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#zonai devices
sylph-inkling · 9 months
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rocket science
I launched a Zonai platform a few times for science! I think it's the South Hyrule Sky Archipelago. Testing proceeded by attaching a device to the center of the platform, or symmetrically, and waiting until the platform came to a complete stop. All devices were oriented for direct ascension, so only the third/Z coordinate (altitude) are reported.
Base elevation: 0859 One rocket: 1088 = +229 Two rockets (together): 1094 = +235 Two rockets (sequence): 1273 [first: 1042] = +414 Balloon & Flame Emitter: 1512 [1 recharge break] = +653
"Two rockets (together)" indicates both rockets being directly attached to the platform, firing together. "Two rockets (sequence)" is where I glued one rocket to the top of the other. This only fired the lower rocket; when it burned out, the upper rocket fell to the platform, so I set it up and made a second launch from there.
"Balloon & Flame Emitter" ran until the balloon timed out. Although this achieved more height, it was very slow; the process appears to have taken three minutes of real time. It takes only 20 seconds to use a rocket and wait for the platform to stop.
This is all because my wife mentioned, "I don't know if more rockets help." It turns out that she was on to something.
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atwas-gaming · 11 months
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twitch
Them Gleeoks are heaps o' fun, eh? *runs out of the house screaming*
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phoenix-arts7 · 3 days
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That one time I blew up a child
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spiiderdog · 24 days
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Boowomp here comes the top banana
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peardian · 4 months
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Who needs to buy some silly little flippers when I can just build this thing? Once again, I've made some Link to the Past sprites, this time for both the Zonai Fan and Steering Stick. Just like with the Guardian Stalker, I used renders of the official models for reference. If I had the time, I would have finished all 150+ rotation sprites for the stick! Maybe one day I will.
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maersiniathwen · 1 month
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Yiga Schematics Book!
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All 34 - this took forever and I quickly resorted to tracing after drawing three zonai rockets in a row 😅
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queen-drawing · 3 months
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me irl
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uwudonoodle · 3 months
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We were playing Oracle of Ages, when Link got a prophecy about his future.
And the foreshadowing... 👀
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rawliverandgoronspice · 2 months
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another thing I'm kind of sad about re: totk is that I feel like the release completely de-energized the community? I don't know if that's just me, like for sure any game has a shelf life and things get quieter over time, that's normal, but I don't know. We're slightly over 9 months since release and honestly? even the blogs that were hellbent on defending totk as a genuinely great game that would leave a wonderful impact on the gaming community are radio silent right now.
It's not that there isn't any new conversations or cool/creative content or anything, but I actually do believe the Zelda Youtube community when they say that TotK kinda killed the groove a little bit. :/
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okaytokay369 · 11 months
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link and zelda are the quintessential "fuck around and find out" power couple bc link will fuck around with any device he can and zelda will happily record the consequences of his actions for science
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atwas-gaming · 11 months
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twitch
Tonight's stream.
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jack-gourdon · 9 months
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Art fight attack on @alaeries of her character Solaru
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iturbide · 9 months
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*reads tags on the last post*
...ok but now I'm actually curious about your issues with TOTK👀
okay so to be per, fectly clear: Tears of the Kingdom is a really fun game. I've been playing a lot of it, aimlessly wandering around, exploring the Depths, finding shrines, doing side quests, and so on. At this point I've cleared the four regional quests, a bonus mainline quest I wasn't supposed to know about yet I found the shrine early and had enough hearts to open the door, what can I say, I'm curious, I have the Master Sword, and I think most of what's left is armor upgrades and wrapping up the main story.
But also I have been spoiled since the game came out about what's in store and boy do I see a lot of similar narrative issues to my gripes with Fire Emblem.
So we might as well start off small with how TotK actively rewrites its history in ways that are even more extreme than Skyward Sword. Skyward Sword introduced Hylia and Demise as concepts, with Hylia inheriting the Triforce from the Golden Goddesses of Din, Nayru, and Farore and tasked with protecting it, while Demise appeared as a demonic entity intent on taking that power for himself. As of Skyward Sword, Zelda was written as the mortal reincarnation of Hylia, thereby retroactively contextualizing her powers. The Triforce has been a power source sought after and fought over through every prior entry in the series, and even though BotW didn't make outright reference to it, the Triforce was clearly present on Zelda's hand when her powers awakened and appeared in full when she sealed Calamity Ganon at the end of the game.
And Tears of the Kingdom does away with it completely.
Hylia is mentioned as the only goddess. The Golden Goddesses aren't referred to at all. There is no Triforce at all, it's instead been replaced by the Zonai 'Secret Stones' even in the ancient past, despite the fact that we saw the Triforce at the end of the last game. It was right there. Zelda is also no longer the reincarnation of the goddess: instead her powers are re-explained as being the product of the historic marriage between the Zonai Sage of Light and the Hylian Sage of Time, giving her command over both (but she's considered only the Sage of Time for some reason?).
Also, BotW pretty heavily implied that Hyrule was a matriarchy: it's the queens and princesses who have the sacred power, so it stands to reason that Zelda's mother was actually the one in charge of Hyrule before her death, and the king only stepped into the leadership role on a temporary basis until Zelda came into her powers (hence that pointed "heir to a throne of nothing but failure" remark in one of the memories). But despite there being a Hylian queen right there in the ancient past, the game firmly establishes that Rauru is the one with the power, and Sonia is just his consort, a priestess who he chose to marry.
And then there's the Shiekah. Throughout all of BotW we were surrounded by these amazing machines, ancient technology crafted by the Shiekah and unearthed in working condition after a myriad in the ground which are still running and wreaking havoc a hundred years after the Calamity. We start the game in a Shiekah Shrine that literally saved Link's life and allowed him to recover from what should have been fatal wounds, though it did take a hundred years to do so.
And all of that is gone in TotK. Not a trace of it remains: the shrines have all been wiped from the face of the earth, the Divine Beasts are nowhere to be found, the Shiekah Towers have evaporated into thin air -- and the shrine that saved our lives is completely gone, replaced by a hot spring. It still bears the name of the Shrine of Awakening, but none of the miraculous technology remains.
Personally, the idea that either Purah or Zelda would consider the Skyview Towers worthy of dismantling that Shrine completely shatters my suspension of disbelief. They're both scientists: they should want to study all of that in detail to understand how it works, not destroy it for glitchy impersonations of the old towers I hate the Skyview Tower miniquests so much.
(Let me tell you, it was absolutely chilling for me to get to Rito Village and see an empty place where I clearly remembered there being a shrine. The Shiekah presence in history has basically been wiped out in TotK outside of Kakariko Village, and I don't like what that says considering that the Shiekah were also victims of a genocide by the ancient king of Hyrule.)
And then there's the imperialism. I have my issues with Three Houses and every ending needing Fodlan to be united under a single banner, though it's most egregious in CF where Edelgard's stated purpose is returning Fodlan to its proper state unified under the Imperial Standard. TotK is worse. There have been some excellent breakdowns of the narrative implications, touching on everything from the loaded imagery and black-and-white narrative purpose of Ganondorf and the Gerudo (dark-skinned evil desert dwellers who oppose the good and glorious worshipers of the goddess...where have I heard that before...) to the game showing outright that the other races of Hyrule were treated as lesser vassals in the ancient past (the Sages being masked and therefore erasing their individual identities, receiving the Secret Stones that Rauru had been hoarding only when Rauru needed help to fight Ganondorf and thereupon swearing their very lives and the lives of their people to him and his empire???). They're great analyses, they've been living in my brain for weeks.
But I think the thing that I'm most mad about is that the narrative bends over backwards to keep anything from changing. At the start of the game, Link's arm is so badly damaged by the Gloom that he nearly dies and he spends the rest of the game with Rauru's arm in place of his own...but then, in the end, he magically gets his original arm back no worse for the wear. Zelda, in an attempt to empower and restore the Master Sword, turns herself into a dragon, a process that we are told outright in the narrative will cause her to lose herself and is therefore irreversible...but then, in the end, she magically returns to her human form thanks to her ghost ancestors somehow reversing this supposedly irreversible process. And on top of all that, Hyrule itself is exactly the same when all is said and done: there's no change to the power structures, no independence for the other races who choose to come together in the spirit of cooperation like we saw at Tarrey Town -- instead, the four Sages once again swear their support and fealty to the Princess of Hyrule.
Personally? I like a narrative where the characters and the world change over the course of it. That's one of the things that I thought was so meaningful about BotW: while most of the gameplay takes place in the present, the true start of the game is 100 years in the past, allowing us to see how the Calamity affected Hyrule, the devastation it wrought and the continued struggles of those who survived through the century that followed. We end the game with Zelda once more free, where she had been locked in combat with the Calamity; with the spirits of the Champions at peace, where they had been trapped by the Blight within the Divine Beasts; and with Hyrule finally at peace and beginning to recover now that the Calamity has been sealed away. I still think it's ridiculous that they don't actually show any of Link's scars in the game (especially since we are at one point forced to strip to prove that we are who we say we are, and they say point blank I would recognize those scars anywhere when there are no fucking scars), but at least things have changed over the course of the narrative!
But nothing changes in TotK. The status quo remains untouched and unquestioned. And it just feels...bad to me. Insincere, maybe. Unrealistic, sterilized, manufactured. It's a narrative that says there's nothing to question, that everything going back to the way it always was is the right and proper way of things, because clearly the Hyrule Empire is the right and proper rule. And I just don't like that.
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femboy-expert · 9 months
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Went giant hunting
Added spikes and made the door prettier :3
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taboonle · 10 months
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Digital painting I did for my new dtiys over on that one app that looks like a camera or whatever
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