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I ??? woke up at 3am with this scene fully written in my mind palace and quickly jotted it down in the Notes app

*

Clark’s shaking his head before he realizes he’s doing it, and feels a twinge of embarrassment at his own bad manners when Bruce stops mid-word to look at him, brows raised.

“No?” he says.

“No,” Clark says, again without thinking, and again with the reflexive urge to apologize. Somewhere his mother is tutting without knowing why. But he doesn’t apologize, because he’s already saying, “No, it can’t—it can’t be that.”

“Okay,” Bruce says slowly. “Can you elaborate?”

He is, honestly, having trouble taking his eyes off the screen. The mockup design of his new suit is there, dark and sleek, ridged like tactical gear. The blue is like the last shade of evening before you can’t call it evening anymore, the color of nine PM in Kansas in July, so exact there’s a strong chance Bruce color-picked it from a photo. The yellow accents are the cool fluorescent yellow-green of lightning bugs. The red is dark as arterial blood. Every aspect of the suit has been updated—the colors deeper, the angles sharper, the S extending to the corners of its frame—but Bruce has done it without changing the fundamentals. It’s immediately recognizable as the Superman suit, just… well, a little cooler, maybe. A little more of the times. Even the tailoring is modernized. The neckline. The shape of the boots. Where the belt hits at the waist. Clark can tell just by looking that Bruce has not only spent a lot of time on this in general, he’s spent a lot of time designing it specifically with Clark in mind, Clark’s needs and preferences and the small discomforts of his current suit, things he might have mentioned offhand after a mission but never with the assumption that Bruce was listening or filing it away. No doubt the next slides of this presentation will detail all the hidden features of the new suit, and they’ll all be incredibly thoughtful if not slightly overkill, and Bruce will pretend his sole motive here was practicality and risk reduction and respond to any thanks with a curt nod.

And Clark wants to thank him. He will. It’s just.

“It can’t be… cool,” he says, inane. Bruce is watching him with that steady look that used to feel clinical, piercing, and now mostly reads as attentive. “It can’t be—like yours. Tactical, military-grade.”

“Lightyears beyond, actually.”

“It has to—Ma said once, a kid should be able to draw it with crayons. You know? I can’t look like a weapon. I have to—I want to look like a friend.”

He can feel himself flushing. It’s rare that he speaks like this, and rarer still that he does so while being stared at intently. Bruce may think of himself as the darkness, but his gaze is a spotlight: unwavering and revealing and more a little sweat-inducing, for one reason or another.

“Sometimes, when I show up, people laugh,” Clark says. “If it’s somewhere out of the way, where they haven’t seen me before. I show up and I look like a festival performer. It’ll be the worst day of their lives, and they’ve got no reason to trust my face, but when they see what I’m wearing—it goes from ‘Who are you?’ to ‘Who is this guy?’ And that’s a good thing.”

“Hard to be afraid of a man dressed in primary colors,” Bruce says, almost to himself.

“Exactly.”

“I see. Thank you,” he says, “for explaining.”

Clark tries not to show how surprised he is to hear that. Judging by the crook of Bruce’s mouth, his success is negligible. “Of course. Sorry I didn’t—I mean, thank you, obviously, for going to such trouble. I didn’t mean to come in here and—I really do appreciate it, I can tell you put a lot of work in—”

Bruce’s eyes cut away. “No. No need. I didn’t ask, before I…. It was only a first draft. If you’re amenable, I’ll incorporate your feedback into the second one.”

“Oh! Yeah. Yes, of course, but you really don’t have to—”

“If you have any further notes, I would like to hear them.”

There’s something determined in the lines of his face. Clark has the sense that this moment is important, that it’s a turning point, even if he’s not sure why. It feels like striking out into a sea of ice, a blank white expanse under which something precious and vital is hidden, has been hidden all along, just waiting for him to find it. To want to.

“Sure,” he says. He looks back at the suit and swallows, and knows Bruce will see the flicker of his throat and take some meaning from it, and wishes he knew what the meaning was. Or maybe Bruce won’t notice or read into it at all. Maybe Clark needs to calm down, in fact. “Um. I don’t want to assume, but does it… do things?”

“It does things,” Bruce confirms, after the barest pause. “Let me show you the next slide.”

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ngl im not even a superman fan. i just REALLY like clark kent,,, (thank you, Smallville, for that.)

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Clark and bb Kon, from @blorb-el ’s fic “we shall be free; we shall find peace”. The gist of the fic is that Clark has been held prisoner by Lex Luthor for years and used as a weapon, and Clark accepts his fate until Kon is created and given to him. I’ve read the whole thing three times and it hasn’t left my brain since.

(more fanart for the fic hopefully incoming. But then again I started the sketch for this one literally months ago and just now got around to finishing it. so. we’ll see)

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Redesign for fun :>

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idle Jaskier-related notion:

Joey Batey is really approximately the same size and shape as Henry Cavill, and there are a number of clever techniques in pretty much all Jaskier's costumes to hide this fact and make him look about three or four inches narrower than he actually is. The costumers work really really hard to make him look that twinky, often with cleverly cut shoulder decorations that pretend he's trying to look bigger than he is and have the actual effect of making him look a lot lighter.

On a Doylistic level this makes sense, because it's hard to make Geralt look Huge and Imposing next to your non-combatant harmless sidekick if said sidekick is a jacked six foot burly man.

On a Watsonian level, however, the notion of Jaskier as this big meaty dude aggressively arguing with all his tailors to ensure that he looks as non threatening and foppish and entertaining as possible while also looking as sexy as he can (for a Jaskier definition of sexy, at least) is generating considerable entertainment for me this fine morning.

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Omg what who are they!!! Totally not the Justice League,,,,,

J’onns vibe is hard to catch I feel like I’m missing it a bit but overall pleased with my current design :33 he probably doesn’t stick with just one human form for disguise too so!!

Hawkgirl did the “hide wings in bag” thing in comics and despite me usually making her wings huge and impossible to fit in a bag, I have absolutely no idea how else to hide it so😭😭😭😭just going to pretend they fold like paper or the bag has magic🥰🥰🥰🥰

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tired of batman always being carried by superman, when is it batman’s turn to hold the big man? also i have a headcannon that clark weighs way way less than he looks because he flies and idk it just makes sense to me

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If I ruled the world and/or was in charge of drawing a DC comic this is what they’d look like probably

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Been working on a Wonder Woman redesign for fun! I’m not quite happy with any of these yet but I think I’ll probably end up with a mix of 5 and 7.

I can excuse a lot via Rule of Cool but I simply cannot abide strapless chest armor (< guy who is still traumatized from the time their strapless shirt fell down in public like ten years ago)

I am going to leave her without pauldrons though. Too attached to the gunshow

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Walk with me (proceeds to be delusional)

I rewatched MAWS and The Batman right after the other and instantly got brainworms

It makes no sense but I am master of my own universe and can draw whatever inane thought I have so this exists now

p2

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Made a post about my 3 things I want to see with every Wonder Woman adaptation, despite needing to do some catching up myself. Related, do you have a link to a Wonder Woman reading list?

https://at.tumblr.com/paigeoforacle/1-keep-fights-to-a-minimum/k7nbubhe1qws

Nice list!

As for my Wonder Woman recs list....technically, yes. I made a Wonder Woman starter recs list way back in 2017 right after the movie came out. However, it's outdated, I've changed my opinion on some of the things I said there as I've read more Wonder Woman comics, and it also fails to include several good comics. So here's my current Wonder Woman recs list:

Starter comics: These are great comics to read if you're new to Wonder Woman comics or only have a passing familiarity with her:

Wonder Woman: Year One, by Greg Rucka

Wonder Woman (1987) #1-62, by George Perez

Wonder Woman: The Hiketeia, by Greg Rucka

JLA: League of One, by Christopher Moeller

The Legend of Wonder Woman, by Ray Dillion and Renee De Liz

Wonder Woman: Historia, by Kelly Sue DeConnick

Wonder Woman (1987) #170, by Phil Jimenez (the Diana-Lois 'Day in the Life' issue)

"Generations" from Sensation Comics Featuring Wonder Woman, by Michael Jelenic (Issue #12 digitally, Issue #7 print)

Wonder Woman: Our Worlds At War, by Phil Jimenez (warning: this oneshot ties into the "Our Wolds at War" event, so the frame story will probably be confusing, but the majority of the story is a solid retelling of the collective Amazonian history up to that point)

Second-level comics: read these once you have a baseline familarity with Diana and her supporting cast:

Wonder Woman by Phil Jimenez, including Paradise Lost/Paradise Found (which I don't think are in the current Jimenez omnibus)

Wonder Woman by Greg Rucka (his first run on the title), with a particular call-out for the Medusa arc

Wonder Woman: The Circle and Ends of the Earth, by Gail Simone

Wonder Woman Rebirth (2016), by Greg Rucka (Rucka's second run; everything except Year One fits here)

Wonder Woman: The Twelve Labors (WW 1942 #212-222), by Len Wein and assorted other writers

Wonder Woman/Justice League Dark: The Witching Hour, by James Tynion IV

Wonder Woman: Lords and Liars by Mariko Tamaki

All of the comics on both lists are great; I have no hesitation recommending any of them. However, I will give a blanket warning for sexual assault in the Amazons' backstory, particularly during the seminal Perez run (which is very dated in how it handles the topic, unfortunately), and put a general note that while I can't think of anything outright offensive, various social issues are not always handled with grace (especially in the older runs).

Comics featuring the Wonderfam supporting cast:

New Teen Titans: Who is Donna Troy?, by Marv Wolfman*

Titans (1999), by Devin Grayson (for Donna)*

The Return of Donna Troy, by Phil Jimenez (collected in The Death and Return of Donna Troy)*

Wonder Woman: Lifelines (WW 1987 #105-108) and WW #109-113, by John Byrne (Cassie Sandsmark's introduction)

Young Justice (1998), by Peter David (for Cassie)*

Nubia and the Amazons, by Stephanie Williams and Vita Ayala*

Nubia: Queen of the Amazons, by Stephanie Williams and Vita Ayala*

Wonder Woman: The Contest (WW 1987 #0 and #90-100), by William Messner-Loebs (for Artemis of Bana-Mighdall)

Artemis: Requiem, by William Messner-Loebs (Note: this is not actually recommended reading. It's utterly cursed and I wouldn't put it on here if it wasn't absolutely necessary to understand how Artemis isn't dead after "The Contest." Read everything else on this list before you read this mini)

Wonder Woman: Gods of Gotham (WW 1987 #164-167), by Phil Jimenez*

Red Hood and the Outlaws Rebirth (2016) #1-24, by Scott Lobdell (for post-Flashpoint!Artemis, who's basically a different character)

Future State: Wonder Woman, by Joelle Jones (Yara Flor)

Wonder Girl (2021), by Joelle Jones (for Yara) (Note: this run is "just okay" and I'm reccing it with several reservations. However, it's also Yara's most prominent comic to date)

I've starred the ones on this list that I actually recommend as "good comics to read" and not just "decent starter comics for the character." Warning for depictions of sexual assault, bad art if you're looking at a pre-2000s comic, and being forced to engage with Scott Lobdell and William Messner-Loebs' writing.

I also recommend DC Bombshells by Marguerite Bennett; it's an Elseworlds comic set in WWII that co-stars Diana and it's delightful. There's certainly others that are decent, but I think this is a solid starter list if you want to understand Wonder Woman and how she should be written.

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😚😚💕enjoy！✨✨✨

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Do you think Clark Kent's first few major articles were about the continued presence of lead pipes in parts of Metropolis' water system

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you’re twelve years old and you break your father’s hand when he hi-fives you. the first thing you learn is that the smallest slip up can hurt the people you love. your (foster) father smiles and says it’s okay (it’s not). 

your parents are not your parents. the idyllic farming community that raised you is not your home. you’re a You-Don’t-Know-What from You-Don’t-Know-Where. all you know for sure is that you’re not human. 

so you can fly. so you can run fast. so you can lift cars. so what? why do you even have this power? what should you even do with it? 

your father said do what’s right, so that’s what you do. 

you stop a robbery. the man’s knife shatters against your skin and you see the same fear in his eyes that you saw in your father’s when you were twelve. you catch a falling child before it can hit the water. his mother looks at you like you’re a god. 

they love you, even though they don’t know you. the most powerful man in the world hates you because they love you. 

you wanted to write when you were younger. you wanted to tell stories that needed to be told. you never wanted to star in them. you never wanted super-geniuses and demi-goddesses looking to you for advice; like you have any idea how to handle threats to reality itself. you’re just a kid from smallville who’s trying to do the best he can with what he’s given. 

you try and get back to the farm as much as you can. it feels normal being back among the open wheat; where everyone smiles because you’re that nice Kent boy. 

when you were younger, you pretended to fly, hands out to your sides and running through the tall grass by the river. it doesn’t look as beautiful from on high; the details get lost and the colors of your hometown blur together from a mile above ground. 

the problem with flying is that it puts you so far above people you care about