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#(I love you humans)
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i need to pet and become friends with a horse i need to feed every stray i come across i need to smile at every child that passes me by i need to hop over every crack i need to hum every single tune i need to look up at clouds every time i leave the house i need to dance every time it rains i need to open every door i can for both me and you i need to chase anyone and everyone who’s ever dropped or lost a glove or shoe i need to listen to every story on every bus i need to tell more people it was nice to meet you i need to stop and wait every time you tie your lace i need to be as helpful as possible when someone asks me the way i need to say take your time more often to the cashier i need to tell my librarians i love them i need to live with wonder and kindness and joy
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raggedytiger · 2 months
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this is so bad but i permanently cropped the file so brutally that i can no longer edit it. whoops! also panels 4-7 were fully coloured but it looks better without for some reason. pomni (penny?) is such an ugly crier. i love my horrible failgirl accountant
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poorly-drawn-mdzs · 8 days
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Dog Meshi.
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zany to me how these um actually nihilists like to pretend that "um actually love/friendship/cooperation/kindness isn't real bc we evolved that way to benefit ourselves as a species..." um YES? that's also where tool use comes from? that's where cooking comes from? am i supposed to think social bonds & tool use & cooking aren't "real" because they evolved over time instead of appearing fully formed from the ether?
sorry u can't enjoy things. im a superior being twirling a fork in my bowl of delicious noodles whilst staring in adoration at the world
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noknowshame · 1 year
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why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?
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weidli · 11 months
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got held up on the way to work today because there was a big snake trying to sun herself on the highway right on the way out of town & the lady in the grey subaru in front of me put her warning lights on & got out to try & shoo her into the grassy sunny verge on the other roadside. & it was afternoon and busy but the logging trucks stopped & waited & the family cars stopped & waited & the long haul truckers stopped & waited for that snake to cross the road. nobody so much as honked. & when the snake was safe the road was backed up in both directions but a fellow in a pickup truck waved at me to go ahead (i was waiting to turn right onto the highway) even though he could have made me wait until the whole long line of cars passed. what i am trying to say is: there is still love in this world. what i am trying to say is: happy pride to me & to that big old bull snake who will live to see another sunrise & to every person on that highway who decided that saving her was worth five minutes of delay
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stilitrash · 8 months
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The dynamic I never knew I wanted but definitely needed
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bluegiragi · 2 months
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negotiations.
early access + nsfw on patreon
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i-loved-silly · 4 months
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yandere monster x darling who found them in the woods. Darling y/n who showed them a bit of kindness by not running away immediately and offering a bit of food from their bag. The creature looked thin but large in height and certainly not weak in any way.
You’ve heard legends about this monster. Legends that strictly stated that it killed anyone who crossed the woods and was the opposite of forgiving. But it didn’t try to hurt you so why not!
Oh and it would never hurt you. Not after you treated it so kindly. Surely it must mean you hold them so dearly in your heart, right? You’re not like the other village people
Yan!monster who didn’t realize it until hours after it last saw you. How stupid of them, you were gone already! They should have followed you back home, you would have welcomed them in right? You like them after all. And they like you.
They’ll spend the rest of their lives searching for that feeling again, for you specifically.
They know the woods like the back of their hand, they’ll search endlessly until they catch a bit of your scent. No matter how long it takes. It pays attention whenever it hears or smells another human, but it’s never you. And those humans never come out of the woods again. Come find them please, they yearn to hear your voice again and the softness of your expression. They don’t know what they’ll do if they don’t find you soon
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wasyago · 2 months
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various tango doodles
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stil-lindigo · 9 months
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scorched earth.
a comic about a princess who died in a fire.
(this is a sequel to bite of winter, a comic about Snow and what became of her after her death.)
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all my other comics
store
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roydeezed · 5 months
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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rivernull · 2 years
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abnormalpsychology · 2 years
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Hate (affectionate) how it's made so clear from the very beginning of part 1 just how loved Paul is by his family and household. Both his parents, Duncan, Gurney, Thufir, even Dr Yueh all clearly care so deeply for this kid, and we're shown that time and time again.
Cut to the end of part two, and almost every one of those people is gone. The only ones who remain are a weird, came-back-wrong version of Jessica, and Gurney who has gone from mentor to worshipper. Paul goes from someone deeply loved and valued for who he is by a small but caring group of people - to someone followed and worshipped and feared by thousands. They're obsessed with him in a way, as a leader and "messiah", but nobody loves him.
The only one remaining who loves him for who he is is Chani, who leaves him because in the end that love isn't enough to bring who he is back.
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