#(( thank you!! this hurt me. ))

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[shushmal]

okay but a like post-series fic i want that's like: steve harrington being the only man left in hawkins fighting monsters

and not like a 'everyone died, last man standing' way but just. they beat it back, the story ends, nice little tie-up and neatly concluded, eleven loses her powers because their world is completely cut from the other. and life goes on. eddie (yes, eddie lives au don't fight me) goes off with his band, robin-nancy-jargyle off to separate cities for college. the kids go to high school, graduate high school, and scatter across the country. joyce and hop buy a beach house far-far-far away from goddamn hawkins indiana.

steve though. steve stays. he does it too without comment, takes all their calls telling him all these amazing things. the years pass. the calls are fewer and far between. he's mostly in contact with only dustin and robin. except robin's out of country doing some crazy temp job in some remote country, she never catches him at home right now so just leaves him messages. and it takes a couple of weeks for dustin to realize he hasn't gotten steve on the phone.

frantically he calls around "have you heard from steve???" except the most people talk to steve anymore is like phone calls during holidays and holy shit what could have happened??

and what if it's back?

cue everyone who can in that moment, rushing back. eddie hopping on a flight from fucking london direct to indianapolis somehow, heart in his throat. he manages to meet hopper in the airport and they pick up max and dustin at the bus station.

they get to hawkins that is even more different that what they left. a smaller town, a town that shuts down completely when the sun sets. it's creepy and deserted.

except for the fucking upside down monsters of course.

and they're in their stupid little rental in front of this demogorgon and they're screaming but then the thing just goes splat on the concrete and steve fucking harrington is blinking owlishly at them.

"Oh, hey guys!" he calls jogging up to the driver's side window. "Wow, what brought you back down this way? You should have told me, I would have told you about the curfew!"

turns out steve just forgot to pay his phone bill that month, didn't even realize he was missing calls and he's been fighting monsters the entire time because actually they WEREN'T cut off from the upside down at all and he's just been casually fighting monsters for the remaining hawkins residence—the whole town knows now and steve's the guy you call when you have a monster problem

sidebar: WAYNE still lives in hawkins, and he and steve are best friends, eddie munson you are gonna LOSE YOUR MIND

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

[First] Prev <–-> Next

[windwenn]

The transgenderification beam is back baby

[originalartblog]

Question, is there tiny soukoku corruption??????

With big Chuuya around I don't think Tiny would ever need to use Corruption. His tiny gravity manipulation isn't as strong.

But you got it in my head so let's picture it: there is this 3cm-tall dude that faintly glows red and throws deadly baseballs around. He's fast, dangerous, and, again, 3cm tall. Good luck catching, or even spotting him.

It's Chuuya who ends up having to catch him and throw him at Dazai like a ping pong ball so Dazai can nullify him. Or maybe throw Tinyzai at him. Your pick.

and then Tiny rolls over and starts snoring the hurt away because he's Chuuya and he's just built different.

tiny snore

[mischefous]

There’s this fic series I read and can’t remember the name of but in the first one I think Warriors passes out because of pain from an old injury and Time catches him and he can’t figure out what’s wrong with him, maybe u could draw something like that for ur whump art request?

first request LETS GOOOOOO! thank you Anon!

hmm, I've read a lot but this one doesn't ring a bell

but I tried to do your description justice! hope you enjoy! i apologize if i completely missed the mark on this one XD

one with the words and without hehe

EDIT! @articuno13 found the fic series this Anon was talking about!!! GO GIB IT HEEEEEAAPS OF LOVE!

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[reegis]

hi since you have out on the brain and i wont be inflicting it on you here's a headcanon of mine:

after nastya leaves, aurora stops talking entirely

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[surreal-duck]

I'll make myself look even cuter, so come find me, okay?

[cheekylittlepupp]

It's annoying that the gayest most flamboyant character in a videogame ever created that I've ever seen can be romanced by female characters canonically. I finally have a gay icon to thirst for and he is being ruined by pussy. Disgusting. I hate you and everyone else who posts hetrosexual content with Astarion. Fuck you and every other vagina owner.

lmfao I’m sorry but this was way too funny not to post

“Vagina owner” “ruined by pussy” says the person who’s actively being a ‘pussy’ by hiding behind anon

I will tell you something scary now tho, listen carefully okay?

He’s canonically pan. 🫢

Also him being “flamboyant” is mostly an act, but even then, being flamboyant doesn’t mean you’re automatically gay, just how being “masculine” or “feminine” doesn’t mean you’re automatically heterosexual. Wild concept I know 😱

[yayll]

~ a little something about the complicated way you and Dazai acknowledge each other's feelings ~

"We can't let it end like this. We simply can't."

"Dazai, what are you talking about? I'm literally just going on my lunch break."

"... I'll find a way for us to be together! Someday!"

You've been bickering back and forth with him ever since you stepped foot in the agency this morning, or more like he's been performing a whiney one sided narrative that you and your co-workers are more than familiar with. Though it's only ever directed at you. The confusing declarations of love, the lack of personal space, and then there are the days he won't even look or speak to you at all. It was emotional whiplash, but you did your best to drown out the feelings he evoked in you.

Dangerous ones you wouldn't dare indulge in, because if so, you get the feeling your heart would never recover from a man like Dazai. You grab your wallet, and push in your desk chair when he calls out to you once more in a much more serious tone, one that sounds bored.

"If you must leave, will you please pick up something on your way back for me?"

"What is it this time?"

"Bandages, I suppose"

He says that like it's an afterthought, like he couldn't care less for whatever he was asking for.

He's been asking you to go on odd little shopping trips for him for weeks now, and you being the dog you are, say yes every single time. You think about how Dazai loathes dogs. It makes you physically ill the way you feel about him. Whatever it is. You nod, and reply softly.

"Okay. Sure."

"So compliant! If I didn't know any better l'd say you're madly in love with me. Should we run off into the sunset and get married?"

You simply stare at his sardonic smile for a long while, and he stares back. It's like you're sending each other psychic waves, secret messages only you two could decode. Only you two could fathom. He stares into you with that piercing gaze of his, the one that might as well call you an idiot for ever thinking there's a real person behind his heavenly face. His eyes are pretty, they make yours feel dull in comparison. After a while, a faint half smile creeps onto your lips, trying to feign the same indifference as his. You fail, obviously.

"Mm, sounds too hopeful, even for you."

"Yikes! Right you are. Commitment. How awful.... No one wants that kind of trouble."

Dazai states cruelly, leaning back into his chair at his desk, arms crossed. He has to bite down to keep from smiling and giggling like a fool, as this is exactly what he wishes would happen.

His heart flutters for a brief moment at the visual of such a fantasy, such privilege to have you forever. He knows how badly you secretly want this too, but he doesn't plan on putting you out of your misery just yet. Shame on you to think of him as a real person who's allowed to pursue the things he wants! He continues when he sees you've gone completely silent, standing with your keys in your hand like a mannequin.

"Besides, I'm sure you've met plenty of other guys that are far more suitable for you. I mean, look at me, I used to be a criminal." He winks at you, hinting at his sketchy past. He's such a fantastic performer when he's at his worst.

"... And no one wants that kind of trouble, right?" You echo his past words back to him, once again failing to match his rejection.

"Oh you wretched little creature. Right again!"

You can't take much of this any longer, smiling politely as you simply turn around, and walk out of the agency. Your eyes sting.

Dazai just sits there, staring at the door, counting the seconds until you're back. He rests his chin on his palm, unblinking. He taps his fingers on the desk, and lets out a deep sigh. It's all he does, all he looks forward to every single day you leave.

You finally come back nearly an hour later, carrying a small bag and leftovers from your lunch. He lights up like the moon during the clearest night sky, and stands up immediately. His demeanor completely changes as he flashes you a delighted grin, rushing to you.

"You're back~"

"Yeah, here are your bandages."

"My what?"

"The bandages you asked for..?"

His eyes widen for a moment, and then he chuckles, shaking his head. He flicks his own forehead.

"Of course! Thank you. Now, may I have the receipt as well?"

He looks excited, his open palm cupped in front of you, as if you were giving him a treat. You raise a brow and shrug, handing him the crumpled piece of paper. You don't even question it anymore. He frowns. You think he looks like a disgruntled little kid.

"Ugh. You wrinkled it."

"What? Why does it matter?"

"Well I obviously wanted to keep it, silly goose."

You try to make sense of what he could possibly mean, and you decide it's not worth getting into. You can't afford the heartache nor the brain cells.

"That's the weirdest thing you've ever asked me."

"Not true. I've never asked you for a kiss~"

You almost drop to the floor with the way his eyes darken, despite his tone being the complete opposite. You stare at him yet again for what feels like ages, your heart set ablaze, with Dazai being the pyromaniac who won't let your embers die out of his own amusement. Your voice comes out low, meek.

"Well I'm clearly not the person you dream of, so no."

You could swear his awful smirk falls off just a tiny bit, but any evidence of that is gone in a blink of an eye. His voice comes out soft and laced with a hint of honeyed bitterness.

"And if you weren't, l'd dream of you anyway."

He mutters under his breath as he looks out the window, as if you weren't supposed to hear that. the sun is slowly setting and the moon will illuminate soon after. He wishes he could see what you look like at night.

You roll your eyes because if you don't, you'll bury your face in his chest and sob. Oh, he's the worst. You put on your best cynical voice followed by a scoff.

"That's lovely, Dazai."

"You look lovely." He states simply, still looking at the way the moon ghosts in the sky.

"... Thank you."

"It's my pleasure." He murmurs, solemnly. In that moment, you don't catch it, but he's telling you he loves you too.

And just like that, you slowly walk past him and sit at your desk. You might have a stroke, but you still have reports to finish.

Dazai quietly does the same, sitting down and opening a drawer, and then a secret compartment within it. He glances at you for a moment, the corners of his eyes crinkling as he flashes you an exaggerated smile when you catch him looking, then turns his attention back down, the smile dropping.

He places the wrinkled receipt into a larger stack of countless other receipts, all from past errands you've run for him lately. He smoothes it carefully, for it is a priceless sentiment amongst his collection of the things you so graciously give him. It's pathetic, but it's like holding your hand. It's like kissing you. It's like true love.

[poorly-drawn-mdzs]

best BEAST!!

[kinselu]

they have him pinned, but at least they're warm!

fanart for @tsunochizu 's backwards through the snow fic! im SO normal about this story (still emotionally recovering from chapter 15) i love this fic so much <3

they are the STINKIEST of family...

(for those who haven't read this fic, first of all, go read it now. but also pebbles is mostly ok. kinda. hes just dirty and stinky... amongst other things)

[cuttyflammm]

I’m not okay, by the way

[st4rstudent]

gabv1el for my buddy @tapewires

[blood version under the cut]