#(i hope people actually read these sometimes)

[alphajocklover]

I’ll cut right to the point. I want to be huge.

I have always dreamed of being a huge bodybuilder since before I can even remember. I remember watching hulk cartoons and wishing that could happen to me. The older I get, the bigger my desires seem to grow. I want to become the ultimate brute. Completely massive, completely covered in body hair, and with the brain of your average henchman.

Can you work your magic on me? I’ll do anything to live that big dumb brute life.

As cliche as an opening as this is, based on what you’ve told me I have some good news and some bad news. The good news is that you’ll soon be transformed just like how you’ve dreamed. Your muscles will grow humongous, your mind will dim, and you’ll get to live your dream of being a big, dumb, bodybuilding brute. I won’t even have to do a thing! See, you’re experiencing a Big Dick Energy overdose. If you haven’t read my past post on BDE, it is essentially a nickname for a type of Masculine Energy humans naturally produce. When someone who produces this energy does not dispel it by doing manly things, it builds up inside of them as an urge, until bursting out and transforming them temporarily into a straight stud full of toxic masculinity. It sounds to me as though this energy has been building up inside you for quite some time, so your transformation will definitely be impressive and may even be permanent from the start.

The bad news is that from what you’ve told me, you might have built up too much masculine energy. I know that sounds obvious, since it’s literally an overdose of masculine energy, but this is when you have even more energy built up. Sometimes instead of building up the energy and expelling it by transforming, like in a usual BDE overdose, the energy is blocked and keeps building up until the dam bursts and the transformation gets… really intense. This might not sound that bad at first, but the details are what might trip you up.

The first problem is actually your lack of control over details. While you’ll most likely become like the dumb brute you’ve been imagining, as desire does change what kind of jock a person becomes when they overdose on BDE, you won’t have total control over the details. I’m not what's transforming you this time afterall, you’re basically transforming yourself. It’ll probably work out, since usually those transformed by BDE are changed into their ideal manly self, but… we can’t be sure. Transformation is always a lottery, especially with more powerful transformations.

The second issue is that due to the unique way you’re transforming, you’re going to be… well, contagious. Literally. You’ve built up such a large amount of masculine energy that for a couple ays after your initial transformation, those around you will be transformed as well. Most woman and nonbinary people will just act a little more butch and masculine for a while, and some men will simply have an urge to do more manly stuff for a couple days, but for some of the people around you the energy you give off will be a spark that starts their own transformation. Some will only be transformed for a bit, but a lucky few will be transformed permanently, just like you. This might be a good thing, since now not only will you be transformed, you’ll get a small group of manly brutes to bro out with. The bad part is that you won’t be able to control who you infect. Here's hoping you just infect your friends and not your grandpa or something. Not that buff grandpas don’t have their own charm.

Despite the possible complications, you’ll definitely get your wish. To be a big and dumb brute. I hope you enjoy it, because there's no turning back.

[funkyplantguy]

you requested asks to fuel the brainworms so: I simply must know what kinds of video essays scar makes, in what kind of style?? how did grian stumble across them?

YIPPEE YIPPEE YIPPEE I WAS HOPING THAT SOMEONE WOULD ASK THIS !!

scar makes video essays about anything and everything! one day, he'll upload something about amusement parks or roller coasters, and the next it'll be about a book he's read or a show he enjoyed. the video essays aren't really that edited, and sometimes they can go a little long when scar starts rambling about something unrelated mid-essay, but his personality shines through, and it shines bright. sometimes, though...he seems lonely, and i think that's what makes grian so curious about him. how can this bright, boisterous man, full of so much life, be lonely? surely he has friends - surely he has people to listen to his endless ramblings, to listen and to hear. but...sometimes it doesn't seem like it. sometimes, when scar posts little mini-essays just talking about his day - what he ate for breakfast, the silly thing his cat did that afternoon - he seems awfully lonely indeed. and i think that grian's lonely too - he works long hours to keep himself busy, to keep himself distracted from the gnawing feeling that something is missing, that his life is meant to have more to it than this - then going to work and coming home and eating and sleeping and existing. and i think that endears scar to him. and then especially when he starts noticing the similarities between scar and hoyguy - his rampant curiosity kicks in, and it's all over from there.

as for how grian stumbled across scar's channel...he actually isn't sure. he seemingly was just...subscribed to him one day, with no recollection of doing so. honestly, he figures that scar just...bought some subscribers as a way to kickstart his channel, and doesn't really question it!

[imperiuswrecked]

AI being using by comic artists is going to kill the comic industry.

Comics are very much a visual media, and art being original and unique to the artists working on the books is a huge part of why people buy and read comics. Learning that an artist I enjoyed was using AI art somewhere in their process is pretty devastating to me, and truth be told I wish I had listened to my suspicions earlier instead of ignoring them, but the fact that I will never know for sure until the artist actually admits it is enough to make me stop buying their work. People have been warning others about how AI art is killing art, and for a medium like comics where art is integral to the story, I do not want to be spending what little money I have for my hobbies buying AI. It's scummy for an artist to do that to their fans.

I know there's been lots of comic art scandal since forever in comics, I know there's artists who trace porn, I know there's artists who steal from other artists, sometimes from the very same company doing the same books, I know there's artists who frankly shouldn't be given work because they cannot draw, yet because they knew the right people or something they get work that I know a lot of other artists could do better.

I know the comic industry has a lot of issues, especially in regards to how the companies treat their artists. I know the struggle artists & writers go through for their work, and I've always tried to support my favorite creators. I know that artists are under a lot of pressure, and deadlines, and that they are very underpaid. I know they are exploited by the comic industry. I think it sucks. I think they should have better working conditions and pay, I think there should be regulations, I think we should blacklist art thieves, but people who are a lot smarter than me and more experienced in the comic industry and understand the situation better are the best to listen to when it comes to this issue.

I know all of this but I won't accept it as an excuse to use AI.

I feel very strongly that any comic artist who uses AI at any part of their process and leave it in the end result shouldn't do that, and I won't support it. I can only hope that this doesn't become a common thing, because I know companies will jump at the chance to cut out artists even more and use AI for comics, anything to make themselves more money while leaving artists with nothing. Then they'll bring the artists back in to "clean up some AI work" and sell it. That's what the comic industry will end up being if the companies or artists use AI in their work.

[jok13-writings]

Something About Us (Modern AU, Gyuraro x reader)

Note: Hi everyone, I'm very excited to make my first post in this blog. This is supposed to be the first chapter of a series that I have in mind. Later I will continue posting them in AO3. I am new at writing and English is not my first language, so please be kind! I would like to thank all the writers in this platform, you all have inspired me to try writing myself <3 Thanks for reading and hope you all like it! (I accept any tips and suggestions, I'm still learning!)

It has been a few months since you started your first year at University. This new chapter in your life was exciting, and you managed to get to know a lot of new and different people. With your easy going and friendly personality, you became popular really fast. People adored you, always getting praised by your looks and sweet personality, and you couldn’t help but love the validation. You always made a lot of efforts to be liked by everyone, always thinking that if you treated others with kindness, the same would be returned to you. But there was one particular person that seemed to not like you. 

He was always sitting on the back of the class, with a scrutiny gaze and a scowl in his face. Some of his wavy black hair lifted in a half bun, with some locks always covering part of his ink stained face. His clothes always black; ripped pants with silver chains attached, oversized t-shirts, and his signature combat boots. He was a loner, and people tended to avoid him due to his rude and violent reputation. Gyutaro Shabana was intimidating, to say the least. 

In fact, he seemed to despise everyone, but you, with your obsession to be liked by everyone, took it as something personal. The first day of class, you tried to introduce yourself to him with your usual friendly demeanor. He looked at you with dose cold icy blue eyes, scoffed and told you to “get lost”. You were shocked by his rudeness, and you could only stare at his back speechless, as he walked away. 

Since that day you were determinate to make him like you. In order to gain his favor, you started making small gestures such as lending him your notes, smiling at him when your gazes met or say good morning to him when you saw him in class. In some occasions, you even send him the details and requirements for assignments that had explained in class when he would not show up. Every time you made any of that gestures or tried to approach him, he would immediately shut you down or directly ignore you. It was frustrating for you, but at the same time made you feel more curious towards him. 

You started to observe him from the distance, taking note of everything about him. He was always so rude, making inadequate comments about others, and sometimes straight cruel when he got the chance. You kind of disliked him, like everybody else did, or at least that's what you thought. Despite that, you couldn’t help but felt drawn to him.

The more you observed him, the more you noticed some other things about him. He was incredibly smart, everyone thought he had bad grades, but he was actually doing pretty good without almost showing into class, and he even had a scholarship. He was also very good at sports. You found out he was part of the basketball team one day you went to see a match with your friends, and you were really surprised to see how good he was at it. But what made you change drastically your perception of him was seeing how he treated his little sister. 

On a Friday afternoon, you were in the mall with your friends, and you happened to see him sitting in an ice cream shop with his little sister. He was caressing her hair fondly while she ate an ice cream. Seeing him in such a way made your chest flutter in a strange way that you did not expect. He looked so caring towards her, and it seemed like he even went all his way out to buy her a lot of clothes, considering all the shopping bags around them. You never have seen him before in such a way, and this more tender side of him intrigued you. 

As you looked at them, you couldn’t help but wonder how would it feel to be gazed so fondly by him, as if you were something he cherished. You could feel such as a confusing feeling, close to longing, build in your chest. As you watched the scene unfold in front of you, you suddenly snapped out of it, mentally slapping yourself for having such confusing thoughts about him. 

Since then, you had found yourself thinking more about him in different ways, in ways that you never thought you would. You tried to deny those new-found feelings, and never talked about them with any of your friends. After all, what would they think if you told them that you were crushing into the obnoxious loner of the campus? And more over, how would your reputation be affected by getting involved with him? 

You kept doing those small gestures for him, but now with a different purpose. Yes, you still wanted him to like you, but now it was in a deeper level. One day, in the math class that was required to be taken by most of the majors, the teacher announced an upcoming project that had to be done in pairs. As people started to pair up, you looked over at Gyutaro and noticed that, as usual, no one seemed to want to pair up with him. Gaining all the courage you could have, you decided to approach him and ask him to be your partner. 

He was sitting in his usual spot, with a bored expression and looking through the window. You stopped in front of his desk and as he noticed your presence, he turned and just stared at you with his signature cold gaze. You gave him a soft smile as your gazes locked and started to speak. “Hey Gyutaro, sorry to bother you, but do you have a partner for the upcoming project?” 

He looked at you skeptically and grunted. “No. And why do you care?” He said with a hint of defensiveness. You stiffed a little as he said that, not used to be spoken to in such a tone. Even thought that, you keep your smile, trying to look impassive to his rudeness. “I don’t have a partner either, would you like to team up with me?” you said sweetly. 

Gyutaro, for a split of a second, seemed to look surprised, but then the hardness in his expression returned. He did not say anything for a while and crossed his arms over his chest. He seemed to be pondering your proposition. Meanwhile, on the inside you were a nervous wreck, and you could feel your heart hammering into your chest from the tension. 

“Why? Don’t you have friends or something?” He said bluntly, taking you totally off guard. You shifted on your weight, feeling a little on the spot, and tucked some strands of your hair behind your ear from the nervousness. “Yeah… but they are all already paired up, and I thought we could make a good team… you seem good at math…” You trailed off, not knowing what exactly to say to convince him. 

He stared at you for a while until he shrugged and replied with a flat tone, “Eh, I guess I'm decent at it...” as he leaned on his chair. “Fine, we can do the damn project together but don’t expect me to carry it” he concluded and shifted his attention again to the window. 

As he said that, you let go a soft breath of air that you did not know that you were holding, feeling relieved. “Good, I’ll send you the details latter, and we can see when we meet up to get started with it”. You said and walked back to your seat with your friends. 

Seated back in your seat, you can’t help but feel really excited about spending time with him. You think this is your best opportunity to get to know him better and maybe to get him to like you a little. Your friends look at you puzzled and ask you why did you decide to team up with him, of all people. You just responded that you felt bad for him since he did not have a partner for the project, masking your real purposes. As usual, they praised you for being such a good person and told you to be careful around him. 

Meanwhile, Gyutaro was watching you from the back of the class, seeming curious about you and the interaction you two just had. Maybe this would be the beginning of something between you two.

[dfwbwfbbwfbwf]

Morgoth Offering Idril to Maeglin

Tw: grooming(?) maybe - definitely creepy adult vibes that are associated with that; child abuse references; suicide mention, but that's just talking about Maeðros and Húrin

@eri-pl You might not like this one. Nothing against your Blorb - it's just something I thought about while we were chatting about Húrin and Maeglin.

-----

I've always seen this in a similar light as a creepy adult doing creepy things to a child and then telling them "don't tell anyone, let's keep this a secret between us". Offering chocolate to a child.

And in that vein of thinking, it makes sense why Maeglin wouldn't tell anyone, and it's for similar reasons abuse victims don't speak up immediately, sometimes for decades. Fear, shame, self-loathing, doesn't know how to bring it up.

Because it's interesting to note that Morgoth didn't even mention Idril until after Maeglin spilled the beans (which he did because Morgoth was psychologically torturing him). Maeglin didn't do it to marry Idril. He did it to get Morgoth to stop.

It's easy to say "Oh, if I were in his position, I'd never say anything" until you're actually there (and I sincerely hope no one reading this somehow ends up in Angband). Most people, when in extreme duress, will do anything, say anything, to make it stop. Maeðros and Húrin are the exceptions - and even they, in the end, did whatever it took to make their pain stop. Permanently.

.... Huh. Two of the five confirmed, named characters who suffered torture in Angband ended their own lives. And they both happened to be the two who didn't break under interrogation.

[zeeohoh]

OBX RAFE SMUT | MINORS DNI !

Tags : arguing, toxic!rafe, reader has female anatomy, oral, oral smut, slight fluff at the end(?).

A/N : NOT PROOF READ.

//

Rafe had been avoiding you for weeks now, his work, his dad, his friends, he has a million excuses to not see you, and you've finally had enough.

You were sat on your bed, watching Notting Hill, you had seen this movie a million times but hey, it's your favourite, you can never have enough.

It's a 21:00 on a Saturday, you were *supposed* to see Rafe, or at least, you had hoped you would, he's been blowing you off for weeks now, you guys had been going out for a few weeks but not everyone knew, and it would've been hard for anyone to believe it either because of how he treated you when you were around people you knew, it was like the better and comfortable you felt with him, the terrible he made you feel in public, in simple terms, he treated you like shit, Absolute. Pure. Shit. As if you're some fuck toy or something to help distract him and you only meant something to him when his body was on yours. You didn't entirely feel this way, he seemed to genuinely have feelings for you but his actions said otherwise, so you stopped, or you would've just been delusional. Tired of wanting him to treat you like an actual human being and tired of wrecking your brain over being torn because you felt he had feelings for you but he acted like you mean nothing, and treating you like a nobody, you grab your phone and block him, his number, his instagram, anywhere you have him on your phone, you block him, throw your phone on your pillow and continue playing the movie.

02:19 *ring* *ring*

Your eyes flutter open as you realize you fell asleep watching the movie, you're broken out of yours thoughts as you realize what woke you up in the first place, your front door bell ringing.

Who the fuck is at my door at 2 in the damn morning?

You get off your bed, quickly grab your robe and a baseball bat you kept by the shoe rack and peek through the keyhole, it was hard to make out who it was because of the rain, but you recognised the familiar silhouette of a certain Cameron. You sigh and open the door.

"What the fuck Rafe? Look at the time"

"I couldn't reach you anywhere, you wouldn't answer my calls, my texts wouldn't send, what else was I supposed to fucking do? You cut me off everywhere Y/N"

"Just..get inside, you're gonna catch a cold"

"I don't care Y/N"

You take a step aside to let him in , you barely turn around before he grabs your wrists in his hands and pins you to the wall,

"RAFE"

He's so close that you can feel him breathing on you

"Why'd you do it Y/N? Do you really want me out of your life? Is that what you want?"

"It's not like I mean shit to you anyways, Rafe"

"That's not true"

"Like fuck it is, you treat me like absolute shit, you purposely go out of your way to make me feel terrible, you want my attention but you'd rather ask for it by belittling me infront of everyone, by talking down to me or treating me like I'm just someone you use to distract yourself from whatever the fuck you need to be distracted from, sometimes the shit you say isn't even funny, it's straight up childish and immature and rude, I shouldn't even have let you in after the shit you've said and the shit you've done, I deserve better than how you treat me. "

You could barely finish your sentences without feeling the need to choke up.

"Y/N I-"

"You used to make me feel so good, so safe but now I'm scared to even talk to you because I know nothing nice is gonna come up and I'm gonna get hurt again, I know we're supposed to be just casual but I just didn't think you'll treat me like I'm a nobody to you"

Rafe's gaze softened, and his hands went from your wrists to your shoulders.

"I'm sorry, I know I don't deserve your forgiveness because of the things I've said and how I've treated you, but I can't lose you, I don't want to do this without you Y/N, I can't justify why I've said what I've said, what can I do to make it up to you? I'll do anything, I never realized how much it could've affected you, I was being a dick, I'm so, so sorry"

"I know I shouldn't even be talking to you rn, John B would kill me"

Rafe took your hands in his and placed a kiss on the back of both hands. He peppered kisses all over your hands, working his way up to your wrists, your arms, your shoulders, and eventually, your neck, he whispered sweet nothings into your ear and nibbled on the sensitive skin right next to your jaw, which he knew makes you go crazy.

You shuddered under his touch and, out of habit, leaned into him, your head resting on his chest, kissing it, you turned up to look at him, your faces barely inches apart, and close the distance. You plant a kiss on his lips, it was soft, gentle, loving. His hands wander from your neck to your back, you guide his hands to your waist, he gives you a gentle nudge and following his cue, you lift yourself and he picks you up, wrapping your legs around him, his focus goes to your neck and you shudder, he takes that opportunity and slips his tongue in, his movements grow more eager as he softly grinds himself against you, grabbing everywhere you'd let him, at this point, you're both breathing each other, he's kissing you like he's gonna lose you tomorrow, like it's the last time he'll ever have you, your tongues move in a rhythm and your bodies are connected.

"Let's go inside" you say and he takes you to your room, he gently lays you down on your bed, not breaking the kiss once, not letting go of you even. once.

"May I?" He asks you as he nudges your top

You get up and help him remove the tshirt you slept in, he immediately went back to kissing your neck, your collarbone, and slowly made his way down to your chest. He took one of your nipples in his mouth, swirling his tongue around, gently sucking on it, you let out a soft sigh as he bit it gently while his other hand gave attention to your other one, toying with it, kneading it then he switched to the other one, doing the same as he did for the previous one.

"Let me make you feel good ma"

He made his way further down, leaving a trail of open-mouthed kisses.

"Tell me if you want me to stop ,okay?"

You just hummed in agreement

"No, I want to hear you say it, tell me if I'm going too far, and I'll stop."

"I don't want you to stop"

He tugged at the waistband of your shorts, and you lifted yourself up, helping him take them off.

"Turn the lights off,Rafe, I don't want you to look at it"

"You're beautiful, every part of you Y/N" he says as he gets up and turns the lights off, finding his way back to you, he plants gentle kisses on your inner thighs, softly massaging them. He slowly made his way to your core, planting a gentle kiss over your clothed core.

You squirmed in the bed, edging your body closer to his mouth, growing more impatient by the second.

"Easy now, I'm getting there" he said as he took your underwear off, folding it up and keeping it next to your bed, he licked a long stripe eliciting a soft moan from you, he latched himself onto your clit, lightly sucking on it, focusing on how you react to it, once he's satisfied, he pushes his tongue inside you, he speeds up exponentially, he's going down on you like a man starved, like you're the last meal he'll ever have, he doesn't slow down, he doesn't stop, he barely comes up for air, he only has one thing on his mind, making you come. Your hands find their way to his hair, grabbing them and tugging at them.He violently thrusts his tongue in and out of you, practically abusing your clit while you're a moaning mess, he hooks your legs over his arms to grip you and hold you down as you squirm and push yourself onto his face, his nose is lightly bumping against your clit, your moans turn him on and he started grinding against the bed, he suddenly inserts a finger in you which make you arch your back, pumping in and out of you, hitting your g spot as his thumb makes it way to your clit and rubs circles on it, while his other hand grabs your breast and plays with it, the sudden increase in stimulation drive you closer to your edge, your eyes are shut, you can't say anything, you can't think of anything other than how good his mouth feels, how good he's making you feel, you feel the burning sensation, signalling you're not that far

"Rafe I'm gonna-"

He doesn't even let you finish that sentence before he speeds up, you didn't think it was possible for him to go faster, but he was, the room is silent except for the moaning mess he's made of you and the unholy sounds he's making as he eats you out, he can feel how close you are, he hums in satisfaction.

"It's okay, come for me" You can feel the smirk he has on his face as he says it

Right as he finishes his sentence, you came. hard, harder than you've probably ever come. You're a panting mess, he slows down his movements but he doesn't stop, helping you ride out your high, once he's sure, he gets up and grabs a towel, cleaning you up, he kisses your thighs and helps you up on the bed, and lays down next to you. He holds you close and whispers in your ear

"I'm so sorry for ever making you feel like you mean less than to me than you actually do, I won't do it again"

"It's easier said than done, Cameron, don't make me regret giving you another chance"

you turn to face him and bury your face in his chest, slowly drifting away into a peaceful sleep as he plants a kiss on your forehead and holds you close. He'll spend as long as it is needed to make up for how he treated you, taking care of you and cherishing you for as long as you'd have him.

[thevalkyriesshadow]

People saying SJM will write Elucien because she's not going to make poor baby Lulu (PBL) suffer again because he's one of her favorites ....

My brother in Christ.

They're ALL her favorites. It's her fucking book. They're her fucking characters.

Now if we were going to RANK her favorite characters, I still don't even think Lucien would make top 5. He's not a part of the IC for a reason - and considering that SJM has chosen to write about them over him - tells us enough about the ranking of her faves. It's always going to be:

1. Rhys / Feyre

2. Nesta

3. Azriel

4. Cassian

5. Elain

6. Amren

7. Mor

8. Lucien

And honestly placing Lucien at 8 is still debatable. His storyline has been reduced more and more with every single book. I'd say he was definitely up there with Feyre in Book 1 - but since ACOMAF his character quality and page persona has declined steadily. Significantly.

Idk if y'all have ever read a book or written anything - but typically a writer who likes a certain character ... writes about that character. A lot more than she writes about her other characters. That character might've started as a minor one or even background character - but the writer likes them so much they find a way to put them in the page more, finds a way to work them into the story. See what SJM did with Ithan Holstrom in CC. With Fenrys. They were introduced as minor characters and then became a big part of the story.

The exact OPPOSITE is happening with Lucien. It's not a slow burn - it is erasure.

If he is such a favorite - where is he?

Also what makes you think SJM isn't going to make her favorites suffer? Y'all saw what Aelin went through. Saw what Rhys went through. I don't like to compare traumas - but Lucien's trauma pales in comparison to some of the other harrowing backstories we've seen in ACOTAR itself. Genuinely I think whatever Rhys, Elain, Nesta, Azriel, Emerie, Gwyn went through is far worse than what Lucien went through. Not saying he didn't suffer - but the argument that SJM wouldn't have him lose his mate because she likes him is so ridiculous.

Let's stick to the books. And I mean the actual text in the books - not farfetched headcanons and fanfics and theories and claims of extrapolation "foreshadowing".

SJM can change her mind and her opinions and her interviews and her Pinterest boards. What she can't change is the story she's laid out for 4 books now. What she can't change is the direction her characters are taking her in and the words she's already written.

Hi anon

I hope you feel better after getting that off your chest... sometimes you just gotta rant

BUT

I would like to make a few points

1. I do write stories (beyond fanfics) and yes I have favorite characters I write but if I spent as much time writing about a character as SJM did with Lucien, that character has a story to be told. He's connected to many characters in the story and is mated to one of the Archeron sisters (who the stories being told in ACOTAR are ultimately about). To say he is being written off the page just because he wasn't as prevalent in ACOSF for example is a bold statement (he really had no ties to Nesta's storyline so it makes sense he wasn't in it as much) but a storyline he is connected to? Elain's - whose book we will inevitably get.

2. I don't like how you say his trauma is not as bad as the others. It's not okay to compare people's traumas. What might not seem like an emotional/psychological/physical traumatic event to one person doesn't mean it's not devastating to another.

3. SJM can absolutely change what she's already written... She is the god of ACOTAR afterall. She can do as she pleases. A perfect example of this is when she retconned that Azriel was present in Sangravah when it was attacked. Making him the first one there, the one to slaughter all the soldiers in one room, and save Gwyn from further harm. Previously, we were to believe he was just informed, but SJM changed that with what she wrote in ACOSF.

Hope you have a wonderful day anon!

[cesiscribbles]

hello, wanted to know if the "villain" present mic / hattheif? is discontinued? you have lovely art and thats what made me find the series? it was going rlly well and I couldn't find too much information on it? Just wanted to know if its ok of course.

Regardless your art is rlly cool and actually made me start watching good omens!!!! rlly nice show and yes.

Thanks for reading this message till here and hope that you are able to passionately create such beautiful and fun works.

Heyo!

Yes, I won't continue the Hatstealer AU. Unfortunately I really started to dislike this comic and I also lost interest in BNHA...

I still have 7 pages of rough notes how the story could have continued and ended. If people are interested I wouldn't mind sharing them. But like I said it's really rough, and sometimes maybe confusing without the full context of ideas I had in mind.

[cakerybakery]

“So why are we here, again?” Lucifer questioned, looking up at Adam from his seat on the bench next to him.

Adam used his soda to point at Alastor with a knife, hunting down one of the animatronic victims at mall’s Murder Zone Arcade. “He’s been all cagey and aggressive lately, so I figured he might have some fun at the murder house. Maybe even make a new friend since Charlie says he’s been more distant than normal since I nearly killed him during our fight.”

Alastor laughed manically as he plunged his knife into the animatronic human’s heart repeatedly and some prize tickets spewed out.

“Well, he does look like he’s having fun.” Lucifer winced as the realistic blood sprayed across the floor. “But why are we here?”

“You know your kid can’t stomach this place, and if he goes off the rails too much he needs someone that can reign him back in before he starts destroying shit he’s not supposed to.”

“Right. Do I have to stay here the whole time, or…?”

“Go on. Just be back in an hour. I want to go check out the music store.” Adam called after Lucifer as he took off to check out the theme park in the mall.

It took a few hours for Alastor to wear himself out and Lucifer was itching to go home so Adam grabbed his shopping bags and boyfriend so they could go up to the fence that marked the arcade’s outdoor zone from the rest of the mall.

“Time to go, Al.” He called and Alastor looked over from his conversation he was having with another serial killer about stabbing techniques to get the most out of the motion.

Alastor glared at him but said his goodbyes and desolved into a shadow that moved across the floor and under the fence to he could reform by them.

“You have a good time, kid?” Adam asked as they walked towards the exit.

Portalling back to the hotel in the mall was rude, according to Lucifer. It inconvenienced others and sometimes they accidentally walked through the portal and Lucifer would have to send them back. It was better to do it outside.

“It was an enjoyable day, I must admit. Although,” Alastor jabbed his cane into Adam face, “I don’t recall changing my mind about the nicknames, Adam.”

He snorted at the threat and pushed the cane out of his face, “right, I forgot. Sorry about that, Alastor.”

Alastor was only about a hundred years old but he thought he was so grown up. Of course, Adam had thought the same when he was that age.

‘The folly of youth.’ Adam chuckled to himself.

It was funny. Back in heaven he thought himself as young and hip. The cool dad. In hell he felt a little more his age. The grey strip in his hair probably helped. As did the reading glasses he started to need.

These days he looked at sinners as less of degenerates and more like kids fumbling around trying to figure things out, but that was probably Charlie’s fault. All her preaching about sinners having made mistakes and if they truly learned and wanted to be better didn’t they deserve the chance to try and better themselves?

He supposed they might. If they actually wanted to be a better person, if they actually put in the effort to better themselves, souls were eternal. Always capable of change. Took falling for him to realize he wasn’t just inherently doing good because he was an angel.

Of course some folks didn’t want to change. That was fine. Alastor seemed one of the sort that wanted to be in hell. That relished in causing pain and destruction. But not everyone was happy in hell.

When you took away hope, when you made bettering yourself pointless, you got people that stopped caring. That stopped trying. That just tried to survive and live their afterlives the only way they knew how.

Adam wondered a lot these days about his fall. Which of his actions were wrong. Was it just the big things, were there little things? When he was alive could he have done better by his kids? By Eve?

Probably.

He did his best with what he had at the time. It was good enough to get him into heaven, but he believed that made him perfect. There was a lot of that in heaven. He was never forced to look at himself as he truly was. An imperfect being that made mistakes sometimes. That hurt others sometimes.

What was the difference between him as an angel and an average sinner? The scales tipped him just enough to give him a halo and wings. He’d done just enough right to make it before the pearly gates.

How many monster in hell were not born but made? How many sinner could have been saints if they had different chances in life? One can talk about choices but if the choice is to steal or starve, is it a choice? Why is it a sin to survive? Not everyone is some poor, if only they had other options, but not everyone is unrepentant either.

Sinner or winner most everyone is somewhere in between.

Charlie was looking for the saint in the sinner. Maybe what she should be looking for is what’s tipping the scale towards hell instead of heaven. A bit more reasonable than just blinding throwing darts at a target and hoping she stumbles into how to reform someone. She already knows not everyone is looking to go to heaven. She’s just having trouble instilling hope in the hopeless. In reaching those that have a chance of being reformed.

Lucifer and Alastor were already starting to get on each other’s nervous by the time they made it out to the sidewalk.

He handed Lucifer his bags then flicked both of them on the back of their heads. “Knock it off you two. Alastor stop trying to antagonize Lucifer. Lucifer stop being antagonized. You’re like a million years old. Act like it.”

“Yes, you should be a good example for- OW!” Adam flicked Alastor again. “Would you cut that out?!”

Lucifer laughed and Adam flicked him too.

“Enough.” Adam scolded. “You two. I swear I’ll leave you at home next time Lucifer.”

He gasped, “but the train!”

One of his boyfriend’s weird obsessions was the train at the theme park in the mall. Adam didn’t get it, but it made the guy happy.

“Then behave. Let’s head home.” Adam waited for Lucifer to open the portal and turned to Alastor. “would you like to help me make supper? I was thinking steaks. Got some deer in the freezer I can toss on the grill to warm up for you. Be like it’s still alive.”

That seemed to work and his smile reached his eyes when he agreed.

Maybe next time they could come as a group. Niffty would probably like the Murder Zone Arcade too. The others would likely prefer the theme park.

Could be fun. He’d have to suggest it to Charlie later.

[stevetonyweekly]

SteveTony Weekly - September 22 - Week 38

Hi, friends!! I hope you’re having a good week and reading lots of excellent things. Quick note that MTH is back! So if that’s your jam, sign up as a creator, or get ready for auction week coming at the end of next month! Ok, here we go with this week’s recs: 

rutted old road by meidui

It’s his loneliness screaming, out here in the mountains where nobody else is, begging to know—are you like me?

my thoughts: i didn’t know that this was @meidui’s work when I started reading it, which was very late at night and very very silly of me. It’s all the things I love about her stories, angsty and sweet and lyrically gorgeous. Read it. 

Buried by NotEvenCloseToStraight

When Howard Stark demands Tony work at a dig site in S.America one summer to "build character" and "learn about life", Tony is furious.

But then he meets soldier/archeologist Steve and falls in love with blue eyes and a perfect smile. Just as they are ready to move forward together, Steve leaves abruptly with no explanation and breaks Tonys heart.

Ten years later, Tony stumbles across the file for the old dig site. He's determined to visit and shut it down, but discovers that instead of a village, the dig has unconvered a temple and actually needs MORE money to stay open. A security team is hired to protect the staff and the artifacts they find, and Tony comes face to face with Steve Rogers all over again– except Steve is bearded and BIGGER and way more dangerous than he used to be...And Tony likes it.

When the camp is attacked, Steve jumps into action, snatching Tony and running into the jungle to escape and work their way towards safety.

But long days and nights together bring back old feelings, and one day Steve takes a risk and asks Tony to give them another chance.

Will Tony say yes? Or is his heart buried too far for the soldier-turned- archaeologist-turned-mercenary to find it?

my thoughts: i’ve read this before but I’m a sucker for trapped together life or death situations, and NCTS does it beautifully. 

The Tchotchke Cha Cha by Arukou 

What started off as one impulse buy souvenir snowballs into a constant flow of knickknacks from all over the world, and Steve is starting to wonder if it's more than just Tony being nice.

my thoughts: tony showing affection through random gifts is never not gonna hit. Steve being sweetly besotted and just a tiny bit jealous? Perfection. 

You and Me and Him by navaan for magicasen

If you live in the same house, it’s really hard to keep your secrets. Especially if you are good friends. He doesn’t mean to watch as closely as he does, but it’s obvious to Steve that Tony and Iron Man are in a relationship. Right?

my thoughts: identity porn!!! Who doesn’t love it. 

Dancing With Your Ghost by LunaStories

Tony never thought he'd be here, getting his wings groomed by Captain America of all people. It was too intimate, but Steve had offered and he was too weak to resist.

my thoughts: grooming as caretaking and steve neglecting himself and taking care of tony? Perfect. 

you're a bandit like me by Areiton

He feels, sometimes, like a junkie, waiting for the needle to slide in, for the poison to hit his veins, and then--

The portal clears, and Tony grins up, laughing at something Steve can't see, and the air rushes out of him.

Staring at his husband, a version of him--Earth 21982, he reads absently--Steve feels almost lightheaded with relief, and he whispers, "Hey, sweetheart."

my thoughts: a little morally grey Steve and grief? Sounds just about right. 

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

summary: he still dreams of you and wishes for another chance to make you his, some lines are inspired by hakujitsu by king gnu

warnings: reader is rather lively/bubbly,

notes: TYSM FOR 100 !!!, a/n (yapping) in tags

wc: 1800

Hoshina Soushirou still dreamt of you. Every once in a while, you’d come to visit him in his sleep and it would make him believe that a miracle had occurred, that he had another chance. Every time, he would tell himself that he would never let this go, that he would give it his absolute all this time.

Yet, every time, he would wake up from this dream.

And every time, he would feel his heart drop at the realization of that. He was disappointed, and he knew, but there was no reason to be. It wasn't like anything had happened between the two of you. He liked to believe there was something going on— something more than mere acquaintances or friends, but he knew there wasn't. It must've been all in his head because the last time he had heard of you was before you were moved to the first division. He hadn't heard a single word from you since then, nor has he said anything— but that was just the way it was. There was nothing to do at this point anyway.

He wasn’t with you for all that long, and it was probably just the fact that both of you joined at the same time that naturally started the first conversation. He was far more weary of everything and far less cheerful at the time, and you didn't even work with him most of the time being a researcher, but you didn’t mind that one bit. If you had something you wanted to say, you would tell him and he’d just have to listen. At first, he had no idea why you kept talking to him when he paid hardly any mind, but after a while, he found comfort in your conversations. He had started to look forward to talking to you.

It had only been a few months before the defense force noticed how spectacular your work was and quickly called you over to the first division. There wasn’t a tearful farewell, or even a casual goodbye for that matter. You disappeared along with a cheerful ‘I’ll see you around!’ while you were moving your boxes out and he would hear those words ring in his head for the years to come— in your voice. Yet, at the time, all he could do was force a smile and nod.

It had been so many years since you had moved, he didn’t even know what you looked like now. Probably still stunning. Definitely still stunning. Although he had the chance to see the 1st division officers a lot, you were a researcher who worked behind the scenes. Naturally, there was no reason he'd bump into you, and he didn’t. He never did.

He loved to remember you, but he hated to think about you. He loved to remember the way you would laugh at his silly jokes, the way you would ramble on about the work you had to do daily but would still put in your all, and the way you would always visit him with some cold tea when he trained late into the night if you were still up as well. Actually, he hated thinking about the tea— it would make him start thinking about you. He would think about how you were now, if you were still pilled with work, and if you remembered him.

If he bumped into you, would you remember his name? Maybe if he cracked a lame joke. Maybe if he gave you a few days to think about it. Maybe if he started listing the things you talked about— his most treasured memories. Maybe then you’d say his name again.

See? This is why he hated thinking about you— he had things to be doing.

It wasn't like this happened everyday and it wasn't that big of a deal. It just ruined his day a little when it did happen. So if he had to say, he hated dreaming of you.

As you took over his thoughts again, the emergency alarm started to buzz, as if to tell him to snap out of it. He was thankful, he couldn't still be daydreaming like this.

A smaller-sized identified grade kaiju had appeared near the first division quarters, so the third division was doing more backup work this time. Hoshina was taking care of the smaller kaiju in the vicinity that had spawned from the presence of the honju. It felt nice for him to be doing work, it took his mind off his ramblings and cleared his head. He wasn't too worried about the honju, however. Although it was an identified grade, it wasn't anything they hadn't dealt with before and as much as he liked to tease Narumi about how he was always better at smaller kaiju neutralization, he knew Narumi was extraordinary at what he did.

At least that would have been true for any other kaiju of that size and strength, but Narumi seemed to be struggling far more than expected with this one. From his earpiece, he heard Okonogi notify him that the 1st division was asking to send Narumi some help if possible, and he immediately rushed over.

Yet, by the time he got there, Narumi had already neutralized the kaiju in question, although horribly beat up.

“I don't need your help, Hoshina!” Narumi still managed to yell while on the floor, absolutely bleeding out.

“Oh, shut up, do you want to die?” Hoshina asked. It didn't take an expert to see that Narumi’s condition was concerning.

Narumi soon fell quiet, probably unconscious, while Hoshina found his earpiece lying on the floor near him. He picked it up, hoping it'd connect to the first division just in case they had lost connection to his vitals.

“He's unconscious right now, but he seems to still be breathing. However, he's bleeding dangerously from multiple spots. I think a few ribs might also be broken,” Hoshina said. “There aren't any kaiju nearby at the moment and I'll take care of them if any do come— bring the stretcher right away.”

He waited a moment, but there was no response from the earpiece.

“Hello?” he asked, hoping for a response. After another moment, he heard it.

“Hoshina…?”

It was you. He would still recognize your voice from anywhere. Oh, how he missed you. His eyes were wide and he had nothing to say all of a sudden. You remembered him. You recognized his voice.

You remembered his name.

“Thank you for your report, we lost connection to some of his vitals halfway through. The medics should be there in a few minutes,” you said.

“I'll stand by,” Hoshina said and kept Narumi's earpiece in his ear. He had nothing he wanted to tell you, not one thing in mind, but he wanted to be on the line with you— even in silence. The medics came in a few minutes like you had told him and took care of Narumi right away.

“They got here, he should be fine now,” Hoshina said, as if you didn't already know. He just wanted something to say to you.

“I missed working with you,” you said and he couldn't believe his ears. Perhaps he'd wake up from this dream again. Perhaps he'd open his eyes and be utterly disappointed again. But he knew there wasn't even a hint of romantic affection in your words, just the respect you've always had for the work he did, and how you missed doing this job with him. And he did too.

“Yeah, I did too,” he said. “I still do.”

You chuckled a little and he could still picture you smiling. “That made my entire year,” you said. “Probably not the time for this, but we should catch up sometime. If you don't mind, of course.”

Made your year. What did you mean by that? And If he didn't mind? Oh, you didn't know how many times he's dreamed of this day.

“I'd love to,” he said. While he was a little embarrassed to imagine the rest of the first-division team hearing this conversation, that was not going to stop him. He'd be an absolute fool to let this chance go. He has promised himself to give it his all this time.

“Are you seeing anyone?” he asked quietly.

“Sorry?” you asked, hoping he'd repeat that. You heard it, but you were afraid you were so delusional you were starting to hear things. Your heartbeat quickened and you waited patiently, hoping it wasn't all in your head.

“Do you have a lover?” he asked a little more clearly, but obviously still nervous and flustered. You had never seen him like this, ever.

“No,” you replied, a little too quickly. “I do not.”

Relief washed over him and he felt his heartbeat quicken. Oh, thank goodness you didn't have access to his vitals. He was going to make you fall for him somehow.

“…do you?” you asked quietly, after a moment.

“Me?” he asked. “No, I don't.”

“I see,” you said, but he could hear the soft delight in your voice. He would never miss it.

Perhaps he'd just go for it. There was nothing for him to lose at this point, and he had made his feelings plenty obvious already. If you didn't want him, he'd just try again. He's tried countless times in his dreams already, what's a few more?

“But I'd love to be yours,” he said and heard you gasp quietly. That one he couldn't read. Was that a little too bold? Far too sudden?

“Did I hear that right?” he faintly heard you scream, asking your fellow first division coworkers. That made him laugh, you hadn't changed one bit. “I’ve loved you forever, Hoshina.”

There was absolutely no way. He was going to wake up soon, he just knew it. Well, might as well indulge in the dream for now, then.

“I've definitely loved you for longer,” he said.

“Hoshina, I'm going to kill you if this is a dream,” you said, and that caught him off guard. Yet, even that sounded nice to him, and that made him smile. He'd get to see you, at least.

But it wasn't a dream. The way your voice fluttered his heart could never be felt through a dream. The way your laugh filled his soul could not possibly make him feel so warm through a mere dream.

“I cannot wait to see you,” you said softly, your voice so full of love it made him melt.

He couldn't either, but that wasn't exactly what he had on mind this entire time.

“And I cannot wait to kiss you.”

[alphajocklover]

InstaJock: Going Viral

**Hey! This is my entry for @occamstfs Viral Transformation Challenge. Congrats on getting 2,000 followers, and thank you for beta reading this and helping me edit it. I hope I can get to 2,000 followers myself one day! For those who are new to my stories, this does connect to the plot established in my blog, but the concept is simple enough you should be able to follow along even if you don't usually read my stuff! I hope you all enjoy!**

When I talk about the InstaJock App Phenomenon – which I seem to do a lot. What is this, the 17th InstaJock related post? I need to diversify more – I usually talk about the transformation aspects and not the app itself. That’s partially because the transformation is the most interesting and hottest part, but it’s also because I haven’t been able to take a good look at the app. Even with all the protective spells and equipment I have, I can’t use a phone with InstaJock on it for very long without getting an urge to set up an account. 

Until now.

With some help from the devilishly handsome (and literally devilish) Nick, I’ve been able to get my hands on some better equipment and better explore the app. I was able to spend a couple hours on it before I needed to quit, and actually got some very interesting information, mainly about how the app works post-transformation. I had always assumed that once a user got transformed into a jock, they’d ignore the app from then on unless they wanted to change someone. I was very, very wrong, not just about that but about the purpose of the app itself. It’s not just for making people into jocks: it’s for finding the best ones.

The app generally works like any other social media app, with its members posting about their interests. It’s set up is a lot like Instagram, where pictures and videos are the main format used for posting, but what really makes it different from other social media apps is the content. You can probably guess what an app full of buff cocky jocks looks like, but I’ll confirm it for you: the app is a thirst trap paradise.

The entire app is stuffed with half naked –  and sometimes fully naked – photos of buff jocks, ones of all different kinds. If you can think up a jock related stereotype, they have a full hashtag dedicated to it. Just buff jocks playing sports, flexing and making out with other hot people, for as far. I know that doesn’t sound too different from normal social media apps, as most have a healthy NSFW side, but the posts have more in common then just showing jocks. Each and every post, every one that I saw, mentioned a Master. Some were talking about how they were getting pumped up at the gym for Master, some were talking about how they loved being jocks and were so glad Master had found them, and some were literally begging for Master to notice them, often wantonly describing how they’d debase themselves and be the sluttiest jock ever, all for him. Everyone on the app would post at least once a day about this mysterious Master. It doesn’t seem to matter if the jock is a dom, a sub, a top, a bottom, in a relationship, single, gay or even straight, all of them wanted this mysterious unnamed master – so much so they seemed to completely change personalities whenever he is mentioned. It seems instaJock has an additional side effect I didn’t know about till now: complete and utter devotion to their Master.

It took me a while, and some covert interviewing of a number of jocks in their DMs, but I think I figured out what's happening. The Jocks aren’t just posting for fun, they’re competing with each other. InstaJock isn’t really a social media app, it’s a sort of ranking app. Every day the jocks log on, post a picture of themselves with a caption somehow related to their Master, and leave likes on some of the other posts, usually the ones they find hot. If a jock’s post gets enough likes though, they get what every jock wants, what all of them are trying to get. They get to Go Viral.

Going Viral on IntsaJock isn’t like going viral on a regular app. It essentially means you’ve gotten enough likes, been reposted enough times, and have become popular enough on the site… that Master has noticed you. That's what the social media part of the app is really for. It’s just a way for Master’s jocks to organize themselves so only the hottest ones show up on his feed. If he really likes you, he’ll do more than just look too. Soon that Jock will disappear from his regular life, never to be seen again, whisked away to become a part of Master’s personal harem. This entire time the app has been about one thing: creating lovestruck sex slaves for the man who created InstaJock.

Like most actual social media apps, InstaJock jumps from one thing to another, and what's viral is always changing. But there are two tags that are always trending on InstaJock. The first, and most popular, is #JockMaster, which is only ever used by this mysterious Master when he makes a post. I’ve seen his account. He never shows his face on it, but from what little of his body that makes it into the photos, he’s… enchanting. As much as I hate to admit it, seeing just a bit of that creep almost made me drool. He usually only posts a couple times a week, as opposed to the jock who posts daily, but everything he posts goes viral on the app in moments. I’ll admit, there's something about his posts that is just… hypnotic. I almost set up an account after seeing one myself, and probably would have if Nick wasn’t there to stop me.

The other tag that's always trending is… more interesting, at least to me. It’s #MastersBoyfriend. It’s another tag used only by Master, and one he uses whenever he posts a picture of one particular member of his harem. 

Whenever he posts pictures… of my Uncle John.

I finally know who took my Uncle. I know who this Master is. I suspected it was him for a while, but now I’m sure. The man who made InstaJock and the man who turned my Uncle into a slutty buff himbo are one in the same. I finally have proof.

So now what?

**The identity of the person behind InstaJock AND the person behind my Uncle's transformation and kidnapping has finally been revealed! Been working up to this for a long time, and I'm glad to keep this story moving forward! Hope you liked it as much as I do! Thank you to @occamstfs once again for being absolutely awesome and inspiring!**

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[lillymakesart]

my new OC: cempaka!

she is based on the story/universe that my friend @haydardotjpg's OCs indra and yuwei exist in! pls go checkout haydar's art he is amazing!! his ocs can be found more easily on his ig but if you're lazy this is his oc indra (cempaka's one-sided love interest) and yuwei (indra's fated lover)

also, cempaka means "magnolia" in malay!! (she gets a flower name bc my name is lilly which is also flower c:)

bonus first iteration under the cut!

i accidentally had "poinsettia" flower in mind when i did this iteration instead of an actual magnolia, hence the color scheme. but yeah, this is as self-insert as it gets LOL like she's literally MEEEEEE but still very different and i love her as she is <3

[singingcicadas]

Every time I see something along the lines of "Megatron was a slave because he was oppressed and forced to work in the mines, forced labour is slavery and oppression is slavery so what happened to Megatron was obviously slavery" a question mark pops up in my head and it's so fucking funny because. Social studies. History. Basic literary analysis skills.

Like I'm gonna be assuming whoever's in the 'Megatron was a slave' camp is talking about idw1 and tfp b/c those are the only two continuities that have Megatron coming from an oppressed background in depth. If it's idw1 then how could anyone miss the obvious communism reference in Megatron Origin? (Guaranteed it's a loose, twisted, villifying, Western-lensed, not-very-good reference, but point is that it's OBVIOUS and unmistakably RECOGNIZABLE.) Workers' revolt ring a bell? It's the first issue in the collection volumes so even if people run out of patience without finishing anything they should have been able to at least get through that before, y'know, making unfounded claims about canon. And the stuff I'm talking about should've been evident in the first chapter. Were the miners upset because they were forced to work in the mines? No, they were upset because the government was closing the mines and laying them off and replacing them with automation; they were upset because soon there would be no mines left for them to work and then they would starve.

'Slavery is forced labour' yeah but uh that's only one facet of it. Forced labour because of livelihood: 'I have to work here b/c it's the only job that's available to me and I have no means of obtaining the skills/licence/opportunity for a different job or bettering my circumstances, if I quit I'll have no income/food/shelter and starve out on the streets' is fundamentally different from forced labour due to state institution of ownership over people: 'I have to work here because I am the private property of the facility owner and am forbidden by law to leave or quit.'

Does anyone like, not see the difference between the two scenarios? Only the latter would be slavery since it has the defining characteristics of 1. legalization of the ownership of people and 2. restriction of liberty. In concurrence. The first scenario's just describing what every fucking exploited worker/peasant/wage-earning lowclass commoner in the world looks like, it's called proletarianism. It's a completely different class category in a completely different social structure that's in no way interchangeable or confusable with slavery unless you want to say that communist revolutions were done by slaves and every wage worker in the industrial revolution was a slave. why not go back further while at it and serfdom can be slavery feudalism is slavery indentureship corvee conscription are all slavery lmao way to rewrite history.

For the people who's only read MTMTE and nothing else there's even a specific scene in there that says this 🔽

This is talking about Rewind. The text literally gives us what used to be the equivalent in Cybertronian society and it's clearly not Megatron's class. And why was Rewind's class equated to slaves? Because they were considered disposable tools, not sentient people. The Ambus Test helped them get rights by proving their sentience as people, which further proves that they don't keep sentient people as slaves.

If it's TFP then did anyone notice that Megatron started as a miner but met Optimus as a gladiator? If he was so absolutely forced to work in the mines as a slave then how was he allowed to leave?

This is how Covenant of Primus describes Megatron going to work in the mines. It's "the only opening available to him". It doesn't say that he's assigned a master at birth and was legally obligated to go work in that opening on pain of punishment. Just implies that he'd be out of a job and income and would probably starve if he didn't. There's still an illusion of choice, of free will.

The closest thing Aligned had to slavery was the Quintession occupation era but the Covenant also spent a whole section talking about how it started out as a mutually beneficial relationship with the Quintessions presenting themselves as the more advanced race and Cybertronians eagerly accepting them as 'masters' (honourific term, not literal) in a pseudo colonizer-who-civilized-the-indigenous-barbarians-and-used-them-for-cheap-labour dynamic which got more and more exploitational as time went on until the Cybertronians had enough and drove them off. But even during the peak of occupation the Quintessions were still careful to give Cybertron the pretense of sovereignty. It was the Quintessions who introduced them to the electoral system and inaugurated the office of the Prime in the first place. The illusion of free will and equality was always there, despite everyone knowing otherwise.

Exodus is extremely clear in describing Cybertron as a birth-defined caste system with rigid hierarchy and little mobility. So that's exactly what it is. a caste system. Not a slave society. There's a reason they're different words, they're different concepts! I don't get why people would feel the need to replace one with the other, does slavery sound better? edgier? Is the purpose for making Megatron an ex-slave to have his backstory sound more tragic? to induce more sympathy? idc people are free to headcanon what they want but at least have the decency to refrain from framing it as canon and bashing other characters with it? Stuff like 'oh Optimus was so selfish/naive/entitled/stupid/insensitive/traitorous/opportunist/privileged to accept the prime title in front of Megatron the poor ex-slave' nevermind that Megatron had repeatedly expressed a desire for taking power through whatever cruel means necessary and was perfectly eager to become prime when he thought he was the one going to be chosen? Nevermind that the council offered up a chance for implementing all the social changes they wanted through legal means with the least amount of bloodshed and Megatron threw it all away b/c he didn't get to be in charge, by committing murder on the spot? Nevermind that 'Megatron the poor ex-slave' is a massive bigoted racist who looks down on Optimus' job and is disgusted by minicons and combiners and insecticons as well as being a devout believer of 'survival of the fittest and the rest don't deserve to live' -type social darwinism and a domestic terrorist happy to blow up factories full of his own caste members and places full of innocent people? Nevermind that Megatron and Optimus already had a deep rift between them because of Megatron betraying Optimus' trust by lying about his role in the bombings and Optimus already recognizing that their methods were never going to match up b/c of Megatron's disregard of innocent life and Megatron never really trusting Optimus anyway? As if making Megatron a slave somehow excuses all of that and pins all the blame on Optimus.

[thormanick]

All the Kavetham/Haikaveh ideas I don't have capacity to currently write, a very detailed list:

(Which I am humbly placing here before you. Be warned: this post is an incredibly long one!)

1. Fatui!Kaveh AU, where the night before the meeting happens between Kaveh and Alhaitham at the tavern, Kaveh gets a deal from Fatui representatives to work on a huge project in Snezhnaya. Kaveh is sceptical about it, but decides to accept the offer during the dialogue with Alhaitham (seeing himself as a burden, Kaveh decides that he will cause more trouble to Alhaitham than the Fatui, thus he decides to accept their offer even if it seems too good to be true). He tells Alhaitham about his decision to leave for Snezhnaya, and so the two relatively amicably/peacefully part their ways (not without Alhaitham testing Kaveh's reasoning a bit, but Kaveh's resolve remains strong).

And so, Kaveh leaves for Snezhnaya, where he gets to work on several huge projects for the next several years under Sandrone. Most of them are related to construction, engineering and reverse-engineering of Khaenri'ahn and Khaenri'ah-inspired technology, and he gets barely any time to work on his personal projects (he's overworked and exhausted and doesn't get much time and opportunity to be creative; however, the payments are good and he's on his way to getting out of debt, which is practically the sole reason driving him forward. The projects get progressively more complicated and, in a way, unhinged - engineering military equipment is alright, but working with the remains of Khaenri'ahn technology, dead gods and such proves to be... mentally taxing. Everything happens very gradually though, so Kaveh does not immediately notice the true scale of where the Fatui are ready to go to achieve certain goals). Kaveh doesn't really like the work environment of the Fatui, but he does his best (the Harbingers creep him out whenever he gets to see them on a rare official occasion (he might specifically dislike Pantalone because the Harbinger keeps picking at him for his debt, given a chance), but Sandrone's a decent boss who is somewhat encouraging and invested in his work and personal projects. She might be especially interested in Mehrak's existence and operation). Overall, everything goes quite smoothly for Kaveh, even if he doesn't feel quite at home in Snezhnaya and is aware of how dangerous the Fatui can be. He does not consider himself to be paranoid, but the other shoe has to drop at some point - and that happens when the new Acting Grand Sage of Sumeru gets to visit Snezhnaya on a diplomatic mission (aka: Kaveh reconnects with Alhaitham & Co for the first time in what feels like forever). The situation gets complicated when Kaveh realizes that Sandrone encourages the reestablishment of his connection with Alhaitham specifically - and she never encourages an action if she doesn't directly contribute from it.

Feelings, emotions and shenanigans ensue.

TLDR: Kaveh's doing his best despite being restricted in his ways of work, prevented from realizing most of his creative projects and slowly but surely building emotional walls around himself because Fatui and Snezhnaya; Sandrone being a kind of decent boss with sorta good work ethic but horrendous morals who is not exactly a good influence on Kaveh's idealistic tendencies and guilt complex; Fatui being contextually horrifying but kinda normal coworkers if you don't look at them too close; Alhaitham trying his best as a political figure (Nahida help him) while also trying to get Kaveh to return home with him (because he misses him); the main conflict revolving around Kaveh and his life choices with Sandrone and Alhaitham being kind of foils to each other (with Sandrone gradually destroying Kaveh's idealistic morals and playing on his guilt to get the most out of his potential as an innovator, and with Alhaitham actively trying to resolve Kaveh's guilt and show him that, despite their arguments, Kaveh's idealism still has place in the world and can co-exist with other philosophies). There might or might not be some macguffin-esque Deshret relic that both Akademia and Fatui hunt for that eventually brings the whole crew back to Sumeru. Kaveh might or might not get a chance to meet a fragment of Deshret's spirit within the mentioned relic. But there definitely will be a happy end for everyone here (Deshret will make sure of it).

2. Calamity!AU. The new Cataclysm comes, enveloping all Seven Nations, and so Sumeru does its best to survive. The cities are ruined, and the people gather together in random places to survive. Alhaitham gets to live within one of the settlements, established by the Akademiya. While trying to survive the first wave of the new Calamity, he is also looking for Kaveh; after an argument between the two the architect left for an expedition to the Desert, right before the new Calamity began. Unfortunately, the news comes that his group should have been around Tunigi Hollow - one of the spots in Sumeru where the first wave of the new Calamity hit the hardest. There is no concrete information on whether Kaveh's group survived or not. Alhaitham, not loosing hope, does his best to find any information on Kaveh's whereabouts, but due to Sumeru becoming extremely dangerous to traverse and disjointed as a result of the new Calamity, the search stretches out for almost a decade.

One day Alhaitham helps a caravan, traversing the forests to get to one of the settlements, to fight off the monsters. Unexpectedly, Kaveh turns out to be one of the members of the caravan. Their reunion is almost cut short by the caravan's need to keep going, but Alhaitham convinces Kaveh to join him instead. The two return to the new Sumeru city settlement, where Alhaitham lives and works under the watch of Akademiya and Lord Kusanali. It appears that during his years of travels around the destroyed Sumeru Kaveh learned new ways of architectural construction that would be more efficient against the monsters, born by the Calamity. He also seems to behave quite differently, hardened by the experiences of the past years. Alhaitham proposes for Kaveh to stay with him in the city, and Kaveh accepts. The feelings, new routines, dealings with the changed versions of each other and attempts to find new pace of life in the new world ensue.

TLDR: The world might be ending and impossible to live in, but even so each new day is brighter when the person one loves is by their side.

3. Another Cataclysm!AU, where Kaveh and Alhaitham get assigned separate missions in the grander scheme of things created to prevent the coming of a new Calamity. The plan succeeds and the world remains safe, but not without heavy losses: amongst many others, Kaveh does not survive while carrying out his mission.

Decades pass as Alhaitham goes through his grieving process. Eventually, one evening on the anniversary of the Calamity's prevention, Alhaitham wanders to a place he and Kaveh used to visit together. A Ley Line disruption occurs, and he gets to see a glimpse of Kaveh through it. They have a conversation; the Ley Line apparition (a memory of Kaveh) is convinced that Alhaitham is from the future, and so they talk a lot about the Calamity, whether it was prevented, and about each other's futures. Alhaitham can't bring himself to tell Kaveh that he does not survive the Calamity, but he does tell Kaveh that his architectural legacy lives on. Kaveh commends Alhaitham on his achievements (though not an acting grand sage for a very long time, Alhaitham kept playing an important role throughout Sumeru's history, helping to keep it safe).

Eventually, their time runs out. Ley Line disorder starts gradually disappearing. Alhaitham urges Kaveh to be careful and stay safe, knowing that the Calamity (on Kaveh's side) is yet to come. Kaveh laughs and tells him that on his side, Alhaitham just told him the same words after they finished the debriefing session, related to the Calamity. He says that he was feeling very nervous, but that seeing future-Alhaitham made him convinced that they are on the right path.

And so, the Ley Line disorder disappears. Alhaitham spends some more time at the spot before returning home. Despite painful memories having been brought up, his heart feels a bit lighter.

TLDR: closure comes unexpectedly, takes many forms and does not erase the pain in an instant, but, nevertheless, it heals.

4. AU! where Kaveh and Alhaitham are both magical birds that can transform into humans (and half-humans).

They live together in the depths of Sumeru forest - a domain of a long lost God of Wisdom. Kaveh's feathers are rumoured to bring blessings, while Alhaitham's feathers, on the contrary, are said to bring bad luck or even curses. Humans, living at the edge of magical forest, kinda worship them, but also prefer not to interact with them, primarily because Alhaitham is not happy when others trespass on his lands, and because searching for Kaveh is extremely hard (he's often off working on his projects deep within the forest), and the magical forest is very dangerous on its own. So, the humans build their cities outside of the Sumeru forest, and Alhaitham and Kaveh peacefully live together in the depths of it.

Despite Kaveh and Alhaitham living together for a long time, their opinions on humanity are diametrically opposed: Alhaitham barely tolerates humans, finding them to be reckless, meddling, cowardly and deceitful; Kaveh, on the contrary, finds humans to be creative, inspiring, free and beautiful in their own way. Throughout the years, Kaveh manages to build somewhat of an amicable relationship with the humans, living at the edge of the forest: he learns more about their traditions and arts, while the humans receive his guidance and blessings in various matters of living, craftsmanship and arts. Eventually, Kaveh's knowledge and magical powers catch the eye of Lord Sangemah Bay, who resides in and governs one of the bigger settlements at the forest's border. She makes a deal with Kaveh that, despite providing him with valuable (in his eyes) experience of working with humans on some of his grandest architectural projects, costs him a lot - meaning he has to give away lots of his blessed feathers, which makes his remaining magic much weaker (and generally undermines his health for a bit). Alhaitham is not a huge fan of such approach (in his eyes, Kaveh is wasting his powers and time for nothing, endangering himself), and so a conflict between him and Kaveh breaks. As a result, Kaveh flees their home, secluding himself while he's focusing on other projects he finds curious. Kaveh keeps working with humans, and though Alhaitham certainly keeps an eye on Kaveh's wellbeing, he does not make it easy for humans to reach him. So what if there are new random magical seals, obstacles, almost-traps and riddles appearing here and there when people try to get to Kaveh? It's a magical forest, things happen! (Kaveh knows that Alhaitham does this on purpose, and Alhaitham knows that Kaveh knows, and it leads to them indirectly, and then directly bickering and arguing. The magical forest quite possibly grows very tired of them. Their friends Tighnari and Cyno certainly do, but alas.)

The new equilibrium, found by Alhaitham and Kaveh, is challenged once more when Kaveh leaves to the Lord Sangemah Bay's city to direct yet another one of his grand projects. They do not see each other for a long while. Despite all the challenges, Kaveh's relationship with Dori gradually grows stronger - the two value their partnership - and Kaveh ends up making friends amongst humans. However, not everyone is happy about Lord Sangema Bay's growing friendship with the "deity of blessings" personified. As some people come to despise her for her wealth, influence and ever growing power, so do they come to despise the bird of paradise.

When the project is complete, the time for celebration comes. Kaveh gets to attend a feast by Dori's side as a guest of honour, and is invited to stay the night in her palace before returning to the forest. Kaveh agrees: he's been spending all his days and nights at the building site, and resting a night before returning home would be nice. As the night goes on, however, Kaveh begins to feel weary and unwell - the new type of wine he was served did him no good. He excuses himself early for the night and, as soon as he gets to his bed, he's out cold.

After an undetermined amount of time (in what appears to be the middle of the night), Kaveh wakes up because of immense pain in his back.

As he gradually comes to his senses, he has a horrible realization: one of his wings was cut off when he was asleep. Alerting the guards and Dori yields no results: the intruder escaped, presumably with Kaveh's wing, and there are no traces of them left. While Kaveh gets immediately attended to, he goes in shock and, eventually, loses consciousness.

When the messengers form the city arrive to the forest, Alhaitham receives them reluctantly at first, but as soon as he hears of what happened, he rushes to the city. He ends up taking Kaveh back to the forest, hoping that its healing magic will help restore his wing. However, nothing seems to work: neither spells, nor the powers of nature, not even Tighnari's medicine. Though the wound is slowly healing, Kaveh remains unconscious for days. To get more information on what happened, Alhaitham returns to the city to question Dori together with Cyno (who's also to continue the investigation within the city once Alhaitham returns home), while Tighnari stays with Kaveh.

Though the questioning concludes that Dori knows nothing and is willing to assist in the search of the perpetrator, Cyno concludes that she was not thorough enough in ensuring Kaveh's safety and overall security of the celebration in general, revealing that Dori recklessly cut corners here and there. Furious, Alhaitham leaves Dori his cursed feather, giving her an ultimatum: she has to find the perpetrator and give them to Alhaitham to deal the final punishment. Until then, her city is doomed to slowly crumble into decay and oblivion. Dori accepts the deal.

Alhaitham returns to the forest to look after Kaveh, while Cyno remains in the city to continue the search. When Alhaitham comes back, Kaveh is finally awake. However, he remains extremely closed-off, practically a shadow of himself. The recovery process is slow and challenging, but Alhaitham does his best to support Kaveh in all ways that matter. Kaveh struggles with healing: the loss of a wing affected not only his body, but also his mental state and magic. He cannot transform, he can barely use any of his magical skills, and he cannot fly anymore, which hurts him most of all. It takes a while for Kaveh to get on his feet (quite literally), even longer to finally leave his room. He also feels guilty for being in Alhaitham's care, because he remembers all of the Alhaitham warnings about the humans he didn't listen to, and so lots of internal conflict ensues.

Meanwhile Alhaitham does all he can to try and navigate the situation. He looks after Kaveh's healing process; brings back his blueprints and equipment from Kaveh's place so that he has enough to work with if he wishes; he also (to the best of his ability) remodels their home to make it more accessible to Kaveh. Given that their natural method of moving around their house was flying (whether in form of birds of half-humans), Alhaitham now implements more adjustments for walking or climbing. (When Kaveh feels good enough to leave his room, he's amazed by what Alhaitham managed to achieve. He also helps fix some of the constructions, given he's the one with the experience in architecture.) Alhaitham and Kaveh grow closer, slowly unpacking and mending their relationship, turning it into something new and beautiful.

At the same time, Alhaitham continues to watch the forest borders - to make sure that no intruders interrupt Kaveh's recovery and their peaceful life together. One day he notices an interesting sight: a small, but beautiful shrine appeared right by the forest. He decides to investigate; upon approaching the shrine, he meets Nilou (whom he saw in the palace when he visited Dori). She explains to him that, after he and Kaveh left the city, a group of people decided to organize a shrine, dedicated to Kaveh, to pray for his recovery. Nilou explains that in their eyes it's the least they can offer for all the help that their city received in the past and as amends for the pain they have caused. Alhaitham warns her not to get any closer to the forest, but the action of people leaves a lasting impression on him.

Meanwhile, Cyno's investigation progresses. Cyno writes to Alhaitham that together with Dori they managed to find and capture the perpetrator. Questioning reveals no useful information, but Cyno suspects that there might be more to the attack on Kaveh than they anticipated. To uphold his end of the deal Alhaitham goes to the city to deliver the punishment to the attacker and to undo the curse he put on Dori's city. Before he leaves, Kaveh, scared of what might happen to Alhaitham, sews into his cloak a blessed feather for protection (because Alhaitham wouldn't accept it outright). While Alhaitham is away, Kaveh begins working on a new project: a mechanical wing.

When Alhaitham gets to the city, he is led to the cell where the attacker is being held. Cyno and Dori are by his side for the final questioning. The man - a mere mortal (with strange red-ish eyes), one of Dori's citizens - keeps talking in circles, making less and less sense with each new word. Alhaitham lets Cyno and Dori go before rendering the punishment. When the curse (one of Alhaitham's darkest yet) is finally prepared, suddenly, the tables are turned. The perpetrator attacks Alhaitham, but his movements seem unnatural, almost like those of a puppet. Alhaitham realizes, that the man is being controlled by someone with prowess for strong, incredibly dark magic that seems similar to that of the Desert. The strange puppet manages to overpower Alhaitham in a fight, but cannot harm him (due to the protection from Kaveh's feather). The perpetrator manages to escape, taking with him Alhaitham's cursed feather (they seemed to be pleased to receive it. Alhaitham fears to think what they will use it for).

Dori and Cyno pick up the investigation, with Cyno going straight to the Desert. Dori begins reinforcing the city (her people discover that Alhaithams curse (now lifted) awakened Miasma deep under the ground. The Miasma begins to slowly spread, seemingly in the direction of the Sumeru Forest). Cyno sends back a message, confirming that strong and dark magic seems to be gathering within the Desert, possibly for the purpose of destroying the magical forest.

Alhaitham manages to get back to Kaveh and tell him of what happened in the city. In order to be able to protect the forest together with Alhaitham, Kaveh doubles down on his efforts to create a mechanical working wing. Everything works, besides the golden feathers - they need to be blessed in order to allow the mechanism to work as intended, but Kaveh does not have enough power for it. Alhaitham takes a risk and brings the feathers to the shrine, created by Nilou and other humans, so that they could bless them for Kaveh. (They are short of one feather eventually, and Alhaitham gives Kaveh one of his own, his first blessed feather, to complete the wing.)

TLDR: Kaveh works on restoring his wing and faith in himself and humanity; Alhaitham learns that humanity is not always evil. Dori and Cyno discover that the escaped perpetrator (caugh controlled by Dottore caugh) used Kaveh to get to Alhaitham to gain his cursed feather for completing some sort of ancient ritual to unseal the forbidden knowledge magic deep within the Desert in roder to unleash it on the magical forest, slumbering God of Wisdom and human cities. Kaveh learns to curse his feathers (while opposing Dottore in a final fight), and Alhaitham learns to bless his. Humans and Sumeru Forest continue to coexist peacefully. Alhaitham and Kaveh live together happily ever after.

5. Pacific Rim!AU, where Kaveh and Alhaitham used to be pilots of a Jaeger, but during one of their battles they suffered too much damage. In order to save Alhaitham and what remains of their Jaeger, Kaveh takes most of the damage by severing already unstable connection between Alhaitham and Jaeger's system. Both barely survive the encounter, but meanwhile Alhaitham manages to recover fast, the damage Kaveh has taken leaves him in a critical condition, eventually resulting in him being unable to ever pilot a Jaeger ever again (and putting many new restraints on his usual daily life).

As soon as Kaveh comes to his senses, the two have a huge fight about Kaveh's rash decision, and eventually break off their friendship. They don't see each other for a long, long time.

As the time goes on, Kaveh learns how to live with the changes that his body sustained with the help of his service dog Mehrak. Eventually he takes on a job at one of the Jaeger construction facilities (together with his friend Tighnari), studying Kaiju and creating new Jaeger modifications - though no Kaiju has been seen in the past several years, the world is still afraid of their return.

When the suspicion of the new Kaiju appearance arises, new pilot recruits and ex-pilots are summoned to the facility. There, Kaveh meets Alhaitham for the first time in years. After their fallout, Alahitham resigned from piloting Jaegers, yet now he had no choice but to return to train new recruits (and possibly resume his role of a Jaeger pilot). Now once again the two have to work together as a part of a team in face of approaching danger, trying to resolve their past conflicts and overcome their fears and insecurities along the way (when deep down they simply want to keep each other safe).

TLDR: Kaveh & service animal Mehrak is a neat concept I'd love to see more of, just as a concept in general. I think this one could be an interesting story idea centered mostly around Kaveh's day to day life. Additionally, Alhaitham who used to be only drift compatible with Kaveh but now suddenly discovers he's drift compatible with Cyno. I need more Cyno & Alhaitham camaraderie I think it would do them lots of good (at least in this specific AU setting lol).

6. Oxenfree!AU where Kaveh and Alhaitham are two ex-best friends turned reluctant coworkers (photo-journalist and journalist respectively) working on writing a piece about the disappearances of a group of teenagers that happened at the Edwards Island several years prior (timeline somewhere between the first and the second games). The radio shenanigans ensue, making the two face their past, possible futures and, most importantly, their present. (In Oxenfree tuning into certain radio sequences can temporarily mess up time-space shenanigans, just fyi).

TLDR: I just think that this setting could facilitate some character exploration that would be very fun.

7. Modern MermanKaveh!AU, post-fallout, where it's a little bit more about haunting Alhaitham (and the narrative), than being a merman. Due to an unfortunate set of circumstances, Kaveh drowns one day, trying to save someone from the water. Due to an unfortunate set of circumstances, he doesn't really die, being stuck in between (existence and death, normal life and the necessity to live in water). Kaveh manages, for quite a while even!

But of course Alhaitham has to come back and turn his world upside down once again.

TLDR: can you tell Alhaitham's quote about drowning stuck with me huh (and I made it literal lol). On a serious note... Idk, vibes??? I want to see the "stuck in the middle" Kaveh, whatever that entails. Some existential explorations. And the development of his relationship with Alhaitham, of course. // Kaveh is a merman unable to fully live the life he used to have, and Alhaitham doesn't know that he survived (for a while), alternatively "let me help to save you from metaphorical and literal drowning" Alhaitham and "I learned to live like this, this is what my norm now looks like" Kaveh.

8. Another Modern MermanKaveh!AU/DrownedGhostKaveh!AU, because I apparently have no self-control (I feel like I should also clarify that whenever I mention a mermaid, I think of them more as of ghosts of drowned people and less as mermaids-mermaids, the half-human half-marine creature ones). This idea was initially prepared for chili/zhongchi but it's been sooooooooooooooooooo long and I still haven't done anything substantial for it so I'm borrowing it from myself for myself and tweaking it for kavetham because I figured it could fit them. So here it goes,

Alhaitham is a scientist/marine biologist that moves from the city to a much smaller port town, getting himself a place in a local partially repurposed lighthouse. Kaveh is a merman, who has been dead for a long while and who's been living within local waters ever since he drowned. Alhaitham leads a very isolated life, going through a rather rough patch emotionally (maybe a badly ended past relationship and relocation from an established group of friends to a remote place brought up past negative emotions related to loss that were bottled up for a while. who knows, not me). Anyways, Alhaitham's not doing too well, but seaside walks help him unwind, even if for a short periods of time. During one of such walks, he finds an old pendant washed ashore. He picks up his find, hoping to do some research on it outside of his work time (because research is his fun-time).

He expects this to be a brief excursion into local history. He does not expect to become haunted by the ghost of a man to whom this pendant belonged to way back when.

Kaveh, in turn, is extremely excited to finally, finally be able to get out of the sea to the surface. He intends to stay ashore as long as possible and, well, if he just so gets to amuse himself by haunting a grumpy marine biologist that refuses to believe in merpeople, ghosts of drowned and other supernatural occurences - who's he to say no?

TLDR: this AU can go two ways (in my eyes): the happy ending way and probably more gothic-horror-story-esque ending. So, Alahitham is cursed to be haunted by Kaveh: for a while he's the only one who can see him, with Kaveh being something akin to a ghost. However, the longer Kaveh haunts Alhaitham, the more human he becomes (others can see him, he cannot phase through walls anymore, etc.). The curse in itself goes something like this: the cursed thing, after being picked up/taken in, cannot be thrown away and will always come back. The ghost, tied to the haunted thing, shall haunt whoever picks the cursed thing (the thing should be tied to the ghost, but may not necessarily belong to them) and drain their life energy. The ghost can become free and human again if the haunting goes long enough and they kill the human who picked the cursed object in the end during a very specific time that doesn't occur too often (proverbial blue moon, idk). If they don't kill the human and decide to let them go, then the ghost will seize to exist and the human will regain their strength. (An alternative option to the ghost dying for a less angsty au: the ghost voluntarily takes back the cursed object and returns to the place where they died, but then they will never be able to haunt anyone ever again. The effect of the curse on the haunted remain, but much weaker).

In this case, let's say Kaveh and Alhaitham stay by each other's side from half a year to a year, idk. They grow closer, eventually becoming friends and maybe more (the usual kavetham shenanigans Kaveh falls first but Alhaitham falls harder). Alhaitham's mental state gradually improves, yet overall he becomes weaker because of the curse (to the point that it becomes a serious concern), which Kaveh blames himself for. The appointed time approaches (both Kaveh and Alhaitham are in on the details of the curse), and Kaveh, seeing it as an opportunity to set Alhaitham free, manages to separate himself from Alhaitham. Kaveh is ready to return to the sea/merge with it (ah yes the classic Little Mermaid influence does anybody feel it lol). However, Alhaitham sees through his plan and arrives just in time to stop him. They have a confrontation. Eventually, they manage to lift the curse (as you can see I have not figured out exactly how this can happen but! it definitely can!) with Kaveh becoming human again and Alhaitham regaining his health. The two continue to live together happily ever after.

The other scenario is practically the same, but it's more ghothic? and abstract (and probably more suitable for the og pairing it was made for, but i'll throw it in anyways). I have not engaged with gothic literature much and thus don't have much experience in how it works/how to write it, but the idea is that Kaveh is more of a projection of Alhaitham's grief than a ghost fo a drowned person (in other words, he's definitely a ghost, but his presence is also much more symbolical). The story follows quite similar beats, except the setting of the curse is a bit different: it's more of a "kill first or be killed" thingy with a deadline. Kaveh earnestly tries to drown Alhaitham at first through various means, but the more time they spend together, the more Kaveh sees of Alhaitham's life and pain and feels sympathetic for him. Despite the curse, Kaveh tires to help Alhaitham in various ways; and it works! Alhaitham gradually begins to feel better; the two grow closer to each other (more in a platonic way).

So now the precedent is that though Alhaitham's overall doing better, the curse still preys on him, hindering his life in various ways that become more and more serious/dangerous (the curse's deadline approaches, and it tries to survive the best way it can through Kaveh's influence on Alhaitham). Eventually, Kaveh lets Alhaitham go, merging with the sea (once again, yes, it was partially inspired by the Little Mermaid). Alhaitham realizes what happened and tries to look for Kaveh, but it is in vain.

Eventually, life goes on.

Bonus Elden Ring AU (because guess who suddenly went on a lore video watching spree): Kaveh is a craftsman and one of the inhabitants of Castle Morne who managed to escape before it was overrun by Misbegotten. He's a follower of St. Trina and Miquella (he doesn't follow Miquella at first, but slowly he comes to suspect that the two are one and the same). After escaping from Castle Morne, he finds his way to Jarburg, where he is welcomed to stay and be the new Potentate.

Alhaitham is from a distant branch of Carian royal family and a scholar at the Academy of Raya Lucaria. Quite possibly explored an area of studies similar to Sellen's. Eventually he separates himself from both Academy and his family, becoming a wandering scholar.

The two meet somewhere nearby Jarburg when Kaveh gets ambushed by the same people who were trying to get to Alhaitham. The two fight them off. Kaveh, trying to help injured Alhaitham, leads him to Jarburg. The two continue living together there ever since (not without hiccups, but they're doing their best).

TLDR: this one is short and very simple because I just started diving into the Elden Ring's lore, but I just. Really wanted to make some AU for them. I also desperately wanted it to be peaceful and happy one despite it being a seeming impossibility for anything dark souls/elden ring related, but one can dream. If I were to make this one darker I'd probably expand on the duality of their two characters here, and how Alhaitham probably used to conjure spells on humans (with gaining knowledge being his sole life purpose for a long time) and has challenges with comprehending the world outside of a framework of pure logic, and how Kaveh gets an increasing tendency of escaping to the dream world/wherever Miquella is in order to alleviate his mental turmoil (maybe he witnessed too much during his escape from the Castle), and how the two have opposing perspectives on the idea of worshipping gods, and- like, there's a lot that can be done. But I also just really really really want them to simply be happy together in a jar village, leading a peaceful life.

That's it for now! Thank you for reading all of this, I can't commend your patience enough if you got to the end of this list!!!✨🎉✨

Maybe in the future I will unpack some of these aus. who knows.