#'...indeed. would-'

[eternallovers65]

Ngl if I had a child with Poseidon, the God of the Seas, and had to pay swimming lessons for my son because he was scared of water, I'd be cursing Poseidon forever like you don't show up, don't pay child support and now you can't even help your actual ocean spawn to swin????

[golswia]

ur cat and dog aziracrow made me think of bird vers for them, crow-ley and aziraphale as a dove or owl!!!! ur art is adorable

they scream at ur window at 4am for seeds

[sofiaruelle]

Commission for the lovely @flowerandthesongstress of our fave triad, Sam, Abigail and Sebastian basking in the afterglow of a very productive band practice.

The Companion piece

[poorly-drawn-mdzs]

Don't Wormy About Me.

[First] Prev <–-> Next

[crystalflygeo]

Ok but imagine dragon!Zhongli fills you up with eggs and by the time they hatch you end up with a bunch of tiny baby dragons squirming around like worms. What'd you do then??

WHAT'D I DO?? TAKE CARE OF MY CHILDREN OF COURSE???

"Worms", the audacity they are dragons and they are my precious babies omg

But fr tho imagine like a dozen of tiny baby noodles with a bit of fur and tiny stubby horns just curling up on your lap or around you as you sleep, draped around your shoulder, on top of your head (and Zhongli's) that is so cute pls too adorable. 💕

I'd imagine they'd be still too weak/young to fly let alone shapeshift so they're housebound, zhongli and you have to take turns watching them and going out to do stuff. Also since they're dragons/reptiles they wouldn't need milk?? rather probably just smol pieces of meat or like soft food aaaaaaaaaaaa too cute imagine feeding them with a spoon carefully.

Until they start teething that it, then they become lil menaces, biting everything on sight including each other when play fighting and/or their father (lmao) Zhongli would make small crystals they can bite into instead of destroying everything 💕

Speaking of their father imagine Zhongli feeling the urge to take dragon form just so he can curl around them and soothe them in a way they'd be more instinctually comfortable with (PAPA DRAGON ZL INSTINCTS RUNNING WILD IMAGINE HIM LICK-BATHING THEM SVCGAHBAK 🥺💕💕💕) tho they 1000% recognize you as mama and like to burrow in your hair or under your shirt (babies noooo) and just be close to/on top of you at all times

JUST A BUNCH OF TINY NOODLE BABY DRAGONS I WOULD WEEP I WOULD CRY like I did these???? I made them with my husband?? my babies??

smth like this is you will AAAAAAAAAAAAAAAA

[slushyseals]

Hooray, my mail order pup-scription is here!

In reality this little pup got lost and ended up on someone's porch. Not to worry, the home owner did the right thing and the little guy is now at the Marine Mammal Care center who can evaluate them for any necessary care before release back into the wild. Source for more context: https://www.instagram.com/p/C3im2QYybiF/

[wigglebox]

Anniversary Photoshoot 📸

Drawn for @thepixelagora for @destieldtiyschallenge ! This is the original post 💚💙

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[ventiswampwater]

Kurt Russell as R.J. MacReady THE THING (1982) dir. John Carpenter

[gabihime-jegulusseeker]

jegulus incorrect quote: James is captured by the death eaters during the war

Regulus: I should kill you or turn you over to the dark lord right now.

James: You wouldn’t! Would you?

Regulus: Give me one reason why I shouldn’t. Give me just one reason why I should let you go

James: Because… I’m cute?

Regulus:....

Barty: oh my god you are considering it!

[canisalbus]

musings in Machete’s diary

.

[carnivalcarriondiscarded]

this meme was made for him

[elitadream]

"You've been hurting so much, and for so long… Please, let me soothe your pain."

-

There was a scenario I had imagined in which Mario would suffer emotional trauma and keep it to himself to the point of becoming depressed, growing more distant and avoiding others as a result. He would so desperately want for his loved ones to be at peace that he would rather endure unbearable misery in silence than speak on it; not knowing just how tired he really is and how badly he needs to be comforted.

So when Peach would finally -and ever so gently- confront him on the matter, his walls would crumble almost immediately, and he would break down in front of her. Anguish and exhaustion slowly giving way to healing. ❤️‍🩹

[bobombun]

So I started playing Lotr Online, the MMO game of Lord of the Rings, and it's been fun so far. Started off as an elf, and was popped into the middle of a dramatic fight I had zero context for. Bad guy stabs me with an evil sword, and screen goes black. I wake up, and my buddies are happy to see me awake. Sorry everyone, didn't mean to scare you. Hey btw, Elrond, how long was I conked out for?

Years? I was in pained coma for years?? I guess that's elves for you, huh

Oh damn, the era changed while I was asleep? What a timing, haha

Year three thousand and- wait. The era changed while I was asleep. And it is now the year three thousand and eighteen of this era.

...

I was in a coma for at least three thousand and then some years??

Elves, man.

Elves.

[mizgnomer]

Behind the Scenes of The Giggle - Part Three

From Entertainment Weekly (Dec 2023 by Clark Collis):

Doctor Who showrunner Russell T Davies tells EW that the American actor was completely unfamiliar with the beloved science fiction series when the executive producer approached Harris about playing a villain called The Toymaker on this Saturday's final 60th anniversary special episode, "The Giggle." "He’d never heard of it in his life, bless him," Davies says with a laugh. "I was lucky enough to work with the great man on a show called It’s a Sin, about the AIDS crisis in the 1980s, and working with him was such a joy. The Toymaker, he's kind of the god of games, so he shuffles cards, he does magic tricks, and all of that fits Neil Patrick Harris. If you go through agents, they often tell you to go away. I was able to send just a text saying, 'Do you fancy reading this?' He read it and literally phoned me up going, 'Let me get this right, so the Doctor’s an alien, right?' I was like, 'Oh my god, you really have never heard of Doctor Who!' But he couldn’t resist it, and he came to Cardiff, and we had the most spectacular time." Davies explains that, "it's very hard to find the villain who can match David Tennant and Catherine Tate. To have a character who can be in danger of defeating those two is very hard to find. Sometimes on Doctor Who, you need armies of a thousand robots who could do that. This is just one person, so casting them was absolutely crucial and this becomes a pivotal event in the Doctor’s life. We needed that man, and, god, we had a glorious time. It’s so lovely working with Neil. When I text him now, [we ask], what’s our third project together? We’ve got to keep going!"

With huge thanks to all who shared set photos (including @TomWrenPhoto on Twitter)

For other posts in this set, please see the #whoBtsGiggle tag. The full episode list is [ here ]

[thewhizzyhead]

the entirety of "Just For Once" is like really fuckin emotionally captivating alright and we can all attribute that to Lauren Lopez's incredible performance (like holy fuck those high notes), the layered lyrics, and the thin line of Ruth singing as the Barbecue Monologue character and her singing as herself but you wanna know what REALLY got me crying because of how Lauren's eyes and delivery really makes it clear that Ruth is speaking as herself?

"I used to dance. I used to dance."