#* ⁰ ³ / ' arc‚ the line of succession.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[mummer]

whats fun about barry as a protagonist vs other Morally Complicated Guy Shows is that he seriously has no ambition lol, his wildest dreams arent like becoming super rich or relishing in holding power over people, like all he wants is simple happiness, maybe career success, normal life stuff, his wildest dreams are like…. being able to have a wedding. having a kid or two. and theres something reasonable about that, it makes him relatable for a while until the show is very clearly like No dude, that is a fucking serial killer, you should not gaf! and you’re like oh right lol. it’s crazy to make such a simple desire seem so malicious but still human

[yshtal]

I think it would be rly sick if you went to go build a crow rook and the surname was Arainai

like…. just another little compradi trying to bring glory back to your house - rinnala and taliesin are dead by the house’s hand, zevran failed and deserted, guili murdered in the night, all semblance of power lost once again. the house is trying to claw its way back up, futile as it seems. that’s the way of house arainai, isn’t it? talon to knife to talon to knife to nothing, same as it’s been since the house first lost power in the early dragon age. but you, bright-eyed little crow, you’ll break the cycle, won’t you? for the family?

after all, caterina’s prized heir is right there - the demon of vyrantium, the infamous mage killer, sleeping just down the hall. you can be quiet, can’t you? all those means at your disposal, and all the opportunities you could want. you could find a way in under that armor, get to something soft and bruisable and make it bleed. he’s far from home, isn’t he? without a friend? confidantes are few and far between - even a demon must get lonely.

maybe he’d even trust you. you’re a clever little bird, right? you can find something to exploit. after all, what does a would-be talon do except claw, except maim? what else would you be good for? there is no gentleness to crows - you are here to deliver a message: run, little demon, quick as you like.

house arainai will make carrion of you yet.

[pencilofawesomeness]

Something that I hope you are able to write for your work is forth gen dragon slayers. Which are basically dragon slayers that learned their magic but not from a dragon.

so like canon god slayers then

[exlimix1a]

OUGH. THINKING HARD ABT CREATING A BRAND FOR MYSELF, PUTTING TOGETHER COLORS AND RECREATING A LOGO/BRAINSTORMING WEBSITE LAYOUTS ..

[cheswirls]

dug around and my post-platinum arc speculation is mostly in the tags so it's not worth resurfacing that post but i do want to reiterate!!!!!

it's still my headcanon that moon is older than platinum and that dp/pt arcs took place between sumo and usum arcs (and all after xy and oras). mostly because i never liked the timeline where sun and moon were 10+ years younger than the sinnoh trio. but also because it's fun to think about!!!

dp/pt takes place over roughly three months and sun/moon were trapped in ultra space for six months. the theory isn't perfect (coughrotomcough) but things do line up for plat to still be considered an only child when she leaves home. and older sister moon is :) very fun to think on. all the implications there.

[justin-peudeau]

I am tired 😭😭😭. But I still want to share this 😓. Theta is NOT paid enough to deal with a lost kid who find maternal comfort around her. Not.Paid.Enough.

[bubblehorse]

i swear i'm not living in a world of my own fancy in which kite is still plot relevant -- imo there was way too many loose threads remaining tying him to gyro. newly-antified, fallen terrorist "king" of NGL gyro having enough willpower to fuck off and form his own nation. his former underlings who are also now chimera ants desiring to find him again. add that to ant kite technically being a chimera ant king in his own right by virtue of being meruem's twin sibling, and whatever it is pariston's doing sitting on 5k ant eggs, and you've got...well, i can't say i know exactly what. one hell of a chimera ant turf war at the very least.

[asakamasanobu]

can nakamura please bring back ritsu’s father issues …….. please i’m asking for a friend

[evl-qn]

* _ ⁰ ³ / ' arc‚ once tame and gentle. * _ ⁰ ³ / ' arc‚ evil reigns : heart turns black. * _ ⁰ ³ / ' arc‚ victory lost to time unmoving. * _ ⁰ ³ / ' arc‚ curse broken : magic bound. * _ ⁰ ³ / ' arc‚ the line of succession. * _ ⁰ ³ / ' arc‚ the end is nigh. * _ ⁰ ³ / ' arc‚ beauty is a beast that roars.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1

I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.

Endo's Q&As and comments about the characters

Loid:

I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.

I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)

Anya:

I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.

He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.

Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).

Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).

Yor:

Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.

I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.

Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)

Bond:

I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.

Franky:

I love that Franky does charity work. I hope we'll see that in a future chapter.

Fiona:

It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.

Yuri:

I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?

Information about Garden

Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.

It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?

So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!

The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?

Continue to Part 2 ->

[steveharrington]

we cannot do another steve harrington arc that revolves around love triangles and we cannot give him nothing but comedic dialogue again we need something new. something fresh. i think after the events of s4 steve realizes that their standard plan of drawing monsters in and shooting at them does not have a 100% success rate and there are other things they could be doing to prepare themselves. he keeps going over it in his head how he was bitten by the bats and lived while eddie died, how they all clearly miscalculated how big a herd the bats fly in and how much weaponry they would need to defend themselves. he thinks about how little they truly know about any of the creatures in the upside down. now that the rifts are open and there are gates to the UD everywhere, steve could just walk right in and take a look around……not like he hasn’t been there before, breathing in the UD pollen and getting bitten by its creatures…..fuck it i think we need steve harrington to go a little bit mad scientist upside down zoologist mode and start doing his own independent research methods. fuck the dumb airhead archetype!!!!!! he has historically put his body on the line and historically been willing to take the brunt if it means protecting his people. clearly being a meat shield in the moment won’t always work, not when there’s like 10 different people he’s trying to protect, so what better way to help his friends than bring them some solid information? he rolls up his sleeve and lets a demo-lizard bite him to see what it does…. creates the harrington pain scale…… gets a little fucking weird with it. you see what i’m saying??

[littledeadling]

You probably know by now that I’m quite taken with my DND character, Horatio. In this post I’m going to explain him (with pictures!!) so you can enjoy him too, and follow along with his story if you want!

~~~~

Let’s start with the man himself:

~Horatio Ignatius Heronwillow III~

Horatio is a human paladin knight following the Oath of Glory. Also, he’s a pompous bitch with an ego the size of a small country.

Horatio’s character arc is all about getting humbled over and over again. Maybe he’s not the best. He’s not even second best. Maybe he’s even…pathetic. Despite all his training? His many successful battles? His prestige? What does any of that matter if his Queen doesn’t trust him to be her champion? If the Queen doesn’t even like him?

Horatio is from the nation of Thrane. He introduces himself as “the gilded knight of Fort Light, first at her majesty’s royal table.” He’s an ardent follower of the Queen, even though she’s merely a figurehead—the Church of the Silver Flame holds all the power. He is considered weird for this. His family are all noble elitists, and their support for him is conditional. Even though he’s become such a high-ranking knight, he’s never good enough.

But we can’t truly discuss Horatio until we meet his nemesis/rival/best friend/worst enemy (who he’s totally obsessed with, and who happens to be a centaur). His name is Elethar Sigrún.

Elethar came to the castle when they were both young (for ~unknown reasons~), and they trained to be knights alongside each other. Despite being the only centaur in the kingdom and not of royal birth, Elethar immediately usurped Horatio as the Queen’s most promising young knight, thus beginning a lifelong rivalry.

Does Horatio have feelings for Elethar? Not that he’s aware of. This is because he is stupid. Does Elethar feel anything for Horatio (besides pity and disdain)? Unclear!

~The Dragonshard Derby~

Now that we’ve met our hero, lets turn to the story!

The players are all entrants in The Dragonshard Derby: a mounted cross-continent race hosted by a rich and famous duke. To the winner goes the spoils: a great dragon’s hoard, and glory for their chosen nation. Obviously, Horatio is racing for Thrane. One hundred contestants are participating, riding everything from regular horses to owlbears to dinosaurs (dinosaurs are normal in Eberron 😳).

Horatio’s mount is a golden Akhal-Teke horse named Marvellous Moondance. She’s the light of his life. Despite his competitive nature, he would never push her past her limits. He puts her safety above all else.

Much to his chagrin, Elethar is also running in the race. Apparently the Queen had a special, secret mission for him, which she didn’t tell Horatio about. He persuades Elethar to confide: there’s an artefact rumoured to be among the dragon’s hoard that the Queen desires. Neither of them are sure what it is. Horatio promises that if he encounters it, he will give it to Elethar.

~The World of Eberron~

The campaign is set in a world called Eberron. The road is dangerous! We’ll be journeying though many different terrains, including the Mournland, a desolate wasteland which was once a great nation. Less than five years ago, during the war, a white fog filled the nation of Cyre from border to border and killed everyone inside. The cause of this was unknown, but it led to a tenuous end to the fighting. Horatio and Elethar were both on the front lines when it happened. They witnessed people across the border dying in agony. Horatio still has nightmares.

The Dragonshard Derby is the first time since then that the other nations have come together to put the past behind them in friendly sport. Evaluators will be watching from airships to make sure there's no foul play, though their vision is limited whenever racers are passing through the woods. Any teleportation is strictly prohibited.

~The Race So Far~

Each leg of the race begins with a sprint. In the first sprint, Horatio finished first in his section, but 11th overall. Elethar placed actually first, and gave Horatio polite congratulations once the scores had been posted. Horatio was pissed. This was supposed to be his chance to prove himself to the Queen! Why did Elethar have to be here and show him up? He ruins everything! And he’s so effortless about it, too. He never loses his composure, ever. Horatio wishes he could be like that.

During the first leg (a multi-day ride through the forest and plains), two riders were murdered under mysterious circumstances. Both had placed within the top ten. Their belongings had been trashed, searched through. As frustrated as Horatio was with Elethar’s presence, he’s now more just worried for his well-being. After all, Elethar is racing alone.

Then, when Horatio’s party was still a day’s ride away from the second sprint, something strange happened.

While fighting off a band of raiders, the world suddenly froze for Horatio. A strange light appeared in the sky, drawing him towards it. The moment he touched it, he felt something write itself into the skin of his arm. A mysterious lantern appeared in his bag, glowing with ethereal purple light. It would later become clear that the lantern will always appear back in Horatio’s bag, no matter where he leaves it. And, he discovered, he now has access to new magics that he was previously incapable of. This was all VERY ALARMING.

Anyway, back to Horatio’s arm. Something important in Eberron is the concept of dragonmarks. There are twelve great Dragonmarked Houses (basically powerful mob families) which each share a unique dragonmark- a sigil that appears somewhere on the body at puberty and grants powerful magic. There are also aberrant dragonmarks, which is when a combination of two other sigils appears on someone not from a Dragonmarked House (usually when there have been mixed relations between Houses). There’s a lot of political baggage attached. And Horatio suddenly has one, at the ripe age of 35. To make matters worse, it’s not a normal dragonmark OR a known aberrant, but something entirely new.

He chose not to tell his party anything about this.

Then, it was time for the sprint to the next checkpoint. Horatio started strong, but again, Elethar swept in and beat him right at the finish line. He congratulated Horatio on the race. Embarrassing him further, Elethar presented Horatio with this letter he had just received from the queen:

Sir Elethar Sigrún, First Knight to Queen Diani ir’Wynarn My earnest congratulations on placing first on the primary leg of this great race. I would expect nothing less of my finest knight. Of course, you are missed at the castle, but I am honoured by the diligence with which you have chosen to pursue the purpose I have set out for you. I am sure that you will earn the respect of the kingdom, should you succeed, and I am pleased to hear of your success so far. It will be essential that you continue to maintain this position, else my favour lies elsewhere. Loyal Elethar, I wish you great fortune, and may the blessing of the Silver Flame be upon you. Her Majesty, Queen Diani ir’Wynarn PS. Please tell Sir Heronwillow I am being informed of his standing in the race as well.

…Crushing.

He’d been considering telling Elethar of his troubles, but after that he was too upset to broach the subject.

Now that they’ve made it to the checkpoint, there are official tents with beds for everyone (with sleeping arrangements decided by race standing), a small market, and a mess hall with dinner provided.

During the meal, a friendly fellow racer named Ash attempted to flirt with one of Horatio’s party members, offering him a strange glowing flower he’d found nearby. Horatio immediately recognized it as being similar to his lantern. When his teammate turned down the flower, Horatio asked if he could have it. Ash took this the wrong way. He let Horatio know he was really, super not his type, and would not be giving him the flower. Double ouch.

That night (in the dead of it), a pack of wild raptors invaded the tents where the racers were sleeping. The party managed to kill them before they hurt anyone, but Horatio detected that the animals were all under an enchantment. Their real purpose had been to attempt to steal the flower and take it... somewhere. To someone. Was this what the killers from the first leg had been seeking? None of it bodes very well for Horatio!

The next evening, Horatio dragged Elethar to the edge of the camp where they could not be overheard, and nervously confided in him. The dragonmark, the lantern—everything. He was a bundle of nerves, but… It went well! Elethar was very alarmed, and told Horatio not to let ANYONE else find out. Not even the Queen. Especially not the Queen. Horatio was equal parts thrilled by Elethar’s willingness to share a secret with him, and terrified to keep anything hidden from the woman who basically controls his life. I drew a comic about this conversation. It was too good of a scene not to draw. 🫣)

Well, that’s where we left off last session! Thanks so much for reading, and meeting my guy! I love him and I hope you like him too! 💖

Stay tuned for a little intro post about the rest of the party! :•) I’ll link that here as well!

To be continued! (Probably in a month or so)

⚔️⚔️⚔️⚔️

[kaladinsspear]

You know guys, Dalinar ASKED Kaladin about becoming king of Urithiru. He didn’t demand, he didn’t spring it on him, he didn’t force, and his only request was that Kaladin take time to THINK about the proposition before rejecting it. He even made sure Kaladin knew that this was not a situation where he was the only one possible, if Kaladin says no there are other options.

This isn’t Dalinar dumping responsibility on Kaladin and walking away, this is him trusting Kaladin to know his own limits, know his own mind, and know his own capacity. This is Dalinar bringing up a need and ASKING if Kaladin can accommodate it.

There needs to be a line of succession. It’s that, or we can let riots and tyrants fight it out. I personally don’t think that Kaladin should accept. I don’t think he would make a good king, and that does not seem to be what his arc is building towards. But the fact that Dalinar ASKED does not make Dalinar evil, it makes him a human who trusts Kaladin to be an adult and be honest about what he is and is not willing to do. Kaladin is a viable option for king of Urithiru. He does have experience in leadership, and he is well known and liked by the people. Rather than deciding for Kaladin that Kaladin is too broken and couldn’t handle it and not even asking, Dalinar brought the choice to Kaladin and made sure that Kaladin knew that it was his CHOICE.

How is that bad for Kaladins mental health? “Hey, I respect you as a leader and a person, but I also respect that you have limitations that I do not fully understand. This is the problem I’m facing, and naming you as my heir is a potential solution. Is this a viable option, or do I need to pursue other potential solutions?” How is that disrespectful?! How is it harming Kaladins mental health to be treated like an adult who knows his own capacity and can be trusted to make his own decisions?!

OMG, why do some people even read these books if they are just going to read every character who interacts with Kaladin in the most negative light possible? Like, what is there to enjoy about hate? And why is my feed so full of hate for the Kholins? They are not perfect, but I feel defensive of them simply for the blatantly bad faith reading of their characters!

[craziechwiv]

RWBY Monster girls Vs ...Jaune.

Jaune Arc.

The next heir to a blood line full of successful monster hunters. He has heard tales of how his grandparents went toe to toe with rabid beast of all sorts, cryptids sought out to be just mere legends, and what terrors truly go bump in the night.

Whenever he heard one of these stories, he'd always play it as if he himself was hunting down the ferocious monster he'd wish he could vanquish. But he wasn't a kid anymore, but now a (semi) trained hunter. He left his home, leaving only a mere note behind for his family on his track to lead on their legacy.

A sword and shield on his person, and a bunny sweater from his grandma underneath his armor, he was ready to become the next legendary Arc in history! And nothing, and he means NOTHING, will stop him from doing so!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jaune: ...what?

Wraith!Ruby: *somehow got captured by Jaune's most basic pit trap* ...

Jaune: Wow...uhm.

Wraith!Ruby: What?! Didn't think I'd go down just like that?! Cuz this is all part of my plan to end you, just you wait till I-

Jaune: N-No. Not that. Just didn't think I would be face to face with such a...beautiful sight? M-My name's Jaune by the way...

What is even going on...

Wraith!Ruby: Uh, Ruby? Wait...You think I'm beautiful?

~ Wraith was added to the hunting party! ~

Okay so maybe this was a blunder, but at least he's the first of his lineage to actual befriend a monster! That's something, right? Totally not making him a disgrace to his family.

Hopefully this is the only time though! As he must vanquish a monster far more dangerous now that he has the help of a supernatural being such as Ruby!

???: HOOOWL~!

Jaune: Oh, I guess we're tracking down a were wolf now.

Wraith!Ruby: Oh! Maybe we're gonna meet my sister too!

Jaune: I'm sorry, you're who?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jaune:

Wraith!Ruby:

Werewolf!Yang: *snuggling up to Jaune's arm while her tail wags*

Wraith!Ruby: How-

Jaune: In my defense! She had me pinned down!

Wraith!Ruby: That still doesn't explain what happened between that altercation when I was trying to find you!

Jaune: I may have...made a slight joke on seeing two full moons...

Wraith!Ruby: Oh...oh god no.

Jaune: How was I suppose to know that was all it took for her to fall for me?!

Wraith!Ruby: FALL FOR YOU?!

Werewolf!Yang: Soo, wanna share him Rubes?

Wraith!Ruby: >:O *How holding onto Jaune's other arm* LIKE HELL I WILL!

Jaune: I think I'm already in hell...

~To be continued...possibly later today lol~

[noonblight]

Arven, And The Habits Built By Parental Neglect

So I was going to make this big song and dance post about Arven’s entire arc and character psychology but I think other people have picked that one apart better than me. However I DO still want to talk about something I haven’t seen addressed too much.

As much as I think the phrase ‘love language’ is a gross over-simplification of psychology (and also not real, go look it up, the guy who made it was awful) it’s actually a really fitting term for the thing I want to talk about, which is how Arven has built up a habit of caring for others despite the neglect his parents showed him, and made it a core part of his personality. In essence, he’s deemed himself the ‘mom friend’ because he never had that kind of support growing up.

You can see this throughout multiple parts of the game, but here’s my list of favourites:

• If you pick the dialog option and say that you’ll go along with Arven’s quest-line before he explains what you’ll be doing, he exclaims that you have no sense of caution for your own safety. That you shouldn’t just go brazenly dashing into agreements like that.

• He is always looking after Mabosstiff so tenderly, and while a lot of this is due to them growing up together, I think it’s the way he shows his care for Mabosstiff that communicates my point.

• After noticing Miraidon eat your sandwich, he begins to make extra ones so that you don’t go without one. He even splits his own sandwich with you after Miraidon steals the first one you ever make together.

• He mentions that he cleans his dorm every day he’s there because Maboschiff sheds fur a lot.

• Post-Game, he admits that he would like to be a chef who can make good food for others.

Basically, I adore the tiny writing detail that even Arven’s positive traits are still shaped by the parental neglect that he went through, because it’s surprisingly realistic for the writing of a kid’s game.

He’s messy, he’s allowed to grieve and be confused about his feelings openly, he’s allowed to be irritable and strange in the eyes of others. But the game also never lets you forget how much he truely cares for others, even those he doesn’t know very well.

This can also be subtly inferred from just how amazingly fast Arven manages to raise a team that is arguably the only bordering-on-difficult fight in the game. Arven claims to not be a good trainer and claims Mabosstiff was his only pokémon before the events of the game (we can infer this from how he mentions after your first battle with him that he only just caught that Skwovet)

But just look at how fast he manages to make a team! Your trainer is always complimented for their rapid success, but man, they should look at Arven who doesn’t even have that much skill at the start of the game. I like to think this improvement is a direct result of his care for his Pokémon, and his desire to help and protect others. It’s no wonder why he claims in the post-game tournament that he’s been working super hard to build a team that can protect his loved ones, he really means it.

Arven also has a terrible habit of attempting to do most things by himself until the absolute last minute. He refuses to ask Nemona for help with the titans despite knowing she has the skills for it. He only asks you when he’s at his wit’s end starting to lose hope in Mabosstiff, and notices that you had the skill to work with Miraidon.

Even more than all that stuff I mentioned before however, I adore the end cutscene of the game for taking Arven, this character who displays all these little quirks, and then turns around and says ‘it’s your turn to be cared for by people who care about you, you don’t need to do this alone’

Nemona tells the group to take the scenic route home.

Penny suggests snacks.

Miraidon gently pushes Arven toward the group.

And the last scene in the game is so important for that reason, Arven is finally having others care for him. After everything that has happened, he has at least a few people who will support him and show him that care his parents lacked.

So anyway happy holidays, have that shoddy analysis <3