#your fave is a system

[urfavesasystem]

can you do Cartoka from PJ masks please

Cartoka from PJ masks is a system! (Sorry for late response, never got the notification!)

[your-fave-is-plural]

bmo from adventure time is plural [headcannon but very hinted at]

[ID: BMO from Adventure Time over the plural flag by Kenochoric. End ID]

[chimchiri]

Tank to the rescue

[jeremy-heere]

squandering astronomic probabilities / i just want to have a silly, aimless chat

[sableeira]

there is something about magic systems that borrow from a specific craft that makes them so special. Maybe it’s because they feel more tangible and it’s very easy to get swept away by the passion for the craft that is clearly written on every page.

Whether it’s the art based magic system in Witch Hat Atelier. Or the translation based magic system in Babel. Or the alchemy/chemistry based magic system in Fullmetal Alchemist.

The relation to a specific craft makes the characters passion for their magic feel so personal and relatable. Because there is magic in art, in translation, in chemistry and any other craft that people partake in. The magic system becomes a love letter towards creation and everyone who creates and there is nothing world building wise that could be more charming.

[kyannnite]

good afternoon a fat bingqiu for you all

sketch comm for c @itsc !!

[deadgodjess]

since skinzun seems to be either an elf cat or a bambino (I'm going with elf, they are funnier looking), i started wondering what "ugly" breeds I think other peak lords and major characters are.

first off, lykoi binghe (so pitiful, so weird looking):

liu qingge is an oriental shorthair (look at this elegant weirdo!):

yue qingyuan - dwelf cat

mu qingfang - ukranian levkoy (this cat has used stimulants to get through days of study and now knows the face of god)

shang qinghua - devon rex (a cat ppl say is ugly but really seems to just have weird fur)

mobei-jun? peterbald:

skinzun, the elf cat:

[your-fav-is-food]

Daron Malakian from System of a Down is food!

Requested by: Anon

[lagosbratzdoll]

On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom

This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.

Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.

Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 

Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 

I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 

In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.

How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.

Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.

The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 

Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 

However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.

Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  

People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 

I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.

What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 

This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.

I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 

It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.

Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 

Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 

[1]  

Ooooooh, I am the last of the giants, my people are gone from the earth.

The last of the great mountain giants, who ruled all the world at my birth

Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.

And they’ve built a great wall through my valleys, and fished all the fish from my rills

In stone halls they burn their great fires, in stone halls they forge their sharp spears.

Whilst I walk alone in the mountains, with no true companion but tears.

They hunt me with dogs in the daylight, they hunt me with torches by night.

For these men who are small can never stand tall, whilst giants still walk in the light.

Oooooooh, I am the LAST of the giants, so learn well the words of my song.

For when I am gone the singing will fade, and the silence shall last long and long.

[pixelatedraindrops]

Makoto Doodles

(spoilers below unmasked makoto)

a tired and overworked CEO...😵‍💫

who's hopelessly bad at self care...🌡️

[urfavesasystem]

uhh mayhaps Madoka from madoka magica

Madoka from Madoka Magica is a system!

[velaraffricate]

so I've been working on my latest conlang, irkan osla (or just osla for short), for a bit now and would like to showcase its writing system in this post! osla has a syllabic alphabet, not too dissimilar to korean hangul, where letters are stacked according to certain rules to make syllable blocks.

osla's syllable structure is (C)(C)V(V)(C), here's how the stacks work for each type of syllable:

all letters have small, wide, and tall forms depending on their position in the syllable. here are all the letters with their IPA value and romanization:

and here's an example text! i translated parts of the minecraft end poem into osla. maybe i'll make another post just focusing on the grammar when it's more developed. the poem says in english:

What did this player dream? This player dreamed of sunlight and trees. Of fire and water. It dreamed it created. And it dreamed it destroyed. It dreamed it hunted, and was hunted. It dreamed of shelter.

Does it know that we love it? That the universe is kind? Sometimes, through the noise of its thoughts, it hears the universe, yes.

this post is getting long, so under the cut you'll find a "sans-serif" version as well as the poem in osla and its gloss if you're also a linguistics nerd and wanna know what's going on under the hood (the roman numerals stand for the 3 noun classes)! thanks for reading!

The way regular people would write something quickly on a piece of paper with a regular pen is an aspect of creating neographies that I feel is often overlooked, so I developed this sans-serif version that people would probably be more likely to use when writing their shopping lists or diary entries:

And, finally, here's the poem translation:

pak oṇḍul phan wimbakis?

DET.I.SG.PROX play-AGN what dream-PST.3SG.I?

pak oṇḍul lümaṇiuṣerothi han buloni an wimbakis. kaṣkhaothi han nilothi an. wimbakis, run sëmamkis. wimbakis, run xokthakis, han bumxokthakis. zöga an wimbakis.

DET.I.SG.PROX play-AGN sunlight-II.SG.DAT and tree-II.PL.DAT of dream-PST.3SG.I. Fire-II.SG.DAT and water-II.SG.DAT of. dream-PST.3SG.I, that create-PST.3SG.I. dream-PST.3SG.I, that hunt-PST.3SG.I, and PASS-hunt-PST.3SG.I. shelter of dream-PST.3SG.I.

ṭauraka, run kaak samare? run glutsüna flia?

know-NP.3SG.I, that 3SG.I.ABS love-NP.1PL? that universe kind?

imba ethamo, khaṣiŋli an ka’am hu’aŋni pitë, glutsüna ṣaraka, ti.

some time-NOM.III.PL, noise-ACC.II.SG of 3SG.I.GEN thought-NOM.III.PL through, universe hear-NP.3SG.I, yes.

[mabaris]

sometimes, reading D&D lore, i am reminded that one of bioware's first big games was D&D IP, and many of those writers went directly on to work on dragon age

[necrotic-nephilim]

Sorry if this might be a rude question but why don’t you just make a seperate account for your nsfw fics?

not rude, it's a valid question! tbh it's a combination of a couple reasons.

i started posting anonymous dead dove batcest fics long before i had the balls to make a tumblr. at first i was content to just leave them unassociated with each other because i didn't really care about them being tied to me. i made this blog to actually show solidarity to my partner who wanted to make a sideblog for Sandman comic stuff so we could cheerlead each other and be brave together, since i've wanted to make a batcest sideblog but i've been nervous about actually having to get it going. (mal ik you're reading this go be brave and actually make your blog so i can cheerlead you damnit-) only did it dawn on me then that i should probably mention the fics i've written on the blog after like, three of them were posted anonymously. and it would've annoyed me to have half of them anonymous and half of them not, because notifications for them would've gone in different places. i could go back and take my fics off anon if i wanted to, but i can't switch the account they're on without taking them down entirely and that'd fuck over people who have them bookmarked already.

which, ties into my second reason, if i made an entire second ao3 account it'd be harder for me to see notifications, reply to stuff, and post things for both accounts because i'd have to constantly switch. and honestly i'd be terrified of accidentally posting on the wrong one on a brain fog day. posting fics is always the most tedious part of writing them for me lol. it's easier for me to stay logged into one account and have all of my stuff in one place for me and just use the anonymous collection when i feel like it. if ao3 pseuds worked like tumblr blogs, where you can't see all my side blogs but i can, i would've used pseuds, but since you can see all pseuds on an ao3, i felt it was a moot point.

and the last reason is i just feel more comfortable being anonymous on ao3 because of the rise in anti culture. on tumblr it's very easy for me to just filter that out and find the people i want to follow and block the people i don't. i don't mind getting hate, on tumblr or on ao3. but i think, for whatever reason you want to blame it on, there's been a massive boom of antis on ao3 who are very entitled about how they read on ao3. i tag extensively, but i just feel safer from getting targeted attacks if everything i write on ao3 isn't attached to one profile. if people like a fic i wrote, want to find more i always link my tumblr in the notes, but if an anti wants to get huffy with me, they can't easily track down my other things. they definitely could if they wanted to, but being anonymous on ao3 just makes me feel more secluded, in a weird way. it's like saying "if you want you can come find me but on here i'm just a weird faceless guy throwing stuff in the void". i've used ao3's anon feature a lot, actually, i used to be a hydra trash party dumpster kid back when that was in it's prime.

i also used to be vaguely popular on a different tumblr blog and my main ao3 and while i think it'd definitely be cool if i got a decent chunk of followers on this blog too, i don't really miss having fanfiction do so well i got targetted hate on all of my fics from the same people, i had my fics stolen, etc. it was really exhausting for me. i have 120+ works on ao3, not counting what's anonymous, and that level of exposure tires me, even when i use my main ao3 to post things that aren't trashy. it's just a weird feeling knowing so many people are subscribed to you on ao3 and what if you post something they won't like because you jumped fandoms again, or you're posting something niche, or you don't think it fills enough fandom tropes to be well-liked. i used to obsessively think like that, and it made me not write the things i wanted to because i cared about numbers. and i don't want to slide back into that hole. writing on anonymous is mostly to remind myself i wrote this for me, and if other people like it, they can come find me, but i don't have to perform like that anymore. if i get a really weird fucked up idea, i can write the really weird fucked up idea. at the end of the day, just makes me more comfortable! but i get it's a super confusing set up from an outsider perspective so, i really don't mind the question, thank you for asking!!

[merevide]

caved and watched the first 5 episodes of hotd and rn all i gotta say is i wouldn't even wish the fate of being a high ranking offical's daughter/wife in the GoT universe onto my worst enemy godddd

[urfave-uses-gender-systems]

Protagonist from Bonnie’s Bakery uses Genderfuckoff!

Link: Genderfuckoff