#( so this is a two-parter! )

[justarandombrit]

I don't know

[qiinamii]

quite the poet, quite the inspo

[isagrimorie]

Star Trek Voyager 4x09 - Year of Hell, part 1

Janeway: We're going through their space whether they like it or not.

[expelliarmus]

[vaguely-concerned]

Visual Language Things in Improbable Cause/The Die Is Cast that are driving me INSANE

the stuff they do with light and shadow in these episodes is just. someone went 'I know artists who use subtlety and they're all cowards' and they were so right for that

are you telling me... that this man is caught between light and dark in this moment and hasn't yet decided which side his soul is going to come down on in the end. hm. interesting. (especially cool that when the shadows of his face are lit up in the runabout at the end, that's when you see the damage underneath. he's partially made that choice and he's illuminated, but not by a comforting light yet, those are danger colours. odo and garak bonding on a day trip to hell; the episode)

I think this shot is ultimately my touchpoint for the visual language set up in this episode -- julian bashir standing there in 'wherever you have to go, come home to this afterwards' light as garak walks into the shadows (and towards tain). where does the light in his life come from currently? we may have a clue before us folks

(This one is literally just because his expression here makes my chest feel weird and aching. oof. I feel like this is one of the rare times he lets himself be really openly soft because he must know there's a decent chance he's not coming back)

aaaand what's the very first thing that greets him once he 'returns to the light' so to speak? :) little bit of a moral and emotional horror show in the middle there admittedly but thanks to odo he did come home and no one like. died or anything. well. many many people died but that honestly wasn't his fault or responsibility. we'll call it a victory

some really cool odo shots too in this ep. I love you constable this was so fucking extra for no reason

fun little detail: when the defiant starts shaking upon taking fire, Julian immediately puts his hand on Garak's shoulder -- the same way and on the same side as Garak did to Tain minutes before, when Odo had to fucking. knock him out to make him let go. (again: odo I love you. a direct and decisive thinker above all)

[dragoncarrion]

oh my fucking god i drew this last year and completely forgot to post it erm. here you have it now

[turtleblogatlast]

We were robbed of a Hueso Jr. episode because good god I need he and Leo to interact.

I can just imagine an episode where a very busy Hueso has no choice but to ask Leo to babysit, and Leo’s like heck yeah I’d rock at that.

And of course Hueso is constantly like oh god what if something goes wrong that’s PEPINO he left with his CHILD.

So continuously throughout the episode he imagines the worst case scenarios for what could possibly be happening.

Every time Hueso imagines another catastrophic scenario the scene cuts back to Leo and Hueso Jr just calmly watching a movie or playing a game or something else equally as innocuous.

Eventually the worry gets to Hueso so much that he cuts his business short and races back home to see -

A peacefully sleeping Hueso Jr smiling as he lays snuggled up next to a shockingly quiet Leonardo.

He’s pleasantly surprised, and agrees to ask for Leo again next time he needs a babysitter.

Or, as it seems he may need to, when Hueso Jr. wants Leo to visit.

[elialys]

ANNA TORV as Olivia Dunham (Fringe) | 1.17 Bad Dreams | Part 1 [2]

[varpusvaras]

Breha wanted to have a soulmate.

Her parents were soulmates. They both had a mark of the Hand of Skies, the constellation visible during the winters of Aldera, on their left shoulders. Her mother had originally had the right hand of the constellation, while her father had had the left hand, and the mark had completed itself for both of them after they had met each other for the first time. It had been an early match, and her parents had grown up together since they had been ten years old. For as long as Breha remembered, she had looked at their love and connection, and indulged herself in the warmth and familiarity they shared with each other, dreaming of having the same for herself.

Her parents hoped for her to have a soulmate, too.

"Being a Queen is an important task", her mother always said. "Sometimes, it can be very lonely, too. I have gotten over so many moments of doubt with your father on my side."

She didn't talk about the other reason to her, but Breha knew about it anyway. She knew enough other Royals, other Nobles, of people born into influental families all across the Galaxy.

She knew what happened to those who didn't have a soulmate.

A soulmate was a part of you. A soulmate was someone who no one would ever take away from you. A soulmate was someone who would stay at your side.

A soulmate meant protection.

Breha didn't fully believe that her parents would make her marry someone she did not truly want to, but the fear was still there, and it gnawed on her, stronger and stronger, with every passing year. Alderaan was an affluent world, after all. Old, rich, and located in the Core. Many would be vying for the hand of the future Queen, if it was free for the taking.

Her parents had both gotten their marks at nine years old. Most people on Alderaan got their marks before their tenth birthday.

Breha's twelfth birthday had come and gone, and her thirteenth was fastly approaching, and there was nothing.

She didn't dare to speak about her growing nervousness to her parents. It felt like she would be insulting them, by insinuating that she thought that they would force her into something she did not want. She couldn't just keep it all inside, either, as it continued to bother her more and more.

In the end, she went to her grandmother.

"Sometimes it just takes time", her grandmother said, stroking Breha's back as Breha sniffled against her collar. "Sometimes the Galaxy and the Force has to look at things a little deeper, and to take a lot of things to consideration, things that you and me, or no one else, for that matter, has no idea about. It has to look at so many options before making the decision, so that the decision is the right one."

It did make Breha feel a little better. Maybe she had hope. Maybe she or whoever it was, at the other side, was just a little difficult to match with. Breha didn't think of herself as particularly difficult or complex, but maybe the Force knew something tha she didn't.

So she kept her hopes up, and she waited.

--- ---

She got her mark a week before her birthday.

She had noticed it immediately after waking up, and she had jumped out of her bed and ran to her parents to show it, without even bothering to change out of her nightgown before going.

Not that they cared, as they were just as happy as Breha herself.

The mark was a small flower, on the inside of her left wrist, with seven rounded petals that turned to sharp points at the last second. Breha thought it looked a lot like a star, if one had been turned into a flower.

Her grandmother agreed when Breha showed the mark to her.

"It's a forest star", she told her, "they grow in very deep forests, where sunlight comes through the trees only in small dots, and all the colors are dark and the ground is always glistening with water."

She turned Breha's hand a little to see the mark better, as it was sitting off center, on the right side of Breha's forearm. She was quiet for a moment as she looked at it, clearly contemplating her next words.

"What is most notable of them", she said, finally, "is that they always grow in group of threes."

She ran her fingers over the mark once more, and then gave Breha's hand a little pat.

"It's a beautiful mark", she told Breha, smiling. "With a mark like that, you're going to have a wonderful soulmate, I already know it."

Breha believed her. She had been right about the mark. She would be right about her soulmate as well.

--- ---

Breha met Bail Prestor when she was just shy of seventeen, after she had finally gotten her feet properly back under herself. She noticed him immediately, and joined him and his father to a debate between few other noblemen of Alderaan, that had been invited to the Palace.

She took his side against one of them, and when Bail turned to look at her and smiled, a little unsure but genuine still, Breha felt like something had bloomed underneath her skin.

When she looked down, there was another flower on her arm, on the opposite side of her original one.

She lifted her eyes back to Bail, to see him looking at her now with surprise in his eyes and equal amount of surprise in the smile he still had on his face.

Breha smiled back at him, brightly, with joy and relief.

--- ---

"I will do my best", Bail promised her that night, "no matter what, I will be the soulmate you deserve."

Breha believed him.

"Thank you", she said. "I will do so as well, for you."

She was there for Bail just as much as Bail was for her, after all.

--- ---

"I must admit", Bail said one day, when they were walking through the gardens on a late afternoon. "I am still a little surprised about the mark."

"How so?" Breha asked. She had the feeling that Bail wasn't talking about being the soulmate of the Princess.

"My mother looked up the flower when I got my mark", he said. "She told me that they grow in threes. I expected you two have two flowers, or something similar, I think."

That was right. Breha glanced at their hands. They had both received each other's mark, so they had fullfilled the mark for each other, but the flowers sat apart from each other on their skins, leaving a gap between them.

A gap, just wide enough, that a third flower could fit in between, linking their flowers to each other.

"That would've made sense", Breha admitted. "My grandmother told me the same. We have fullfilled each other's marks, though. I think that is the most important thing."

"It is", Bail said. "It just makes me think..."

He looked down on their hands, and then up at the sky, right past the mountaintops.

"If there is someone out there, with a single flower on their hand", he murmured, reaching for Breha's hand as he spoke.

Breha laced their fingers together, and thought.

All marks had a meaning. A point of connection. Like her parents, with each one side of a whole constellation, two hands made of stars, always meant to be holding each other.

Wouldn't it mean something, too, for her and Bail to have flowers that always grew in threes?

Breha looked up at the sky as well, and she wondered.

--- ---

Years went by. Breha married Bail. She became the Queen.

There were two flowers on each of their arms, apart from each other, with just enough space for a third one in between them.

--- ---

Being a Queen was sometimes lonely work.

What her father had not told her, was that being a Senator was sometimes just as lonely.

During the longest days, Breha would look down on her hand, to the two flowers on her skin, her own and Bail's, and she would draw strength from seeing the proof of the connection she and Bail had, even when the void of space was in between them.

She knew Bail did the same, and Breha was happy that she had been able to give him that connection, that lasted over time and distance.

She looked at her mark for a long time, when the word of the war starting reached Alderaan.

--- ---

Bail was calling her in the middle of her Court.

Usually, when he had something to tell her during their work hours, Bail would send her a message and ask her to call him, or call Visaiya, if it was something more urgent. It wasn't like him to call her like this, without sending a word out first.

She looked up at her Ministers, and gave a signal.

"My deepest apologies", she said, standing up. "I am afraid that I have to take an incoming call right away from the Viceroy."

There were no objections. The war had forced them to raise their means of security on both Alderaan and Coruscant, especially since Bail had not confined himself to only inside the Senate and the House. Anything sudden regarding him was treated with utmost gravity.

She stepped outside the Courtroom into the foyer to answer.

"Are you alright?" She asked, instantly, when the call connected and Bail's image appeared. "What's going on?"

Bail didn't look injured or even angry or crestfallen or anything of the sort that she had kind of expected.

Instead, he looked almost flustered when he looked at her, his eyes wide open, like something entirely unexpected had happened.

"I am alright", Bail answered, and then drew in a deep breath. "Something has happened, and I needed to tell you about it right away."

Before Breha could ask more, Bail pulled up his sleeve, and turned his hand around to show her.

There, on the inside of his arm, right at his left wrist, were three flowers.

It was just like Breha had imagined it. The third flower, right in the middle of the other two, interlocked its petals precisely with the flowers on both sides of it, and so linked them all together, with no space left between them anymore.

Breha lifted her eyes to Bail, who was looking at her, like he was just waiting for her to say something.

Breha had just one thing to say to him.

"Who?" She asked.

"I don't know", Bail answered.

It was not what she had expected him to say at all.

"What do you mean?" She asked.

"I was just returning to my office", Bail said. "I had to wait a little since there had been some sort of incident, and the troopers needed a little more time to clear things up, and then I just felt it. And there it is, now."

Breha looked at the mark again.

Three flowers, right next to each other, interlocked.

There was a rule in giving and receiving another part of the mark, and fullfilling it.

There needed to be a point of connection in order for it to happen. It wouldn't happen simply for being in the same space with the other. There needed to be a moment of true attention, intentionally given and received, for the connection to happen.

That meant that Breha had more to ask.

"Who did you talk to?" She asked. "When it happened?"

She hadn't even needed to ask. Bail had already arrived back to the point himself.

"Oh", he said, then thought for a moment. "I think I need to have a word with the Commander of the Guard."

Breha knew from the moment Bail said those words, that many things were about to change irrevocably.

She looked Bail in the eyes, and she knew that he knew it too.

[ryuuna]

tis wip previews only season :')

[carebooks]

HOTD - 02x04/02x05 — DW - 09x08

[bisexualfbiagents]

Nine minutes, Scully. Do you remember the last time you were missing nine minutes?

CELEBRATING 30 YEARS OF THE X FILES Day 5: Favorite Arc Part One ➤ The Suspicious Crash of Flight 549 from Tempus Fugit (4.17) and Max (4.18)

[m0rbs]

If you could only show someone one episode of any Star Trek series what episode would you pick? :)

That one where Spock's tits are huge and it looks like he just forgot to wear his binder

[triangleguy]

cremation creek doodles & a season 4 hank for funsies

[tardxsblues]

Doctor Who || 9.04 Before the Flood

[vaguely-concerned]

patented 'not that I care that much or anything so there's no need to dwell on it too too much ahaha *sweats nervously* but tain would you pls consider not murdering my mom (and the mother of your child) for absolutely no reason whatsoever? no pressure tho of course you know best! :)' smile

(it's so dark but also so funny that when tain keeps on Hinting Ominously, garak's reaction seems... slightly exasperated? more than anything, under all the tension fsdjafsl. this exact conversation has definitely happened multiple times over the last thirty years, lending horror an edge of 'oh this again huh' ennui and hilarity. 'I should have killed your mother before you were born'/'so you've told me, many times'. I think it's the turnaround time from 'I've missed you, Elim' to this that drives it from straightforward psychological horror sneaking dread to still that but also kind of hilarious. it really took tain less than five minutes to go there didn't it. wow. well, actually. I think maybe the real horror part is that garak still loves him and doesn't know how to stop. somewhere in there is a five year old whose heart is a desperate stupid little moth and his father is a ruinous forest fire in the night, brighter and closer than any star. of course it burns you to touch it that's just what love is, right. *spots a smiling julian bashir in the loading bay holding a box of chocolates out of the corner of his mind and experiences something harrowing and existential he simply cannot unpack right in this moment thank you* right???)