#<- that goes for their individual characterizations too.

[apotelesmaa]

None of u understand how funny emunene is… emu going I’m going to follow you forever and ever you’re so amazing nene chan you’re so pretty and talented let’s hang out all the time & nene going I just don’t think she likes me that way 😔 she’s just being friendly. Also objectively nene realizing she has the same level of denseness as tsukasa wrt rui is hysterical. she goes thru all the stages of grief in a week and contemplates telling nenerobo to kill tsukasa so she doesn’t have to think about it ever again.

[witchygod]

Thinking about Kenji Sato Flanderization

I think certain scene with Kenji certainly stood out out about Kenji for fans, particularly the "do my own thing" and "I know it's been a long year but you got me now" scenes and I've noticed a trend where Kenji is characterized as well honestly a bit of an asshole, sometimes to an unlikable degree so let's talk about it.

I also think these scenes have paid into some instances of flanderization of Kenji's character. Yes he's a bit arrogant and witty but he's not as egotistical as everyone thinks- he's certainly not as RUDE as everyone seems to perceive him though he does have a temper. It should be noted his temper only seems to come through when he's extremely stressed or on the field- in conflict. He's very graceful in how he handles Ami's questions as wel. He only gets snarky with his coach because his coach approached him first with abundant hostility which I'm gonna be real- not the kind of behavior that is ideal, one could argue he was trying to weigh Kenji's value but with the context of Kenji being a world series player in America this is value as an athlete that should be proven already, if he's concerned about Kenji's arrogance that'd be another thing and while that's certainly AN issue but he admits it plainly what it is 'this is Japanese baseball not American' and Kenji responding to that with a bit of disrespect is extremely fair- and coming from his coach it very much paints the tone of how he's gonna be interacting with his teammates.

A large part of Kenji's rudeness is a direct result of hostility or an active defense from either invasive questions perceived attacks on how 'japanese he is'. This is not a subtle sub theme of his character mind you- he straight up admits to Ami that the reason he 'doesnt give a shit' is because he had to learn to because he was always being judged for being Japanese in America.

Let's not get it wrong though- Kenji is arrogant and egotistical because seriously who gives out their autograph without being prompted. These are some traits, but he's not entirely up his own ass, and he's not rude (Mama Sato raised a very good boy... Ultradad helped too) . Aside from when he was pissy with her for asking some extremely personal questions off the back at a press event- Kenji is extremely respectful of Ami, he makes sure to remember the reporters by their names not publicist and while he's not humble he's very sociable. Hell he's even polite talking to the Kaiju- actively taking a gentler tone of voice with Gigantron despite his frustrations (and increasing panic over the fact the KDF is going to kill her and he can't figure out how to stop it)- he's snarky with Mina but even then he isn't entirely dismissive of her, honestly he treats an AI more like family than a servant which is a big difference in attitude than most egotistical superheroes with ai companions.

Kenji is not the sort to be a womanizer hell he doesn't even seem the sort to attend parties unless he's forced to, it's pretty clear he's a bit of a loner- this is evident as much as there is never a mention to him missing his teammates in America and the fact the only person he has to talk to in Japan aside from his father is an acquaintance he's not even certain won't publish his personal conversations with. (She won't because she's a fucking professional with ethics which is also the reason that she's not a love interest God bless I love you Ami💕) He's overwhelmed by relearning how to fit in to Japan, dealing with the xenophobia,adjusting to the new culture of baseball become Ultraman deal with his daddy issues and mourning the disappearance of his mother- all things that heavily influence his attitude and a lot of times seem to be overlooked by people.

We take away one or two of those stressors Kenji goes from snarky and arrogant to a whole lot more sociable and pleasant. He's at his core a sensitive and confident individual who's just really passionate about baseball. He's kind enjoys teaching others about his special interest and is charismatic and bold despite being prone to holding people at arms length. Which is fair because he has a lot of dangerous secrets.

In short Kenji Sato is just a Mama's boy girl(jk)

In short Kenji Sato is a pretty complex character who suffers from a decent amount of emotional constipation and just straight up having no friends. He's respectful and kind and a bit sensitive which can make him seem pretty temperamental and he's prone to pushing people away at the first sign of hostility or when they overstep his boundaries. He's extremely stressed throughout the movie and adjusting to a lot of NEW, and the KDF/Kaiju trying to get chunks out of him and the pretty blatant xenophobia from the baseball scene (ill justified by him playing badly :/) doesn't help.

I also didn't mention much of his reluctance to being a hero and his irresponsibility to the role initially I realized and I think that should be its own subject because what's going on there is less a personality thing and more.... Directly correspondent to his relationship with his father, and the fact he was GROSSLY unprepared for the role. But I do want to note that his sense of responsibility is a lot stronger than people think because it doesn't really take a lot to convince him to do the right thing after Nobiranga's death. If he was still prone to inaction after this event I'd chalk it up to a personality defect but no he's pretty quick to make more of an effort as Ultraman after this, he saw the consequences of his actions and while he's gonna whine about it he does what he has to.

I may also go on a Rant Rant later about his coach and how the next movie really needs to try to save his character because he's shit at his job....

[cityofmeliora]

notes on Primo's characterization 💖

let's talk about Primo! i think he's a really, really interesting character!

i've said before that i think Primo is the only one of the brothers who takes the whole ~satanic death cult trying to bring the end of the world~ thing seriously.

Primo was indeed very serious about the cult. maybe too serious? even some other members of the cult dislike that about him.

NAMELESS GHOUL: The first Papa Emeritus was someone very rigid, very strict, and very solemn. A real son of a bitch! (laughs) To be honest, we don’t miss him at all! MyRock #44 (2017) translated from French by @ a-wandering-ghoulette)

the best source of Primo characterization is a 2010 interview with Sweden Rock Magazine where Primo and the Nameless Ghouls kidnapped the interviewer. though i quote *a lot* of it here, i strongly recommend reading the full interview because it is truly fascinating. notably, Primo himself speaks in this interview rather than a Nameless Ghoul.

Primo is a misanthrope who believes humans are "vermin" that have doomed themselves due to their "intellectual decline". in his eyes, they are unworthy of life and will eventually be destroyed.

“Human beings are vermin, thus the end of humanity is ultimately a good thing. We play but a vanishingly microscopic role in this cosmos of nothingness.”

The devil-worshipping organization that the Ghost leader speaks of is claimed to operate on a worldwide level and among many different areas: from politics and business to religious movements, in the entertainment industry and on the street. It does not have a name, but its existence “can most easily be explained as a living and ongoing result of humanity’s intellectual decline and eventual decay.”

Primo affirms Ghost's mission statement as originally presented in the band's old Myspace page: to spread the devil's influence and convince other people that humanity deserves its inevitable end.

According to the statement on the band’s page, Ghost’s main mission is to trick mankind into believing that the end of the world is ultimately a good thing. “Our only task is to accompany the world’s downfall.”

A question comes to mind: wouldn’t the band, which with its poppy hard rock could by all means appeal to a much wider audience than ordinary black metal acts, gain more attention by engaging in more commercial modes of expression? “We have other entertainment groups within our organization who are doing just that. Our task is to emphasize the devil’s message in the part of society that has, to varying degrees, already accepted it. It’s directed at the social grouping that goes to the type of concerts that we perform. Our goal is to be able to carry out our black mass, our ritual, for them. Other members of the cult work with far more subtle modes of expressions, better suited for consumers who are not as receptive to the truth.”

though he openly calls the organization a cult, his religious belief is sincere.

to Primo, the band's anonymity and use of costumes are a way of showing reverence and humility in their task. if Satan is the Father, and Antichrist is the Son, the band is the (unholy) Ghost: the force which connects humanity to the power of the Father and the Son. for the audience to think of Primo or the Nameless Ghouls as individual people would distract from their message. when he takes on the role of Papa, he becomes one with their cause.

You refer to yourselves as a group of nameless spirits - should this be taken literally? Is the band actually something other than human? “To make it easier for mortals to deal with the fact that we, as individuals, have no significance in this experience, we have chosen to act as ghosts - hollow and diffuse.”

Why did you, as a leader, choose an outfit so similar to the one worn by the Catholic Pope? “For the Pope it is a way of showing reverence and seriousness, and at the same time humility before his task. He uses it to step into the body that is the essence and the fog, something we advocate too. It is our way of becoming one with the fog.” Things become clearer when the leader speaks of the meaning behind the name of the band: “Akin to the tripartite view so stubbornly proclaimed by the Christian faith, we too believe there is magic in the concept of three and we are part of it: there is a god, Satan, a son, Antichrist, and a ghost in the middle that is the inexplicable - the fog.”

Primo has a theistic view of Satan, believing he is real deity who speaks through / inspires the band's music. in this way, the Ghoul Writer could be considered a sort of prophet to him.

That’s right. Ghost have their music written for them. In one online interview, a so-called “ghoul writer” is mentioned who supposedly composes melodies and lyrics with the help of ungraspable powers from beyond – devilish whispers instruct him which words should accompany which chords, and so forth. “There is indeed a human individual who composes patterns of tones and words which operate ever so beautifully in unison. However, I am of the belief that there is a higher being who speaks through this individual,” asserts the Pope.

like a proper cultist, Primo cannot imagine having a life / identity outside of the cult. he remembers that there was once a time when he was not a member of the cult, but he cannot remember what it was like to be that person. his devotion to the cult has been a core part of who he is for a very long time.

How he got involved in this movement and dedicated his life to Satan, he has a hard time answering. After a long silence, the singer says: “I find it very difficult to remember the life I had before I found the darkness. It is therefore very difficult to answer your question. My memory doesn’t go that far.” Surely the Pope must remember something?           “I cannot remember a time when I did not find myself part of the dark energy. That does not mean that I remember nothing from my past life, only that I cannot remember how I felt then. This is because it was a time when I did not know very much.” Was it by coming into contact with other members of the organization that you found this darkness? “As I said, I do not remember when this happened. But I think…” He chooses his words carefully. “… I believe that, like many others, I was woven into this dark through subtle, human components found within it. Once again, my intellect was not as developed as it is now, so I have great difficulty in explaining what happened - when and where, and to what extent.”

while he cannot say exactly what happened to him or when, Primo seems to have had genuine spiritual experiences. he was always connected to the dark energy, and he feels that he became awakened and that his intellect has developed since he truly found his faith.

despite being a misanthrope, Primo admits he was brought into the darkness by some sort of human connection. he might actually have the capacity to care about some people.

in a Kerrang feature where Primo gets quizzed on "demonology, serial killers and stuff like that", he says the cult knew witches who were burned at the stake, but he doesn't like to talk about it. it stood out to me that he says he doesn't want to talk about it, because he speaks so openly and matter-of-factly about other dark / upsetting topics. at the very least, it appears he doesn't like it when bad things happen to other members of the cult.

WHAT DOES THE PHRASE MALLEUS MALEFICARUM TRANSLATE AS IN ENGLISH? A) HAMMER OF THE WITCHES B) HAMMER OF THE DEMONS C) HAMMER OF THE GODS PAPA: “That would be the witch-hammer. We knew some Witches, but unfortunately a lot of them were taken away.” KERRANG!: “As in burned at the stake?” PAPA: “Correct. But I don’t like to talk about that. (Answer: A) ✔

he seems to be quite pleased about other people dying, though. and he is certain they all go to Hell.

6. NAME ANY TWO OF THE THREE ORIGINAL MEMBERS OF MAYHEM. PAPA: “Though one was not an original member two of the band are actually burning in Hell, and they’re good guests, certainly. But yes, I will say Euronymous and Necrobutcher.” (Answer: Euronymous, Necrobutcherr, Manheim) ✔ 7. WHAT WAS THE NAME OF THE SHIP THAT WAS DISCOVERED FLOATING ABANDONED AND UNMANNED IN THE ATLANTIC OCEAN IN DECEMBER 1872? PAPA: “It was that ship with such a heavenly name, the lady Mary Celeste.” KERRANG!: “And can you finally tell us where all the people went?” PAPA: I’ll check the records. Obviously they’re all in Hell now, but the way they got there is a little cloudy. But then our Lord too works in mysterious ways…“ (Answer: Mary Celeste) ✔

some of Primo's other responses in this article reveal he has a dark sense of humor and perhaps cruel inclinations. when talking about possessions done by the cult, he says "sometimes you just want to do it for the hell of it" and "you want to make a bit of sport out of it", referring to a possession that (allegedly) influenced a serial killer. he refers to the victims of these possessions as "poor [name]", but his remarks on their misfortune don't indicate any actual remorse or sympathy. it might even be intentionally ironic.

5. WHICH PAINTER ALLEGEDLY UNDERWENT AN EXORCISM IN 1947? PAPA: “Poor Salvador Dali. You know we had his missus possessed as well, all in the name of Satan…” KERRANG!: Is possession something that’s done for serious reasons or just to pass the time? “Well sometimes you just want to do it for the hell of it…”  (Answer: Salvador Dali) ✔

13. WHAT AMERICAN SERIAL KILLER CLAIMS HE WAS COMPELLED TO COMMIT HIS MURDERS BY A DEMON THAT POSSESSED HIS NEIGHBOUR’S DOG? PAPA: 'That was that poor boy, the Son Of Sam. That sure was a successful possession, although it did involve far too much crotch-sniffing and turd-eating.“ KERRANG: "Is it easier to possess a dog than to possess a person?” PAPA: “Not necessarily, but you want to make a bit of sport out of it.” (Answer: David Berkowitz/Son Of Sam) ✔

also, many of the events Primo speaks about would've happened before he was born or when he was very young, so it seems he's studied the cult's history very well, and he keeps tabs on their current activities. he does his research!

and as a fun fact: Primo is pretty good at math :)

14. IF YOU’RE TRICK OR TREATING AND THREE HOUSES GIVE YOU SEVEN SWEETS, TWO GIVE YOU FOUR, AND ONE GIVES YOU NINE, AND YOUR PARENTS THEN DOUBLE WHAT YOU HAVE, HOW MANY SWEETS DO YOU END UP WITH? PAPA: “76.” KERRANG!: “That was alarmingly fast, sir. Are good mathematical skills important when you’re burning in the fiery pits of Hell?” PAPA: “We all have our different strengths, but of course the number we are most used to is 666…” (Answer: 76) ✔

there's not a lot of information about Primo, and what exists is hard to find, but i live to bring knowledge to the people 🫡. these are all the sources i have on hand that talk about Primo. if anyone else has other articles / videos talking about Primo, i'd really appreciate it if you shared them!

[windser]

PLEASE write out that sylus work. The fandom beeds more spicy MCs and i can tell she would give him a run for his money

pairing: mc x sylus (soulmate!au) wc: 1.2k+

a/n: loooool here is just a bit of a teaser for how i imagined it all playing out. i highly doubt this is how mc and sylus will meet BUT its so fitting for how i image their dynamic playing out. but i really do want to wait for the official drop so I can confirm his characterization. [based on this post]

⋆.ೃ࿔.𖥔 ݁ ˖*:･༄ ⋆.ೃ࿔.𖥔 ݁ ˖*:･༄⋆.ೃ࿔.𖥔 ݁ ˖*:･༄⋆.ೃ࿔.𖥔 ݁ ˖*:･༄⋆.ೃ࿔.𖥔 ݁ ˖*:･༄

"he’s asking for me ?"

"he identified you by your mark."

your palm immediately goes to cover your wrist, blocking the neat scrawl from view. but it was little too late at this point.

you had never really taken care to hide your soulmate mark from the world. to bear it publicly was often a act of seeking from the individual, showing it proudly as if it might attract their pair sooner.

but for you, it was just as obscure seen or hidden, the mundaneness lining the words that felt like it would never truly have meaning.

‘you’re beautiful’

in your youth days, you thought it was the most romantic gesture to know that your fated person had such a high option of you at first glance. but the years tarnished that same phrase, after hearing it from too many loose lips with hollower intentions.

now it was just a first tattoo, fated second.

the slouch of your shoulder is nonchalant in gesture, though equally weighed down by the situation. “he probably just has intel on it. i’m too careless in the field if i can be identified so easily."

it was a crude bluff, a mere diversion from the pending truth. because yes, it was an indefinite, but only one individual in the world would ever need to find someone based on it.

besides this was the presumed leader of onichynus.

even considering the idea was a headache.

tara shuffles to the right at the sound of your name and you both look up to see jenna waiting, ready by the door.

her quiet nod feels like a direct pang to your temple.

right, a headache indeed.

࿓࿓༄༄࿓

though captured, albeit suspiciously easy, the operation did not come without effort. reportedly there were no casualties but it had been a battle enough in the end.

jenna warns you of as much as the two of you descend further into lower levels of the security facility. there weren’t many criminals who fit the eligibility to be locked behind maximum security. the hiss of the heavy steel doors partying to grant entry spoke volumes about the threshold needed to hold such a threat.

the leader of onichynus was an old tale but not the first. it never occurred to you until now what other individuals might be stored away here for the safety of linkon city.

“ma’am”

the hunter standing before the last sealed door saluted jenna with a stiff salute, the action drawing your attention to the smear of red against his palm.

a battle indeed.

jenna answers with a more tempered gesture, less precise with exhaustion.

“any changes?”

you’d been sent home early into the conclusion of the operation, leaving the higher ups to decide how to deal with the sour victory. it had been less than twelve hours since then and you doubted jenna spent a second of it resting.

the same could he said of the officer standing guard who looked like if he leaned against the wall for even a moment he would slump over.

“none.”

his gaze flicked briefly to you, then down. “is this...?”

it seemed that the leader of onichynus was very vocal with his demands. even without tara's penchant for information, it was now no wonder how everyone knew of your predicament.

you had taken care to clasp your arms behind your back but it seemed the damage was already done.

“the deal was confirmation enough, though at this point it’s all formality.” jenna is addressing you now. her lips turn as she observes the door as if she could see through it. perhaps feeling the aura was enough.

“this is late to mention but you don’t have to do this.”

tardy indeed given that she had already led you to the lion’s den. your face seems to display enough of that sentiment given her sigh.

“if this is true-“ if this man if truly your soulmate, goes unsaid. “then council will reassess the situation.”

the words taste asinine even when they don’t come from your mouth. it wasn’t as if your fate could twist their judgement. the man behind those doors has earned his sentence, it was too late to draw you into the equation.

besides, what would you even do with a criminal as a soulmate? this early in the game, you could cut your loses and actually prepare for a non-fated pairing.

what you did know was that nothing was going to change with one-half meeter of steel between you.

“well let’s see what’s behind door number three.”

jenna doesn’t comment on the joke, likely attributing it to nerves. but in truth, you were just as ready as everyone else to get this over with.

given you had not been present at the exact capture, the face of onichynus still a mystery to you. though this close, you couldn’t help but recall that feeling of the ominous gaze hanging over you. it was one of the few times you had placed the feeling out of your nightmares. the knowledge that it came from the individual fate had decided to pair you with may as well have been the jest of the century.

so yeah you want this over with so you could get the last laugh.

with Jenna’s assent, the officer clears the few steps needed to join his peers where after a short order, the final steel doors began to part.

jenna doesn’t move forward, so neither do you. though you can’t help the slight tense in your limbs as you prepare for ... what a fight or flight?

there was research, anecdotes and stories about the first gaze but you never really summed up what you thought your experience would be.

‘you’re beautiful’

you’d heard it so many times before. would it really be so different this time?

what you notice first is the bareness of the room, appearing as just that, an empty space. well not completely empty; for at its center was a man. one who someone took up every parameter while only being rooted in a single square.

UNICORNS holding measures were … questionable, leaving him in a simple chair with only what you imagined were handcuffs to keep him rooted. this man who nearly cleared an entire squadron. though you supposed an escape wouldn’t come easy for him.

him, who was not just a man, but the dangerous leader to an illegal organization chasing the aether core. a figure with ashen hair and vermillion eyes. a figure with ashen hair and vermillion eyes, likely deprived of rest since his capture, though he didn't give off the impression of losing any sleep over it. he also sported more than a few smudges of dark crimson, making him appear every bit as dangerous as his lore suggested.

you think you hear a sound of protest from jenna as you take a challenging step forward, but it falls on deaf ears as inquisitiveness wins out.

he certainly fit the bill of a criminal figure. yet as he sat there, chained to a simple chair, chest rising with each breath with that slight tilt of his lips. there was just something else that made it hard to believe that this could possibly be your soulmate, questionable choices aside.

the man seemed to take your silence as an invitation as he spoke first.

“you’re beautiful.”

and in that instance, all of the violence and ominousness bled away, leaving just a man tied to a chair with dark eyes looking up at you with expectation.

you don’t realize your lips are curling downward as your eyes flicker back to his hands which were pinned behind his back.

and with your next words you sealed your fate forever.

“sorry, I’m not into subs.”

[littlefeltsparrow]

There’s a problem with the way Sarah J Maas depicts physical abuse/intimidation in ACOTAR

The fact that Tamlin’s physical abuse of Feyre being communicated through a magical/emotional outburst is problematic in the sense that it undercuts the reason why abuse happens. Incorporating magical concepts into a portrayal of domestic violence muddles the issue at hand and makes the abuse an accidental consequence of involuntary magical impulses as opposed to a deliberate tactic of intimidation and control. This issue is exacerbated by the fact that Feyre too, experiences an uncontrollable magical/emotional outburst during the High Lords meeting due to Beron’s provocative remarks. To be clear, I don’t view Tamlin as detestable or as an irredeemable abuser, but the text very much does. What I want to comment on is the problematic framing of Tamlin’s actions that are meant to characterize him as an abusive partner to Feyre.

So, I’m going to compare and contrast a scene from ACOMAF with a scene from ACOWAR, both of which depict magical outbursts that are brought on by intense emotional stress or rage.

ACOMAF

Here, Feyre objects to Tamlin’s protective measures he had enacted earlier. She expresses how suffocated she feels and how she wishes that she had the breathing room to cope with her new reality and that Tamlin’s actions are making her suffer. Furthermore, Feyre introduces her doubt in their engagement and expresses her reservations. Tamlin then goes blank, reacting explosively with his power blowing the room into splinters.

This is a good first step towards characterizing Tamlin as an abusive partner (despite the leaps it took to get there) But, where it goes wrong is the emphasis the text puts on Tamlin's blank expression and subsequent magical response. He loses control momentarily, but the issue about this portrayal is that abuse is not "losing control" or accidental, it is a conscious decision made by the abuser. But here, Maas makes it seem as though Tamlin really was not in control, that the heightened emotions made him react that way.

It gives Tamlin an out and consequently undercuts the message Maas is trying to communicate. Bringing magic into the scene takes away Tamlin's agency and removes a portion of his culpability in harming Feyre.

This scene should not have been Tamlin simply losing control of his temper, if Maas wanted to enhance her abuse narrative, she should have taken Tamlin’s temper and had him weaponize it. Intimidation is a possibility, one that would work towards making Feyre feel scared about voicing ver true feelings on their relationship. But Maas doesn’t go all the way, she doesn’t lean into that interpretation and instead plays it straight.

This is also undercut by Tamlin's second magical outburst in ACOWAR. Feyre intentionally provoking him does nothing for Maas's abuse narrative and actively undermines it by strengthening the idea that Tamlin's destructive outbursts really were caused by overwhelming emotions. Once again, it gives Tamlin a way out and dilutes the message.

The notion of an involuntary magical outburst is applied again in ACOWAR

Beron’s inflammatory remarks provoke an immediate reaction from Feyre, she goes blank so to speak, and can no longer focus due to the intensity of her emotions. This manifests in a fiery outburst that throws the meeting into disarray and injures the Lady of Autumn accidentally.

She’s so angry that she can’t think straight or logically, and it manifests in an attack. Though this isn't exactly the same, Feyre's "blinding fury" is so powerful that it cannot be restrained and ends up harming an innocent party. This moment strengthens the case for magic manifesting strong emotions as external attacks, characterizing it to some extent as involuntary.

Ultimately, the magical element removes the agency of the individuals in question. It frames their violence not as a conscious act designed to inspire fear, but as a genuinely accidental reaction to intense emotions. This is why the "Tamlin is an evil abuser" narrative is so weak. Because it dilutes the severity of the violence and makes it seem as though these kinds of emotional outbursts are an element of possessing magical powers. It gestures at a larger issue of Maas picking and choosing when and where she wants to apply real-world standards to her characters' morality. It makes events less believable and hypocritical, making allowances for certain characters, but condemning others without adequate narrative set-up.

This is why Maas is fundamentally incapable of recognizing the abusive dynamic she constructs with Feysand. It is a combination of double standards, authorial bias and a misunderstanding of how abuse manifests.

[stellacatus]

Flatland (The book) is pretty good!

I read Flatland not too long ago, I´m afraid to admit that I saw the 2007 adaptation before I read the book fully. I didn´t change the fact that the movie was a hot mess to me.

At first I chalked it up to be just an indie movie from almost two decades ago, of course the script would be messy and the visuals jarring. But the moment I gave myself the time to read the book in it´s entirety, I realized how bad Ladd missed what the book was aiming to teach, and make fun of. Bigots like him :^/

Not only that, but something that irks me so fucking bad is the whole Chromatists ark in the movie; not only is it extremelly inaccurate to the book. This being A.Square´s retelling of a historical event that happened so long ago, we can´t really take A.Square´s word for it, as it was probably altered to make the Chromatists as "irrational liberals" and the Circular Priests as "the voice of reason".

Bringing this very much innacurate retelling to the present day of Flatland feels to me, like a very poorly made strawman.

I need to mention too, the leader of the Chromatists, an irregular shape. Which could´ve been an interesting approach to the differences between both kindoms. But,, the way he´s characterized really hits me the wrong way, feels extremelly ableist. And just serves to further the point that Ladd Ehlinger didn´t comprenhend the message the book was trying to comunicate.

Or he did, afterall, the Chromatist movement was a in-book version of a human rights movement, as it seeked women´s and irregular liberation and individuality.

To be honest, It could be interesting to explore a Chromatist resurgence in Flatland, the book has plenty of worldbuilding and potencial to have new stories written about it. (I´m yet to hear of a good adaptation though, If you have any good adaptations around this world, I would love to read it!). But not by people like Ladd.

Another thing I would like to mention is how much Ladd butchered A.Sphere´s personality in this movie. I hope I´m not the only one who has this sentiment. A.Sphere is supposed to be humble, he scoffs at the idea of somehow being a supperior, perfect being. He´s also empathetic and patient, things A.Square mentions he associate´s with women, and therefore inferior. Something that is supposed to challenge his view, as he has this notion that A.Sphere is a godly entity.

I believe this was a counsious desition; by scrumbing this character of this personality, now he doesn´t have to challenge A.Square´s (and by proxy Ladd himself) bigoted views.

I can still understand people might´ve grown attached to the character, I trust you have two brains and understand the core message of Flatland regardless.

This just goes to show media literacy is a very crutial skill, specially as an adult.

Anyways, have this quick thingy before I run to my Uni because just now I realized I ranted too much and now I´m late lol

[thebirthofvenusfly]

i cant remember every example off the top of my head but i do enjoy the dialogue in ISAT; it feels very natural, in terms of characterization and personality development between individuals, and also just, in general. it has the imperfect yet sincere vibe. you know? like when siffrin asks bonnie what they'll do when they find their sister after defeating the king at the start of the game, and bonnie goes, "i'll hug her and tell her i really, really tried," with no further elaboration, to which siffrin can only think "tried... what???" like i think that perfectly captures bonnie's nature as a kid; simple albeit honest vocabulary, feelings that are too hard to describe (grieving their sister, wanting to be by her side again, wanting to tell her they've done their best to save vaugarde, to save HER, to do something she'd be proud of them for) compacted into a sentence so simple and concise that siffrin cant even comprehend exactly what the hell they MEAN. i think it feels very human because as humans sometimes how we feel is beyond words, but we try our damndest to get it across.

[velvet4510]

Is it just me or is Jean Grey’s entire characterization and storyline in the XMCU unbelievably sexist? I’m just so appalled by it. I have no idea if this is a hot take - I’m brand new to these films, and am totally unfamiliar with the comics - but I really can’t see this as anything other than misogynistic writing.

Between the idea that “woman can’t control her own power” and “woman who two guys are fighting over” … both of those are such dated and regressive concepts but for Jean Grey to embody BOTH of them … and literally NOTHING else? She has ZERO character development outside of these two traits. We don’t explore her friendships with Storm or Rogue or any of the other female mutants. We don’t explore her feelings toward humans, if she entirely agrees with Xavier or if she’s ever curious about Magneto’s view. We don’t get any understanding of her own wants and needs. She ONLY exists to cause pain to all the male characters.

We’re supposed to sob at the end of X2 because all the men are sad. But we are given no reason to care about her for who she is as an individual - only for her ability to make men sad.

Then after it turns out she’s alive in TLS, she goes full-on villain. No psychological complexity, no moral struggles. Just villain. Oh, no, too much power for woman!! Woman can’t possibly control a force like this!! Man must kill her - must kill the love of his life, oh, no, what a tragedy!!! There’s no hope for her; the only way is to kill her.

Then after her death, she is not framed by the narrative in memory as a great X-Man, or as a fallen hero. She is framed as the lost love of a man who she didn’t even love in return. The power that she couldn’t control caused her to kill the man she really did love - Scott - but all the remaining films frame her as no more than the source of Logan’s torment and manpain.

Even when she returns at the end of DOFP, the joy comes from Logan finally getting a second chance at resuming his rivalry with Scott over her.

I haven’t even seen Apocalypse or DP - and I don’t want to - but I already know that those films only make the exact same mistakes all over again!

I guess I should blame the comics for coming up with this BS in the first place, but the movies didn’t even try to improve upon it.

Jean Grey is the most poorly written female superhero film character I’ve ever seen.

[cosmichate]

i feel like it’s important within the yellowjackets fandom that has pretty much every ship possible, that we recognize the representation we were given — taivan have been extremely important to me as an individual considering this isn’t something we get very often, a black empowered lesbian who is in a relationship with a butch lesbian who are both characterized very well and played by two queer actors.

i’ve seen far too much taivan discourse on my TL recently and it breaks my heart, people are entitled to their own opinions but hating on a canon ship and then continuing to push an agenda about two characters that aren’t canonically interested in each other romantically (maybe even platonically) doesn’t sit very well with me and the other people i have curated this post with. it’s a very rare circumstance that this representation is brought to the light with a mainstream show and we should as a fandom collectively respect and view these two characters differently. i hope with season 3 they touch on their relationship more because representation goes such a long way even if it is only two characters.

[the-garden-mud-blog]

we need a MUD with these symptoms please !! we've attempted to find a MUD that describes what we experience but we can't find much .

-warped sense of time

-feeling as if time has no beginning or end

-feeling as if time isn't real

-being unable to tell what the date is or the time is

-feeling as if things aren't real ( if you think about time too much )

-a sense of anxiety after thinking about how fast time has gone or how slowly it is currently going

-feeling as if time goes quickly and slowly at the same time

-feeling as if other people also have a warped sense of time even though they don't

-feeling as if other people aren't real because of the time warping

-irregular sleep schedule

preferably with a blue or purple color theme !!

thank you if you do , do this !!

-🌱🐈

Disorder Name: Time Dysperception Disorder (TDD)

Thank you for being our first request *Kiss*

Description:

TDD is a psychological condition characterized by a persistent distortion of time perception. Individuals with TDD experience significant difficulties in processing and understanding the flow of time, leading to a range of cognitive and emotional symptoms.

Symptoms:

Warped Sense of Time: Individuals with TDD often perceive time in a distorted manner, feeling as though time stretches or compresses unpredictably.

Eternal Time Loop: A sensation that time has no beginning or end, leading to an overwhelming feeling of being trapped in an infinite loop.

Time Rejection: A prevalent belief that time is not real, causing confusion and disorientation.

Chronological Disorganization: Difficulty in telling the current date or time, often leading to missed appointments and a disordered daily routine.

Existential Derealization: A feeling that things are not real when thinking about time too much or for too long, causing a detachment from reality.

Time Anxiety: Intense anxiety triggered by thinking about how fast time has passed or how slowly it is currently moving.

Temporal (Time) Paradox: A paradoxical feeling that time is simultaneously moving quickly and slowly, creating discomfort.

Projected Time Distortion: The belief that others also experience a warped sense of time, even when they do not.

Derealization: A sensation that other people are not real due to the time warping effect, leading to social withdrawal and isolation.

Sleep Disturbances: An irregular sleep schedule, often paired with difficulty falling asleep or staying asleep due to anxiety and time confusion.

For the flag: (Anyone is welcome to create a flag alt flags or anything of that sort please @ us if you make one ^^) Color Theme: The color theme for TDD is a gradient of blue and purple, representing the deep, Mysterious, and unsettling nature of the condition. Blue represents the confusion and calmness that often is paired with distorted time perception, while purple represents the mystery and surreal aspects of TDD. Visual Representation: A visual depiction of TDD include abstract, swirling patterns in shades of blue and purple, with clock faces melting into unrecognizable shapes, representing the fluid and unstable perception of time experienced.

*Kiss kiss*

-Lacie

[showtoonzfan]

Just want to preface this by saying i love ur analysis sm- u put my exact thoughts into words when i cant verbalise whats wrong with a particular writing decision 🥲🥲

Anyway, smth ive noticed is how... little time vivzie actually spends on writing or characterizing or fleshing out her characters.

Which has to be the weirdest thing so far bc every writer and artist ive met agree that its the best part of making an oc! Its so fun to think of backstories and tie that into their current personality and generally just figuring out random details to get to know your characters!

Like, my ocs are my best friends, i know everything abt them from their trauma and childhoods, to their favourite food and music.

But time and time again she proves that her characters are at best acquaintances... the fandom fleshes out the characters so well and with so much love and care and thought that vivzie herself cant do and its just sad.

Not even mentioning the hundreds of retcons and how characters will just change personality randomly or act out of character which results in the work feeling like a fanfic of itself. (Ironic considering some fanfics have better and more consistent characterisation)

It feels like shes making it up as she goes, instead of having an actual plan. Just shoving random ideas she likes or picks up from the much more creative fandom into the 2 shows without actually stopping and thinking abt the consequences or implications.

Theres so many decisions shes made that irk me so bad... the ideas individually have potential but they either dont fit the show or have to make huge retcons and result in the plot not making any sense.

Also, ngl but she has the worst case of tell dont show ive ever seen my god 😭😭 like... you realise you have to show things instead of just fucking singing it or having a character say it??? Or is that another thing that the fandom has to do so they can convince themselves that the show has good characters??

Atp idk how to salvage the show... i keep finding more and more plotholes and unless i literally turn my brain off and only focus on haha funny dick joke or pwetty colors, these questions keep popping into my head making it a painful unenjoyable experience.

Again, if the fandom has to justify your bad nonsensical hypocritical worldbuilding then you failed. Massively.

Anyway im very sleepy rn just wanted to rant a bit bc im a writer and artist myself and it pisses me off how someone gets their show on the air and still doesnt care abt putting in effort into their plot or characters beyond aesthetics and random ideas that dont go well together...

You’re speaking facts! And it’s honestly like..kinda funny too that people who have their own OC’s can flesh them out and deep dive into their arcs/backstories ect, yet a professional showrunner who’s had these characters for YEARS can’t even give the majority of her characters flaws or quirks, or even consistency, same goes for Helluva Boss.

Viv is a really good example at letting inspired writers know what not to do when making a story and characters so at least they have that lol.

[archivalofsins]

I feel like people really do pick and choose when Jackalope is an unreliable source of information.

This would be fine if it this were ever tied to any of his characterization over the course of series. Yet, half the time it just boils down to him saying something that a person subjectively doesn't agree with.

Then that someone going,

"Remember the characters can lie, they aren't infallible, this includes Jackalope~ <3 Please and thank you!"

Without explaining or even going over any of times Jackalope has been overtly bias. Of which they are many to actually elaborate further on why they believe this is the case. It's honestly why I've been getting really sick of the blanket term vibes when it comes to describing the character of an individual or concept.

It's such an easy way to discount something without giving it much thought.

Saying that the characters can be bias is pretty much the same as that to me. Except it oddly glances over the fact that the audience can be bias as well and usually when someone tells someone something is the case without evidence that means one of two things,

A. They don't want to think about the topic too much themselves.

B. They don't want you to think about the topic too much yourself.

Either way they don't want anyone thinking which is never a good thing.

(Edited for clarity and to expand on certain points: 07/19/2024 12:58pm)

For example- if I were to say,

"Ya, know I don't like how Jackalope discussed Yuno. I feel like he was being a bit dishonest in the report on her at the end of trial two. I mean we know he has a bias for cute women and it seems like he's just agreeing with her statement because she's his type."

That would still have more thought put into it than what people have been saying about his report on Mikoto and I could actually prove that. Because it directly aligns with how he has consistently been portrayed.

But I didn't say he was fucking lying for her because even though he has a bias towards cute girls he has no fucking reason to. But you just said he has a bias towards her so he would lie to keep her looking good and make us think it was really that simple if he liked her.

Have none of you been watching? Do you not know what makes Jackalope go apeshit? From the web series and the novels yet? What really gets this motherfucker heated more than any woman- Let me give a quick refresher.

"It’s not easy. Of course it’s not easy. Crime is not easy! Punishment is not easy!! Don’t I know it! But don’t you see! What I’m looking for is there, in that decision arrived at only after wading through all that morass!! …Ahem. Sorry, got a little heated."

His Milgram. His Experiment. The thing that he is here to test. The first novel goes to extra lengths to expand on this hyper focus he has on this experiment and what Milgram sets out to do.

So, I don't have to question his honesty on Yuno because I know whatever he says is being said in a way as to not mess up the process. Because that is what he is the most interested in. Regardless of if he doesn't always agree with the results.

That's why it personally irks me when someone just goes- Remember, the characters can be swayed by their own subjective beliefs and experiences. So, they can be unreliable narrators. This includes Jackalope without delving into any of his characterization.

Because I don't know, some people may really believe that Jackalope just shows up to tell lies and has no vested interest in Milgram as a facility or the experiment taking place.

But secondly-

Yeah, that's how good characterization works. Like yeah that's just characterization...

Sometimes, I feel like in this day and age if some were to read a first-person novel where the narrator was unreliable for any number of reasons.... Ugh, they might legitimately believe the book was lying to them. Like the book was being dishonest. Instead of that being a very specific aspect connected to the characterization of the character perceiving the events of the story.

So, I'm gonna do it myself because some people are honestly doing Jackalope dirty right now. Which I thought I'd never have to defend the rabbit but-

Jackalope does not care about Mikoto Kayano. Let's dissect.

Firstly Mikoto is the prisoner Jackalope admitted from the very beginning he doesn't give a damn about one way or the other-

In the very first voice drama. He didn't even want to spend more than one second talking about the man when they got to him.

Like oh he's biased. Yeah but was he ever biased against prisoners for personal reasons not pertaining to their crimes?

Jackalope from day one-

No he admitted to not being interested in the prisoners personal information to the point of not even remembering their ages. So, he wouldn't even know enough about Mikoto to hate him personally. Yet he notes that he doesn't know anything about their personal lives he never states he doesn't know anything about their crimes just that this is something for the guard to discern on their own.

I mostly bring this up because it showcases just how little Mikoto is on Jackalope's personal radar. There are other things that show this as well that we'll get into but this is the very first.

Honestly, from this alone it feels like Jackalope does not and has never cared that much for Mikoto. He didn't even care enough to check what the fuck was going on with him and his strange sleeping patterns even though they're fucking noted on his prisoner description on the website.

You know the thing that tipped Kotoko off that he may have dissociative identity disorder to begin with.

Kotoko is more emotionally invested in Mikoto than Jackalope ever has been,

"I already noticed Mikoto Kayano's weird behavior a while ago, and since I'm in the room right next to his, I kept and eye on him."

Why did you save me...? "Because your existence is helpful to me." That's... not an explanation... "I guess you're right. I'll be answering that question when it's my turn." ... ... "I don't mean to pre-empt things here after all." ...gh... Damn it... Mikoto... Suddenly lashing out like that... "Warden-san, look over here." What is it not Koto-...ko? "The hit got blocked in midair...? So, it's true that inmates can't attack you. Then why was Mikoto Kayano able to hit you...?" ...This is bad for my heart. Stop it. Besides, that's what i'd like to know as well... Ngh... It's time... Get out, Kotoko. "The song extraction thing, huh. Are you trying to say that something I'm not allowed to see?" I'm ignoring your question. Get out. "...Hm. Either way this has become interesting, hasn't it?" Kotoko...

"You've realized it too, haven't you? Based on this confirmation, it's likely that Mikoto Kayano has dissociative identity disorder, or in other words, a split personality."

Kotoko even blatantly admits to stalking Mikoto in her first voice drama,

"For example, me being suspicious of Mikoto Kayano's actions, carefully tracking him and his behavior."

Jackalope didn't care enough to look into any of the prisoners personally then and he still doesn't care now.

Hell, he cares more about being Futa's number one, day one, never gonna stop hater-

Then he will ever care about Mikoto. That is how little he cares.

But he cares enough to say he hates Futa without knowing anything about him personally. So, he could. Yeah, again, he doesn't know anything about them personally, but he knows their crimes/what they are in here for and can easily like or dislike them based on a number of biases outside of that information.

He just has never liked Futa and has done nothing to hide that fact.

Seriously, Jackalope said this shit from the beginning but I still had people up my ass like Jackalope would never lie about the severity of Futa's injuries in comparison to Mahiru's. Whaaaa- What do you mean?!

Meanwhile-

Jackalope what time is it? Hating o'clock you say, damn I guess-

"Because he was found “guilty”, he’s tormented, engulfed with anxiety. Shaking in his boots, I’d say. So amusing."

If Futa has one hater, I know it's going to be Jackalope. It will be no one else. If someone out there believe they're Futa's number one hater, they are wrong it is this rabbit. Jackalope is the guy in this niche situation.

Jackalope doesn't even give enough of a fuck to know Mikoto's name. If it wasn't on the incarceration sheet I doubt he would even know it. (this is hyperbole for comedic effect. I think he'd at least remember the dudes name.)

Still seriously I don't get what some people are on. Mikoto is not everyone's main character and that's fine. He doesn't need to be.

Jackalope said,

"This boy is bland and I don't cook without spices."

"A dime a dozen, a million like him. I could skip a stone in the street and hit five."

That's his opinion he stood on that, and he's free to have it. That has been his characterization on this since day one. He did not look any deeper to his own detriment and admission.

He really side eyed this dude like,

"Mm fake ass, phony ass, never told the truth in his life ass."

Then second trial went,

"We have a problem. MILGRAM’s control didn’t seem to work on him. That is to say, he’s got a real case of multiple identity disorder." - "Hey now. Don’t judge me so harshly! I’ve been doing this a long time, but… there’s a first time for everything. We’re in a bit of a mess ourselves over this, you know." X

Really went look, look, look this isn't on me- Mistakes happen don't look at me like that. But suddenly now I'm supposed to believe Mikoto is so much more intriguing to him that he'd lie and risk mucking up his own experiment?

Over Mikoto someone he didn't even bother to mention the feelings or reference the statements of in his end of second trial report on him? Like he failed to mention a damn thing Mikoto said himself while directly referencing what Yuno said basically cosigning her confession.

He really went for this man,

"Do you all not know how to count? Did you not see the bodies-"

And nothing else! I don't know how to explain this any differently. He does not care about this man. He cares more about these victims none of us have fucking seen! Because they've only been alluded to outside of the one other person we see in MeMe other than Mikoto.

That is how little he cares about this dude.

He made his report on Mikoto about the impact Mikoto's actions had on the lives of others instead of anything to do with the prisoner himself. The best we got in regards to Mikoto as a person was once again the recognition of his diagnosis and how that is impacting his memory and nothing else.

Jackalope said he had no interest in Kazui but still spoke on that man's feelings enough to call him emo,

"He’s a self-admitted liar, have you been able to solve the mystery? It all feels very emo and I can’t bring myself to be very interested in him, but the fact that you’re so accommodating to him, is commendable."

There's a recognition of emotions there.

With Mikoto, Jackalope just reiterated what several other people, including Mikoto himself, have said. That Mikoto doesn't remember and then stated that just because he doesn't remember doesn't mean he's any less responsible for what he did, basically.

Which is an absolutely fucking true statement.

Like I can say that I don't remember something that impacted someone else. I forget a lot of things, but that doesn't negate the impact the action had on them. Plus, when I say that I don't remember something, I'm not saying that to negate or lampshade the impact I've had. I'm saying it as a neutral statement because that's what "I don't remember" is when you have a disorder that fucks with your memory. It's literally I don't remember that can you explain more. That's all that is. It's a really neutral statement. No one with a disorder that fucks with their memory is trying to gaslight anyone into believing it didn't happen that way when they say they don't remember something.

Mikoto is literally gaslighting people, though. Because his I don't remember is attached to phrases like,

"Maybe you got the wrong person.", "How do you know I even did that?", "All I did was dream."

In their second voice drama they even go as far as to call into scrutiny the song extraction itself. Something being done by a machine completely devoid of any individual bias as it is solely meant to display how the prisoner perceives their actions.

Downright stating that the footage extracted could have been fraudulent or more extreme due to his Dissociative Identity Disorder,

"That too could be just a fake or attributed to the multiple personalities, right?!"

Mikoto's Second Voice Drama- 9:10

These statements when combined with "I don't remember" lead the viewer to question,

If they are remembering/perceiving things accurately.

If the information they received previously is accurate/can be trusted.

If any of what they know is true/genuine.

If they are being mislead/lied to.

"I don't remember" by itself is a neutral statement, and many mental health diagnoses can impact a person's memory.

What Mikoto is doing here is not neutral, though. He is behaving in a purposely misleading way in the hopes of possibly benefitting from it. Through sewing doubt and confusion. This is gaslighting plain and simple.

And it worked too,

National Domestic Violence Hotline: What is Gaslighting?

"Generally, gaslighting happens very gradually in a relationship; in fact, the abusive partner’s actions may seem harmless at first. Over time, however, these abusive patterns continue, and as a result, a victim can become confused, anxious, isolated, and depressed. Altogether, they can lose all sense of what is actually happening. Then they start relying on the abusive partner more and more to define reality, which creates a very difficult situation to escape."

Also, just because someone has diagnoses that negatively impact their memory that doesn't mean those people cannot be held accountable for what they did that they don't remember or can dismiss discussions about what they did by simply going, "I don't remember."

It is so easy to just say, "I don't remember doing that, but I see that what I did impacted you greatly, and I'm sorry for how it's affected you." Especially when one has fully understood the hurt they've caused another regardless of if they understand how they did so or remember doing it.

No one should have to jump through hoops to convince someone their feelings and experiences matter or happened. Whether that person has a memory issue or not. For someone to just sweep those things to the side with an "I don't remember" is dismissive and unfair to the individuals hurt by their actions.

That is the entire point of what Jackalope is talking about. Just because someone doesn't remember hurting another person or understand how they may have done so does not mean they didn't.

He brought up the victims because no one else did.

Attention should have actually been placed on the victims from the beginning. Since those were the ones impacted by Mikoto's actions the most. The victims were discussed in some capacity with every other prisoner. But- like, I'm not in the tag because of a lot of things. So, it may not be my place to speak on this. There's a thousand reasons why I may not have seen this being discussed.

However, around Mikoto's trial, I don't remember seeing any discussion regarding the people or person he had admitted to killing and no one I know who was into Milgram brought up anything discussing that to me either. In fact at a point around that time I was blatantly told by someone that he killed no one.

Despite him- Yes, admitting to killing random strangers, he had no connection to. All because he was upset in his second voice drama,

Can I ask...why you killed them?

"They annoyed me."

Who did you kill?

"Just whoever was walking around nearby."

Even going as far to state that he himself doesn't remember how many people he killed. Never once saying he only killed one person.

... How many did you kill?

"Can't remember. I was just born back then, you know. It's kinda fuzzy."

So, I don't really know where the idea that he only murdered one guy even came from at this point.

Now, I can understand how someone could conclude he didn't kill anyone at all more because of the whole gaslighting thing but this...

He didn't even claim he only killed the one guy.

In all honesty, I don't think Jackalope is being dishonest here because he's been the only voice of reason when it comes to Mikoto's case.

He is actually being quite rational and considerate about the circumstances overall. Even outside of all the foreshadowing that supports Jackalope's statement. Just taking it from a characterization level it seems to me that Jackalope could not care less about Mikoto if someone paid him to.

There was no emotional investment positive or negative when it came to Mikoto.

To me, it seemed as though Jackalope was only invested in Es' (the guards) opinion on the matter. Because outside of him alluding to how many people Mikoto had killed, he gave us nothing else. Like literally nothing. Other than talking about Mikoto's actual impact.

How many bodies does it take to make a person irredeemable? What's the difference between one life or multiple?

At the end of the day Mikoto's still a murderer. Again not even touching on the foreshadowing of him killing multiple people before Jackalope just came out and said it.

But really, how many deaths can an individual find negligible?

One, two, three- Oh we won't count it as murder until it gets to the double digits, huh?

Jackalope's statement on Mikoto eloquently expands on what he pondered with Yuno.

What constitutes as a life? What constitutes as a crime? What constitutes as murder? Further expanding on the main question brought up with Amane at the very beginning of Milgram- At what age do we suddenly have enough free will where we can be held fully and earnestly accountable for the actions we commit to as individuals?

How many bodies make a murderer?

The answer should always be one. Anything after that is just clocking in overtime.

It doesn't become less negligible the lower the body count. Someone is dead regardless. So what about Mikoto as a character makes people so down horrendous that they need to find a negligible amount of killing?

What about him makes a person think,

"I can excuse one death that person probably wasn't living their life properly anyway."

What about any of the characters does that?

That's the question of Milgram isn't it?

It's to redefine sin to redefine murder. To test what every day people of this era are willing to let slide if pushed far enough. Through Mikoto's second trial Jackalope saw the answer was a lot.

He saw the answer and it was nothing to joke about. It was hard to keep the atmosphere light. It was heavy, it was rotten.

I personally don't believe the heavy atmosphere was because of any disdain Jackalope holds towards Mikoto. If anything Jackalope has always regarded Prisoner 009 Kayano, Mikoto with indifference.

All of the prisoners have been and will always be devices to pose a question for Jackalope. Yes he is biased and he's shown who he is biased too quite clearly. Yet, Mikoto has not been alluded to being one of the characters he feels strongly about.

He's usually been all business while discussing him and that's what he was during the second trial end report as well.

Jackalope's issue wasn't with Mikoto in my opinion but the audience's and Es' judgment.

The line that makes me believe this is,

"But even so, "Innocent"..... I see, I see. Hey, the judgment of the guard is absolute, of course!"

Did nobody catch this? Did it go over some heads? Did it really need highlighting? Jackalope disagrees with the verdict and he combats the decision pointing out the holes in it.

But he has no choice but to accept it because,

"The judgment of the guard is absolute."

He really did what he said he was doing when speaking about Mahiru,

"Sorry. I’m like the guy on the couch watching the sports highlights and complaining, don’t mind me."

Something that once again isn't surprising to me. Because from the beginning in the This is Milgram video Jackalope said,

"I mean, I personally would just say GUILTY to all of them to avoid all this hassle."

The end of the second trial report really was him going,

"Do you see this shit- You see what you've become?"

At the audience.

But- ya know, that's just my interpretation of the second trial end report.

Let's stick to the facts.

Like how Jackalope is only a dishonest narrator when he's saying something the audience doesn't want to hear. Like I said earlier in this post-

No one was talking any shit about what he said about Yuno.

Someone he clearly favors and has done nothing to hide the fact that he does,

"By the way, I love frosty girls like her."

When he cosigned that what Yuno told us was the truth. That wasn't because he has a thing for cold girls like her. Or has shown the female prisoners more favoritism.

No, there's no need to question the authenticity of that narration.

Why would Jackalope ever be someone's accomplice? He's only bias in one direction. That rabbit only has hate in his heart. He's just trash talking Mikoto because he isn't a girl- He's so biased.

He wasn't just sympathetic towards Mu's guilty verdict because from the beginning he said,

"Yep! Finally, a pretty little thing. On the other hand, I'd vote this one "innocent". Those beautiful genes have gotta be passed on!"

"I see, maybe you have the tendency to need to see the remorse, to give the “innocent” verdict. Was her crime really so infinitely worse than the other murders?"

No, he's only biased when it comes to things he says that I don't like. Things that don't confirm what I'm already feeling or want to believe. Jackalope isn't a character in his own right with patterns of behavior and easy to spot biases.

No he's a menace just here to sew chaos and confusion. Because the one thing he wants to do the most is ruin his own experiment.

His Milgram.

[dropout-if]

I dont know who to romance 😫 everyone is so amazing

Thank you💕💕💕💕😭 I hope I can help anon.

Romance Jade/Jean if you want to feel like you're repeating a past mistake, if you want to explore the depths of the person you thought loved you and who you thought you loved. If you want fiery debates, deep conversations, and very rare moments of vulnerability. J will hurt you, and they won't realize half of the time, and the few times they do notice, J won't act apologetic. At all. It's reconciling past and present in order to potentially rekindle the spark between J and you. Being in a romance with them, though, pays off. They're loyal, protective, worried about you, they want to be involved in your life.

Romance Uma if you want to mend an open wound, if you want to explore the meaning of loneliness, of art and creativity. Uma's relationship with you is built on a very strong emotional connection that has since been neglected and left to rot. Romancing Uma means regaining their trust, revisiting the meaning of friendship. Uma's calming presence serves as a safe haven for you, their route is marked by genuine support and acceptance, it's embracing the unexpected.

Romance Statler if you want delayed gratification. If you're willing to take the risk of everything going wrong in every possible way—if you want to make terrible decisions, too. If you manage to overcome the major obstacle that's their partner Noir, Statler's route is mature and grounded. It's about quite literally forcing Statler to enjoy life, to fight for their dreams, to discover what they truly want to do. Their romance goes beyond being an old unrequited high school crush.

Romance Wanda if you want a bold and passionate experience, an unanswered question of "what went wrong?" Wanda isn't about the baggage, she won't create needless drama—there's enough surrounding her life as it is—and she expects you to do the same. Her route is built on a mix of flirtatious charm and genuine affection, a relationship that is characterized by bold gestures, heartfelt confessions, and a sense of adventure. Wanda seems like the least angsty route, and if you believe that she's without worries and concerns, she has fooled you too.

Romance Kai if you want to meet your opposite in life. If you want the kind of experience that your entire family is going to disapprove of. If you want to discover the limits of physical attraction, if you want to blur all the lines and watch as someone with very noncommittal tendencies experiences a very intense chemistry with you. Kai's route is full of witty banter and surprises, it's about opening up and overcoming past mistakes and traumas in order to properly enjoy the present.

Romance Travis if you want a grueling experience with very little communication. If you want to feel truly and genuinely hated prior to the reconciliation. Unlike J, Travis knows he can potentially hurt you. He knows you well enough to know and remember all your weaknesses, he knows how to exploit them, and he won't hesitate to do so—Travis is hurt enough he feels justified in all he says and does. If you endure Travis (regardless of a positive or negative reaction), romancing him means peeling off all his layers, slowly meeting again your old best friend.

Romance J&Kai if you want to dive headfirst into a complex web of emotions and attraction, if you're prepared to juggle the enigmatic J and the intense Kai. Both J and Kai have their quirks and challenges, and navigating their romantic dynamic is no easy feat. They're driven individuals who often clash, attempt to tear each other apart, and who will try to drag you along with them. It's about reconciling differences, and exploring the depths of your connection with both of them.

Romance Uma&Travis is like looking into a mirror of a past could have been. It’s about mending old wounds, embracing the beauty of art, and rediscovering the meaning of friendship. Uma, with their calming presence, provides a safe haven for all three of you, fostering genuine support and acceptance. While Travis may initially resist, this route is about peeling back the layers of his defenses and finding the camaraderie that was once shared in your close friendship.

[nevermorgue]

any headcanons for Theo meeting Lenore's friends?

Omg this was a tough one because with so little we have on Theo it’s a pain to characterize him. So let’s see where my brain leads me today

Duke - They think the other is hot. Like inwardly.

- Theo is HEAVILY amused by his nonsense, including the coin tricks and sarcasm.

- He is honestly damn glad that Lenore has had Duke around. The way they interact reminds him of his relationship with her.

- Theo notices quick how touchy Duke is in general- a very flashy individual. He found it suspicious for five minutes before he understood that his intentions weren’t antagonistic.

- Duke gets caught off guard when Theo actually knows a few of his French words - Theo gets some nicknames as Duke learns about him. Specifically, "Mon chasseur." Pluto - He is not vibing at first when he thinks Theo is some stranger. He glares at him from behind Duke, even ready to attack if Theo and Lenore hug or something. - Immediately relaxes when introduced to Theo. Theo finds the shyness funny. He is actually pretty understanding and gentle. - Pluto warms up to him a bit easier once he asks how Lenore was in childhood. Him and Duke laugh at her if Theo brings up something embarrassing. - Honestly, I think it would get to the point where Pluto would use him as a shield too.

- Pluto enjoys his violin playing the most out of Lenore’s friends. It makes him kinda sleepy.

- Theo totally understands the Pluto cat comparison. Like he knows right away.

- bonus: he sees Pluto and Duke interacting and his internal thought is “I know what you are” /ref

Morella

- Morella knew who he was right away. Him and Lenore look so alike, it would be impossible to see otherwise!

- She’s very excited to meet him. She offers to make him something to eat, probably starts asking a bunch of questions.

- Theo’s heart is happy. He can tell she’s a kind hearted girl who wants nothing but the best for her friends, his sister included.

- He is reminded of Lenore’s energy from her youth days whenever he sees Morella interacting with others. It’s bittersweet.

- Theo avoids talking about hunting near her. She gets visibly upset at the thought of dead deer.

- She asks a lot about what Lenore was like as a young child.

Berenice

- He knows the moment he meets her that leaving her alone with Lenore would cause a building to blow up.

- Finds her fangs absolutely fascinating. She offers to ‘demonstrate how they work’.

- Convinces him to throw her at some point.

- He is genuinely curious about her slang and tries to commit some of the definitions to memory.

- Drinking buddies. He’s more casual about it though.

- Sees a LOT of Lenore in her.

- Berenice only flirts with him on occasion. And especially in front of Lenore because she knows it bugs her. In a funny humorous way of course

- Can and will ride on his shoulders

- Theo definitely laughs the most with her

Eulalie

- She is soooo excited to meet him. She tells him all the craziest shit Lenore has done without hesitating. Lenore is trying to get her to stop but it’s too late.

- Theo mentions hunting and Eulalie goes into fun facts about animal decomposition! Theo knows them at first and then she starts getting a bit specific.

- She likes playing with his hair. She’s one of the few people tall enough to reach it anyways.

- She LOVES hearing him play the violin. Her and Pluto will sit there for ages to listen.

- She tries to make song requests. At first she struggles because they don’t know the same music, but Theo can play by ear. He asks her to hum the melody and he copies it with ease.

- She flat out asks him if all Vandernachts are as beautiful as he and Lenore. Blunt honesty beloved.

- She likes watching him read. Like specifically from over his shoulder. He has a calming aura.

[illuminatedjoy]

I don't think any Danganronpa opinion sends me into an immediate frothing rage quite like 'Sonia should have died in chapter 3 of Goodbye Despair instead of Hiyoko.' I feel like it's a critical misunderstanding of what the weaknesses of Danganronpa's writing are or how to improve them.

Anyway, long post incoming. I'm going to talk about the three main points I see people trying to make when they say this.

Hiyoko's Arc is Interrupted

This is the main thing I feel like people dislike about Hiyoko dying and Sonia surviving. Sonia doesn't change much over the course of the story, and Hiyoko does. Shouldn't Hiyoko be rewarded for growing as a person by having the chance to survive?

Potentially, yes, but not absolutely. A character with a meaningful arc doesn't necessarily need to survive, but the impact of their arc needs to be felt. And Hiyoko's isn't. A critical failure of the third case is that it sweeps Hiyoko's death under the rug and focuses mostly on Ibuki's death. If Hiyoko's death were given more emotional weight, her severed character arc would have much more meaning.

This connects to a broader problem in Danganronpa. I feel like repeating the 'two victims' trope from the first game was a massive mistake, because it cemented the idea that third cases should have two victims always. One of the most unique aspects of Danganronpa is the emotional impact of each individual death. But too often, third cases leave at least one character's death feeling pointless. This problem goes beyond the canon games and has infected fangans. Personally, for example, I feel like both of the Danganronpa Another games would have been considerably improved by allowing one of the characters that died in chapter 3 to survive. I don't want to get too bogged down in this, but I just want to highlight how it affects Hiyoko.

Hiyoko's death has nothing to do with Mikan's broader plan, and so it gets swept under the rug. Hiyoko is barely mourned by the cast, and none of the characters that survive chapter 3 have a strong connection to her. THAT'S why her death sucks.

How could this be improved? Sticking as close to the original story as possible, make Hiyoko's death part of Mikan's plan. Have her deliberately plan to kill Hiyoko when she comes to the bar, and use the death to obfuscate the rest of the case. Have Mikan rant about Hiyoko's bullying during her breakdown. Show Fuyuhiko and/or Sonia (because she did want to help Hiyoko) mourn Hiyoko more in the following chapter. Make Hiyoko's death HURT.

Stretching further away from the original story, a favorite idea of mine is that Ibuki is the one that recovers her memories of despair, though she continues to pretend to be affected by the Gullible disease. Ibuki hunts down and slaughters Hiyoko, and frames Mikan for the crime. Now a major part of the trial is everyone suspecting Mikan because of Hiyoko's bullying, and Mikan having to become a more confident person in order to stand up to them. This change also gives Ibuki a much stronger role in the story, since her Ultimate Despair persona would be such a shocking contrast with who she usually is. Hiyoko still dies, but her death is the main focus of the chapter, and Mikan has the chance for a strong survivor arc.

Sonia is a Weak Character

...So, your solution for improving her is... kill her arbitrarily in Chapter 3. Yeah, I'm sure that would help her characterization.

I think Sonia is a much stronger character than people give her credit for, but she is criminally underused by the writing and it's clear she didn't leave the same impression on everyone. She's intelligent, she's resilient in the face of grief, she's helpful in multiple situations over the course of the story, and she's, IMO, the funniest survivor. But the story doesn't give her time to grieve after Gundham's death because it's chapter 5 and we need to focus on Nagito being Nagito. Because of this, she bounces back so quickly people feel like she didn't care at all. Just give her a CG or a quiet scene alone or something. Come on.

While everyone is focused on Nagito, she's the only one actually trying to solve any problems. She tries to blast her way into the ruins and at least partially sees through Nagito's trap. Emphasize this a bit more and contrast her determination with her pain. The elements of a strong character arc are already present, they just aren't given much spotlight.

They could have also done more with her during the final trial. Since Sonia's actions as a remnant of despair likely had more impact than most of the others, show us a devastated Novoselic. Let her react to the extent of her horrible actions.

If Sonia Died, Kazuichi Could Have Had a Character Arc

Sonia should not have to die for Kazuichi to have a character arc.

Sonia should not have to die for Kazuichi to have a character arc.

Sonia Nevermind should not have to fucking die for Kazuichi Souda to have a character arc.

Yeah, this one pisses me off. So, the argument is that Kazuichi would have had to get over his simping for Sonia if she died. But here's the thing- HE CAN DO THAT WHILE SHE'S ALIVE. Kazuichi's attraction to Sonia is very surface-level. He likes hot blondes. That's it. If Sonia dies, he has to move on, but he doesn't have to change as a person. At all. He doesn't have to recognize that he's been a creep. He doesn't have to commit to treating women better in the future. He doesn't have to develop a deeper appreciation of who Sonia was as a person.

If Sonia is still alive, he has a much greater opportunity to do all of these things. He has to display real strength of character and growth to move on. If the writing cared about giving him a good arc, they could have done so without changing the death order at all. Imagine, for example, that he tries to hit on Sonia while she's still grieving Gundham. Imagine Sonia (finally) flies off the handle and tells him off for how he's been acting about her this entire time. Imagine Kazuichi finally, finally starts to see that he's been a major creep, that Sonia isn't attracted to him, and if he ever wants that to change, he has to change as a person. He has to let go. There you go, there's a goddamn character arc.

When people say that Sonia's death would have given Kazuichi the arc he needed, what I hear is 'I find Kazuichi's grief over a superficial crush who didn't even like him more meaningful than Sonia's grief for someone she genuinely cared for and who cared for her in return.' What even... am I supposed to say to that. It's fucking wild.

All three of these characters, Sonia, Hiyoko, and Kazuichi deserved better from the game's writing. Swapping Hiyoko and Sonia is not how you make that happen.

[theheirofthesharingan]

In defense of my pov and maybe I wasn't very clear in the ask... I do think the point of Itachi in the earlier arcs is that he is meant to come across as one dimensional (of course to writers and those who read a lot this actually should equal something potentially being incredibly fishy), so when we get the conspiracy reveal after his death I mean that I wasn't surprised there was more to it and I love how it threw every interpretation of his actions from beginning to end into a new light. (And I realize I forgot to fix a sentence and I love Itachi now, but when I first encountered naruto in my early teens, he honestly didn't scare me that much 😅, he comes into town, doesn't kill any of the main characters because that point in the story wouldn't have made sense for such a thing, and then he leaves, seemingly on a tactically considered whim which fits his characterization at that time)

I also think it's actually incredibly important that Orochimaru and Itachi are both meddling in Sasuke's lives at the same time, which is why I brought them up as a "comparison" even though their motives are never even remotely the same! Orochimaru is horrific as an individual and a villain, but from a narrative standpoint serves as an incredibly effective smokescreen. Orochimaru is an immediate threat from the moment he is introduced, he's a constant and threatening presence and Sasuke goes and exposes himself to that for years which leaves him very little time to introspect on the circumstances around his family's death.

Itachi on the other hand is more of a goal than a threat. He's dangerous, we see enough of him vs other cast members like Jiraiya and Kakashi for that, and he very badly wants Sasuke to pursue him (seen as early as the hotsprings town attack and later made abundantly clear to be because he wants Sasuke to spend his vengeance on him, although even that reasoning is multi layered). He's one of Sasuke's primary enemies, but he functions so differently from Orochimaru that the audience just sees him as a different kind of big bad is all.

(Sorry for the long explanation, I just don't want you to think I'm stupid 😅 but I also might be coming at my interpretations from a different place than you and that's fine too! I appreciate your first answer regardless and thank you for those panels! The manga is so long that I definitely forget things.)

For the purposes of my own work, I often think of how information is compartmentalized in the village... because other members of the konoha 11 also come to the conclusion Sasuke should be killed, but the tactical ones have different justifications than Sakura if I'm remembering correctly? I think they're mostly meant to parrot the village policies, esp since they're secondary characters at best, just cementing the way that villages sacrifice individual members for the sake of less war (which is different than real peace!), but it still makes for some interesting considerations of how much/what other characters know and where they get their information from.

Anyways, sorry again for the long ask but thank you for so much uchiha content!

Oh, of course. Initially, he is meant to be a one dimensional villain, and there are hints dropped to give him more nuance, which make sense after the truth reveal. When we move towards the chapters/episodes leading to his death, the story starts to explore his fragility while he's still a villain.

His reveal didn't surprise me. It devastated me. I've been one of those who had some gist of him not being evil, but the tragedy was entirely unexpected.

If you love Itachi too, then welcome to our hell because we suffer forever here, loving both the brothers.

Don't worry, I loved reading your interpretation of both Itachi and Orochimaru and their influence on Sasuke. Itachi is a big deal because even though Sasuke faces an actual threat from Orochimaru, he isn't scared of him. But whenever he sees Itachi, his reactions are always intense. And even after their battle, he was completely shaking, even if he knew Itachi would have exhausted his chakra too. The only person Sasuke was really scared of was probably Itachi. Other than Itachi being invincible, there were a lot of feelings. Itachi had been cruel to him. Not only physically or psychologically but also emotionally. The only one who could dismantle him was Itachi. And Sasuke had all the unanswered questions in his mind because from his POV, his beloved brother one day stopped loving him when he'd always been so supportive of him.

I think other Konoha Shinobi wanting to kill Sasuke is different from her wanting to kill Sasuke. They didn't love him, they didn't care about him, and that also includes Kakashi. She claimed to love him, and concluded that he needed to die for his own sake. I have no expectations from Konoha 11 and I don't care about their opinions on Sasuke either. But she married Sasuke and never bothered to know why he changed so suddenly and why he would want his brother back. Does she even know anything about the Uchiha clan and its history? And what happened with Itachi and all? Probably not.

Don't worry about the long ask. It's totally fine. Thank you. :)