Happy One Year Anniversary to Boy King AU!!!! 🎉
Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh
Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece.
Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:
First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!
Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-
So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb.
The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!
It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly.
Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!
Happy anniversary to this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.
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I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.
It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.
Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.
I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.
So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.
When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.
The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.
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