#how to really show up for yourself

[auntiestarshinetalks]

How To Really Show Up For Yourself (pt2)

How To Really Show Up For Yourself (pt2) Showing up for yourself means to actively prioritize your own needs, well-being, and happiness by taking care of your physical, mental, and emotional health. Essentially it means putting yourself first advocating for your own desires and protecting your boundaries. Because if you don’t, then you will constantly prioritize others’ needs over your own. It…

[lyxchen]

I'M SORRY did they give Maxine ocd?? (not angry, more like just really surprised) like the light switch and then the "Wrong. Everyone I love will die" and having to flip the light switch again, like that's intrusive thought + compulsion. Was this intentional? Are the writers aware that this is an ocd thing???

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

It had been a long few minutes since he'd opened the door and there were a lot of questions running through Dick's head. Most pressing of which was how this kid seems to have information he should not have.

"How did you..?" he asked, but the words wouldn't leave completely. There's so much he wants to know, so much he wants to ask.

"How do I what?" Danny tilted his head like the child he seems to be is.

"How do you know?" Dick knows he sounds weak. There's no hiding that, but there are a lot of implications in what the kid has said so far and none of it is painting a very happy picture for him.

"Oh!" Danny had the audacity to smile, "You want to know how I know you moonlight as a vigilante!" And of course he knows. Dick knows he knows, but he'd held a little bit of hope that the child Danny was mistaken. Danny's smile softened a bit as he explained, "Your hair and voice match up in both jobs almost perfectly. Not to mention your build and how you hold yourself. There's also the matter of your overall vibes, but that's not something living beings can normally pick up on." Excuse him? "Well, not living humans, at least, so no worries on that end!"

"Excuse me?" Dick was fairly sure his heart just stopped beating for a moment there.

"Anyway, I was a hero back home for a while, too. I know what it's like to have to walk the tightrope between maintaining a civilian cover and a hero persona. I know how it feels to have to keep secrets from everyone because anyone who knows will be in danger." he rambled, Though, admittedly, our circumstances are quite different. I was working as a hero all hours of the day as well as going to school. You only have to worry about properly balancing between day and night jobs. Either way, me having more to bounce between just makes me al the more qualified to help you!"

Oh. Oh he did not like that. He didn't like a single thing that just came out of the kid's mouth. Because that's what he is, a kid. "Are you...Are you alright?"

"Not in the slightest," Danny admitted with an even smaller smile. Then, it brightened, not quite to a grin, but to something similar, "But I'm here to make sure you are."

He gets points for being honest, but Dick felt his heart shatter. He knew for a fact that he'd never worked with this kid before. He also knew that the Justice League didn't know about him. If they did, he would've been picked up and dropped with either the Young Justice team or the Titans.

Dick wasn't going to ask why he became a hero because that's not his place. It's more of a 'third mission with the team' kind of questions, anyway. Most of the heroes didn't have many options when they took up the mantle. Asking what Danny can do is a more appropriate question, but he wasn't going to ask that, either.

"Now that that's out of the way," Danny turned a few pages from the table of contents to another one that was topped with 'Why Sleep Scheduling Is Important' in the blue glitter pen that Dick was starting to suspect he favored. "You're not getting enough sleep. Following you around - no one's been able to find me for a while, so don't worry about that - for the last two weeks has given me some really worrisome information on you."

Dick was worrying. He was worrying a lot and even more questions were coming to the forefront of his mind.

"Your dayjob is as an officer on the Bludhaven Police Force, or BPD for short." He was looking over the page he'd turned to very aptly and Dick realized that the kid had notes written on him. "The average hours per week for police across the country is forty hours. Gotham and Bludhaven are the exceptions. As a member of the BPD, you work a solid two days and two hours. Six nights a week, you work as Nightwing from eight in the evening to three in the morning. The last day, you take off, which is good. No deserable pattern, so good on you for that. Regardless, that's seven hour nights and ten hour days, with one day off and one day on call as an officer. Seven hours are now left in your day for personal time, eating, and sleeping. That's not a healthy way to live."

Oh, god, the kid had honest to god notes on him! What the hell!

Danny didn't even skip a beat as he pulled Dick's attention back to him and his binder. "I've drawn up a schedule for you to follow." The back of the page had a meticulously drawn schedule, complete with blocks of time to eat, sleep, work both jobs, travel, personal time, and still have a bit extra left over. It was titled 'Ideal End Result' in green marker. "Drastic changes right away will only affect you negatively, so we're starting off smaller." The next page over had another schedule titled 'Where To Begin'. "I've only pulled one hour from your Nightwing hours because I know important that time is to you and the city. I am, however, going to be having you submit an appeal to your boss to cut back your hours from fifty a week to forty a week. That way, you'll only be working eight hours a day and not ten. You'll still be on call for one day, and you'll have that last day off. Altogether, you'll be going be going from working seventeen hours a day to fourteen hours a day. Nine in the morning to five in the afternoon, and eight in the evening to two in the morning. Not including breaks at work or travel time. It opens up a few more hours for you to sleep!"

"You really think the chief is going to pull back my hours?" Dick raised an eyebrow in question.

"He will if he knows what's good for him."

"You know I can arrest you for that threat, right?"

"Yeah, but you won't." And, damn it, he's right.

Although, there was now another thing he had to know. "How to you plan on enforcing this schedule of yours?"

Danny seemed to have been waiting for this. He got a gleam in his eye as he pulled a black folder from his bag, not breaking eye contact with Dick. He placed it on the table and pushed it across. "Congratulations, it's a boy."

Part 1 Part 3

[poorly-drawn-mdzs]

He is at his limit.

[First] Prev <–-> Next

[elodieunderglass]

Guys GUYS

Concept: Throw Your Heart Over as an animated show of some kind but there are, like, educational appendixes at the end of each episode like “the making of planet Earth” but it’s about some Fascinating Fact. So for example, in an episode in which the Celt and his Irish Hobby have been doing weird feats of equitation in the corner of Killie’s eye, there would be an ENTIRE 20-minute documentary video essay in which people like @mylittlehony would be able to explain to you everything about the Irish Hobby, from whether it did give rise to the Thoroughbred, to how it fared in medieval battle, and how it gave rise to the term “hobby.” We’d bring in linguistics and DNA evidence and people would be fascinated, they’d be like “but my horseboy yaoi show” and we’d be like “it was a TRAP to get you interested in……… medieval horse warfare apparently. Uhhh. next episode has a recipe for Sachertorte though. And then we are getting FULLY into… narrowboats… and Kendal mint cake.”

But but but the funny thing will be that a pennywhistle-based musical motif that pops up associated with the ghost horses would be “concerning hobbies”. and you THOUGHT this was a LotR joke combined with wry commentary about how WORRYING these interests are. But then halfway through you hit the Irish Hobby infodump, find out that it was a joke about hobby horses, and put a KNIFE THROUGH YOUR TV SCREEN

[batcavescolony]

just saw someone say Rick Riordan making a TV show is just as bad as anything JKR has done. BFFR you're comparing Rick Riordan trying to make his world more inclusive, changing some parts because of money/time constraints, or just making changes cus he thinks they're needed, to JKR being a terrible person!

[anomalyaly]

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[auntiestarshinetalks]

How To Really Show Up For Yourself (pt1)

How To Really Show Up For Yourself (pt1) You have likely seen many self-empowerment articles; that remind you to prioritize yourself. However, “yourself” can get lost amid the many other roles and responsibilities. Often when you attempt to make yourself the priority, you realize that you to prioritize yourself; you failed to show up for yourself. Showing up for yourself means actively…

[arthursfuckinghat]

what's your favourite thing about red dead online?

Probably getting to play as Jack Marston (even if the timeline is wrong, it's really cool you can dress like him!)

[s0fter-sin]

i’d love to know how much of early day's spn subtext was deliberate or just a happy accident bc the subplot of 1x08 bugs is sam and dean butting heads about how they were raised and sam hating it while dean tells him he should accept it as they protect a family; predominantly a father and son

the father and son argue bc the son is different and not who the father wants him to be while the son feels ignored and shunned (aka sam). sam spends the episode empathising with him and telling him he can look forward to going to college to get away from him just like he did while dean cuts in to say he should stick with his family

the entire episode, dean defends john and the way he raised them ("maybe he needed to raise his voice but sometimes you were out of line"), it even starts with him and sam arguing over their illegal ways of making money and how they were brought up in the life; dean adapting to and enjoying it and sam wanting to be honest and straight

they talk about sam being sure john is and always has been disappointed in him just for dean to say john used to go to stanford whenever he could to check on him and something about his expression is so bitter; like he knows john would never express that care for him

but at the climax when they're trying to get matt to convince his dad to leave, sam is the one telling him to tell the truth and make his dad listen whereas dean tells him to lie; implying he wouldn't trust his son enough to believe him

he outright scoffs at sam and asks him what he was thinking for trying to get matt to tell the truth

the entire episode, dean is advocating for the kid to work it out (almost to just take it) and stay with his family but when push comes to shove, he tells him to lie

sam who spent years resenting john and his family for how they were raised, fell back on "making him listen"; echoing all the arguments he had with john, trying to force him to understand who he is while john's too blinded by vengeance to even begin to try. the same way sam refuses to see how they were raised and why they were raised that way from john’s point of view, hinting at how similar people they are (which still isn’t an excuse but also not the point rn)

dean winchester, the king of repression and masking (and fawning), dean who at this point is still staunchly defending john, tells a shunned kid with a harsh father to pretend in order for his father to care enough to listen to him and believe him

dean knows reasoning won't work bc he's watched it happen over and over again with sam and john

even the way matt tries to say, “but he’s my… (father)” feels like he’s coming over to dean’s point of view; that matt as a son respects his father to enough to tell the truth and no matter how much they’ve fought, that should trump everything. but dean still insists he lies. and matt tells the truth. and his father doesn’t listen

there's no way they intentionally made dean subconsciously know that a man raising his son in a mimicry of how john raised them wouldn't respect or trust his son enough to believe him about something potentially life threatening after half a season of john ignoring them about something potentially life threatening

right?

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

Dick had to give it to the kid, he'd somehow thought of everything. It was a little concerning, actually, but the kid had brushed off every attempt had probing for answers. Who trained him? If he was trained at all. ...had the kid gone into vigilantism alone? Oh, dear. THat's not good fro Dick's current worries.

Reading the file Danny had handed him, Dick had to wonder how long it had taken him to put together this cover story. Also, where he'd managed to get the equipment to do it. At a glance, the kid didn't seem to have much on him. Not even a phone!

He closed the folder and set it back down on the table. "Really?" he asked, "'Congratulations, it's a boy'?"

Danny's cheeks turned a bit red as his gaze shifted to the folder. "Well, yeah. You're stuck with me now until I can get you into good habits and a healthier schedule."

"That implies that you're planning on leaving."

Danny shrugged, all his confidence now fading away. Is this what he's really like? "Well, I mean, I'm sure you don't want me sticking around at all, let alone for a while."

Dick frowned and looked back at the black folder and the binder sitting on his coffee table. God, his apartment's a mess! He smiled at Danny. "My name's Richard, but everyone calls me 'Dick'. You can stay in the guest room."

Danny lit up like a fucking Christmas tree. "Really?"

"Yep. You went to all this work, it'd be a shame if it all went to waste."

The grin on Danny's face was more than worth the security risk that he now posed. "You won't regret it, Mr. Dick!"

Dick smiled back at him, "Please, drop the formalities. We're cousins, apparently."

Was he attached? No. He wouldn't allow himself to get attached. Sure, maybe he was letting this kid - he really needs to start calling him Danny - stay with him for a while, but he wasn't going to get attached. Getting attached meant losing him. Dick wasn't sure he'd be able to survive if he lost someone again.

...damn it.

***

First order of business, now that Danny was officially Dick's - why would he willingly go by that nickname? - ward/cousin, Danny was going to make sure he got some sleep. Today was Dick's day off, so Danny had sent him to his room to take a much needed nap. The man was basically dead on his feet and Danny would be damned if he let him wander around this mess of an apartment with blurry vision.

The second thing he did, once he was sure Dick was asleep, was start to clean up. The place was a stereotypical bachelor's pad, complete with questionable stains in the carpet, rips in the cushions, dishes piled up in the sink, and old take-out on every table and counter. Gross.

He made quick work of the old take-out by throwing it all away and hitting it with a very small and controlled ectoblast. He was so glad Dick had disposable gloves on hand.

The dishes were the next thing he handed. The water was cleaner than in Gotham, so he didn't worry about washing the dishes by hand when they all didn't fit in the dishwasher. He dried the ones he'd hand washed before putting them away. Dick had no organisation in his cupboards, so Danny fixed that, too.

The fridge and freezer weren't too bad. Sure, the dairy products had all expired and most of the food was freezer bitten, but none of it was moldy yet and the appliance itself was in perfect working order. He'd have to go shopping later.

Danny had never liked cleaning, but he'd had to when his parents refused to follow any OSHA laws or Lab Safety courses. So, when he found the cleaning supplies, he took a deep breath and began scrubbing the bathroom. It wasn't too bad, thank god, and was already fairly clean. It was quick and he was able to move on very quickly.

The counters, tables, walls, and tile and wooden floors were all easy to clean with a wet rag and a broom. He wasn't going to even try saving the rug because it looked well beyond the point of no return. The couch and chair cushions could be sticked up, but he didn't have a sewing needle and thread with him.

The last thing he did before taking his backpack into the room he'd been given was to write down a shopping list and leave it on the counter. It wasn't a lot, just food and some dishes and toiletries. He'd have to figure out with Dick a way to pay rent, too, but that was a later Danny problem. He'd tired himself out and was still running on pretty much empty. So, he allowed himself to fall asleep. He'd check on Dick when he woke up.

Part 4 Part 6

Tag List:

@flame-343 @ghestie93 @anarinette @aglmry @peachtreewriter @evix-syne666 @loudlypanickinginvenezolano @lumosfeather18581

[gomosmorodina]

i think a lot of people (on youtube comments) forget that "the view from halfway down" is BOJACK'S dying mind projection. all of the depressive words about life and death are there to show the inner world and views of bojack himself, not to reflect the objective reality. ESPECIALLY "there is no other side. this is it."

[mortalscience]

been talking and thinking a lot lately about how penelope ends up in relationships with terrible men and she lets herself be treated poorly and it just always makes me think about how the biggest and most significant of these types of relationships was actually derek morgan

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

Waking up to a clean apartment was not what Dick was expecting at all. It was a nice surprise, for sure, but it begged the question as to how long he was asleep for. His phone said that it was the same day, only two hours later, but that state of the apartment suggested it had been at least a day!

He poked his head into the room he'd given Danny to stay in. The kid had ignored the bed almost completely, it seemed, and curled up in the corner furthest from the door with the blanket and his bag. He closed the door softly as he left the room. He hated that Danny didn't feel safe enough to sleep on the bed, but he understood the need to have his back to a corner.

Dick took one look at the shopping list on the counter before opening his fridge. Immediately, he closed it again. The rancid stench of spoiled milk and other foodstuffs seeped into the open room, making Dick rush to open the windows. He added candles and Febreeze to the shopping list. With his pay, he should have more than enough to get everything written down, as well as some things for Danny.

Would Danny want to go to school? Or would he want to take online courses? What grade would he even be in? There was nothing about any of that in the cover story the kid had made up. Did he just not think about it, or had he deemed it unimportant? Either way, Dick would bring it up with him in a little bit. For now, shopping. The kid had done a hell of a job with cleaning up, so it was only natural that Dick would pull his weight in his own apartment.

Making sure to leave a note, Dick locked the door behind himself as he headed down, mentally adding fridge magnets to the shopping list, too.

***

Stepping back into the apartment was like walking into someone else's home. The place looked no different than when he'd left earlier, but it was only just now settling that he now had someone to take care of. Dick was no longer alone in this apartment. He had someone to look out for, someone who was looking out for him.

And how pathetic was that? A child was having to take care of him. He's an adult! He should be able to take care of himself! But, here he is, hopeless. He hadn't even bothered to get off his ass and go shopping or clean up a little bit until a kid knocked on his door and spelled everything out for him in blue glitter pen.

Dick set down the six bags he was carrying on the counter. He completely emptied out the fridge and freezer, throwing it all away. It all had to go. The smell would linger for a little bit, but it wouldn't ever get that bad again, especially now that the stuff causing it was all gone. He quickly put everything away before picking up his phone.

He hadn't called the Manor in a while. Not since- not since Jason died...

He shook his head, scolding himself for letting irrational fear and anger get in the way of contacting the only family he had left, and called Wayne Manor.

After exactly two and a half rings, the line picked up. "Wayne Manor, Alfred Pennyworth speaking."

"Hey, Alfie," Dick knew he sounded pathetic.

There was..something on the other end that Dick couldn't quite pick up before Alfred spoke, formalities dropped and a smile in his voice. "Master Dick, how good to hear from you. It has been a while."

He leaned against the counter, sagging a bit. "Yeah, it has been. I'm sorry, Alfred, I just-"

"No need to apologize, Master Dick, I completely understand."

Did he? Maybe. "That's- Thank you, Alfred, really, but I didn't really call to apologize."

"Oh?" There was another sound in the background, a little closer to the phone, but not close or loud enough to be clearly picked up. "What seems to be the issue, then?"

"I, um," God, how was he going to explain this? "A kid showed up at my door, um, and offered to help me out? I-I couldn't say no to him, Alfe, but- I don't! I-I don't know how to take care of a kid!" The floodgates seemed to open with that as he sank to the floor, his back against the wall. "I can barely take care of myself, let alone a whole other person! But I can't put him back on the streets, Alfred, I just can't. And the things he's been telling me- He's not had an okay life, Alfred. I don't- I don't know what to do."

It was quiet for a moment before Alfred let out a small breath. "You, too?"

"Huh?"

THe question was ignored. "Take a deep breath for me, Master Dick." He did. "Good. This child, how old is he?"

"I don't know, about fourteen?"

A click of his tongue. "Taking care of a child is going to look different for everyone, especially if they've never had to care for anyone but themselves before. From what I understand, he has come to you for safety. He has nowhere else to go, yes?"

"Well, yeah, other than the streets, but I'm not sending him back out there-!"

"I'm not telling you to. If he came to you, he will leave of his own accord. It is your job to make sure he knows he can stay and that he is safe with you."

"I know that, but-"

"Do you have food in your house?"

"I- What? Yeah, I just got back from shopping."

"Good. Is your house clean?"

"Yeah, he, um, the kid cleaned up the place while I was asleep."

"Alright. Does he have a place to sleep?"

"Yeah, I gave him my spare room. What does this-?"

"Then the only thing left for you to do is to make sure he knows he's allowed to be comfortable there. Make sure he knows that it is a safe space for him and that he can stay as long as he likes. From the sounds of it, he intends to take care of you just as you intend to take care of him. Find a middle ground, set up some house rules, go at a pace that works for the both of you. You two will grow into a routine that fits for you in time. And it will take time. Bonds do not grow overnight, especially ones that are meant to last. It will be hard, but that is what makes it worth it."

Dick was quiet for a minute. Alfred let him gather his thoughts, not hanging up and simply waiting. Finally, "Thanks, Alfred."

"You are most welcome, Master Dick." The old man was smiling again. "Oh, aster Dick?"

"Yeah?"

"When you two are more comfortable, please come by the Manor."

Dick smiled, too. "I will. And I'll try to call more often."

"That's all I ask. Have a good day, Master Dick.

"Thanks, Alfred, you, too."

Part 5 Part 7

Tag List: @flame-343 @ghestie93 @anarinette @aglmry @peachtreewriter @evix-syne666 @loudlypanickinginvenezolano @lumosfeather18581 @blueliac @talia-scar123 @cyber-geist @violet-foxe @currentfandomkick

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!