#[because they're not fully developed especially the later ones]

[autistichalsin]

Okay I know I've made like three posts about this one specific thing but I gotta say, anyone who calls Halsin a typical boring Druid either doesn't understand Halsin or doesn't understand Druids, because Halsin is very much an atypical Druid.

Just a few ways Halsin is different than other Druids:

He can't control his wildshape. He transforms involuntarily when under stress, which is not a thing other Druids experience, and he can't control himself fully in wildshape either. He retains traits, such as an enhanced sense of smell, out of his wildshape form, and has the ability to remain as a bear borderline indefinitely, instead of Druids usually only being able to maintain the same form for a couple hours at most.

He doesn't hate undead; he views them the same as living creatures, worthy of life. He cares for Astarion deeply, and is furious if the player allows the 7,000 spawn to die. (He's a little nicer if they do it for a mercy kill instead of the ritual, but is clearly only happy when they are released into the Underdark, the exact thing a Druid is supposed to want to avoid.)

He dislikes the city because it displaces nature, yes, but he VERY rarely says that. Instead, almost every time he laments the conditions of Baldur's Gate, what distresses him is how capitalistic systems harm sentient beings- especially children. He is more upset at the human(oid) suffering he encounters in the city than he is at how it displaces nature.

Halsin is on an obviously morally good alignment. While Druids are no longer required to be neutral, most still are anyway, especially those from the Emerald Enclave, which the Emerald Grove is part of.

Emerald Enclave Druids are encouraged to sabotage society; they breed aggressive animals and place them near settlements to deter development, secretly sponsor brigands to attack new settlements, and simultaneously interact with local populations by providing sweet drinks and teas to boost their public image, so that new developments are curtailed while nearby people think the Druids are kind and harmless. Halsin very notably never even thinks about doing such things, even though it would be trivial for him to do so.

While Halsin's explanation for wanting to stop the Absolute is initially far more in line with Druidic thinking (they're unnatural, obviously), he later grows to want it finished because he wants you, the player, and your friends to be safe.

Halsin has zero desire to ladder-climb in the ranks of the Druids, nor to grow more powerful; he was perfectly happy as he was before the Shadow Curse, and is quite upset he had to waste 100 years of his life "dealing with others' problems and personalities." BUT the fact that he was happy to just that as alderman of his commune suggests the problem was with being forced into the position and being relied on as the sole authority, instead of one trusted elder of many.

Halsin wants children desperately, but was kept from having them by his leadership role. This is yet another example of how, despite his deeply held beliefs, being a Druid ultimately made him less happy.

Halsin isn't very good at leading the Druids, to the point that many of his Druids resent him, many are swayed to a cult the instant he leaves, and he himself decides the best thing he could possibly do for the Grove is leave it and have a better leader come in and take over.

Nearly every struggle Halsin has in the game arises from a conflict with his Druidic beliefs- whether it's his need to cleanse the Shadow Curse causing him to be an ineffective leader of the Grove, his desire for a family being held back by his leadership role, or his love of humanity battling against his hatred for cities as unnatural blots on nature.

Basically, nearly every character beat Halsin has comes from him not being a typical Druid at all, and in some cases, from him being rather bad at being the things Druids are supposed to be.

[beaulesbian]

I've been thinking about the Whiskey Peak Luffy vs Zoro fight and how nothing is truly finished or contained within just one arc in One Piece - where the themes and character development always overlap and span over many later arcs as well.

It's an interesting scene, and I feel it's almost impossible to dissect that fight just within that arc alone - like it wasn't meant to be taken seriously by itself at that time, but later with more context of what's to come after that.

A short version: It's a great set up of how the trust between Luffy and Zoro would develop after this fight.

Specifically, how it gets to this in Skypiea:

And a longer version under the read more:

To start at the beginning again - Luffy knew about Zoro's reputation by the time he reached Shells Town and heard about him as Demon Pirate Hunter of the East Blue, and decided to see if he's a good guy to have on his crew.

Once Luffy freed Zoro and they took down Morgan together, they could see how the other was similary strong, as well as they were able to fight in sync and well together, but maybe they still didn't understand how much they could depend on each other.

With Luffy, anyone who offers him food becomes something like his hero. If they offer him hospitality, he would protect them with his life.

With Zoro, he's always looking out for the danger, used to travel alone (or with just Johnny and Yosaku), he does what's needed, and usually without telling the others.

And this is, I think, that crucial moment when they realize this about each other -

Luffy wakes up and sees the people who helped him lying on the ground, and telling him that Zoro was the one who did that. Luffy goes berserk without needing to hear why, because there shouldn't be a reason why. Whatever Zoro tells him must be a lie, right? He must have gone mad.

Maybe if Zoro didn't fight back, Luffy would see something was wrong, but Zoro isn't one to back down from a fight, especially when being falsely accused, and if he saw that Luffy was fighting him for real, he in turn would give him the same courtesy. They're both very stubborn in the same way.

The misunderstanding trope can be a bit annoying, but I think it's all just to see them actually fight together on equal footing. It was one of the first examples of what they can do together.

After this fight, where they defeat the two Baroque Works agents together, and after everything is explained, Luffy understands, in his own way.

When rereading this part of "I thought you got mad (...)", I had a feeling that Luffy might have even think Zoro could become a danger to others and was ready to just.. contain him. He heard about him as a demon pirate hunter - of course, those where a lot of talking from the Marine's side of the story perpetuating the myth of him, Zoro never called himself that and Luffy knows it, but part of me thinks maybe Luffy wouldn't care about that - he just wanted Zoro on his crew no matter what, and would deal with the consequences after that. Like in Whiskey Peak.

But what's even more interesting is, since this fight, they began to understand how they work separately.

I kind of like that they don't come back or talk more about this fight, because once it's done, they're past that. But both take it as a learning experience, Luffy still has a long journey to go as a captain, and I feel with knowing what Zoro does without saying, Luffy began finding the footing as captain with putting this specific trust in Zoro - learning he can fully depend on him to protect their crew when something would be amiss, when some danger would be nearby.

And that despite the sudden fight, the bad communication and the immediate resolve, Zoro sees another most important part of Luffy's character - how far he would go to help someone who offered him food or helped Luffy and his crew. And this knowledge has helped Zoro many times since this arc, in situation where the rest of the crew might not understand Luffy's thinking, Zoro's usually the first one who does understand.

On Jaya, that trust takes the main role when Luffy orders Zoro not to fight Bellamy's crew:

Later on Skypiea Luffy says it out loud how much he trusts Zoro to protect the rest of the crew:

It goes on each arc more and more, subtle but with that trust between them deepening.

With Zoro letting Luffy know being their captain is hard but he cannot falter,

in Post Enies Lobby it's Zoro telling him what rules need to be followed, otherwise the crew would fall apart,

It feels since that Whiskey Peak fight, Zoro really took it onto himself to protect the crew without having to say so, and Luffy understood that's what he does. It's Zoro's instinct to do that - Skypiea protecting Robin and Chopper, Thriller Bark - protecting Brook, saving Sanji and of course Luffy from Kuma. On Punk Hazard, while Luffy is against Ceasar, Zoro fights Monet so Nami and Robin could get away. On Dressrosa his final fight against Pica is to protect Usopp and Kinemon.

I also like this bit on Zou, where Zoro doesn't enjoy the Minks' attention on him, and Luffy reprimands him that it's rude to talk back to someone who's hosting a feast for them. Again, kind of a callback to Whiskey Peak, ch. 807

And then there's whole Wano, with Zoro protecting Tama, Otoko and Yasuie, Hiyori, and it gets very personal when they're hurt.

During Onigashima Raid he keeps reminding Luffy that he would go with him up to the rooftop to fight Kaido, because this time the enemies are too dangerous and he needs to protect Luffy as well. And they both protect each other there:

Conclusion: I love the Whiskey Peak fight now, because it brings up many small details that are so important over the span of many arcs later, slowly showing just how different these two are built and how much trust they learnt to put in the other.

bonus:

On their way to Enies Lobby on the train, this scene looks very similar to their Whiskey Peak fight, except this time they're intentionally using their strengths together against the Aqua Laguna.

Whiskey peak, ch. 112

Water Seven, ch. 367

[sincerelystesichorus]

let's talk about that one scene in oops

(and fizzarolli in general bc me and my autism r obsessed with this scene and haven't seen someone break it down. also ft. blitz lmao)

just a general scene and vague character breakdown/analysis!

i first of all want to admire the perfect representation of best friends to enemies with blitz & fizz because ugh.

And like Blitz tells everyone this but the way it's so malicious here. Just the perfect simple dig and Fizz's little shit eating grin because it delivered how he knew it would sdfkjsdkf. Shoves Blitz to the side because really that's all he cares to say. Fuck you and what you did to me, bye bye <3 Fizz is so for talking shit and dipping (House of Asmodeus) I love how messy it is but also shows how he really doesn't hold malice for Blitz otherwise. Obviously we see this front and center later in the episode once they start reconnecting, but I like the subtlety and how he's so willing to snap at Blitz despite his usual anxiety with confrontation.

Blitz also knowing exactly what to say to really piss Fizz off once things escalate <3

(Fizz literally so smug and content with himself lmfao)

(smirk wiped off bc hey that's the thing i'm sensitive about!!)

But Fizz keeps his composure. And if you'll let me be alarmingly gay for a second, I love how his version of keeping his cool as a messy gay is managing to basically recreate this drag race confrontation in what is probably my favorite set of Fizzie lines.

eat him up babes. also it's so important that that shitty coffee and fizz were on this side of the street for framing i'll talk about it more in a sec jfskjdfksf.

and now my personal favorite exchange of this entire scene that is criminally underrated imo:

love his face after this line. I SUPPORT DISABLED PEOPLES WRONGS sfjdlkfsdd. literally so fucking nasty with his clown wit but also so justifiable because yeah blitz did just pull this nightmare and dip in fizz's pov. i cannot wait for that to get touched on more likeeee why were they kept apart ugh.

and finally!!

this cut to blitz,, specifically the scarred side of his face is sooo good.

the face of a man who just achieved critical vicious mockery vs. the face of a man that knows he can only win this interaction one way now

Blitz does deserve a little violence maybe <3 Fizz underestimated his ass jjdkfsdlk.

Idk I just love how indicative this whole interaction is for their characters but especially Fizz, it's a perfect build-up for him. Fizz has major imposter syndrome with dual layers because of general haters but especially because of Mammon and Asmodeus. Not on any fault of Ozzie's,, we just see Fizz obviously thinks he isn't fully deserving of their relationship/his situation and the healthy dynamics of it and so do most major news outlets apparently askjfsk.

(full fizzy meme post & also i like how this is a special also like damn do u think they were also apart of the crossword??)

It'll be really interesting to see how his character develops in future episodes because I feel like a lot of what I've rambled about here has come to a resolution after 2 Minutes Notice in the musical special lmao. I really like how here when he goes to compose himself, this is how he does it.

Makes me wonder how many times him and Ozzie have had the self-worth and imposter syndrome conversation before it finally stuck in the Mammon Musical Special. I just love their relationship and how they compliment one another,, and how it projects into Fizz's other relationships because they're healthy for one another. Love my OTP love Blitz & especially love Fizzie. Obviously.

[tizeline]

Hello ooohs! I just wanted to say that I adore your AU and just can't get enough of the change in dynamics for Rise!!

Your designs are incredible (( especially Leo's!! He is so adorable <3 )) and I get so excited each time you post!

So I have a question I want to ask: I have a huge soft spot a mile wide for Leo/Splinter family bond dynamic. I just turn to mush every time their familial bond is portrayed in comics/fanart/ and fanfiction.

Anyway! My question is: do Leo and Splinter develop a close relationship with each other later in the AU after meeting for the first time? I mean it has been shown how much of a fan boy Leo is for Splinter XD. Can your provide more insight into it and what Splinter thinks of the other three kids?

I also wanted to bring up a small error in The Cell part 3 that I noticed

For Donnie: "that's " was it supposed to be "that" ?

If not then I'm sorry for nitpicking your work. I just figured I'd help but my apologies <3 I still want to stress that I adore this AU so much and in extension; platonically adore you!! Keep being the best that you can be and take care!

Love,

🌹

Thank you!

And skfskbdwlskdisj yessss I love Splinter's and Leo's dynamic you're so real for that. And yeah, out of the of the Drax Bros, Leo is the one who ends up growing the closest to Splinter, both because he's been a secret Lou Jitsu fanboy for years at this point, but also because Leo was the first to change his mind on the evil world domination plan. Leo freed Donnie from imprisonment and tried to help him stop The Foot and The Shredder in the season 1 finale, and I imagine Splinter would be quite appreciative of that.

Not to mention, after Leo technically betrayed his family (even if it was for good reasons) Leo's and Draxum's relationship is a bit tense to say the least. And we see in the show that Leo has a tendency to seek out extra father figures, so in the AU Leo would be quite enthusiastic to recieve any positive attention from Splinter.

Splinter I imagine would feel rather guilty about not being able to rescue any of the turtles aside from Donnie when he fled Draxum's lair. He'd wanted to prevent Draxum from raising them as soldiers, so in failing to do that Splinter would continue to worry about how they were doing even years after the incident. After encountering the Drax Trio again years later, he'd be relieved that they don't seem to be TOO traumatized or anything, but they ARE still child soldiers, so that's a yikes.

That being said, while Splinter would've liked to find a way to get the other turtles away from Draxum, his priorities very much lie with Donnie. Considering how powerful Draxum is, and how Big Mama would also be looking for him, Splinter couldn't risk going back to the Hidden City to try to get Donnie's brothers without risking both his own and Donnie's safety. So he decided to cut his losses and play it safe by laying low in NYC and putting as much effort as he could into only protecting Donnie. This stays the same even after Donnie runs into his brothers as a teen, Splinter feels no ill will towards the other three turtles, but they WERE raised by Draxum so he does not trust them. Leo gains his trust after helping Donnie in the season 1 finale, but it takes some more time for him to start fully trusting Raph and Mikey because he wants to be sure that they're not gonna switch back to being evil or something and try to kidnap Donnie again.

Splinter's relationship with Draxum is the same as in the show, Splinter hates Draxum, Draxum hates Splinter, and there is NO underlying homoerotic tension between the two of them WHATSOEVER!

... Anyway, with that concluded, that IS a typo goddamit. I do appreciate people pointing out spelling and grammar mistakes in the comics I make, so thanks for that. But also it's a small enough mistake that I'm probably just gonna leave it be, I'm to lazy to fix it XD

[gingerjolover]

can we prioritize jb controversially young gf pleaseeeee i vote yes

to ease y'all into it, get ya warmed up, here's a little appetizer (courtesy of my friends @boywithpinkcarnation and @ever-siince-new-york aka the loves of my life)

julien w a controversially!young gf

okay i have an (unpopular) opinion that i don't think julien would date someone controversially young not because there's something wrong with it but because she will get so existential and I feel like she would feel bad if your brain wasn't fully developed lol

however!!!! this aside, lets continue

I don't think it would be a best friends little siblings scenario or like the kid of someone on her team or the bg team

young!gf is probably a writer or an artist of some kind and julien is either a fan or is at a charity event or something similar and she meets boygenius and they all instantly love her sm

and jules and young!gf really hit it off and so julien leaves with her number but doesn't find out shes young until like 3 days later

has an absolute crisis about it, especially because she doesn't want to hurt you or change you

thinking young!gf is 20 about to be 21, like just old enough that some people will be like um??? but also you're a whole-ass adult so you can do what ya want

but julien and young!gf have a very serious convo bc they are both feeling the vibe and julien just wants a healthy, mutually beneficial, safe, and loving relationship

but anyways

lets get right to it, phoebe and lucy and MUNA love you

like the love u sm but they also love teasing julien

julien could be getting up from a chair or like be laying on the floor and phoebe is yelling "life alert" to you, a glare pushing its way onto jules's face

phoebe is the biggest instigator, always snapping photos of you both candidly and adding them to her photo dumps

I had that phoebe buys young!gf a t-shirt that says I love milfs but @boywithpinkcarnation said a shirt with I <3 cougars and its iconic honestly

phoebe will 1000% caption a photo of you sitting on jb's lap and be like "sugar daddy vibes🤑" or one of jb sitting on your lap with the caption "jb is taking babysitting wayyy too seriously" (@boywithpinkcarnation)

they all call you baby and they mean it

katie is the second biggest instigator and right after that is lucy, then nomi, then jo

katie always teases about "respect your elders"

lucy will post a very wholesome photo of the two of you but caption it "spend time and cherish your elders, they aren't around forever❤️" (straight from social queen @boywithpinkcarnation)

eventually young!gf gets into it and starts making jokes like kelli tiktok vibes (@ever-siince-new-york)

she gets asked in a day in the life vid or a live a question about jules and shes like "I'm not sure really...i just with her for the money," and julien is in the back like that interview when lucy says they're breaking up like "baby! don't say that! it's not funny!" and she's groaning coming into frame, her hand on young!gf's head, "they're gonna start to believe you, ya know?" like all sassy how jb gets🤓☝🏼

PRIVATE BUT NOT SECRET VIBEZZZZ @ever-siince-new-york, carlena said and i quote, "like they're not lovesurging on tiktok but if the paps get jb giving hickies on film... oh well😁"

they are also STOKED for you to turn 21, since most of them are sober the idea of getting you drunk is so appealing

and jb is SO protective, like already jb has her hands on young!gf all. the. time. like in the dip of her back or on her hips or hand on the back of her neck, jb is always making some type of physical contact

BUT especially in the club or at a bar

they do get freaky on her 21st bday hehe

maybe the day after bc young!gf just lets joi keep giving her shots and julien is just standing there jaw dropped because who knew their sweet baby girl was a mf tank

but lit katie, molly, kelli, jo, nomi, lucy, and phoebe LOVE you sm, like yes you're young and everyone is pushing or already 30 but young!gf is so profound and mature but not in a way that's not acting her age, she just has a very old soul and enjoys rest and knows what she likes and what she wants

and julien loooooves this, like jules doesn't want to groom you and mold you into something you're not, she wants you to act your age and like she doesn't isolate you or make you act 28 because everyone is around that age. like she fully supports if you wanna go out and party or like do something kinda childish or if you wanted to stress about school or be homesick, julien lets you just vibe and doesn't pressure you to grow up faster, she truly just wants you to grow up without the age gap looming over you

back to the daddy!jb antics, without infantalizing you, jb handles ALL of the "adult stuff" like y'all def split bills if you live together but she manages all of the subscriptions and pays all of the utilities and makes sure your car has gas and is always maintained like takes it to get inspected and stuff

if young!gf is in school than that's your biggest priority in jb's eyes, like yes focus on school or your work and then when you graduate we'll start to divvy up the household stuff

jb just loves to care for you, like she always has an extra hair tie on her wrist and its your scrunchie like the one you love

before you live together, jb is stocking her house w your stuff to make you comfy

your fave snacks are in the kitchen, your fave drinks in the fridge

jb buys a full size of your fave perfume and body wash, she has you pick out pajamas for her dresser and puts a jewelry holder on her dresser just for you (@ever-siince-new-york 🥹)

if you're in school, jb def has a desk set up in her office or music room and its one she built and it has cute pens and stationary and a pretty keyboard and a comfy chair where you can cross your legs and then under it is built in storage for some of your books and crocheting/knitting/crafting stuff

when you move in, jb designs (w the help of lucy and Katie) your own office where you can write and paint and it has the best sunlight in the whole house

julien also gets really anxious leaving you at home, not because you're not capable but she grows so attached and is like "you'll be a different person when i come back:("

always sending flowers and dinner and gifts while on the road (@ever-siince-new-york)

not smut but smut adjacent

julien is sooooo nervous to have sex w young!gf

maybe she hasn't done it before or julien just feels a lot of pressure to take care of her

and she has to be like "do you not like me?" kinda insecurely because julien is treating her like shes glass

and jb is like "oh my god sweet girl, no no no, i- of course i- i love you!"

and she's like "you WHAT??"

[mrs-dr-reid]

My Personal Spencer Reid Headcanons Part 2/? (Dad!Spence Edition)

(This one’s for you, Ozzie)

He gets Derek to help him build a little bookshelf that can be completely dedicated to children's books

Reads every book on early childhood development he can get his hands on because he's a worry wart

GIRL! DAD! Although for me, I imagine he has a daughter first, then a son a few years later (mostly because I'm a first-born daughter and my brother is four years younger than me)

He does the thing where whenever his baby babbles or makes any type of noise, he responds with something like "Oh, really?" or "That's very interesting, tell me more" to help them build up their conversation skills

Fully commits to the bit during play time. Whether he's pretending to slay an imaginary dragon or falling over when hit with pretend magic, he'll do the absolute most to make his kids laugh

Would probably show up to work with his baby strapped to his chest in a baby carrier if it wasn't against FBI protocol to have a literal child in the same room as crime scene photos and multiple firearms

He'll carry his baby around and point out seemingly mundane things, but explain it to them in a way that makes it seem like the most interesting thing in the world. Especially with people, like he'll say, "See that pretty lady right there? That's your mommy, and she's the most wonderful person in the whole wide world."

He falls asleep with his kid on his chest all the time, especially after a rough case involving kids and he just needs to know that they're there and they're okay

Vehemently hates mindless children's programming, so he's definitely a nature documentary dad. Although he will allow Bluey, because he likes that it makes harder subjects easier for kids to digest while still being entertaining and fun

He gets his kids into puzzles as soon as their hand eye coordination develops, so whenever he's not on a case, he can usually be found at the kitchen table poring over a puzzle with his mini-me

Always hams it up with the voices when reading or telling his kids a bedtime story to make them laugh

He does magic tricks for his kids when they're babies just to see their eyes triple in size because their little baby brains don't have enough power to process what just happened

He cries whenever his kids copy what he does because it's too cute, whether it be mismatching their socks to match him, or calling you whatever sappy nickname he has for you like it's your name "because that's what Daddy calls you, and Daddy's always right"

Inhumanly fast at changing diapers. You once timed him, and he changed the baby's diaper and outfit in less than five minutes

He loves doing arts and crafts with his littles, and he loves it when they make something for him at school. Your fridge is positively covered in artwork, and whenever he swaps one drawing for another, he puts the old one in a memento box because he'll be damned if he throws away something his kid makes for him

He takes his kids to the park as often as he can to teach them how to play chess once they get old enough

Once you guys move to the suburbs away from all the light pollution, his favorite thing to do is to take his kids into the backyard, set up a little nest of blankets and pillows, and stargaze with them to teach them about all the constellations and planets

Sometimes he goes through little anxiety spats where he worries he's not cut out to be a dad, but the second his little one bursts through the door and yells, "DADDY, GUESS WHAT HAPPENED AT SCHOOL TODAY!!!!", every fear or doubt about his abilities melts away, and he jumps right back into World's Best Dad Mode™

[remember-digimon]

Good ol' reliable Joe!

When I first watched Digimon back in the 2000s, Joe was the character I related to the least. Now, as a big grown up in my late 30s, I finally understand what Joe is all about.

At first glance, Joe is anxiety incarnate. In the dub, he gets the 'nerd' trope that Izzy avoided for the most part. Joe is always allergic to things, worried about the slightest danger, and constantly trying to be the voice of reason. His 'voice of reason' however is more 'voice of general complaints and worry.'

If I recall correctly, in the original Japanese, Joe is like this because he's the oldest, at 12 years old. He feels it's his responsibility to make sure everyone is safe since he's the upperclassmen in this situation. In the dub, he's just a worrywort.

Joe takes on responsibility that he could easily delegate to other kids. In the episode where Gomamon evolves into Ikkakumon, Joe tries to break up an argument between Tai and Matt about climbing a mountain, only managing to get drawn into the argument himself. Later, he decides that he should climb up the mountain on his own as a compromise. He doesn't even bring Gomamon with him; Gomamon tags along anyway, of course, but initially Joe intended to go by himself.

He shows initiative, that's for sure. At least when the pressure is on. Others have noted that Tai, Sora, and Joe are the action-takers while Matt and Izzy act more defensively with Mimi, Tk, and later, Kari in mind. I like this thought, especially for Joe. He is often stumbling into danger out of his need to be the 'adult' of the group, feeling responsible for everyone's safety.

One thing we should discuss is his crest. I want to go more in depth on the crests on a different post, but here I think we need to talk about Joe's crest being changed for the dub. Originally it was the crest of faith.

Honestly, I do think reliability fits Joe a lot better. It is awkward for that to be a trait of a child (Remember, their crests were developed back during the original Digimon Adventure OVA, when Greymon fights Parrotmon). But I do think he exemplifies being reliable, because it's the right thing to do.

Conversely, Joe doesn't really expect others to help him. He wants to be relied on, but doesn't want to rely on others. He saves TK from drowning in the bay without thinking of his own safety.

Joe is also the studious member of the group. At one point, while they're temporarily back in Odaiba, Joe takes a practice test and fails it. This causes him a lot of anxiety. It feeds into the situation at home, which is another point I'll get into shortly.

In Our War Game, Joe is unreachable because he's taking an entrance exam. He's in a panic the whole time, showing how important it is that he does well. No doubt he's one of those cram school kids.

As for his family, we do meet his older brother Jim, but not his parents. In fact, Joe's parents are the only ones we don't meet out of the original 8. We do hear a lot about his dad, though, who has high expectations of his sons. Mr Kido wants both of his sons to be doctors like him, and on his terms, too. Jim says he wants to go to less developed countries to practice medicine, and that their father doesn't approve.

Jim also doesn't seem to have much faith in Joe becoming a doctor due to his high anxiety, and the fact that he faints at the sight of blood. Joe seems apprehensive about it himself, even though he does eventually go into med school and become a doctor.

To me, Joe's story is one of perseverance. When he's working off his debt in the diner, he fully expects to work there until it's paid off and is genuinely surprised that Matt would offer to help. When his test scores fall, he resolves to work harder. Even though he doesn't like the idea much at first he does eventually become a doctor. I can see how the original script would give him the crest of faith with all that in mind, but I still think reliability fits him better. He doesn't just have faith that things will work out, he's proactive in making sure they work out. Even if he's a little clumsy about it.

[stagefoureddiediaz]

ugh this is horrible news tommy is still around, hope to god he's gone in the finale. v

Maybe in your world Nonnie, but not in mine and I'm not entirely sure why you felt the need to come and complain about it on my blog, but here we are!

It makes perfect Narrative sense for Tommy to still be around in the back end of the season, and even possibly into the start of season 8. The show is telling a story of Bucks bisexuality, so why woould they get rid of Tommy so quickly? To do so would do a disservice to that story - a massive disservice. I'm guessing you're hating on this relationship becasue you see it getting in the way of Buddie, rather than viewing it as a vital step on the route to Buddie.

Lets put it into simple terms - Buck figures out he's bi and then begins to explore that newly discovered aspect of himself. The show has also taken the time to move Buck from someone who didn't really do relationships (of the long term variety), into someone who is looking for love and looking for forever. But in amongst all of that, he hasn't really had a healthy long term relationship, the closest he had to that was with Ali and that one didn't last especially long and she wasn't around for most of it

Buck isn't ready for an endgame queer relationship right now - he is still to immature from a relationship perspective - especially a queer relationship perspective. If Eddie was available and he and Buck got together - as they are as characters right now, they wouldn't last - they're not in a position to do so successfully. And this isn't me suggesting that they need to have figured everything out before they get together - to have fully healed etc, because thats neither realistic or something I would want to see - what it means is that they both need to get to a point where they are in a healthy enough place to put in the work together, understand each others flaws, and their own flaws and proactively work towards overcoming those things together and as of right now, neither of them are - they are getting their and moving rapidly in the right direction, but Buck needs to learn a bit more, and in many ways learn how to be with a man, before he will be ready to start anything with Eddie.

The growth we're getting to watch Buck go through right now - in the aftermath of the lightening strike, his reckoning with his mortality etc and the fact he's now off the hamster wheel and moving forward - in a healthy and faster way than we've ever seen from him, speaks volumes.

Tommy is also a far better developed love interest than any other love interest we've seen Buck (or indeed Eddie) with (Abby excepted but she was a main, so had her own purpose on the show)- I'm sure I'm not alone in feeling like I know Tommy more after 3 episodes plus what we got from the begins episodes he was in, than I managed to ascertain about Taylor or Ana or Nataila etc!

Not to mention, him figuring out he's in Love with Eddie as part of this process is going to be fun to watch. The show has made no bones about re-enforcing at every. Single. Opportunity how close, how entwined and how important Buck and Eddie are to one another - the show has quite literally been prioritising that over anything else Buck and Eddie related - Buck was there front and centre - placed very much on an equal footing with Shannon and even Eddie himself in 7x01, and then Eddie was the centre of Bucks bi arc in 7x04 and in his coming out in 7x05. They are literally moving chess pieces into place to tell an amazing story of queer love in later life and creating an epic slow burn for the ages.

And finally, Eddie is, as far as we know at this point in time, still in a relationship with Marisol - why shouldn't Buck get to explore who he is and what he want's within a relationship rather than sitting pining on the sidelines - that isn't healthy in any way shape or form. Eddie still has stuff to figure out about himself.

Even Tim and Oliver have stated in interviews that this is about a happy and joyful queer experience of figuring out bisexuality and therefore within that is giving the narrative a romcom vibe. But they have also stated that Tommy isn't going to be around for that long - that he is very much a narrative device.

It is worth pointing out that timelines on various aspects of the narrative may have been shifted because of the season 8 renewal - but that is only going to help tell the story because now it doesn't have to be rushed. I'm still fully expecting some form of feeling realisation from one of them by the end of the season (my money is on Buck), setting up for season 8 and Buddie going canon either 8a finale or early into 8b.

You have every right to dislike Tommy if thats you jam - have at it, but don't come to my blog and expect me to agree with you. I'm not a multi shipper by any means - I'm a one ship kind of gal and I will be a Buddie shipper until the end of time, but within that, I am here for amazing storytelling and amazing queer storytelling - the like of which I've not had the privilege to watch on my screen before - especially one that hits so close to home. Its a really important story to tell and I'd rather it not be rushed.

And if you had to pick - I'm pretty sure you'd rather have Tommy around for a bit longer that Marisol!!!!

[snogards]

I think it's insane that after the final Agni Kai, Zuko was able to tank a hyper-powered lightning bolt (I mean, tank in the way he was still moving after getting hit, even if it was just groans of pain and slight twitching). He just got healed by Katara for about 5 seconds and was A-OK afterward.

When Aang got struck by lightning, he was in a coma for like what? Almost a month? And you're telling me Zuko gets struck by lightning, and 5 minutes later, is walking around like it never happened? Sorry, I can't believe that.

But Sno, you say, Aang was in his most fragile state. Of course, he was in a month long coma after he basically died. Okay, and I think that Zuko being hit by a lightning bolt 100x more powerful than the one Aang got hit by would also put Zuko in a coma; especially because Katara doesn't have the spirit water to bring him back to life. Unlike Aang, Zuko only gets regular water, not magic water, to heal him.

"But, but Zuko redirected it," you say. Uh no, Zuko wasn't grounded, so that shit still hit him like a damn truck. He redirected some of it, but not all of it. I would probably say that it burnt him from the inside out. It's a miracle that in LOK, that man is still kicking it and being a badass in his early 90s. He should have serious heart issues, if not have died in his 70s at the absolute latest. The man should not be kicking ass in the poles. He should be on bed rest.

In conclusion, Zuko should have been in a coma for like at least a year (realistically he should be dead, but this is a kids show where the main characters aren't allowed to die, so I'll let it slide) and I will stand by that.

If you wanna read how the creators could have worked with comatose Zuko, read under the cut. If not, then I hope you enjoyed my little rant. This post got longer than I thought.

Here's how the creators could have dealt with comatose Zuko and the potential storylines our other favorites could have had at the end of book 3 and a majority of the potential and nonexistent book 4:

Aang is having to deal with the consequences of Ozai being left alive, as I'm sure the Earth Kingdom and the Water Tribes would not like that fact. As well as their newest Fire Lord currently being in a comatose state. They barely trusted Zuko. Are you telling me they're gonna trust The Dragon of the West? (More on this at the end) And maybe Aang would actually get some character development, unlike in season 3.

I don't think Sokka, Suki, and Toph would have storylines that center Zuko all that much, but they would also definitely be mourning the semi-loss of Zuko along with whatever storyline they get. Maybe Sokka and Suki can have conflict in their relationship now that the war is over and they might physically have to go their own ways. Toph can probably wonder where she can go from here. Will she try and reconcile with her parents again? Will she travel with Aang once Zuko wakes up? Will she stay in the Fire Nation and help Zuko sniff out traitors with her seismic sense? Needless to say, the 3 of them have endless opportunities.

Katara is now dealing with the guilt of not only having put Zuko in that position in the first place, but also not being able to fully heal him (even though he would have done that for anyone, not just her). And if you're a Zutara shipper, like myself, even realizing potential feelings and the conflict that comes with that. Or if we still wanna go through with the canon ending of Kataang, have her navigate her feelings about Aang properly and not whatever that original canon ending was. And if we wanna go the "Katara doesn't need a man" route (my personal favorite despite my shipping tendencies), she could try and navigate where she goes from here, like Toph. Obviously, she'll go back to the Southern Water Tribe and help out there, but what comes after they've recovered? She's not the type to stand by and settle when there are other people who need her help. Will she go to the Earth Kingdom and help rebuild there? Go to the Fire Nation and help out there? Become an ambassador of the Southern Water Tribe to help better relations with the other nations? (My personal favorite) The possibilities are endless for her.

But you know who would be affected the most? Iroh. Not only did he (kinda) lose his nephew, who was his second son, but he now has to deal with the diplomatic repercussions of his past as a general of the Fire Nation. Like I said before, the Earth Kingdom and the Water Tribes barely trusted Zuko; no way in hell are they gonna trust the man that laid seige to Ba Sing Se for nearly 2 whole years, regardless if he's the reason the city was freed from Fire Nation control. The pressure Iroh would feel from advisors regarding the fact that his only heir is comatose would increasingly get worse as the months go by. We know that Zuko will wake up, but Iroh and the rest of the cast don't. Iroh is dealing with the fracturing Fire Nation and pressure from the Earth Kingdom and the Water Tribes, all while his son is in a coma. He could see what he was going to have Zuko face by himself with no support around him. What would he do with Ozai? Would be a major question throughout the season.

Of course, in the end, Zuko wakes up because we want a happy ending for them all. But the turmoil we could have gotten in the end would have been *chefs kiss*

[directdogman]

hi dogman! i just picked up dialtown recently and haven’t finished the game or started the dlc, (so this stuff might be answered later in the game and i just don’t know yet, sorry) but i do have a bunch of questions about the science of dialtown that have been plaguing me since i started the game:

are all the people of the dialtown universe (sans gingi ofc) still classified as human, or are they another species? object heads are implied (as far as i can tell) to be man made creations at some point, but no one but norm has an actual human head. have they mutated to only have object heads? are they born with object heads? if they are born with the ability to get an object head, are they born with no head, or does the doctor cut it off and install an object head, are object heads technological or biological (or magical)? are they biologically capable of changing their object head from birth? the objects are clearly still made of plastic/metal/glass etc, and they’re fully integrated with the “human” body systems- the ability to blush means blood cells circulate through the non-organic (non-meat?) parts of the head, and they can feel pain inflicted to the mechanical parts just as easily (shoutout to randy for being so unfortunate). so are the mechanical parts of the objects, like wires, integrated into the human parts of the body as well? are the object heads a completely scientifically separate thing to the actual body, like prosthetic? if so, how does blood and nerve pain transfer? where are their brains? is the canonical consciousness and memory of a person in their body, since their heads can be swapped (especially when most of the objects are not capable of storing memory at all?) furthermore, since the object heads can function like the objects they represent, do printers and typewriters require ink, or have they developed ink cartridges/sacs like cephalopods? similarly, are object heads with LCD displays (like cellphones, the teleprompter, TVs etc, if those even exist in this universe) bioluminescent and/or chromatophores, since they can light up (i think) and change color? if the object heads are mostly technologically developed, and Dialtown takes place in the present, why are most object heads deeply outdated technology (typewriters and analog phones, with the most modern tech being randy’s Nokia and Karen’s printer, both of which are still incredibly outdated?) are object heads considered a completely different technological process from the technology they resemble, or is this of a cultural anachronism, (like cpu mice being called mice because their cord resembled a tail, even though they no longer have the tail at all)? is it a cultural thing?

tl;dr: how does biology work in dialtown? people can change their heads if they want, but the objects are still treated like part of the person. are object heads at all a genetic feature of the people of dialtown, or purely a technological thing, or both or neither?

apologies if i’m looking into everything too deeply- but i am fascinated by the scientific and biological implications of object heads. also, the game is great. karen is the only printer i have ever loved.

are all the people of the dialtown universe (sans gingi ofc) still classified as human

Yes, to the point where flesh heads are considered an inhuman trait now. To the point where some beloved historic figures (like Washington) are often depicted with phone heads, despite never having one.

are they born with object heads?

They're born with an adapter, and the heads are added immediately after birth.

are object heads technological or biological (or magical)?

I'd argue they're technological and biological. It's a bit like asking if a hermit crab is biological or mineral.

[] parts of the head, and they can feel pain inflicted to the mechanical parts just as easily (shoutout to randy for being so unfortunate).

Our brains have no pain receptors, but the areas around them do, so brain swelling is indeed unbelievably uncomfortable. I see object-head pain as a similar phenomenon. It's the biological pieces that cry out when the mechanical parts fail.

if the object heads are mostly technologically developed, and Dialtown takes place in the present, why are most object heads deeply outdated technology

I've answered this question before, but the long and short of it is that most modern devices aren't easy to swap individual pieces out of, while older devices (with vacuum tubes and basic transistors) can be swapped out. Imagine having to replace your entire head every time something screwed up, or having to get your repairs from a single company who makes the device. You think dealing with Apple support is bad, imagine if you HAD to go to them for healthcare!

Also, there's a cultural inertia. Crown's memory being bricked meant that his plan essentially halted and it's not like anyone had the will/ability to continue it.

are object heads considered a completely different technological process from the technology they resemble, or is this of a cultural anachronism [] is it a cultural thing?

That's complicated and to answer this question completely, I'd have to delve deeper into the rationale of the Dialup affecting non humans. The answer is it's a bit of both.

but the objects are still treated like part of the person?

They're considered part of the person, though with the acknowledgement that they can be swapped out and aren't a part of the person anymore if lost. Like teeth for us.

are object heads at all a genetic feature of the people of dialtown, or purely a technological thing, or both or neither?

Head choices are cultural, and the only genetic link to headtypes is based on how genetics influence cultural norms. EG: the tendency to give people phones or typewriters depending on the gender given at birth.

[trekmupf]

a.k.a. Kirks evil twin needs a hug

Pro:

The Dog alien, iconic, beautiful

I know it was done to easily differenciate the two Kirks, but Kirks eyeliner slays

Bones everyday doctoring. Look I know in fic and memes people often say his bedside manner sucks, and with his friends it does yes because they're his friends and they're idiots, but his general doctor scenes are lovely

Kirk manhandling McCoy and McCoy sending Spock after him later

The way Kirk assures and takes care of Sulu / the landing party show more of his good qualities as a leader to his crew

Spocks heritage being talked about for the first time, interesting early ideas about him being stuck between both sides

The invention of the vulcan nerve pinch!

First proper „He's dead, Jim“ by McCoy!

Kirks halfs literally having to accept each other in a way in the end and hugging

Classic transporter malfunction

I like that they call evil Kirk the imposter - even though it's part of him everyone knows that he would never behave this way and that the "good" Kirk is closer to his real self

the general idea of splitting a person into opposing halves, even though the exact philosophy is muddled when analyzed deeper (yes, the message is a human being needs the good and bad, but – see cons)

Spocks speech about command underlines the kind of pressure Kirk is constantly under due to his position (something he handles well usually, and it gets adressed a few times thoughout tos)

Generally the dynamic between the trio and how trust works between them, especially in the transporter room in the end

love a classic „who is the real one“ duplicate situation

Con:

The entire violent scene between the imposter and Yeoman Rand is horrific and I personally find it to be longer than necessary to get the point across

also the way they treat her is too shitty for words. Even considering the production time it's bad, and I dislike all the scenes heavily

we're not gonna talk about Spock's last line. OOC. He would never.

The last third feels a bit streched

As said above, the split itself is very muddied philosophically and politically – I'd say is less good / evil and more base urges & survival instinct / higher developement, intelligence, which would make more sense as you do need both to function and one to control the other. Otherwise the message is you need „evil“ to function and thats just. No good.

also like. "sensitive" kirk does make decisions at the end and is also the brave one? it kinda undermines what they're trying to say

also the way it's presented goes a bit into the toxic masculinity philosophy that only a forceful / aggressive man can make proper decisions, when we know that's not at all true in Kirk (or the other men)

Sulu is us at @ every dog we encounter

Counter:

Kirk being shirtless (and posing in front of Spock with his little towel)

Transporter malfunction

A LOT of Kirk / Shatner Memes stem from this episode

Also the dog-alien is its own meme

Quote: "You're the captain of this ship. You haven't the right to be vulnerable in the eyes of the crew. You can't afford the luxury of being anything less than perfect. If you do, they lose faith and you lose command" - Spock

Moment: Kirk getting ready to beam down the reunite with himself and the almost silent conversations with his friends Summary: Interesting episode that raises a few questions about what makes a person who they are but can't fully answer them while giving further insight into the trios relationships as well as Kirks personality - beware the assault and treatment of the female character afterwards though.

Previous Episode - Next Episode - All TOS Reviews

[itsclydebitches]

Hi. Feel free to totally ignore to ignore this ask I just needed to vent to someone. Have a great day! 

I hate little. (Or somewhat now). I hate this stupid mouse that accomplished nothing for the entire volume.

They were a terrible guide, they weren't funny, they were ugly. And they didn't help Ruby at all.(honestly I would also talk for hours on how much I hated Ruby depression arc especially her breakdown but that's not important now) Hell for the most part I forgot they were even there.

And honestly I probably wouldn't care that much if it wasn't for the fact that then they try to tug our heartstrings by having Neo stomp them.

No! I don't care! This scene was already traumatic enough you seriously didn't need that!

Then they try to connect with this theme how the smallest act can impact someone's life. Which I call bias cuz the only thing Rwby did for them was to give them cheese. They tag along on their own after being lost. Ruby wanted them to leave but they insisted and that got them killed.

And it's not like the paper pleasers who were unhappy about their lives and wanted to ascend little was rather fulfilled and happy with his life. Then wtf all that was for.

Also they shouldn't have wasted an episode of rwby beyond on them.

Please vent away! :D

Little feels like such a wasted opportunity to me (if, you know, we resign ourselves to having some version of Volume 9) because:

a) I love cute familiar-like characters b) I love the fairy tale, butterfly effect lesson of 'One small act can lead to huge results, often times in ways you'll never fully understand' c) Little is the one consistent new character the group gets this Volume and thus should, by virtue of being the first they meet/the longest to hang around, the most developed and significant to the conflict.

But they're functionally useless. Worse, they're boring and (to me) annoying. Ruby helps Little get some cheese. Cute meeting! Would love to better understand why they're trying to gather food when they clearly can't do it on their own and why their tribe is otherwise engaged in hunting Blake (she barely even looks like a cat! Her ears blend into her hair and everything else is human!). Looking back, it feels like there are seeds of Little being an outsider here (why are they gathering alone when that's clearly a multi-mouse endeavor? Is it unusual for a mouse to not have a purpose at their age?), which would have helped to explain their motivation for leaving with Ruby, but as it stands it all just feels so rushed and disjointed.

In repayment for the cheese, Little agrees to be Team RWBY's guide. Great, that's very logical and helpful! Except Little spends the whole Volume engaging in a sleeping gag and reminding the girls (the viewer) that they don't actually know anything outside of their tiny territory.

They're emotionally available to Ruby when she's at her lowest? Sort of, but beyond whether you think those scenes feel forced or not (I personally do), I question why that role isn't given to someone we already care about. You all know I've got plenty to say about the previous Volume, but at least those later episodes had the wherewithal to send Yang after Ruby on the staircase. I honestly believe that part of the reason why some people are upset with Yang's response to the depression arc is not simply what she does do (compare Ruby to Ironwood, physically imply that she's siding with Blake, seemingly ignore Ruby's VERY obvious symptoms, etc.), but what she doesn't do too. By giving Ruby this new companion and trying to make Little an emotional center of the Volume, it deprives the other characters (including Ruby's sister) with that role. Granted, it could have been compelling to double-down on those feelings of alienation, culminating in Yang witnessing Ruby's suicide and regretting the choices that lead them there... but the show decided to turn Ruby's "ascension" into this supposedly feel-good moment instead.

Their death is the tipping point that sends Ruby over the edge? I admittedly like the idea. Giving us a small animal, one that many people are afraid of/find nasty, and equating it to a 'simple soul' could have helped sell the idea that all life - ALL LIFE - is precious. Hell, I wonder if it would have been better if Little was just a mouse. No talking, no magic, nothing but an (arguably) cute animal for the audience to cheer for. I can imagine a version of the dining room scene where Ruby is haunted by the people who have died, but she's also still centered enough to argue how those deaths weren't her fault, only for Neo to senselessly kill this little mouse on top of everything else. Maybe it scurries over when Ruby is beaten and bloody, gives her a little lick, something akin to a smile, this moment where she's connecting with a soul that is literally simple, and vulnerable, and doesn't care what Ruby may or may not have done because it's just another creature she's trying to protect... and then crunch comes the boot. It's a completely unnecessary act of cruelty on Neo's fault and the audience must sit with the death of an animal (something that always tugs at the heartstrings) rather than the arguable relief of being rid of Little.

Don't even get me started on their ascension. It straight up doesn't make sense and has the same kind of 'rule' structure as wishing for Penny to get a new body.

[autumnslance]

hi! random question for you because i stumbled upon your blog and have a lot of ffxiv character stuff in my head. what do you think about a WoL who is half dragon - do you think this could work? i'm not fully through the story so not sure on all the lore. but i was thinking of making an OC who is half dragon as an AuRa, who ik are NOT half dragon but what if the WoL was an actual half dragon? thanks for any input! have a nice day!

OK, this is one of those "here is the official lore, do with it, or not, what you will" answers. Cuz it's sorta kinda possible, in a way, just not how many other fantasy settings would do it.

Now, you say you're not all the way through story, but I don't know how far that means. So I may be vague about some things and spoil some others. Lore first, and then some options to play with it...

Number 1: FF14 dragons are aliens. It seems hinted at in some ways, but we do learn that for certain in an optional raid quest in Stormblood. They are extraterrestrial, do not originate on the same planet. Hence the strangeness and strength of their abilities, especially among Midgardsormr and his First Brood, from whom all other True Dragons descend.

Number 2: Dragons reproduce asexually. Their mating is more a meeting of the mind and heart (which is why dedicated sibling pairs, like Tiamat and Bahamut, are not a problem). Their development is highly mutable, and dependent on personality and environment. Which is why there are so many kinds of dragons, and why this form of procreation isn't a problem for them.

(They also don't really care about gender, we find out in later game; they use pronouns and gendered language, but it's more like they pick it out of a hat and also I think it's in part how mortals parse their draconic language and identification of each other.)

In the ARR patches, the Ishgardian church's story about the ancient Saint Shiva is "she lay with dragons" and...sorta? Again, not necessarily sex as we primates manage it, but there was a romantic relationship that's one of the central elements of Heavensward's story.

Number 3: Dragons do not turn into people. Not natural born True Dragons, anyway. There is one who uses a simulacrum/homunculus that he controls in order to walk among people, but it's an artificial puppet body created via certain methods.

Heretics can sometimes turn into dragons--sometimes temporarily, sometimes permanently (not always their intent). They manage this by drinking dragons' blood (willingly given or not, depending on situation). There's also some plot points in HW where we learn some people in the past partook of a dragon's internal source of power and now it's spread through uncountable descendants--the reason for Dragoon abilities and heretics able to tap into that and become draconic.

Certain characters in certain questlines have noticeable powerful aetheric abilities and dragons can sense the connection--because one of their parents had imbibed dragon blood. There's also a quest where a Dragoon, who by training already has an "inner dragon" awoken and tapped into, is forced to drink dragon's blood and nearly loses her sanity and self, the attempt to transform her into a mindless beast (and the source of some of the Horde's shock troops, the characters realize) an element of the story, and can she overcome it.

(these side quests were part of my inspiration for Aeryn's unexpected backstory "Bearing Sins of the Past")

Number 4: There are dragon legends in the East, but only some have to do with True Dragons descended from the First Brood. We eventually learn Seiryu of the Four Lords is not a dragon, though often is mistaken for or described as one.

There are also throughout the world large flying lizards, dinosaurs, and other big reptilian creatures native to Hydaelyn, but not related to the First Brood. They're usually common animals with no intellect.

(This is because world lore writer Banri Oda just loves dinosaurs)

SO! All that said, what's this mean for making a half-dragon OC? Well, there's options!

To be lore compliant, someone of Coerthan descent and involved with, or from a family involved with, heresy (per the Ishgardian definition) can have draconic features, maybe try to pass themselves off as Au Ra, and/or have the ability to transform, either with a catalyst (blood, alchemy, a spell tapping into their inner dragon/draconic heritage, whatever) or because it's become an inherent part of them. Think draconic-blooded sorcerers from Dungeons & Dragons. They get their inherent magic due to draconic ancestry/influence somewhere in their lineage.

There's also always the mistaken/lying element; maybe the character thinks they are, or something has to do between their family and legends of the auspices and Four Lords. One of the things about FF14's lore is a lot of it is given in world and in characters; some of it is known to be wrong or misrepresented or incomplete etc., to give the devs wiggle room--as well as us as players.

One can partially ignore canon and say yeah, a humanoid parent boffed a draconic parent, in whatever form, and now this unlikely one in a million chance (or not, if we're already throwing away some lore) offspring is around and grown into an adventurer.

I've also seen folks portal in their OC from another fantasy setting where such things are more plausible, such as D&D (Baldur's Gate 3 is the current new hotness) or Warcraft (where it's honestly more assumed, as I can't recall an actual canon half-dragon but that's always a popular RP concept).

So while on the surface, some may say "no, that's not canon because--" there are ways to make it work within lore, if not how one usually thinks of "half-dragon" or "dragon-blooded" (tho kinda in the D&D sorcerer sense, IMO).

Or you throw out canon, and tell folks "I know the lore is X, but for my character's story I'm headcanoning Y instead." And then block any fussy attempts at lore policing.

Or just use the power of crossovers and portal stories/isekai to make it work, and again tell lore police to screw off.

Hope this helps, and happy OC writing!

[tanadrin]

@alightingdove

I'm fully aware of the weirdness. I'm very aware of the world's religions and their differences. My point is that the virtues of Buddhism are, generally, well-intentioned and sustainable from a secular perspective. We know why the Buddha became an ascetic - he witnessed sickness, aging, and death, and he decided to leave his luxurious life in pursuit of meaning.

Had to break this discussion out of the comments section because I think you're making a number of serious errors in your assumptions.

One--Buddhism is not an especially noble or enlightened religion. As this Buddhist and scholar of Buddhism points out, traditional Buddhist morality is deeply medieval, and very out of step with modern values. It is patriarchal, puritanical, and authoritarian. See also this post and this one.

Two--we have narratives about the Buddha, composed centuries after his death. As scholars of religion like Stephen Shoemaker and the cognitive scientists they have based their work on have pointed out, oral traditions are very bad at preserving authentic historical detail. They very quickly become adapted to serve the politics of later eras, and later traditions get written back onto the founders of movements to justify themselves. This is certainly true of Christianity, which had developed elaborate ahistorical traditions about Jesus within a hundred years of his death; it is even more true of Buddhism, whose oldest texts date to something like four hundred years after the Buddha's death. Islam, Zoroastrianism, Taoism, and many other traditions centered on a single founder figure (even one who was certainly historical, like Muhammad) have similar problems.

Three--religions catch on for many reasons. "Disillusionment" seems to be only one factor out of many. People adopt new traditions because of politics, identity, millennarian fervor (very big in early Islam and Christianity), hope of strategic benefit (knowledge or power from the gods), because they're forced to under threat of violence, and so forth.

So I think it is a bad idea to ascribe particular generosity or wisdom to (or to be excessively deferential to) people who, even if the traditions surrounding them are entirely authentic, made claims about the world which are unprovable or outright false, and whose morality was repugnant. And it's especially a bad idea to do so just because they have proven historically successful, given that the reasons they have proven to be thus may be pretty arbitrary.

[tossawary]

Watching "Star Trek: Strange New Worlds" is a lot of fun. I want to be clear that I'm enjoying myself, perhaps especially because the show suffers from many of the same issues as all previous "Star Trek" shows and I like picking at Doylist versus Watsonian explanations for things.

In one of the episodes of Season 2, all of the characters on the ship are suffering from this supernatural memory loss. They don't remember who they are or what they're meant to be doing. This issue hits the Enterprise over the course of many hours, enough time for senior members of the crew to become aware of the issue and decide that the Enterprise needs to get away from what's probably causing the issue. As a precaution, Spock even hands out datapads with personnel files to remind people of their own identities.

Unfortunately, this doesn't work out, because the memory loss apparently includes the ability to read. And I was immediately like, "Why didn't they ask the computer to periodically remind them of the situation? Why didn't they go into lockdown and set a looping announcement to keep everyone calm?" And it does turn out later on in the episode that the day is saved because the helmswoman accidentally prompts the ship's computer to remind her of who she is and what her role is. And I immediately pointed at the screen and the person I was watching with laughed.

The episode was fun and fairly solid. I find a lot about this show to be comparable to all previous "Star Trek" shows. But it IS amusing that this episode hinges on the idea that the senior officers of the ship who are supposedly pretty good on-their-feet problem-solvers, including a logically-minded Vulcan science officer, would not develop SEVERAL background plans in the event of further memory loss. Like, uh, carrying around datapads with personnel files is a single point of failure? And far less reliable than asking the computer to herd the crew and make announcements? What if someone drops their datapad? Should you not immediately strive to take a variety of precautions for everyone's safety? Your backups should have backups!

It's also amusing that the episode hinges on needing the helmswoman to pilot their way out of an asteroid field or whatever, because that really seems like something that should be trivial for the ship's computer. I don't remember if the episode gave us a sci-fi mumbo-jumbo excuse as to why a person needed to do it. But a human being just doesn't have the same reaction time or field of awareness as a computer, especially one 200 years in the future; maybe we don't want to rely on a computer all of the time, but there SHOULD realistically speaking be some background program that allows the ship's computer to plot a course in the event of an emergency. And it's a little ridiculous from an in-universe perspective to think that an organization like Starfleet would not have those backups already.

Like, I come from a background of more scientifically-minded problem-solvers with a handful of memory issues to their names, so we've adapted with techniques to cope with forgetting shit sometimes, and I just cannot fully suspend my disbelief regarding some of the things the writers has Starfleet do for plot reasons. So much can go wrong in space even before you bring glow clouds into it! Good engineers are paranoid fuckers! What can go wrong WILL go wrong.

(We watched the first episode of "Star Trek: Lower Decks" last night and I found it delightful. It IS set in the era of "The Next Generation", but nevertheless you'd think that Captain Pike and crew should have developed a series of "the entire crew has lost their minds again" protocols by now, and "Lower Decks" is lovingly making fun of that in the same vein as "Galaxy Quest".)

Thankfully, I mostly find this discrepancy for drama's sake funny.

In one of the earlier episodes, it was basically the show doing their own version of / a tribute to "Alien". And I have a great fondness for the original "Alien", so that was kind of fun to see. Nice. But if you do stop to, like, actually think about what's happening, this sequence of events is only really happening because 1a) you didn't send piloted drones in first to try to retrieve any logs about what happened and 1b) search for survivors without recklessly endangering half of the senior bridge crew.

2) None of these people are wearing protective suits or shield generators or whatever. They have BARE FACES when this destroyed ship they're exploring could have been taken down by a plague for all they know. None of the characters are ever even wearing HATS when they go to cold locations, because filmmakers don't like obscuring actor faces or ruining their hair. This episode is, for understandable reasons, prioritizing drama over... uh, indicating that Starfleet has decent safety regulations that include personal protective equipment.

3) They send EVERYONE into the spooky destroyed ship instead of holding various crewmembers back. Like, uh, maybe you should leave someone in the shuttle in case something goes wrong? There's an ion storm preventing transporter use and interfering with communicators again, sure, but... Starfleet hasn't developed a series of communication protocols besides "Aw, fuck, communicator's broke, better wait it out"? There's no alternate radio-esque technology that would allow for short range communication between an exploration crew and a grounded shuttle crew? You don't have a temporary communications machine to drop onto a planet? You can't even have little drones physically carry messages between the shuttle and the exploration crew?

Like, yes, I understand why the writers did things this way. "Star Trek" has such miraculous technology that writers have to fight for their fucking lives every episode to explain why the miracle technology isn't working this time. Nevertheless, when crewmembers start dying because Starfleet apparently doesn't have, like, decent safety protocols and backups, I am going to think in the back of my mind: "Okay, this redshirt's death is kind of on you guys this time. Send in a damn robot first."

[coochellati]

I wonder how young Bruno was when he got his Stand. I'm betting on 15. He needed time to earn a reputation and attach Polpo's attention to himself.

Hi! Oooh, this is a great thought to chew on. I haven’t really given too much thought on this before, so thank you for bringing this to my attention! Today I’m going to do my best to answer the question…

To determine what age Bruno first manifested his stand, we must figure out how Bruno acquired his stand. A quick disclaimer: all I’m about to present is speculation, as Golden Wind does not provide any evidence as to how or when Bruno got his stand. So how did he get his stand? Was he was pierced by Black Sabbath's arrow during Polpo's initiation test? Or could it be that he was a natural-born stand user? I believe the latter—here’s why.

First, I want to discuss fate within the context of JJBA. According to the JJBA wiki, "Fate or Destiny is the concept of a predetermined course of events. [...] It may be conceived as a predetermined future, whether in general or that of an individual." Fate is a major theme within JoJo's, especially in Bruno's story. In chapter 78, page 5 in the manga, or episode 20 of the anime, it states, "...and the wheels of fate continued to turn," which points us to believe that everything that occurred within Bruno's life was fated to happen. Applying this logic, he was fated to join Passione.

The concept of gravity within JJBA also ties into fate. It's a universal law within the JJBA universe that stand users are naturally drawn toward each other as if they're fated to meet. Passione is a syndicate comprised of stand users, which is one of the reasons why it is so large and powerful. If Bruno was fated to join Passione, this could indicate that he was born a stand user.

Giorno and (potentially) Bruno aren't the only natural-born stand users in the gang. In Purple Haze Feedback, it's revealed that Narancia is also a natural-born stand user. (This evidence only works if you believe Purple Haze Feedback is canon. I do.) We know that to join Passione, Narancia went to see Polpo behind Bruno's back. In PHF, this event is expanded upon, showing us that Fugo is the one who led Narancia to Polpo. Before doing so, Fugo shows Narancia his stand, and Narancia can see it.

I bring this up because I originally assumed that everyone in the gang (aside from Giorno) was pierced by Polpo's arrow, given that there aren't that many natural-born stand users who aren't Joestars by blood. (This goes for parts 1-6 of JJBA.) If Narancia, a natural-born stand user, was drawn to Passione by gravity/fate, then it isn't out of the realm of possibility that Bruno also became a member of Passione in the same way.

Now that I have established why I believe Bruno is a natural-born stand user, we can speculate on when he became a stand user. Stand manifestation usually accompanies a significant changing point within someone's life, whether it be when Jolyne was sent to prison or when Jotaro's mom became gravely ill. The crucial turning point in Bruno's life occurred when he first committed murder, successfully defending his father from those who wished to kill him. I headcanon that Bruno's stand awakened on that night.

I also like to believe that Bruno's stand wasn't fully developed when it awakened, not becoming the Sticky Fingers we know and love until later in his life. So when exactly was that? That's up to you to decide--as you said, it could have been when he was fifteen. Stands, like your identity, take time to develop, and Bruno was in a particularly tumultuous time in his life when his stand (potentially) first manifested. Another time I could see his stand becoming fully developed was during Polpo's initiation test. Of course, that depends on how Bruno passed. If his test went as Giorno's did, he may have had to use Sticky Fingers to defend himself from Black Sabbath. Do-or-die situations also cause your stand to evolve, as shown by Koichi's Echoes. 

Alright, I think this sums up my thoughts. And thank you again for the ask--I hope you enjoyed reading this as much as I enjoyed thinking about this question!!