something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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love ryu bc you meet him and think damn what a square but then as the game continues you realise his attitude towards the law is something along the lines of “this is all horseshit and i couldnt even be paid to respect it” and then he commits treason
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Things In Newsies Live I Think About A Lot #2
During 'Carrying The Banner' you can see the newsies jumping around, playing with eachother etc, etc. One of my favourite examples was that if you look in the background, you can see a line of newsies all chasing after eachother before they all move towards the front of the stage to dance.
(I know this isn't the greatest picture of it, but it'll have to do.)
I'm not sure why this has stuck with me as long as it has, but something about this specific part is just so memorable to me.
I don't really know why, but this scene in particular has always sort of been a pretty big reminder at how young the newsies truly were. Like, this is a fairly fast paced scene with plently of movement and energy, and who do you normally associate with high levels of energy? Children.
And in life the majority of these newsies would have been 10-13 years of age. Kid Blink (strike leader and inspiration for Jack Kelly in the musical) was only ~16 years old, and he would have been a lot older than many other newsboys and newgirls in his time.
This might be a strange take on the scene, but it has been gnawing on the inside of my brain for ages, so now you all get to hear about it too.
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What drew them to each other is that they were both willing to do reprehensible things.
Whether it's to save their own skins, to save their families, to carry out a plan... They're naturally fucked up in the same pragmatic way.
But they can BE their full, "flawed, petty evil creatures" in full light of the other.
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DUNDUNDUN SAM WAS JUST WAITING FOR HER TO TURN AWAY WHAT A BASTARD
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She should've gotten to KILL him at least once, I think. Just to further make their bond weirder.
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"Don't struggle," she says.
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ALSO.
I like to watch the unraveling futility of their ambitions. Rowena, Crowley, and Sam were all united by wanting status and ambition to help them escape "a rigged game."
"And it took everything from me, everyone I love-- my family."
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BOOM. There it is.
See, Rowena sees the lengths Sam will go, and she actually RESPECTS it.
Their relationship is built on the comfort of understanding WHY they're willing to gut each other AND each other's loved ones. Strong feelings that they try to dissociate themselves from.
They use their smarts and ruthlessness to protect themselves and their loved ones at all costs.
And they both want to change.
"You were never gonna kill him. There was a time you would've. But not now."
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There is such an--an OPENNESS about the bad things they've done, and Sam needs that in his life.
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And in season 15, Rowena knows that Sam wouldn't have been able to kill her at the end there... not unless she guided his hand and helped him.
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“billy is evil incarnate” “billy is the worst guy in the world” “billy likes to run kids over” “billy is the real villain” “billy hates the gays” “b-”
billy hargrove stepping out of his car in 2x01:
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wanna draw baby mtt so bad but not home.... ever since i got that damn ipad i can't draw on my phone ever.... wanna draw mtt as adorable children in elementary school dealing with playground drama like who gets the ball.... wanna draw au where everyone is a schoolgirl because women and adorable outfits are my weaknesses...... jk au save me jk!継続組 save me PLEAZE i wanna draw mtt as cute schoolgirls wearing nanchatte seifuku... dream andbnightmare as the popular girls and ink as the artsy kid and swap as a cool sporty girl and cross and epic and fell and classic and geno and reaper and Ygggggghhhhh.... me when....... me when cute skirts and button ups and bows and mary janes and cardigans. someone wrap a chlorifoam rag around ny neck and drag me home
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