I don't remember if I ever made a post about this, but for a long time I thought Griffin made up the whole clone pod thing to give Barry an excuse to get his body back again and then eventually also Magnus, and that that was a cool little world building thing. But I found out a while go that no, apparently it's a real spell called Clone from the Player's Handbook. 8th level necromancy wizard spell.
Also, it takes specifically 120 days for a body to form completely, which means that technically, Barry could have popped into his body again since before Petals lol
In the spell description, it also says that you can make the body younger, and I love the fact that he had that option but chose to keep himself the same age anyway
Also, since Magnus first gave Garfield his blood during the interlude before Crystal Kingdom, technically his body would have been ready since around the Eleventh Hour, and Garfield decided to just hold on to it for another few months without doing anything with it lmao
OH SHIT WAIT-
GRIFFIN THOUGHT MAGNUS WAS GOING TO TAKE THE CHALICE AND THAT HE WAS GOING TO DIE DURING THE MISSION TO GET IT BACK FROM HIM
HE SPECIFICALLY MADE IT SO THAT IF HE DID DIE, MAGNUS' BODY WOULD HAVE BEEN READY TO GO THEN TOO
Man I love how that whole arc played out in canon, but I so wish we had gotten to know what would have happened if Magnus did take the Chalice and how that would have played out
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Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.
Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.
Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.
And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.
An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.
Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.
The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".
Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.
But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.
Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.
However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.
What's more is that this lurking "optimism" matches really well with our own protagonist's personality.
And it makes perfect sense that Ava would do the best she could with whatever she is given.
Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.
Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.
Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?
True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.
And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.
Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.
Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.
It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.
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I'm going to preface this story by saying: I don't necessarily believe in karma, but
I may have been walking through today with a vague sense of disbelief tainted with unkind smugness after my tiktok fyp was flooded with poor fans who tried to get presale ticket to one mr n. kahan's new tour only to find that demand was through the roof and GA pit tickets were seriously going for $300, in presale, and even the "worst" tickets in the lawn were going for $70
and while I undoubtedly think it's deeply unethical for both platforms (thanks ticketmaster) and artists to allow such dramatic ticket cost inflation, I also generally don't relate...
I (VERY LUCKILY) gravitate towards smaller acts, and the most I've paid for a ticket all year has been, like... $90 for a ticket to beyonce, which got cancelled and I was refunded lol. if I look back at all my receipts from shows this year, most have been around $50/ticket after fees, and several have been closer to $20. my favorite show I've seen all year was a $15 ticket.
it's mostly luck—I tend to like smaller acts, and I've been seeing mainly rock acts this year, and those tickets simply don't run as high as pop acts. and part of me is honestly very grateful that I haven't been swept into any of the really recent huge acts.
I think of all the people scrabbling for boygenius or taylor swift tickets and how much money they've had to shell out... how a lot of them don't even GET to see the acts they want to see because they've been priced out or tickets sold out. I can't remember the last time a show I wanted to go to sold out lol. maybe bastille in london?
and again, it's just a matter of luck that I'm not really into any of these megastars and therefore don't have to compete in the gladiator arena to try to see shows I want to see, but sometimes luck manifests as a feeling of self-satisfaction, you know? who among us hasn't experienced a little self-superiority from time to time.
look, if YOUR tiktok was flooded with people saying concerts have been awful since 2021 (including rock and metal shows), but every concert YOU'VE been to since 2021 was amazing and the crowds were really good and you always got tickets and it never broke the bank, you'd feel pretty validated in your choice of musicians and the crowds they attract too, alright?? sue me! I felt frugal AND undeservedly clever!
anyways back to karma. guess who got invited and subsequently agreed to shell out $70 to sit in a lawn and listen to mr. n. kahan sing. I'll give you a hint, her tumblr username starts with an r and ends with an s
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imagine if you like bought a house and the realtor that sold you the house came by and did maintenance every couple months and it was a pretty good arrangement until one day they stopped doing maintenance and things started breaking them and you called them up and they were like 'surprise! we've decided what this house is really missing is a pool so we're going to build a whole new house for you that has a pool we are so excited about this pool' and you were like 'is this a deflection from your sexual harassment lawsuit you're involved in' and they were like 'the pool is going to be so cool!' and hung up and you didn't hear from them for years and then they called you up again and were like 'good news! we've built the new house, why don't you move in' and you were like 'oh, the one with the pool?' and they were like 'wellll yeah but we haven't actually installed the pool yet but when we do it's going to totally transform how you live in your house so you can see the value' and you were like 'i don't know i think i'll stay in this one' and they were like 'hmm yeah sorry actually you can't we're blowing the old house up with dynamite' and you were like 'what? why?' and they were like 'so that you're not split between your old house and the new one' and you were like 'um, fine' and you drove over to the new house and there was no pool or space for a pool and the realtor showed up to gave you the keys and you were like 'this house looks identical to the old one, i don't really understand why you did this' and they were like 'aha! you see, the old house had six rooms, this one has five!' and you were like 'that sounds worse, though' and they were like 'no you see with only five rooms it will be much easier to do maintenance on the house' and you were like 'but you haven't done that for months' and they were like 'yeah that was the old house which we've just blown up with explosives this is the new house' and you were like 'so how's that sexual harassment lawsuit going' and they leaped acrobnatically into their car like a trapeze artist and zoomed away and you went into the house and saw a coin slot on the bathroom door and called them and you could hear the background noise of a courtroom and they said 'yeah so you have to pay five dollars every time you use the bathroom now, it's our new monetization plan' and you were like 'well this is bullshit i feel like this house is just straight up worse' and they were like 'noo listen the pool is going to be so cool it's going to be so good we promise there'll be a diving board and a tiki bar and those water jets that give young people sexual awakenings' and you were like 'well okay' and they were like 'we've been building this pool for four years trust us it's going to be good' and then you didn't hear from them for a long long time except occasionally when they showed up to do maintenance and if you asked about the pool they just winked meaningfully and asked if you wanted to pay a $15/month fee for a bathroom pass giving you unlimited flushes and toilet paper. and this went on for a year until one day you got a voicemail 'dear resident. we're not going to build the pool lol' and you called them back like 'well what the fuck did you demolish my old house for' and they were like 'we actually gave up on the whole pool like two years ago but we did a whole announcement and it would have felt sooo awkward to walk it back' and you were like 'what the fuck have i been paying five dollars to use the toilet for over these last two years!' and they were like 'listen buddy if you don't like it you can buy the bathroom pass' and then they hung up on you . anyway that's what happened with overwatch 2
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