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#(and half the fandom's i guess)
corvidcrybaby · 2 months
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i watched several audacity tutorials just to make this
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skellagirl · 8 months
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Gordon/Barney/Alyx is really really funny to me conceptually bc it's like, two hot geniuses in their 20s who look at the 40-something smartass who hangs around and go 'yeah that guy. we both want him carnally'
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astralleywright · 1 month
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lots of people interpreting Ashton's "i want the gods to pray to us" devoid of the context of the lines directly before and after it, so here's the full quote: "in my darker moments, that's what i want, is i want to see them pray to us. i want to see them ask what we want." it was not intended to be a statement, but an admission, and it wasn't about worship at all; its about the fact that Ashton spent his whole life praying to any and all gods for some safety or healing or comfort and got nothing, only for them to finally bother to show up when he and the Hells became useful or inconvenient.
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vse-kar-vem · 7 months
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everybody's waiting at the ball 👁️🪩💡🌟🕯️
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electrosquash · 2 months
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akai-anna · 2 months
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Round 2
Round: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8
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Why has the EAH fandom felt so weirdly hostile these past few months?
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mortysmith · 10 months
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In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.
The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".
Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.
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pikmininaplane · 10 months
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I will say, it kinda irks me when people say Ramon's looking for a new dad/wants Pac to be his dad because that's just,, not true
Ramon wants Fit to have someone. He's pushing him into Pac's arms not because he's looking for a new father figure, but because he's scared Fit will end up alone if he isn't there anymore (a sentiment especially strong after being away from him for over 2 months and being made more aware of his own mortality than ever).
And he's especially not doing it because of his own affection towards Pac – he's never shown any particular attachment to him beyond hanging out with him when his dad did – but because Fit likes him, and he'd push him towards anyone he likes. Hell, at some point he even thought Fit might like Bagi (which prompted the 'mom or dad' question)! It has nothing to do with who the person is and everything to do with his dad's happiness
But Ramon himself doesn't need a dad, he's never needed one. He's always been perfectly happy with only one parent, even after Spreen's departure. It's not a parent he wants; it's a partner for Fit, which will happen to make that person his parent. No more, no less
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stevethehairington · 2 years
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He needs a break. A chance to breathe for a moment. This lifestyle sometimes feels like the corsets that Robin is always complaining about — too tight, too constricting, and superfluously unnecessary. Steve pities Robin, and the rest of the poor women, who have to deal with both. The circumstance and the corsets.
Steve knows better than to complain, though. He lives a lavish existence, one that many people would give anything to have. It isn’t fair of him to pity himself like this when there are so many people out there that are so much worse off than him. He should feel grateful. Lucky, even.
But it’s hard not to feel suffocated instead, sometimes.
The alcove is quiet, thank god, and void of any stray party guests. It’s hidden away, tucked between two rocks that overlook the seaside, and the crash of waves from down below has a mollifying effect on Steve’s agitated disposition.
He reaches for the cravat at his neck, loosening it with deft fingers. He’s in the act of tugging it away from his throat when the clear crunch of a footstep has him spinning around sharply.
And there, emerging from the shadows to block Steve’s only escape route, is a man.
The first thing Steve notices about the man is the curtain of dark curls that frame his face. They’re long enough to tumble freely over his shoulders, and they’re pulled back by a thick swath of fabric, deep red in color. The ends of his bangs peek out from beneath the bandana, as do a pair of thin braids, each tied off with two hollowed out pearls.
With his hair out of his face, Steve can see it all. Every single feature, open and on display — those soft cheekbones, that sloping nose, the gnarled scar that stretches across the left side of his jaw and pulls the corner of his mouth into a twisted, permanent smile.
Steve is sure that he’s never seen this man before, and yet there is something achingly familiar about him. A tugging within his gut; it feels like he should know him, but from what, he can’t quite place.
The man’s left ear is pierced through twice, two identical gold hoops looped through the skin. And just beneath his ear he has a small mark. A tattoo. Steve isn’t quite close enough to make out just what it’s of. He squints his eyes and nearly takes a step closer to take a proper look, but catches himself before he does.
It’s then that Steve realizes that he’s been staring, borderline ogling, for much longer than is appropriate, too. His cheeks warm as he averts his eyes to the ground. But rather than the cobblestone path below, his gaze falls to the man’s feet.
Flared brown boots cover those feet, rising up nearly to his knees. They’re old looking, worn and well-purposed, but still sturdy, even after countless strops though mud and water and sand and all sorts of other rough terrains. Beneath the boots, his stalwart calves and strong thighs are encased in rough-hewn black breeches, tight, yet functional.
Steve’s eyes stray further up, despite his best efforts. 
The man wears a thick brown leather belt, layered with a silken red cloth and an even thinner black belt, this one scaled like a dragon, with a shiny gold buckle. It sits around his waist, atop an open black vest that accentuates his slim figure. His blouse beneath is a deep wine red, made from a gauzy looking material that clings to his skin. Steve imagines that if it were to get wet it would be absolutely sinful. The neck of it is rather plunging, too, exposing the man’s collarbones, and the corner of another tattoo on his chest. 
And there, above his heart and to the right, in the very center, hangs a pendant — some sort of serpentine creature with wings, gaudy and golden and absolutely eye-catching.
Steve feels a little hot under the collar, taking it all in. He has to look away.
The man makes an amused humming sort of noise. “Like what you see, sweetheart?” He drawls, flicking both eyebrows up at once. A lazy grin unfurls across his full lips, and he practically drapes himself over the rock behind him.
The position puts his whole body even further on display, in an entirely new way this time, and looking away is futile now. Steve’s eyes are heedlessly drawn back to it, raking over every inch. It feels… dangerous, to be looking this much, this long, but he can’t help it.
The man lifts a hand to examine his black varnished nails, an air of boredom to the action. His fingers are adorned with chunky silver rings that glint in the mid-afternoon sunlight. Casually, he pulls a dagger from its hiding place amongst the belts and uses the sharp tip to pick at one of his nails.
Idly, he starts to whistle — a low, warbling tune that has an almost menacing edge to it.
It, too, strikes a chord of remembrance in Steve, and he wracks his brain trying to think of where he’s heard it. And then it hits him.
“You’re a pirate!” He gasps out. It sounds scandalized, when he says it, though, really, he isn’t scandalized at all. He doesn’t find himself very afraid, either, though he knows he should be. Instead, he’s just intrigued.
The man snickers. “Very good, sweetheart,” he commends, tucking the dagger away again. He brushes his knuckles against his shirt. “What gave it away?”
Steve frowns. “What are you doing here? Where’s your ship?”
“What am I doing here?” The man repeats. Laughs this breezy little thing. “I’m meant to be taking you prisoner, actually,” he tells Steve.
“Take me— prisoner?” Steve repeats, shock coloring his tone. He doesn’t know what he’d been expecting, but it certainly wasn’t that.
“Oh, yes,” the man replies, pushing himself off of the rock. He starts to circle Steve. “I’m meant to be snatching you up— well, that’s the interpretation of it, anyways. All they said was that I needed to deal with you, and, really, that’s so vague.”
He starts to circle Steve, slinking around him slowly, purposefully. His voice carries as he does. “Pirates are supposed to be unscrupulous, though, aren’t they? What with all the threatening and the stealing and the killing and the like. I figured it only makes sense that I take you.”
Steve has a million questions — like who the hell is they? And what do they want with him? And why did they send a pirate to do their dirty work?
Instead, what comes out is, “I guess that would make sense.”
He folds his arms over his chest, just for something to do with them, and then a thought surfaces to the forefront of his brain.
A crease forms between his eyebrows, and his lower lip pushes out into a contemplative pout as he mulls it over. “But what if—” he starts. Pauses. Cuts himself off like he won’t dare finish the thought.
Only it’s too enticing, too tempting not to. 
“What if you didn’t take me?”
The man comes to a stop right in front of Steve. He’s close, much closer than anyone would normally be comfortable with, but Steve doesn’t care. If anything, he has to refrain from curling his fingers into that necklace and using it to leverage him even closer.
Steve looks into the man’s dark eyes. Big, endless, easy to lose himself to. But he doesn’t. He meets them head on, unwavering with his gaze, as if he’s challenging him.
“Sweetheart,” the man starts, dripping with condescension. He raises a hand and flattens it against the rock behind Steve, boxing him in. Another wry chuckle tumbles past his lips. “I don’t think you get it,” he says. “I have an order. I need to follow it.”
Steve just his chin up, defiant. “I don’t think you get it,” he returns, poking the man in the chest, much to his astonishment.
“What if you didn’t take me,” Steve repeats slowly, putting emphasis on his meaning. “But what if I… went with you anyways?”
It takes a moment for the words to properly sink in, but when they do, a slow spreading surprise settles over the man’s face. “Oh,” he says, sounding pleased. His lips curl back into a grin that bares his teeth. “How rebellious of you,” he tuts.
“You say rebellious, I say free-thinking,” Steve replies, brushing him off.
The man’s smirk grows, but he doesn’t accept the proposition. Not yet. Instead, he watches Steve carefully, like he expects his bravado to fall away any second now and for Steve to renege. 
But Steve holds his ground. He’s not taking it back. He’s not chickening out. In fact, he’s never been more sure of anything in his life.
He’s going to go with this man.
Finally, the man relents. “If that’s what you want,” he says.
“It is,” Steve replies, without hesitation.
The man gives a firm nod, and without another word, he turns on his heel and starts to briskly walk away.
Steve scrambles to follow him, out through the opening of the rocks and across the open courtyard that leads towards the port. He glances behind him every so often to make sure that he hasn’t been spotted or followed by any of the partygoers. By any of his family. 
But each time he looks, there’s no one.
He doesn’t know whether to be disappointed or thrilled by that.
The further he gets from the party, though, the easier it gets to breathe. Like the noose around his neck loosens with each step. That almost makes him want to laugh, considering his choice here would earn him a real one, permanently.
Ships line the port, when they finally make it to the water’s edge. Great big ones, with hulking hulls and dozens of ballooning sails. There are at least four, anchored in the bay, but none of them stick out to Steve as a pirate ship. Not that Steve’s ever actually seen a pirate ship before. He’s only heard tales. Still, he expected that they’d be distinct.
The man approaches one of the ships, and he doesn’t hesitate before tromping up the shoddy wooden gangway and stepping foot onto the polished deck. His hands slide onto his hips and he casts a wide glance around. He takes in a deep breath, then lets it out slowly, his whole body relaxing as he does. Like he’s finally home.
He turns then, back towards Steve and offers out his hand.
Steve looks down at it, then back up at the man.
“I’m Steve,” he says, taking it. The man’s palm is rough against Steve’s, but it’s warm too. It feels nice.
The man laughs. “I know,” he says. “And I’m—”
It’s then that Steve notices it. It’s subtle, in the sense that it’s just the one detail. But that detail itself is anything but. Just past the man’s head, right in the center of the biggest sail, a red devil. Pointed horns protruding from its skull, wicked yellow eyes, razor sharp teeth. 
It is unmistakable.
“You’re Eddie Munson,” Steve says, recognition finally hitting. And, jesus christ, he feels so stupid for not realizing sooner. The most notorious pirate in all of the seven seas — how could he have forgotten?
“That I am,” Eddie muses. Then he uses his grip on Steve’s hand to pull him the rest of the way onboard.
It tightens, and he doesn’t let go right away, like maybe he thinks Steve will try and make a run for it now that he knows who he is. 
But Steve doesn’t. He stands his ground, holds Eddie’s gaze steady.
Something zings up Steve’s spine as Eddie’s big eyes bore back into his own, and he thinks briefly to himself that whatever he’s gotten himself into here, it’s going to be well worth it. He’s in for the adventure of a lifetime here.
Eddie drops his hand then, and a slow grin, just as devilish as his flag unfurls across his pretty lips. He flourishes one of his own hands out around him.
“Steve Harrington,” he practically purrs. “Welcome to Hellfire.”
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greensaplinggrace · 1 year
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‘he’s so annoying!’ ‘he’s so pathetic!’ ‘he’s so evil and bad!’ like I’m sorry that I’m attracted to brats what do you want from me
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floororangejuice · 8 months
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crackship okay
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having fun + playing idk
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maxthesillyy · 2 months
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the gay people in my game r trying to kill me
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pastelwhile-art · 1 month
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Makokuu..... Its been so long....
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ludoka · 9 months
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So.... What would happen if SOMEONE decided to rewrite Freaky Fusion but eliminated the fusions, left the plot of the hybrids and the time travel plot?
Long text after the cut:
The fic would begin by introducing the hybrids and the students' reaction to them. Cleo and (I think it was her?) Draculaura would give the same comments as in the movie. But here the hybrids already established in the series would not be ignored. Lagoona would talk about how she herself is a hybrid. What's more, we could even add that she is the fruit of a freshwater Nymph and a sea monster.(I just made this up while writing. I have no idea if it's canon or not but I like it.) Your intervention in the conversation could leave the atmosphere a little tense. Frankie tries to lighten the mood by insisting her friends go to class.
In another part of the school, Deuce and Jackson are in the former's locker talking about the same topic. Or rather, Deuce is nervous and frustrated by how everyone is reacting to the hybrids. While Jackson doesn't care too much. He has already had his conflict with the students regarding what he is. You already know this is temporary until the novelty of the matter cools down. This resolution does not reassure the gorgon at all. In fact, it frustrates him enough to vocalize his concerns. The whole topic was really making him very uncomfortable. On a good day, he's already having trouble coping with the fact that he's a hybrid. This only makes you feel worse. To the point of being terrified that other monsters will know what he really is. Jackson tries to console him but the bell at the beginning of his first class forces them to cut the conversation short.
What they didn't know is that a certain gossiping ghost, who was collecting information for his blog, was listening to them.
The first class is Dead Languages ​​with Professor Rotter. Class is pretty boring today. Which causes some students to become distracted and murmur among themselves. Cleo is one of them and tries to talk to Deuce (who is more in the clouds than on earth)One of the topics he brings up is about hybrids, which he immediately realizes is the wrong topic to talk about. Since she sees how her boyfriend tenses very visibly. Which makes her remember that she's been on thin ice ever since she almost got her boyfriend's best friend killed just because of her pride. Said friends... It is also a hybrid. Cleo is seriously thinking about asking Frankie to sew her mouth shut so she doesn't screw up again. (I'm thinking about placing this after my own version of Ghoul Rules. I feel it is appropriate. It seems like he's been building up these nerves since before this day. It's more ✨ dramatic ✨)
The rest of the class passes without pain or glory. Only at the end does Rotter remind his students that in the last period of school they have to present their family tree work. (because I don't remember how the homework they were given in the movie was written)And he points out that Frankie will be the first to speak.
A stressed Deuce is the first to leave the classroom, closely followed by a worried Cleo. She is a couple of steps behind him. Thinking about how to talk about whatever is bothering the gorgon. Just when you think you've finally found the words, a mass notification from Spectra's blog catches your attention. She is about to ignore it but when she saw how the students began to stare in her direction, she decided to quickly check just in case. The title leaves her baffled. "Deuce Gorgon, the most handsome cool boy in school, is a hybrid?" That was the huge title that headed the blog. Cleo looks up with the mission of searching for answers but notices how terribly pale Deuce is while looking at his cell phone. She catches his attention. He looks at her scared. In fact, Deuce becomes hyper aware of his surroundings. He notices how everyone is looking at him and starting to whisper around him. This sends him into a spiral of panic and he ends up escaping the scene. It ends somewhere in the school, near the indoor pool. That's where Lagoona finds him. Deuce realizes that she is not alone. She is accompanied by Sirena von Boo and Neighthan Rot. When he asks about them, Lagoona tells him that she became friends with Sirena in their previous class. They saw him run out of the hallway and read the blog. Lagoona and Sirena went to look for him, they ran into Neightan and he joined the search. (mainly because Avea and Bonita were still in class)
This is where I cut the explanatory text and give the concise points of this particular plot:
The plot itself has the hybrids talking about feelings and experiences. Trying to help each other in all this sea of ​​rumors and staring. Mainly by comforting Deuce and letting him open up to them.
There would be some scene with Draculaura and Clawd talking about their relationship. The topic of vampire biology would be touched upon a little. How they age and mature slower than other deadly monsters.
I would also have Deuce and Cleo talking about this matter.
Also the reaction of the students, encouraged in a negative way by Toralei, towards Deuce and his "deception".
In general: Lots of feelings, heavy conversations and ✨drama✨
Now you will ask yourself: Where is the time travel plot in all this? Good. Let's go back to the moment of Rotter pointing at Frankie.
After watching the teacher leave the classroom, Frankie lies down on his table and writhes in his misery. Robecca and Ghoulia who were by her side comfort her and ask her what's wrong. She explains that she has nothing useful to expose. His parents avoided the topic of family too much and gave him nothing to work with. So you're probably going to fail the class. Invisibilly appears (because he is another gossiper) and comments that he also goes through the same thing. His father isn't the most talkative when it comes to whatever turned him into a monster. Billy has a suspicion that it was an experiment gone wrong but he has no idea. He believes his father is looking to take the secret to the grave. Here Jackson Jekyll joins the conversation. (because in this school the concept of "private conversation" does not exist) Jackson comments that if there is a family that loves to keep secrets, it is the Jekyll family. It was easier for him to help Heath by putting together the family tree of his elemental family, than it was for Holt to find SOMETHING about his mother's family. They know that their great-grandfather is the one who started the whole Hyde thing but they don't know anything else. Not even what year his grandfather was born or how his great-grandfather Henry Jekyll and his great-grandmother met. It all seems like a big secret that no one should know about.
As he listens to them complain, Robecca has an idea. His father, before he disappeared, was a lover of science in general. He lived many years collecting information, meeting other scientists and doing his own experiments. She suggests they look for something in her father's workshop. Hopefully, they can find something regarding the Stein or Jekyll family. (Robecca apologizes to Billy for not being able to find a solution to his problem but he rejects her. He doesn't care much) Ghoulia was going to say something regarding work but after watching Deuce and Cleo leave the room, she decided that it was easier to help this group with their homework.
This is how Robecca, Frankie, Ghoulia, Billy and Jackson go to the Hexiciah Steam workshop.
While there, they don't find much. At least until Billy stumbles upon plans for a time machine. This draws the attention of the rest. Robecca takes a look at the plans and searches the workshop if there is something similar there. And, indeed, it was a large machine that was in the middle of the room. As they examine the machine, Billy comments that it would be great to test if the thing works and use it to do his homework. That makes them pause and contemplate the idea. The first to be against it is Ghoulia. She doesn't think it's very smart to mess with the timeline just for a school project. Frankie and Jackson support her. But Jackson also comments on how MAYBE if they didn't interact with anyone and were just there to watch, they wouldn't actually be doing anything. It also suggests it could be a good thing for Robecca. After all, it's the most direct way he can find clues to his father's whereabouts. This raises the robot's hopes. Ghoulia is still against it but after seeing her friends' hopeful looks, she decides that MAYBE it's not such a bad idea. As long as the necessary measures are taken. The girls and boys celebrate this beforehand and look for anything about the operation of the machine. They discover that for the machine to work and there to be a way to return, someone needs to be in the current era. Monitoring travelers through bracelets that serve as trackers and controls that allow them to travel by time and place. Ghoulia and Jackson note that there is a very specific way these bracelets work but decide to find out later. Since this was just a round trip to see if the machine worked in the first place. So with everything prepared Robecca, Frankie, Jackson and Billy get ready for the test trip. Ghoulia gives them the go-ahead and turns on the machine. The quartet enters the machine and goes to a year not too distant, just to try it out. More specifically 1950's New Salem.
In fact, the machine works! After watching a bit, the four try to go back to their time to tell the zombie. But can not. No matter how hard they try, the bracelets don't send them back to their time. In reality, it sends them randomly to other places and times. They panic a little (A LOT).
Currently, Ghoulia is worse. The disused machine was broken enough that it had imperfections that none of them noticed. So now the machine was causing fluctuations in time itself. Making time go slower or faster randomly. This is also causing beasts and animals from different places and times to appear today. Not to mention that, for some reason, his friends can't come back. So it's up to Ghoulia Yelps to fix the time machine, prevent the timeline from being destroyed, send the beasts and animals where they belong, and bring his friends back. It's... A pretty normal Monday, if Ghoulia is allowed to comment.
So this subplot has:
Jackson, Robecca, Billy and Frankie traveling through time. Uncovering family secrets and finding clues to the whereabouts of Hexiciah Steam.
To them trying to survive times that they only read about in books, saw in movies or paintings.
And Ghoulia saving the day behind the scenes.
Yes... A standard Monday.
If you made it this far, thanks for reading. I hope you have a happy new year and I wish you the best of luck in meeting your new year goals. 🎆❤️✨🎆
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gummy-sharks666 · 9 months
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Im BEGGING monster… enjoyers… to consider the gundalians from bakugan bc
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The horns,,, the fangs,,, the eyessss ohhhh my god give them to me NOW 👹
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