#( long post tw. )
◈ 𝐓𝐇𝐄 𝐃𝐔𝐊𝐄 [ ; ] 𝐇𝐎𝐔𝐍𝐃 𝐎𝐅 𝐓𝐇𝐄 𝐄𝐗𝐈𝐋𝐄𝐃 . wriothesley began his career of fighting prematurely in his sentence , committing murder on the people he thought were the best parents he could ever ask for . being as young as sixteen , the young wriothesley received his glass encased vision , trying to hide his favoring of the gods by celestia . at the time , he had no fighting experience [ ; ] but found he had a painful lust for the thrill of hammering down his fists . they were concussive , without skill & experience , his skin ripped around the balls of his knuckles until they bled . this only would be further influenced by the sight of a vision , that he has long hid from other inmates & staff of the fortress . he’s never once used the vision , fearful of drawing attention to himself , otherwise he began his influence in the penkration ring . having the opportunity to combat against men as old as him – & on some instances – the manipulation of binary code of fortress personnel gardemecks .
although having a vision that tactfully would have helped improve stamina & elemental comprehension of his less savory fights , wriothesley never once used it for combat in the ring . resulting in obtaining various scars over the period of his teenage years , in some cases so lethal the infirmary advised him to wear bandaging until the scars have properly healed .
wriothesley had gotten nicked in the face once or twice , resulting in the scarring over his nose & left eyebrow & cheekbone . clutching onto his treasured belongings [ ; ] vision , wolf pelt , & rustic timepiece , the young cerberus became a revered young man underwater . nobody daren’t touch or steal his items while he slept , nobody daren’t question what his crime got him there in the first place — lest at such a young age compared to many of his peers .
for various years serving his sentence , wriothesley has dedicated himself to learning how to survive in the fortress as opposed to the streets . while indeed he had a bed , a roof over his head , the satisfactory of getting a warm meal to quell the rumbling of his stomach , the fortress at the time was more harsh . so he had to get into shape quickly , mentally & physically . eating habits have also changed , his stomach being accustomed to one meal a day , or the alcohol he could obtain from hidden sources of the fortress to keep him warm if the pipes ran cold at night .
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beware that this post constaints sensitive content (!)
discussing mereen, astapor and yunkai and the plot threads of book V, not including her marriage to HIZDAHR and how awfully wrong it was portrayed in the show:
the book makes some things quite clear about the slave masters: first, is that there is no distinction between the ‘guilty’ and the ‘innocent’ in a systematic system of slavery, and that is proved by how the noble in special react to the fall of said system. second, that dany personally hears and asks the families to deliver the responsible for crucifying the children outside of the city and that it did not happen arbitrarily. she did not need anyone to make her question that decision, though, and did so herself, coming with the conclusion that it was time the take the bodies out of disposal too and constantly reminding herself of why she is doing it to begin with (her terrible decisions, or as we can put out, her acts of extreme violence, often come for a reasoning that leaves her worried about her own morals and the perception some might have of her considering her family but as she often does, she comes to the conclusion it is necessary to shown straight against oppressors — though i believe, personally, that she shows more restraint than not and that it is something which will change in the next book as seen by her admission to fire and blood by the end of ADWD).
dany first preoccupation is restoring peace in mereen, yet the nobles murder the former slaves as punishment against her new regime, something that is never discussed or brought up in the show. much of her decisions about mereen come from her advisors instead of herself, so we don’t get a glimpse of her politics, or how she uses religion as a political coin to ensure the rumors about her dragons are true ( something to be discussed in another meta).
Every morn the sun rose upon fresh corpses, with harpies drawn in blood on the bricks beside them. Any freedman who became too prosperous or too outspoken was marked for death. (ADWD Daenerys II)
These Meereenese were a sly and stubborn people who resisted her at every turn. They had freed their slaves, yes … only to hire them back as servants at wages so meagre that most could scarce afford to eat. Those too old or young to be of use had been cast into the streets, along with the infirm and the crippled. And still the Great Masters gathered atop their lofty pyramids to complain of how the dragon queen had filled their noble city with hordes of unwashed beggars, thieves, and whores. (ADWD Daenerys I)
still, though her actions were violent they did little result in solving the biggest issue in the slave bay. and that’s what makes her even more stubborn to make it work by marrying without love, yet again, and constantly sacrificing her views in trying to end slavery in a way that’s non violent ( such as allowing hizdahr to make an agreement with yunkai and astapor, returning ''commerce'' in the city ). but what does the universe itself say about her crucifying the masters? is it too much, a sign of her cruelty and tyranny? well, not really. there are rumors about those that speak against her being killed violently yet that’s not true because it is established that collective punishment is considered fair in mereen, as show by the children themselves. and she did not do it out of bloodthirst, but revenge, which she tries to justify ( of course, it is up to the reader wether the violence was justified but, in sum, it was an act made out with hurry and anger):
She had them nailed to wooden posts around the plaza, each man pointing at the next. The anger was fierce and hot inside her when she gave the command; it made her feel like an avenging dragon. But later, when she passed the men dying on the posts, when she heard their moans and smelled their bowels and blood ...
Dany put the glass aside, frowning. It was just. It was. I did it for the children.
and it was not an isolate act, but an alignment to her bigger goal, ending slavery:
The cedars that had once grown tall along the coast grew no more, felled by the axes of the Old Empire or consumed by dragonfire when Ghis made war against Valyria. Once the trees had gone, the soil baked beneath the hot sun and blew away in thick red clouds. “It was these calamities that transformed my people into slavers,” Galazza Galare had told her, at the Temple of the Graces. And I am the calamity that will change these slavers back into people, Dany had sworn to herself. (ADWD Daenerys III)
which is supported by her actions towards the former masters as they continue to commit crimes, act against her people (though she considers them her people too in an attempt of union) and constantly try to bring slavery back:
“Kill them all and take their treasures, I say. Whisper the command, and your Daario will make you a pile of their heads taller than this pyramid.”
“If I knew who they were—”
"Zhak and Pahl and Merreq. Them, and all the rest. The Great Masters. Who else would it be?"
He is as bold as he is bloody. “We have no proof this is their work. Would you have me slaughter my own subjects?” (ADWD Daenerys IV)
first and foremost, daenerys' crucifixion of the masters was a powerful message sent to the slavers who had oppressed the people of meereen for generations. it was a demonstration of her resolve to break the chains that bound so many innocent lives and a stark warning that the days of unchecked cruelty were over. by taking such decisive action, she not only sought retribution for the countless lives lost under their rule but also aimed to create a climate of fear among those who profited from the slave trade. though, perhaps, it wasn't so calculated as one would think.
if her goal was to rule through cruelty and oppression, she could have continued her campaign without attempting to negotiate with the masters or exploring non-violent solutions. instead, she chose to engage in diplomacy, offering compromises and seeking peaceful resolutions through marriage alliances and other means. this approach demonstrates her willingness to avoid unnecessary bloodshed and her desire to create a just society.
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— Some would whisper that the golden age of Demacia has passed. Unless you were wise enough to adapt to it’s ever changing ideals of justice, honor, and duty… founded by surviving refugees of the Rune Wars. Using petricite to protect themselves from magic. With time, the kingdom devolved into a magic-abhorring, mage-oppressing culture. Demacia was in a harrowing state. Once a land brimming of flourishing waters, fermenting the greenery from the harbor, now turned dark and ridden of blood. A bastion of ships, that which once carried the promise of returning fathers and sons, now docked and seemingly left without pilot and devoid of travel.
Taric disliked it. He very much despised it. All the life he had so cherished in his Demacian age of youth, had all been buried between this boiling cauldron of animosity amongst themselves. Here. —- in this city so proud of their cultural heritages and lofty-ideals. His days felt like it bled together as of late. Being among the peak of Targon’s mountain that touched the heavens, tasked to govern the life and protect all that dwell within Valoran. And the world itself. Then, a young lone intrepid explorer appears in her lonesome. She was beckoned at the summit with an objective, crystalline eyes inlaid upon the protector, her voice unwavering as the chill of the mountain caress her rosy cheeks and the blonde of her hair.
Thus did she declare her name, Luxanna Crownguard, and she sought for the man who triumphed the Crown of Stone that hailed from the land of Demacia. She brought with her a talisman embedded with her family crest. Taric would describe her attitude as something between a spoiled brat and self-sufficient individual. He had quickly learnt of the turmoil that had succumbed his homeland. The upheaval of protests led by a strong man that used his shackles for power. His sudden absence led putting innocent mages all across Demacia behind walls of stone and magic swallowing cages.
This included the nation’s sudden death of the king. Whom ruled even when, he, was ranked as Vanguard. He would listen as Luxanna voiced her enigmas, before she wept into her hands in guilt. Ashamed she even allowed herself to call the very man who manipulated her a friend. He can empathize with her. After all, this branded her someone with a calling. It would seem leaving Demacia proved to be fruitful, but she acknowledged leaving it the state as it were now, would not ease her anguished heart. Her face were toiled in a grimace, delicate fingers digging into the folds of her cloak and pulling it fitly over her small frame.
❝ i have a plan, Protector. ❞
This plan is what got him coveting for protection in a sanctuary. A temple within Demacia, a semblance of a safe-haven for the Illuminators and other mages. With Luxanna’s clever path along Valoran’s estuary and into Demacia’s harbor, they didn’t need to enter through the Last Gate. He and Lux were esteemed loyal guests of the Illuminators, both having volunteered to provide charitable work for the sick and the orphaned. Having followers whom disapproved of the persecution of innocent mages proved to be supportive of cleverly hiding said mages or any person befitting of magical abilities.
Village folk or Illuminator, they greeted them at the harbor beneath the blanket of darkness and stars. They wear hoods, their profiles lithely cascaded in shadow. Lux took the lead, explaining her return in a bated breath, as well as provide identification of himself. Taric could feel his jaw fix in on itself, his dark hairs now pooling down his shoulders and descending over the hood he wore as well. As opposed to being able to defy the notion of gravity and float with the wind.
Taric had a feeling he wouldn’t be recognized as easily as his companion would’ve. It’s been many a decade since he had stepped upon these lands. His face had become more angular and age caught up to him beautifully. He was imposing in height and muscle, a stretch from the knight he was in youth. His hair long and overgrown. Limpid eyes appeared tired but were full of resolve. Once his name was uttered, the strangers would glance at another briefly, before a look of awe flashed on one of the stranger’s face. They stared at him like they looked upon the dead. Taric lowers his eyelids, lashes kissing his cheekbones.
Nobody in Demacia ever expected his return.
The Crown of Stone. A sentence that subjected him to climb Mount Targon. Many expected he would instead go into exile, daunted by the task that lay ahead. However, he accepted the challenge, a challenge befit of a soldier that honed his skills. It was a test the Demacians did not expect him to succeed in. The climb, in succession, would reward him with redemption. His failures would be overlooked with newly born eyes of respect. He would be welcomed back to his homeland. Taric hadn’t returned. He was a different man than he was when he left. Taric didn’t want his nation’s respect or apology.
In spite of all the admirations, hostilities… Taric found his calling. He doesn’t regret what he did. He doesn’t regret what he became as a result. The stars yearned for a new vessel worthy of daunting tasks. This brought another title to his name. The Protector. He doubted Demacia would want to welcome back a soldier of exile, lest a soldier now blessed with abilities that would make him appear like some wrathful god — being in the state as it is now. His title means nothing here. This wasn’t within Targon’s power.
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with vaella velaryon + vaelenora velaryon ( @malvella )
location : princess vaelenora's chambers , the morning after the decree
ceria couldn't bring herself to leave the princess's side . . . not after having experienced this same thing with vaella . waiting at the edge of her seat , having to check every so often to ensure she was still breathing . she would not face the same waiting game with vaelenora . that , and she had promised vaella she would not leave her side as she traversed the castle . . . aiding in the organization of the hunt for the monster who did this to her .
pale hand clapsed around the princess's , whispering secrets she had collected throughout the night before , hoping that the sound of her voice would be enough to welcome her sweet summer child back into the realm of men . but it never worked . not her doubts about particular members of the queen's council . . . not her hilarious whispers of the young boy who cornered her in the gardens to report of his overlord's groanings about having to be in king's landing . ceria would play a waiting game , pray to the gods for her safe return , and continue to tell her stories at her bedside .
icy gaze lifted towards the heavy chamber doors as they swung open . in all her glory , vaella floated through the door . ceria had never failed to bask in the queen's beauty . to take a moment to appreciate her dearest and closest friend's company . but vaella looked troubled , her eyes sank in from lack of sleep , sitting in the very seat that she , herself , now warmed .
" my queen . " ceria greeted as she rose , offering vaella to take her place at vaelenora's side . a slight smile could be seen on the queen's face , gentle hand placing atop ceria's arm as she took her seat . " i shall leave you . " ceria offered , making haste to approach the chamber doors .
" lady ceria , please wait . " vaella's voice said from behind her . without hesitation , ceria turned to face her good sister , eyes alight with some hope that she would beckon her to stay . " i must apologize . "
confusion took place of sincerity , head slightly tilted to the side as she attempted to understand the queen's intentions .
" i knew your brother to be innocent . . . but i needed to have faith in my advisors . " vaella said , violet eyes never removed from vaelenora's peaceful face . " though i know lady greyjoy and lord tarly to have had some involvement , i trust my hand more than any person in westeros . . . i could not face a mutiny in light of all else that was happening in the capitol . i had to bring someone to trial for the attempt on my life , and the evidence pointed to joss . " tears could be seen glistening on her cheeks , igniting a fury within the lady baratheon that had yet to awaken .
tears would be felt atop her own reddened cheeks , suppressing the words that threatened to ruin the long - standing relationship between the two women . lips pressed into a hard line , giving vaella a simple nod in response .
" speak , ceria . you have my attention . " vaella demanded , eyes now boring a hole into the mistress of whispers .
" what precisely should i say , your grace ? that i forgive you ? do you want me to fill your head with nonsense to make it seem as though all is well between us ? " ceria demanded , noticing as vaella's eyes narrowed in disapproval . " you admitted to killing my beloved , innocent brother to make yourself appear as a strong sovereign . you are not . i do hope the gods bless us with prince vaelyx ascending the throne sooner rather than later for the sake of a kingdom you have scorned . "
silence briefly halted the room , the two almost facing off for whom would speak first . ceria dare not open her mouth , having allowed vaella to the inner workings of her head since her appointment as mistress of whispers . she would not be the first to utter a word of apology in light of this conversation .
" you may leave . " vaella demanded , returning to fawning over the peaceful princess in her bed .
" your grace . do send for me if ellie wakes . " the lady seethed , fleeing the princess's chambers in pursuit of proving loyalty to the heir to the iron throne .
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I've always wanted to make a meta on Obi-Wan's mental abilities because I feel its a huge part of how he effortlessly grasps various Force capabilities. In a bit of a personal sense, he unwillingly compartmentalized a lot of his emotions and thought processes in order to be the perfectionist he is today.
To break this down there is a difference between Mental Abilities and Force Abilities. As seen in several cases already, more recent the Kenobi series, your mental state holds a lot of weight in regards to your Force abilities. It can prevent you from achieving your goal and can also cut you off completely from the Force. A lot of this can very well be things people aren't inherently aware of.
An example being, Obi-Wan's many attempts to communicate with Qui-Gon but he failed because he was still just not letting go of the guild and pain he felt over everything that's happened. The whole series, to boldly say, is a general metaphor of picking yourself up out of literal depression and anxiety and remembering your a whole person again. But that is besides the point.
Qui-Gon made an effort in teaching Obi-Wan to shield his mind and control his emotions, given it isn't perfect but its more than what most other Jedi train for. While he isn't capable of completely cutting himself off ( speaking in terms of before Order 66 and the trauma that proceeded it. ) from the Force, he is able to mask his emotions/thoughts from others. It is why in a lot of cases, even Anakin can't fully read him, despite their Master / Padawan bond.
As a Jedi Master, Obi-Wan is at his prime. His connection to the Force enabled him to have full control with what training he had and if he wanted could learn more. Here is a list of Force abilities he is best known for:
Mind Trick / Mind Touch
Animal Control
Force Healing
Force Premonitions ( able to react faster than normal. )
Telekinesis
Force Augmenting ( leaping, pushing, pulling objects or himself. )
Force Manifest *
( * abilities learned during his time in exile on Tatooine. )
Here are some other notable ( non Force related ) abilities he is known for as well:
Hand-to-Hand Combat
Marksman
Various Languages / Galactic Basic, Twi'leki, Amani, Felucian, Old Alderaanian, Shyriiwook, and sign language.
Piloting / Navigation
Negotiation
Well versed in galactic history and conventions of war.
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I am here once again to say how much i love you and care about you and tell how amazing you are. You are a very incredible person and i will never get tired of saying all of that. I’m so glad to have you in my life ❤️❤️❤️❤️❤️ | @athinakori
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Important rules/tips I've learned as an adult that helped with anxiety
If people are mad at you, it's their responsibility to tell you, not your responsibility to guess
If they're mad at you in secret anyways, they're the ones in the wrong, not you
If people don't like what you're doing, it's their responsibility to tell you
If they say it's fine when it's really not, they're the ones in the wrong, not you
People are allowed to be wrong about you
If they are wrong about you, wait for them to bring it up, because if you try to, you will inevitably overcorrect
Some people are committed to misunderstanding you. You will not win arguments against them. Yes, even if you explain your point of view. They do not care. Drop it
The worst thing that will happen from a first-time offense is being told not to do it again. Maybe with a replacement if you broke something
You can improve relationships and gauge willingness to talk to you by giving compliments. It's like a daily log-in bonus and nobody thinks twice about it
Most things are better after you sleep on them
Most things are better after you have a meal
Most things are better after you shower
Your brain makes up consequences that are irrational. If the worst DOES come to pass and someone acts like they do in your head, they are overreacting, and you are entitled to say "what the fuck"
If your chest hurts after you feel like you've made a social error, that's called rejection-sensitive dysphoria. It means your anxiety is so bad that it's causing you physical pain, which is a good indicator that you're overreacting. Tense yourself, hold it for 20 seconds, let it go, then find a distraction
If you're suddenly angry at someone after you feel like you made a social error, that's also rejection-sensitive dysphoria. You are going to feel annoyed about it for awhile, but being genuinely pissed off is your anxiety trying to find something to blame to take the responsibility off your shoulders, and getting scared because it can't justify itself. Deep breaths, ask yourself how much you ACTUALLY want to be angry at that person, then find a distraction
"Sour grapes" is more healthy for you than stewing. Deciding you don't like someone who's perpetually annoyed with you, won't talk to you, etc. makes letting go of anxiety over them easier
If people don't like you, they will find reasons to be annoyed with you when they otherwise wouldn't. If people do like you, they will find reasons NOT to be annoyed with you when they otherwise would. People do not ping-pong between the two
You DO have to make a conscious choice not to think about something. If you're having trouble circling back to it, say out loud that you're done thinking about it and why. Then find a distraction
When you're upset, part of you is going to want to make false bids for attention (suddenly texting differently, heavy sighs, etc. but when someone asks you about it, you tell them it's nothing). Do not listen to it. You gain nothing from it except more misery
People like to help people they care about. It makes them feel good about themselves
If you think you're insufferable for needing help, see above. Yes, really. They get a serotonin kick from it
If you think you're insufferable for mannerisms you have, you either have to consciously choose not to do them, or accept that they're part of the package that comes with you. Being apologetic about existing does nothing except make you more miserable
If you do things you don't like when you feel meh about it, it makes it easier to do them when you hate it
If you avoid things you don't like when you feel meh about it, it reinforces and magnifies how bad it feels when you hate it
Seriously. Read those last two points again. If you can make yourself make a phone call when you've got nothing to lose, you will slowly lose that panic you get when you have to make a phone call you haven't prepared for. You do have to CONSCIOUSLY take that step
Hobbies that make you care for something get rid of that nagging feeling that you're not doing enough. Go grow some rosemary
If you don't engage with your hobbies regularly, you will feel miserable, and anxiety will spike
Hobbies are things that give you a bit of happiness. They do not have to be organized or named to do that. Go be creative in something. Play with coins. Make up lists. Start a new WIP
No one cares what you look like
If people point out things they don't like about how you look unprompted, they are being rude. You are entitled to say "what the fuck"
People who like you will find you pretty to some degree. Minor things about your appearance go completely unnoticed. Literally, scars and dots and blemishes do not register to someone who likes your company
You looking at yourself in the mirror is 10x more closely than anyone is going to look at you
If you're anxious about your body type, and you're creatively inclined, make/write an oc with that same shape. Give them nice things and make other characters love them. Put them on adventures. You'll start to see yourself in the mirror more kindly
You care about wording and perfect lines/colors way more than anyone who views your work ever will
Sometimes when you're upset, you're going to feel like not eating. Do not do that. Not eating makes you more miserable
Same with things you normally enjoy. Denying yourself helps no one. You are punishing yourself for being sad. Stop it
Both of these will take conscious decision to break the habit of. Make yourself do it anyways, and it will slowly get easier
And again, to reiterate: If someone is mad at you, it is THEIR responsibility to tell you, not your responsibility to guess
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➤ “ When I asked for a tutor, I didn’t expect an anatomy lesson … ” starter for @futureforged
⟐ 𝐇𝐄 𝐇𝐀𝐃 𝐑𝐀𝐑𝐄𝐋𝐘 𝐅𝐄𝐋𝐓 𝐒𝐎 𝐂𝐀𝐑𝐄𝐅𝐔𝐋 , & 𝐇𝐀𝐃 𝐍𝐄𝐕𝐄𝐑 𝐁𝐄𝐄𝐍 𝐓𝐇𝐄 𝐒𝐔𝐁𝐉𝐄𝐂𝐓 𝐎𝐅 𝐒𝐎 𝐌𝐔𝐂𝐇 𝐀𝐓𝐓𝐄𝐍𝐓𝐈𝐎𝐍 . not like this anyway . he lets his lips part in a weak attempt at a smile , a soft rasped laugh , relaxing his jaw & keeping his eyes closed for a moment . he didn’t dare say anything lest he ruin this brief & unexpected moment of physical contact . his tanned skin prickled with a wave of goosebumps upon hearing jayce acquiesce to his advances & let out a sound of approval , his wider & more robust stature almost shuddering . there’s a discernible groan from the ionian , digits nimbly peeling at the golden seams , & immediately cooler air touches his rising obliques [ ; ] the more pronounced his sternum became the heavier he sucked in air through gritted teeth .
eyelids flit open , & red bangs cascades over golden eyes , irises highlighted in a fine ashy brown as they pin jayce to the floor . undisputed & held in restraint . alas , he unclenches his jowls to exhale sharply . he felt hot , irritable , impatient . puffs of tender & husky air mingles between them , & he could’ve sworn they stayed like this for over a minute by now . fangs curl against cut - up lips softly , the humidity of his breath wetting them to a shine as he adjusts carefully atop them . ❝ that’s what ‘ya came to me for , wasn’t it ? wantin’ to get ‘yer body fired up [ ... ] ❞
to be frank —- fucking with a piltovan golden boy was the last thing that had occurred to the vastayan bastard’s mind . this was supposed to be a simple training regime . sett had offered jayce a spar , of course on the account of being a harmless jab at the inventor on not backing up his prized mind of his with action & clever fighting . how was such — a seemingly innocuous — person of power able to wander the streets & not get recognized ? sett figured this would be harmless , & jayce had happened to back up his tease with a retort & took up on his offer .
their skirmish led to this exact moment . jayce had managed to nail a clear fist full into his abdomen , a punch that connects , probably rearranging his organs had he not been adjusted to this sort of thing , & he braces himself by clinging to the fat of jayce’s forearms , craning his neck to push his chin & forehead against them . & slowly his weight . there’s a guttural noise from him & he keens slightly , saliva stringing to the sharp edges of his canines as a wheezed sound of amusement blisters off the walls of his esophagus . he remembers using their close proximity as a clutch , guiding the width of his pelvis to push annexed with jayce , & thus his right leg fitted in between .
musculature arms then anchor around the other man , tendrils not foreign to leaving a few grazes atop bare skin , gripping hard . teeming with the adrenaline of vastayan heritage , he thrusts jayce down with a powerful throw , aiming to slam him into the arena floor . trap him & make him beg to be freed . he was supposed to be the victor .
jayce seemingly had intended to not let go of him either .
sett grunts softly as he now hovers , limbs entangled & met like a sensual joinery of a sword’s blade with it’s hilt . his knee was trapped between the man’s powerful thighs , he could feel the fat of his core thigh press firmly into jayce’s cladded genitals . stubbled jaw shifts as the tendons beneath skin work to swallow the spit in his mouth . ❝ it was a good fight [ ... ] but y’ keep lookin’ at me with those eyes . i’d hate to ruin piltover’s golden boy [ ... ] ❞ he begins to shrug off his maned coat , a handful of punctures & scarring emasculating a seemingly undeterred fighter , each of them blending into the fine rolls & grooves of his muscles , pelted in the coat of his old blood’s fur .
the boss tosses aside his expensive attire . an ear twitches as he ponders on this for a moment . ❝ don’t think i didn’t notice ‘yer staring [ ... ] & don’t give me that crap about just bein’ your experiment . i know that look . ❞ he returns to jayce & leveraging wide tendrils to card into the short locks of the brunet gather the mass of hair into his large palm as sett closed his teeth gently on the shell of jayce’s ear .
his findings proved successful [ ; ] the lobe immediately became flushed with a color [ ; ] a rush of blood to the tips . something sett was thankful his own furry auricles couldn’t even muster . he breathes softly , ❝ — i’ll give y’ a lesson you’ve been itchin’ to have . ❞ his deep bass depletes as he continued his exploration of jayce’s ear , nibbling the lobe & kissing the place where his jaw met his ear .
an undignified sound resonates from within the half - beast . his chest churning with appreciation , as his kisses along jayce’s neck & jaw become more�� insistent . his vastayan decency grazes bronzed skin & nipping at the flesh . the boss wasn’t afraid about his inclinations , he wasn’t afraid to seek out what most would try to hide . he exhales through flared nostrils , admittedly finding the heat beginning to surface beneath his breeches a bit cumbersome .
his ear twitches once more as his eyes follow the fine wet trail of his lips pathing the line of the piltovan’s tendon . his tendrils retract from jayce’s skull , plying them out of dark tresses , flexing them with a crackle or two . the boss quirks his lips up , almost bemused by this . ❝ one might wonder if this was ‘yer intention on the get - go . what’s got ‘ya riling to go with an ionian criminal , smart - ass ? don’t tell me it’s just the heat of the moment ? ❞
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After School Ghost Theory 101 with Professor Fenton
Switch to light mode or Classic Blue to get the full transparency effect!
[Image ID: A four page comic that starts with Danny Fenton standing in front of a whiteboard holding up a white cat. "Question: Do ghosts purr?”
Tucker: “Danny when was the last time you slept?”
Danny: “Irrelevant.”
Danny info-dumps: “The answer is yes, but also no. Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations. Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different. Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’”
Danny, wiping off the whiteboard: “Any questions before we move on?"
Danny’s audience consists of Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter in a classroom. Wes is seated at a desk at the front taking notes. Tucker is sitting on Sam’s lap playing on a Switch, Ellie is sitting on a desk behind them. Dash is asleep at the back of the room.
Ellie, now holding the cat: “Is this Vlad’s first cat!?”
Wes: "Could you tone down the floating eyes before the next part? They're kinda distracting."
Danny: "What eyes?"
Wes: “Please stop gaslighting me.”
A transparency trick on the last page reveals dark shadows and eyes all around Danny when viewed in dark mode. /.End ID]
An Extended Image ID is available under the read more because it’s over 1k. Side by side light and dark mode versions of the transparency trick is also available under the cut.
[Extended Image ID: The post contains a four page comic. The first page shows two comic panels with white borders. The top panel features a bedraggled looking Danny Fenton from the waist up holding a disgruntled fluffy white cat. There are bags under his eyes, his hair is messy, his arms are covered in bandaids and cat scratches, and his nails are painted black. He’s wearing a white shirt with red sleeves and a red oval on the front. In a large green text bubble he says “Question: Do ghosts purr?” A small orange text bubble under it asks “Danny when was the last time you slept?” “Irrelevant” Danny replies.
In the bottom panel Danny is standing on the far left side of the panel in front of a whiteboard in a classroom with the cat under his arm. He’s wearing baggy jeans with holes in the knees and his classic white and red Converse shoes. The whiteboard behind him has partially erased doodles around the edges including some flowers, stars, and Phantom’s DP symbol. There are a few balls of paper on the floor. Partially out of frame on the wall behind Danny is a poster of Einstein and above it a clock. Pointing at the whiteboard with a marker Danny says “The answer: Yes but also no” His words are written on the whiteboard. Under the words is a drawing of a stick figure and a green bedsheet ghost with a circle between them. The circle is surrounded by green squiggly lines radiating out from it. Under the circle, an arrow is drawn pointing to it with the words ‘core vibrations’ written on the board. A green text bubble in the space under the whiteboard says “Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations.”
On the second page there are two blocks of text, each followed by a drawing. The page background is a pale, greenish-grey with subtle scuff marks imitating the look of a whiteboard. The first block of text at the top of the page reads “Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different.” Under the text, imitating the look of dry erase marker, is a drawing of two simple ghosts smiling and waving to each other. They both have a small green circle drawn on their chest area with green squiggly lines radiating out from each ghost. Between the two cores, two parallel arrows are drawn, facing opposite directions. Under the arrows is the text “core to core communication.”
Under the ghosts is a second block of text reading “Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’” Under the text a red arrow points from the words ‘heebie jeebies’ to a simple drawing of Dash Baxter holding a flashlight and looking scared. There is a cobweb with a dangling spider drawn to his right and a bunch of green blob ghosts behind him to his left. In blue text the blobs say “you forgot to update your mailing address with the IRS” and “you filed your taxes incorrectly.”
The third page once again shows two comic panels. In the top panel Danny takes up the centre. He’s stretched across the whiteboard in a dynamic pose erasing the drawing of frightened Dash with a big swipe. One hand is braced on the board as he looks over his shoulder and asks “Anyone got questions before we move on?” If the image is viewed in dark mode, there are five, messily drawn eyes of varying sizes surrounding Danny. If viewed in light mode, the eyes are absent.
The bottom comic panel reveals Danny’s audience to be Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter. In the bottom left corner, Wes sits slouched at a desk at the front of the classroom with papers and an open notebook spread out over his desk. He’s wearing a red zip up hoodie with white sleeves. His hoodie is unzipped showing a green shirt underneath that matches the colour of his eyes. At the desk beside him Tucker and Sam share a chair with their focus on Tucker’s Switch and not Danny’s presentation. Tucker is sitting in Sam’s lap with her arms around his waist and her head resting on his shoulder. Tucker is wearing a red beanie with short dreads, goldenrod yellow turtleneck sweater, green cargo pants, and white shoes. Sam is wearing a black crop top with a fishnet layer over top, purple pleated plaid skirt, artistically ripped purple leggings, and black combat boots with bright green laces. Tucker has the tips of his dread dyed green and purple. Sam has streaks of purple, green, and orange in her hair. Ellie is sitting cross legged on top of a desk two rows behind Sam and Tucker. She’s wearing a cropped hoodie with the same colours as Danny’s shirt and black track pants with white and red shoes. Her hair is tied in a high ponytail and she is holding the squirming fluffy white cat up in the air. At the very back of the classroom behind Wes’ left shoulder Dash can be seen asleep slouched over his desk. Wes has one hand resting on his desk holding a mechanical pencil the other partially raised with his hand open. In a beige text bubble with red text he replies to Danny’s question with an unimpressed look on his face “Could you tone down the floating eyes before the next part? They're kinda distracting.” Under his text bubble a small blue text bubble from Ellie asks “Is this Vlad’s first cat!?” If the image is viewed in dark mode, there are three visible floating eyes off to the side of the panel. If viewed in light mode, the eyes are absent.
The final comic page is a single, full body shot of Danny standing in front of the blank whiteboard. He’s looking over his shoulder, slightly turned with his back mostly towards the classroom and the eraser in his hand. He has an incredulous look on his face. If the page is viewed in dark mode, the background looks dark and Danny is surrounded by dozens eyes of in all different sizes. If viewed in light mode, the eyes are absent. In a green text bubble Danny asks “What eyes?” In the bottom left corner Wes replies “Please stop gaslighting me.” /.End ID]
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“Unfinished Painting” — Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
“AIDS Memorial Quilt” — Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.
“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres
This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.
The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.
“Blue” — Derek Jarman
This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”
Please feel free to reblog with more additions
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courting antisemitism
so i recently decided to take a look at the latest stonetoss comics (probably because i love suffering). and while i was expecting some content on the israel palestine conflict, what i did not expect was how... standard it seemed. well, most of it at least, but i'll get to that in a second.
for context, if you don't know what stonetoss is, it's a (poorly drawn) webcomic known for having radical alt-right views - meaning it's incredibly racist, homophobic, transphobic, islamophobic, antisemitic. all that fun stuff.
so while i was expecting to see bad stuff, one of the first things i saw on the topic of israel was this:
terrible art aside, this comic is making a point that i usually see in left wing circles: that israel is pinkwashing genocide.
curious if there was more like this, i kept looking, and the comic right before that one was this:
again, this makes points that i usually see in left wing circles. that american healthcare is crazy expensive, that canada tells poor people to commit suicide, and that israel is bombing hospitals.
why does stonetoss, this well known alt-right nutjob, now seem to be bringing up left-wing talking points?
curious, i kept going deeper:
well this is... odd. clearly, stonetoss is trying to say that israel is on another level of bad, even worse than russia, iran, and north korea. i can possibly see someone on the left making the argument that the russian invasion of ukraine isn't as bad as what israel is doing in gaza, or that at least north korea isn't invading any other countries, but... iran??? the country that has a police force designed to enforce religious law, and gets away with murdering women who do not properly cover their hair? the country that props up paramilitary groups in countries all over the middle east, including lebanon, yemen, and yes, palestine?? that's completely ridiculous
but, given how much more israel is in the news nowadays than any of these other countries, i could see why someone would buy this
and now, we're starting to get to the crux of what stonetoss is trying to do. when someone sees this, they might be inclined to agree with it. they might begin to think that israel is the worst country on the planet
and that might not seem so bad at first. but the more you hate israel, especially irrationally, the more you feel allowed to dehumanize those who support it. the more you might be willing to agree with this comic, which came out two days prior to the one above
this comic says that jews, as a whole have no desire to exist with other people. it is blatantly antisemitic
i'm sure you could imagine some young leftist who sees the comics above this one and thinks, "this guy makes some good points". and then, when they get to this one, they might realize that this is antisemitism
or, they may not.
and that would start them down the road to becoming an antisemite.
this is what stonetoss and other alt-right nutjobs are hoping to achieve. to take left wing fury at israel, and direct it at jews.
we saw it with those neo-nazis at the palestine rally, and we're seeing it again here.
and if you've found yourself agreeing with what stonetoss has said so far, i would like you to see the last comic stonetoss put out before october 7th:
this horrifically racist comic is in reference to an environmental activist who was murdered by a black man in early october. this blatantly racist garbage is the kind of stuff stonetoss usually puts out.
but as soon as october 7th happened? these were his next two comics:
stonetoss completely changed the comic's tone as soon as the current crisis started. why?
to get as many people as possible to get on board with hating jews.
and i know many of you might be thinking that "well, everyone knows that stonetoss is racist garbage. nobody is going to fall for this"
except, as we saw with the neo-nazis at the rally for palestine, it's not always that obvious who the antisemites are and who is just rallying for peace. they are often a lot better at disguising it than stonetoss is.
AND EVERYONE NEEDS TO BE AWARE OF THAT
EVERYONE, no matter HOW much experience you have, can fall victim to propoganda. EVERYONE needs to be aware of what people around them are saying, and able to pick out hateful rhetoric, because even the stuff that is just kind of toeing the line of what's hateful is still putting your foot in the door
be cautious, everyone. and stomp out hate where you see it.
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