each other? Was Tuvok even thinking of her- somewhere outside, listening, worrying, blaming herself, fearing for herself, feeling ashamed, feeling so aware of him and her and the shared humiliation of this- when he was in there? Did seeing her upon coming back out change things? Could it ever change things? Did her presence, even as an outsider, whose memories of this event will always be (visually, at least) the constructs of her imagination- somehow make what happened in there real? Does her role as witness- and her memory thereby carrying some sort of legitimisation of what happened to him now, however warped and coloured by her own perspective and fears and embarrassment- make things better for Tuvok? Does it make things worse? Would he rather have endured this in secret? Would it have been better if she were a total stranger? Would it have been worse? And does any of this even matter when, for a moment, your life (your personhood, your goals, your presence) was completely reduced to what you "must endure"?

AUGRIS: We don't have to ask your friend any more questions, if you give us the answers.  TORRES: I told you I don't.  (Torres stops herself from hitting Augris, who leaves.)  TORRES: I'm sorry. I guess I always assumed that Vulcans didn't feel pain like the rest of us. That you were able to block it out somehow. Until I heard. Was that you I heard?

And the way B'Elanna's voice breaks when she asks this, as if she was still somehow hoping the answer would be no... There are complexities to this which again I don't feel like I'm smart enough to articulate, but like- yes, B'Elanna would like to hear that it wasn't him because that would mean her friend wasn't tortured "that badly", he wasn't put through "enough pain" to scream that way, and it's easier and more comfortable to think of violence (and violation) as something you can rank on a scale, and the lower on it Tuvok's experience ranks, the better! the more easy it will be for them to "move past" this! - but also, there's this element of "I want the answer to be no because that would mean I would not have been a participant in your humiliation, just some stranger's whose voice I don't have a face to put to, which is much better than having to know what you (my friend, my colleague, my respected senior officer, someone I will have to see every day on the bridge, someone I know prefers to keep vulnerabilities hidden even deeper than anyone else I know) sound like when you scream. But also... it doesn't really matter, does it...? Whatever he says, there always was still a moment- however brief- where B'Elanna heard a man screaming in agony, and thought it could've been Tuvok. And in that moment, that possibility was created. Now, it will always exist. That moment will always have happened. It will always have done something to her. It will always exist between them; an ugly, uncomfortable bond.

And this is getting into even more things I'm not smart enough to articulate, but like- it's pretty significant to me that B'Elanna is one of the few characters who never actually tries to poke Tuvok into Doing An Emotion, even normally. She doesn't consider trying to get him to crack an entertaining pastime, unlike others (and I'm sure her experiences of feeling like an outsider- always- feeling Very Visible As Klingon, play a role in this- "all they ever saw was my forehead" does not lend itself so kindly to "let's see if we can get Mr. Vulcan to smile", "why, Tuvok, it seems you've been corrupted by Human (read: default) rituals after all!"- it's a light-hearted joke for many, sure, but what if Tuvok genuinely considers the idea of smiling in the presence of others reflective of a humiliating loss of control and deeply debasing?) I think it's pretty clear from canon that he's just being himself; he's not trying to be a killjoy or trying to be mean, he's just Vulcan. And this is one of the few moments in Trek I can think of when a Vulcan's perceived "control" over their emotions is not connected with their reluctance to laugh or cry or say something sentimental, but... this. B'Elanna is shocked, she's horrified, she demands an explanation as to how he can possibly go through something like this and not feel the desire to "fight back" in a way she understands- and the way she cannot grant him the pretence of not having witnessed, here, the way she can't just shove this in a box, pretend she never heard, because she's just so fundamentally honest- and Tuvok (who is also so fundamentally honest), in a painful moment of openness, tells her exactly what his reasoning is. He lets her see. He lets her hear; on his own terms. He wants for her to understand (for her to witness?) his (very Vulcan) distinction between resistance and endurance; his understanding of endurance as its own form of resistance. Idk it's such a quietly powerful and like- devastating- moment for me... So many people try, over and over, thoughout the show, to get Tuvok to break his Vulcansona- try to make him smile, make him say tender things, make him get irritated- just to see if they can do it. Just to see if he'll ever crack. I bet B'Elanna wishes she never had.