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Woodland Critters

Probably one of my favorite Xmas specials to watch

I’ve always loved the part when Santa pulls out a shotgun(?) and just starts blasting lol

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Basically my experience as an animation student

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Journaling in comic form

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Journaling and regulating your mental health is hard

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My mom liked the look of my digital design homework so she asked me to turn it into a card she could send to her friends lol

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The ArtCenter Files

I was accepted for the Fall 2020 Illustration program at ArtCenter College of Design. Just like with the post I made after being accepted to Ringling, this one will also be a list of tips I gathered during my application process. This is not a guarantee of your acceptance, but just something to help inform those looking into ArtCenter, primarily for Illustration. (You can skip to number 3 if you just want help on your portfolio.)

1.) BEFORE WORKING ON THE APPLICATION:

Please schedule either an in-person or online meeting with an Admissions counselor first. This is important as no one knows the programs and curriculum better than they do. Just by talking to a counselor about my interests, she was able to help narrow down what major would be a good fit for me, as well as give insight as to what the coursework would look like. (Not to mention portfolio help!)

ArtCenter also has different terms: Fall, Spring, and Summer. You’d have to look for the exact starting dates to determine which term would work best for you, or speak to the counselor. You can schedule a meeting with a counselor by going to ArtCenter’s website; under the Admissions tab, you will see “Schedule an appointment.” If you can’t find it, there’s also the option to either email or call the Admissions desk (both contacts on their website.) 

If you or your parents are at a loss on what to ask the counselor, consider these: Scholarships and how to get them, tuition + costs, terms, curriculum details, what the major is like, show examples of your work + get feedback, and how well-connected the school is (ie internship opportunities).

2.) WORKING ON THE APPLICATION:

If you decided ArtCenter is a good fit, make sure you don’t immediately jump into the portfolio. The Application is equally important; personally I prefer to complete it first. Under the Admissions tab, you will find the link to the Application Requirements page, which lays out all the steps like a checklist. Either bookmark it or write them down so you can keep track what of you’ve completed!

3.) (ILLUSTRATION) PORTFOLIO HELP:

You will be uploading your pieces to ArtCenter’s SlideRoom. There’s a page on ArtCenter’s website that details what the portfolio requires, but I’ll copy and paste it so I can refer to it for the rest of my post. I’m writing this in 2020, so please check the site yourself in case there are changes. 

“Submit 10 to 15 figure drawings from a live model that include both gestural and more developed pieces. Other observational drawings from life are also required such as self-portraits or portraits of others, sketches of animals and scenes from nature and cityscapes. Include imaginative drawings that demonstrate your passion for and understanding of illustration in both color and black and white.

Submit three or more pieces that highlight drawing or painting skills, and show the development of a story or concept. Sketchbooks that display a range of interests and skills are welcome and we recommend a limit of 10 to 15 sketchbook pages submitted as one PDF.”

What if you don’t have any pieces that fit into this? Here are some of my ideas: 

Figure Drawing: If you can, sign up for figure drawing classes. Speaking as someone who has some art school experience, please don’t just search up nude figures and draw those for your portfolio, especially if you’ve never drawn figures before, unless you have absolutely no choice. That’s what I had done in high school, but taking actual figure drawing classes in college made me realize that having a teacher to give you advice and look for your mistakes helps you so much more. Not to mention, you will be training yourself how to quickly capture the human figure, sometimes in 1 minute or less.

Life Drawings/Observations: These are basically “cafe sketches” or observational drawings. Still lives count as long as they are polished. Googling pictures for you to draw for your portfolio should be a last resort! You don’t have to visit any where fancy to make a good portfolio piece; with practice, you can make an interesting drawing out of any subject. Start locally, and then try working out of your comfort zone if needed. First draw your friends, family, pets, rooms, or garden. Then you can move onto parks, zoos, and other public places. 

Sketchbook Pages: You can include less-polished life drawing sketches from your sketchbook in your portfolio. I also recommend sketching out your story ideas, any character designs, story boards, or comics. Be sure to include some color! Even if you think an idea is silly or dumb, sketch it anyways. You’ll then have a larger pool of sketches to choose for your portfolio.

Story Illustrations: Your illustrations do not all have to be paintings, but if you forgo the painting aspect, it should be a really strong drawing (ie with good line work and details.) Despite “illustration” being a broad term, what they are asking for aligns more with illustrations for books, and concept work for movies and games. To get inspiration, search up concept art for movies by Disney, Dreamworks, BlueSky, etc. Remember, don’t get caught too much in the scenery of your piece, your characters and their interactions in your illustration should be the main focus. Be sure to thumbnail your ideas (a rough drawing) and experiment with different composition, angles, and lighting before working on your final piece. If you are still not sure if your idea fits what ArtCenter wants, you can email an admissions counselor your work and ask for their feedback.

Tips I got from an admissions counselor: 

- Slideroom only allows 10-15 upload spaces, but there is a way to work around this if you have more than 15 pieces. You can upload PDF files; SlideRoom acts as though 1 PDF is the same as uploading one “artwork,” therefore only taking up 1 submission space even if your PDF has 10 slides on it. (Great for your figures and sketchbook! Either organize your pieces on Google Slides or PowerPoint, then save it as a PDF file.)

- You should have a mixture of traditional and digital work.

- Your sketchbook pages should feature some color even if they aren’t polished drawings.

- Aside from your illustrations, not everything in your portfolio has to be a finished drawing or “polished.” In fact, if your sketchbook has sketches of animals, landscapes, interior environments etc. that counts as a life drawing submission. 

- The presentation and order of your pieces on SlideRoom are important. Don’t have some random order like “sketchbook, paintings, animals, illustrations.” I don’t know if this is widely accepted at ArtCenter, but for my portfolio, I was told to order it like: Still life paintings, Illustrations, Sketchbook pages, Observation drawings, Figures. The only logic I gleaned from that was it was a gradual shift from the most polished work to the least. Ask a counselor if they have a preferred order.

-  Despite the minimum requirement for story illustrations being three, I was actually asked to do 4, as they felt it would make my portfolio stronger. 

4.) PORTFOLIO VIDEO ESSAY HELP:

Honestly, the site’s description couldn’t have said it any clearer. There is an entire page dedicated to its instructions, but I do have extra tips for this. SlideRoom will have its own page for you to directly upload your video file, but if the file is too big, the best solution is to upload your video essay to YouTube. Instead of submitting the video file directly, what I did was upload a PDF with the YouTube link to my video. (I made a Google Docs, copy and pasted the link, then saved it as a PDF. Yes it is allowed.) Just make sure your video is published publicly. If I can overcome my embarrassment, so can you.

5.) FINAL TIPS:

- Don’t try to study examples of accepted portfolios, as it may cause you to emulate their style or pieces in hopes of getting a higher chance of acceptance. Trust me when I say the reviewers can tell if your work lacks passion or your own creative input. 

- Find out which medium works best for you; some new passion may be discovered just from experimentation. For example, I struggled with figure drawing until I tried using Prismacolor colored pencils, which then became my go-to medium for figures. If you’re feeling bored or uninspired with one medium, go and try something new.

- PLEASE always email the admissions team for help if you’re stuck. You can even send an email asking if there were steps you missed preventing them from reviewing your application. I did, and it saved my butt. Furthermore, keeping in contact with the school in this manner helps to attach a face to an application, and may demonstrate to them that you’re really passionate about getting into the school.

I hope this was helpful, but don’t be afraid to message me with more questions! <3

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My accepted portfolio for ArtCenter Illustration 2020

I might write a post giving tips, just as I did when I was accepted to Ringling. I’m open to hearing questions from anyone as well, just dm me!

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I had the strange idea of parodying the Western genre, but if it took place in ancient China. I know it doesn’t make any sense.

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Imagining myself in the PMD universe

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Hi! I saw your post about the Ringling animation course, and I was already thinking about animation and being like "is that really something I want to do?" But I also have a question even if your not exactly an animator and more of a storyboard artist, can you still make your own original cartoons? Cause it seems like every cartoon creator is an animator, but I dont know if I want to do that, but I do want to make my own cartoon. Sorry if its a complicated question, I was just wondering. Thanks!

I’m glad you asked that because creating my own show used to be one of my dreams as well.

Most, if not all, cartoon show creators went to school for animation because that’s how the curriculum was formatted. I can only speak as a student who knows all about Ringling’s curriculum having attended there, but after visiting several schools it seems like animation majors are the only ones who have storyboarding classes. Some schools might offer storyboarding as its own major, like SCAD’s Sequential Art major, but other schools are more picky. They either hold storyboarding as an animation major-exclusive class or only offer them as an elective for animation majors. 

That being said, you don’t have to be an animator to pitch your own show or to work in the animation industry. As long as you have good art or good ideas, studios will take an interest in you. Fun fact, almost none of the animation for shows are done in the US. It’s strange and quite sad but that’s corporate greed for ya. However, most indie studios and to an extent, big name studios, still do a lot of in-house animation, so it’s not a bleak world for animators, either.

However, it is difficult to find a school with the curriculum that matches what you want to do, so be sure to get in contact with the counselors from whatever schools you’re researching. It’s hard but well worth getting all points of view on a school or major, so if you know anyone attending a school, don’t be afraid to reach out to them either. (Not that you have a problem with that seeing as you reached out to me, haha)

If you’re still on the fence about pursuing animation, I also suggest you try some animating for yourself by taking a course from somewhere. Maybe you’ll discover that you like it, and won’t mind choosing that as a major. But you shouldn’t feel pressured to choose animation if your dream is to work in that industry; there’s a lot more different kinds of positions in those companies than you might realize. 

Hope this helps!

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Ringling Animation: Is it Worth it?

This is not a post bashing Ringling College of Art and Design or its program. I just believe that after attending several semesters, I formed a new opinion that needs to be shared. It’s something that new applicants should consider just as much as any piece of portfolio advice they find. Several of you who come across this may recognize my name as the one who made that Ringling CA portfolio advice post. If that’s the case, nothing has changed regarding my opinions towards the portfolio process. 

I’ve come to the conclusion that unless you know you have a passion for animating by actually trying it out before attending or applying, the Computer Animation major at Ringling is not for you.

I only have my experience to speak on, but I don’t want you to take this as me saying you shouldn’t try to apply or attend Ringling. This is purely me explaining how I came to certain conclusions through self-discovery.

I was naive; I grew up loving animated films and cartoons and believed my wish to be a part of that industry was reason enough to apply for animation. I had never used a 3D software like Maya before, but I assumed it would be one of those tools that just needed time and practice getting used to. (Arguably it still is, but more on that later.) I learned the hard way that the major is no joke; once sophomore year starts, the CA students only get busier and busier. I initially had the bravado, hearing from CA upperclassmen how tough it gets but believing I could handle it. I couldn’t handle it.

When it comes to the CA students, I feel like you could separate them into 3 distinct groups. Those who have never animated before, but quickly got the hang of it, those who have tried animating/studied animation at another school, and those who struggle but have a drive to push through. The common factor is that they either have a passion for animating or quickly gain a passion for animating. I steadily learned that I didn’t have that same kind of passion for animation. There’s only so far a person can improve with practice alone; only those with passion can soar, but no one can teach someone to be passionate about something.

I struggled with the Maya software throughout the entire semester and heavily considered switching majors. It wasn’t until a friend (who was also in CA) asked if I just didn’t like the workload when I knew 150% I needed to switch. Every major takes a number of different classes that are exclusive to each major. Story Development was a class exclusive to CA majors; it was essentially a storyboarding class. It was my favorite class, and while the assignments weren’t as time-consuming as the Computer Animation ones, I still had to put in many hours to work on the projects. The thing was, I was always eager to work on my Story Dev homework and didn’t mind (or didn’t notice) spending hours at a time storyboarding because it was always so much fun for me. 

Realizing that I never felt that kind of excitement towards my animation projects (instead, I felt immense dread) made me wonder how many of my peers were in the same boat, but perhaps too afraid to say something. It also made me realize what I actually loved to do because I missed it so much. CA majors draw and have to know how to draw, but I wished there was more time dedicated to becoming a better character/environment designer. The fact is, no matter how good of an animator someone is, animation takes a lot of trial and error. It’s a very time-consuming endeavor, which is why I believe only those who really love animating should pursue this major.

The takeaway from all this is that if you’re someone considering applying to Ringling for animation, I advise you to at least dabble in the software yourself for a bit to get a feel for it. Take a class, try animating on your own, animate something in 2D or 3D. I would’ve saved a lot of time if I had known this before; I don’t want others to also later realize they’ve made a mistake. This isn’t to demean the quality of the program because I really believe they have the most amazing curriculum for those who want to work in animation.

Thanks for reading this.

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Day and night! If anyone gets this obscure reference, you’d notice the balloons are in the shape of the Paper Rabbit style

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How I look when I listen to music when no one’s around...

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It meee

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I don’t have anything new to share so just enjoy these! Tried to make a crayon-esque feel