#'80s music

[bayareabadboy]

[mywifeleftme]

327: XTC // Black Sea

Black Sea XTC 1980, Virgin

XTC’s discography has a very organic flow to it. Andy and Colin’s voices aside, it’d be tough to guess the same band was behind the albums that bookended their career (convulsive 1978 New Wave speedball White Music and the lavishly arranged psych pop of the turn of the century Apple Venus tandem), but if you follow the band over time, from one album to the next there are few radical departures. Each link in the chain contains elements of the record that precedes it and the one that follows it. Still, you can clearly divide their discography between their early years as a hard-touring New Wave act and their second act as a pastoral psych pop studio project—and, in that light, the albums that straddle that transition (today’s album, Black Sea, and 1982’s English Settlement) could be considered the “definitive” XTC records.

It’s easy to forget what a spectacular live act XTC were in their early days, something like a combination of ‘60s bubblegum, Devo, the Residents, and Wire, but with cardio that would’ve put most of those acts to shame. As a guitarist, Andy Partridge scorned anything that smacked of blues, slashing out hiccupy riffs way up the neck, hurling himself into head-spinning rhythms that often wouldn’t be out of place on a Fugazi record (if he didn’t have such a sweet tooth). He surrounded himself with collaborators whose ability as players was such that they were able to make their own marks on the band’s sound despite Partridge’s dictatorial tendencies—not only minority songwriter and exceptionally melodic bassist Colin Moulding, but ultimate utility man Dave Gregory (who flitted with ease from lead guitar to keys) and their gem of a drummer Terry Chambers, a non-writing / arranging member who would be lost when the band’s studio transition reduced him to a glorified session man. Chambers was an absolute machine, and many of the band’s most memorable early statements rely on his power and precision behind the kit.

Black Sea is their last record to be dominated by the quirky sound-over-sense rhythm workouts on which they built their name, and they go out with a bang: “Rocket from a Bottle,” “Burning with Optimism’s Flames,” and especially “Paper and Iron (Notes and Coins)” are fine reminders that new wave was as much Body as Head music, while the tribal stomp of “Travels in Nihilon” feels like a hint at what XTC would’ve sounded like as some kind of Swindon krautrock band. But the songs that are best remembered from this one are those first stirrings of their burgeoning reinvention as basically the attention deficit disorder Kinks.

By his own admission, Colin Moulding’s early songwriting efforts had aped Partridge’s style, but here it seems Partridge was inspired by Moulding’s sardonic kitchen sink satire “Making Plans for Nigel” (from the previous year's Drums and Wires). “Respectable Street” reads almost like Partridge proving to himself he can write his own “Nigel,” while the chiming psychedelic pop of “Towers of London” scales its social commentary to the Empire itself. His finest moment though is “No Language in Our Lungs,” one of the band’s first genuinely emotional statements. The wordy lyric is typically “clever” (“I would have made this instrumental / but the words got in the way”) yet it captures the feeling of being overwhelmed by the intensity of…well, a feeling. The credit lies mostly with its arrangement, which heaves and stumbles behind Andy’s inconsolable howl like someone dragging their feet in exhaustion.

Black Sea usually sits somewhere between third and fifth in my personal XTC rankings, but it’d be the place I recommend a new fan start with the band (or would be, were the record available on streaming services). Between Andy’s peculiar voice and a smartass quality that can get a little cloying, XTC’s not for everyone—but for those on the wavelength, their catalogue is one of the greatest of the rock era.

320/365

Bonus

For the hell of it, my personal XTC discog rankings.

Skylarking English Settlement Black Sea White Music Drums and Wires Apple Venus Volume 1 Go 2 Wasp Star (Apple Venus Volume 2) Oranges & Lemons Mummer Nonsuch The Big Express

[the-mozzarella-brothers]

Hii I have a survey to do with 80s music and itd be great if anyone in their teens or 20s could fill it out :) it is completely anonymous

it is here :)

[woodelf68]

There were a lot more I would have liked to include, but since there are only ten slots in a poll... If there are enough "other" suggestions, maybe I'll pit them against each other in a part two poll.

[musicrunsthroughmysoul]

Happy birthday to one of rock's greatest bassists, Tony Butler! (b. 13 February 1957)

If you have never heard of Tony Butler or think you've never heard his work playing the bass, please check out at least one or two of the tracks that I've linked to (though, once you hear/realize how good his bass playing is, you'll probably want to hear them all!):

"Wonderland" - Big Country // "My City Was Gone" - Pretenders // "Where the Rose is Sown" - Big Country // "Back on the Chain Gang" - Pretenders // "Girl With Grey Eyes" - Big Country // "Let My Love Open The Door" - Pete Townshend // "In a Big Country" - Big Country // "After the Fire" - Roger Daltrey // "East of Eden" - Big Country // "Here Comes the First One" - Tony Butler

[bookgeekgrrl]

My media this week (21-27 Apr 2024)

📚 STUFF I READ 📚

😊 rounding third, sliding home. (througheden) - 68K, enjoyable steddie AU with pro baseball player Steven & massage therapist Eddie

🥰 Daddy Issues (His Boy Next Door #39) (RJ Moray) - reread; just a big fan of Jack & Channon & their ongoing story!

🥰 Common Ground (His Boy Next Door #40) (RJ Moray) - LOVE that Jack & Ewan are finding some common ground - really love that this series is showing how two people who don't particularly care for each other can work to find connection for the sake of the people they DO love

😍 ACT-verse series (ann_anotherthing) - truly outstanding series about middle-aged Steddie getting a 2nd chance romance after their first one flamed out 25 yrs earlier. Full series is 117K but it starts with A Certain Type (54K), which is a fully complete story with satisfying HEA - the rest are flashback fics or wonderfully indulgent epilogue/vignettes, full of fluffy and delicious porn. The author confesses to basically turning them into her middle-aged OCs but 1) I think her projections of their characters in middle-age with these particular life experiences seem reasonably plausible and more importantly 2) I don't fucking care because this story and these characters (main & supporting) are AMAZING.

💖💖 +227K of shorter fic so shout out to these I really loved 💖💖

When you stop being a ghost in a shell (Bittersweet_in_Boston) - MCU: Stucky, 12K - Hydra finds Steve in 1952 & then they have The Asset and The Captain. Except they really should have known better than to ever let them see one another.

Where the Sunflowers Grow (AidaRonan) - Stranger Things: Buckingham, 30K - incredible Chrissy recovery fic with bonus Buckingham. Just. So Fucking Good.

Early Returns (rageprufrock) - Inception: Arthur/Eames, 15K - fabulous AU where Arthur's an editor who has everything on lock, dammit & Eames is a reporter who wants to mess him up. Also the newsroom is nothing but a high-pressure high school when it comes to gossip.

📺 STUFF I WATCHED 📺

Murdoch Mysteries - s16, e14-20

Um, Actually - s9, e5; s1, e3, 4, 6-20

Game Changer - s6, e6

Smartypants - s1, e1

Ghosts (US) - s3, e9

D20: Fantasy High: Junior Year - "Untapped Rage" (s21, e16)

D20: Adventuring Party - "Honor the Cock" (s16, e16)

Dead Boy Detectives - s1, e1-3

🎧 PODCASTS 🎧

Worlds Beyond Number - WWW #13: Of the Gentle Sea

Worlds Beyond Number: Fireside - Fireside Chat for WWW ep13 "Of the Gentle Sea"

Worlds Beyond Number - WWW #14: There is an Ocean Vaster Than This One

Worlds Beyond Number: Fireside - Fireside Chat for WWW ep14 "There is an Ocean Vaster Than This One"

99% Invisible - The Power Broker #04: Rep. Alexandria Ocasio-Cortez

What Next: TBD - The Internet Archive Endangered

⭐ The Atlas Obscura Podcast - Tree Week: A Tasty Tale about Meyer Lemons

⭐ The Atlas Obscura Podcast - Tree Week: Love Letters

The Sporkful - Priya Krishna Writes The Kids Cookbook She Wished She'd Had

The Allusionist - 193. Word Play 3: Lemon Demon

WikiHole - Cicadas…LIVE (with Matt Rogers, Carl Tart and Claudia O'Doherty)

In Defense of Fandom - Season 2 Episode 3: Fanfiction fixit data

Vibe Check - Her Mediocrity Cannot Touch Me

Code Switch - How Jewish Communities Are Divided Over Support of Israel

Short Wave - Beavers Can Help With Climate Change. So How Do We Get Along?

The Atlas Obscura Podcast - Tree Week: Oh, the places you will go …. to see these notable trees

⭐ Decoder Ring - Making Real Music for a Fake Band

Ologies with Alie Ward - Columbidology (PIGEONS? YES) Part 2 with Rosemary Mosco

All Songs Considered - Cruel songs for the cruelest month

Pop Culture Happy Hour - What Makes A Good Sex Scene?

The Atlas Obscura Podcast - Tree Week: Killer Trees with Mary Roach

Shedunnit - Agatha Christie's Many Houses

⭐ 99% Invisible #579 - Towers of Silence

Worlds Beyond Number: Fireside - Fireside Chat: Sound and Music Talkback Extravaganza: The Sound and the Fury: Music is All Around Us Volume 1

Dear Prudence - My love language with friends is touch, but it makes my partner jealous. Help!

Worlds Beyond Number - Fireside Chat for Chapter 1 of The Wizard the Witch and the Wild One

⭐ Endless Thread - The Jackie Show

Worlds Beyond Number: Fireside - Fireside Chat for LEVELING UP (1 to 2)

Today, Explained - Honey, We Saved the Bees

Wait Wait… Don't Tell Me! - Renée Elise Goldsberry

⭐ Hit Parade - The Bridge: What Made Them Beautiful

History Is Sexy - Episode #86 - Napoleon III

🎶 MUSIC 🎶

'80s Pop Party

Village People radio

[nvr04mnd]

[dramasetter]

In a sea of faces, in a sea of doubt

In this cruel place your voice above the maelstrom

In the wake of this ship of fools I'm falling further down

If you can see me, Marian, reach out and take me home

I hear you calling Marian

Across the water, across the wave

[unicornery]

Hello to my lovely friends

If you want to have some fun and listen to cool tunes tonight, drop by the VJBigSuit twitch stream from 8-10pm central time. You don't need a twitch account to view the videos, but if you want to login I'm one of the mods and I will make sure no one is weird to you.

SUBSTANCE SEMESTER the first-Thursday-of-the-month video showcase of classic 80s/90s modern/"college" rock

this is the link: https://www.twitch.tv/vjbigsuit

The regular schedule is 8-10pm Tuesday nights, but that conflicts with the Best Show live airing on Tuesday nights, so the host Jeffrey created the first-of-the-month Thursday stream to give others a chance to get involved!

[rock-ette]

Mark Slaughter 

[bayareabadboy]

Jimmy Page

[mywifeleftme]

363: R.E.M. // Murmur

Murmur R.E.M. 1983, IRS

Some Short, Disconnected Statements on the Matter of Murmur

1. Insert the following into Waring blender

The Velvet Underground, Pylon, the Byrds, Gang of Four, Patti Smith, the Feelies, Joy Division, the Method Actors, Big Star, the dB’s, the Monkees. Press “Blend” button. (I’ve never owned a blender; I don’t know what the buttons say.)

2. Easy formula for a great band

Having one temperamental genius songwriter guy sounds kind of hard to maintain. Have you considered simply getting four people who are really excellent and distinctive at the respective things they do (at least three of them great singers), who all write well, get along, lack substance abuse issues, have good taste, and modest egos? Why don’t more bands do this?

3. Notes on the early discourse

A lot of the things people wrote back in the early ‘80s to champion this band were dumb as hell. R.E.M. weren’t good because they didn’t use keyboards or synths; pop music didn’t need to be returned to its "honest" folk-rock roots; giving them a thumbs up for not wearing flashy clothes and makeup is dork behaviour.

They were good because they made weird music that derived organically from their time (early ‘80s), place (a college town in the South), and selves (bright, independent, adventurous, sincere, ¼ gay).

Anyone who listened to Chronic Town or Murmur, with their post-punky murk and lyrical references to Laocoön and Marat, and thought to themselves, “As yes, the second coming of Roger McGuinn, this will put those effete new wavers to flight,” was an idiot.

4. Veteran of the psychic war

Somewhere around age 22, R.E.M. took over the mantle Metallica had held as My Favourite Band in the World Forever and Ever, and I proceeded to be almost as annoying about them as I had been Hetfield and the boys. I posted a lot about them; rigged “best music” polls on random message boards I didn’t even post on in their favour; cornered people at parties; crowbarred them into playlists; grumpily chose to dislike bands I saw as stealing their shine; etc. etc. Some (some) of this is maybe cute in retrospect, but really: don’t be like this about music. If you love a band this much, learn how to play their songs on an instrument; write a few poems; paint something. Worst case: review them.

5. Learning nothing, 2024

6. Athens: Lyrics & Enunciation

The matter of what exactly Stipe was singing on the early R.E.M. records was a subject of intense speculation, and eventually, parody. Some of the mystery’s in the mixing, some’s in his Georgian accent, and some’s in his enunciation (never quite as mushy as people claimed, but not exactly Ella Fitzgerald either). But most of it’s in the arbitrary decisions he makes with regard to syntax that cause even accurate transcriptions to seem implausible. Stipe is probably a little bit autistic, which goes some way to explaining the impressionistic intuitiveness of his words, and also went to art school, which fetishizes that sort of thing, but he was always shy of people seeing the words to something like “Sitting Still” on the page because he thought he might be exposed as a nincompoop. “Up to par and Katie bars / The kitchen side, but not me in / Sitting top of the big hill / Waste of time sitting still,” goes the chorus, according to at least one gnostic sect, but the important passage is the one everyone agrees on, when the stream of impassioned babble releases into a howled “I can hear you / Can you hear me?”

Later on, when he would sing more clearly over airy arrangements, with the lyrics neatly printed in the booklet, he’d occasionally try one of those old sound-over-sense moves and embarrass himself (“Leaving New York was never my proud” still rankles). But Murmur’s eternal elusiveness is in the way fragments of sense catch your ear from out of its sleeptalk glossolalia:

“The pilgrimage has gained momentum” “Conversation fear” “Lighted, lighted / Laughing in tune” “Hear the howl of the rope / A question” “A perfect circle of acquaintances and friends / Drink another, coin a phrase” “Shaking through / Opportune” “Take oasis” “Heaven assumes / Shoulders high in the room” “Did we miss anything?”

7. Permission to be arbitrary

I remember sitting in the basement of my college house with my old hometown buddy Brad (mostly a metal/classic rock guy), playing him “Shaking Through” and explaining one of the things I love about old R.E.M. is that it’s great music to yell to. I don’t know how much he really got it, but we were drunk and it’s a catchy song, so we howled and made keening, wordless, Stipean noises along with it and the next few until one of my roommates came and asked us to keep it down.

Also: one theory for why cats purr when they’re injured is that the vibrations somehow reduce pain and encourage healing. From many experiences humming these songs while wrapped up in headphones and bedsheets in the middle of a day that’s passing like a kidney stone, I can confirm.

8. Note on the modern discourse: Influence?

Black Francis, Kurt Cobain, Bob Mould, Steve Malkmus, Bob Pollard, and Thom Yorke loved R.E.M. So did, to his own apparent consternation, Metallica’s Cliff Burton. Still, you sit down with someone and listen to those musicians with the goal of showing them the R.E.M. influence (don’t do this, why would you do this?) and it’s honestly pretty oblique. Most of the bands who directly aped aspects of R.E.M.'s early sound were at best pleasantly minor (see Captured Tracks’ Strum & Thrum comp), and the ones who seemed to be listening most closely to their ‘90s efforts were not who you want.

Their ultimate influence was probably simply showing what an art-first, indie-adjacent rock band could accomplish by sticking to their guns and bending the system to their desires instead of being bent by it. They were like a Velvet Underground for the college rock era, except everyone talented who heard them was inspired to start a band that didn’t sound much like them. They always used their spotlight to introduce people to other bands and, when they really got huge, they modeled how to deal with success. There don’t seem to be many R.E.M. stories, Peter Buck’s airplane incident aside, about them being anything other than kind. That’s a fundamentally less exciting type of influence than most other “great” bands have. But I do think it’s kinda cool they were the wise old heads for an entire national movement of alternative music.

8b.

Of course, it still bugs me people don’t think they’re cool. Murmur at least, should be considered cool. And Reckoning, mostly. Chronic Town for sure. Some of Fables. Am I crazy for saying some of Monster and New Adventures even? I’ll stop. I’ll go on.

9(-9). The music

They were a pop band, they were an art band; they sounded like children, and like craggy old men buried in kudzu weed; natural and pretentious; date-stamped and timeless. Decide yourself. Happy 41st birthday Murmur.

363/365

[maintitle]

As I was wheeled into the OR today, the nurses that brought me in informed me that they would be listening to ‘80s music’ while they did surgery.  As I crossed the doorway, their music playlist shuffled to ‘Fortunate Son’, causing my vision to be filled with Vietnam imagery as I was laid upon the table for people to poke around my chest.

It wasn’t until I got in the car to get home that I remembered Fortunate Son came out in 1969.

[sinesindensineme]

birden çok yüreği öpen kalbin bana tükürürmüş . ben yağmur sandım ya

[musicrunsthroughmysoul]

Happy birthday, Stuart Adamson! (11 April 1958 – 16 December 2001)

"For me, being in a band is writing songs and playing the guitar. The most important response we can get is if one of our songs can affect someone's life in the same way a song can affect my life, if someone can just identify with it." (x)