Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.
Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.
And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.
But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.
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Forever gonna be devastated over Odysseus trying so hard to get home, and his home fighting desperately to keep him alive. His heart is Ithaca, his heart is home
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Fear the Daycare attendants all you like, but say one mean word to their faces and their handler will swoop in at a moments notice with a silent rage fueled by the many months of mental and emotional rehabilitation these three went through to ensure they could handle being re-released to the public.
Fazbear Entertainment might turn a blind eye to the animatronic rights movements that their highly specialized world renowned technology is absolutely a contribution towards, but this stout little animatronic handler didn’t pour their blood sweat and tears into helping rebuild these bots’ self confidence from the ground up every single day, for over half a year, to just let some entitled prick try and stomp over all the boys hardwork and progress at the drop of the hat.
Faz.Co can deal with the consequences of letting their two most expensive animatronics bond to one specific emotional support human whose made of like 70% protective feral rage at any given moment.
A good fit for the daycare, to be sure, but also a solid reminder that humans are just as capable of being the danger so many others label animatronics to be. (Moon is holding onto their handler for a reason, you know.)
(Edit: second take here)
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Breathing into a paperbag thinking about the possibility of Elbaf digging the conflict from Water 7 back up again and maybe exploring some long-term repercussions of Luffy and Usopp’s fight that not even they themselves were aware of and and and and and-
LISTEN. the Water 7 Saga absolutely rewired the way I understood the crew and how each member views themselves and the roles they play. And it’s been some time since the Strawhat’s exploration of the New World has allowed them to really take time and consider themselves and each other like that again.
And Elbaf just sounds (MUAH) like such a wonderful opportunity to do exactly that, it sounds perfect, primarily in the way it ties all the way back to the Strawhat’s early days on the Grand Line. And when you look at the presence of the Giant Pirates in Little Garden and Enies Lobby, what they share is that both times the Giants Served the purpose mirroring the conflicts between the crewmates and highlighting the importance of loyalty and comradery. Shit writes itself. Come on Elbaf don’t let me down. Come on Usopp I know you can hit us with another world shattering arc just take the stage love.
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Music Monday & Last Line Tag
Tagged by @poisonedtruth
Tagging @socially-awkward-skeleton @shallow-gravy @direwombat @voidika @g0dspeeed @adelaidedrubman @chazz-anova @cassietrn @deputy-morgan-malone @strafethesesinners @josephslittledeputy @josephseedismyfather @strangefable @derelictheretic @wrathfulrook @inafieldofdaisies @minilev and @jillvalentinesday
Paul Yellowjack is a character who has gone through many changes. He started as Silva's first real father figure, a teacher who raised her on morals to live by, protected her from Adam when the poor-excuse of a man wanted her back, and lead his people in a revolution against their violent oppressors on the Archipelagos. Ultimately, after the massacre though, he ended up as a tragic fallen hero whose core morals corrupted when put through tragedy after tragedy, leaving bitterness to take his heart and (regrettably) lash out at the world, before Silva could restore his hope again. Left down a dark path for so long he can no longer return as the man Silva once knew (even if there are shades of him deep inside the villain he has become), and sadly neither wishes him to, Paul because of his self-loathing, Silva because of the pain he inflicted on her. There is a longing between them, but both have gone down two different paths, with no way to return to one another (or at least, that's what both believe). I believe this song reflects his turmoil perfectly. I'll probably explain in the tags.
"I want you by my side
So that I never feel alone again
They've always been so kind
But now they've brought you away from me
I hope they didn't get your mind
Your heart is too strong anyway
We need to fetch back the time
They have stolen from us
And I want you
We can bring it on the floor
You've never danced like this before
We don't talk about it
Dancin' on, doing the boogie all night long
Stoned in paradise
Shouldn't talk about it
And I want you
We can bring it on the floor
You've never danced like this before
We don't talk about it
Dancin' on, doing the boogie all night long
Stoned in paradise
Shouldn't talk about it
Shouldn't talk about it
Coldest winter for me
No sun is shining anymore
The only thing I feel is pain
Caused by absence of you
Suspense controlling my mind
I cannot find the way out of here
I want you by my side
So that I never feel alone again
And I want you
We can bring it on the floor
You've never danced like this before
We don't talk about it
Dancin' on, doing the boogie all night long
Stoned in paradise
Shouldn't talk about it
And I want you
We can bring it on the floor
You've never danced like this before
We don't talk about it
Dancin' on, doing the boogie all night long
Stoned in paradise
Shouldn't talk about it
Shouldn't talk about it
And I want you
We can bring it on the floor
You've never danced like this before
We don't talk about it
Dancin' on, doing the boogie all night long
Stoned in paradise
Shouldn't talk about it
And I want you
We can bring it on the floor
You've never danced like this before
We don't talk about it
Dancin' on, doing the boogie all night long
Stoned in paradise
Shouldn't talk about it
Shouldn't talk about it
And last line for The Years In Hope County, which is getting pushed for possibly next week.
"We've come a long way. You've come a long way," Elsa tells [Sylvester], downing the latte in her hands like shots at the Fairgrave's bar, "You may not see it but... we're already honouring them, just by being alive."
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