Something I love about the romance in The Locked Tomb is how Gideon as our first POV narrator is like "this is Harrowhark Nonagesimus, she thrives on scorn and ambition and death" and as a seasoned enemies-to-lovers fan, my first reaction was "I love it, I support women's rights and wrongs, and I can't wait to see this cold evil character discover feelings eventually" but then the plot twist is actually that Harrow is a pathetic desperate emo who barely needs an excuse to say the most romantic shit imaginable. Which is already a good payoff and the characterization is superb, but then you see inside Harrow's head in the next book and discover that despite her trauma and 35 mental illnesses, she is so much of a fucking soft marshmallow simp that not even her DIY lobotomy can keep her from indulging in a coffeeshop AU (?!?!) to soothe her yearning soul. Which makes rereading GtN delightful because now you can read between the lines and realise like "oh wow, she was down bad the whole time and Gideon just didn't notice". It gives so much lesbian Pride and Prejudice that you can only fully appreciate during a reread. I adore it.
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I've been doing some research on Angie and pacific islanders, and here's what I've decided I'm going to do with her:
She's fairly Native Hawaiian coded, so I'm going to go full hog on that and make her Native Hawaiian.
From there, I'm going to keep her personality and core background traits that lead up to her personality--but I'm going to essentially scrap everything and everything because holy fuck Kodaka did you really have to be that racist about it.
Like I didn't realize it but holy fuck I don't think there's a single instance in her FTEs and Salmon Mode Dates where she doesn't at least mention some incredibly racist caricature thing being a part of her "culture."
This being in relation to the blood sacrifices, human sacrifices, implied child sacrifices, implied savagery/lesser civilization, ectect. There's just. So much here that I think it's time to throw out the whole suitcase and use actual references to Native Hawaiian culture.
I'm gonna have to do a butt ton of research... but I think it'll be worth it in the end.
Also, I know this one isn't Kodaka's fault, but from my limited research done so far, Angie's god, "Atua," is actually more or less multiple gods--though it can be used to describe "God" in more modern times, it is traditionally used to refer to multiple gods. I know in the original Japanese version she uses "Kami", which I think is a loose term for God/the gods? Still, the singular instance of Atua isn't technically wrong, but it does kind of feel... wrong, if you know what I mean?
Anyway.
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When I see stuff like this I kinda want to bash my head into a wall:
To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.
(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)
Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.
Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)
And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.
Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.
But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!
So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!
And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.
And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.
On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!
But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.
To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.
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more in depth explanation ig, i dont feel like i can listen to especially poets without thinking about the whole paternity test analysis thing.
when i first listened i felt really awful and embarrassed and i couldn't quite articulate why
while im still trying to figure it out, a huge part of my feelings was (and still is) that the part of me that wants to theorize about songs and who they're about, and connect it to taylor's life and imagine what she wrote about is at odds with what i hear in the lyrics about creeps who want the best for me and etc
there are some songs im better at just vibing with and some songs that i just actively have to force myself not to be like "oh thats about x person and so they did this and she did this and..."
I'm trying, and if anyone has suggestions or things that work for them please send them to me, im new to this and to online fandoms in general. i feel so shitty but then there's part of me that still doesn't see harm in thinking "x song is about taylor and x person, so using what you know about them both lets picture this in your mind" and "oh [symbol 1] that must mean it's about [person 1], but wait now there's also [symbol 2] so it's about [person 1 and person 2] but wait does that mean person 2 could also be related to symbol 1?" all the while all of these people are real actual people.
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before i actually go through the phantom hourglass manga to critique it i’m going to quickly just toss out a bullet point list of things i actually liked in the ph manga
- i like how the stuff w/ tetra in the first chapter not only sets her up but serves to contrast how she is as a captain vs. how linebeck initially is as a captain. the line ‘as captain, nothing is more important than the lives of my crew’ specifically
- link’s cute. hes just a little guy
- i’m a big fan of the added detail that linebeck tends to stick out his bottom lip. it fits really well with his character. as a smaller side note i like the way his nose is drawn. i just like the shape they went with lol
- the bit with the point card for eddo’s garage that is specifically noted to be Not In The Video Game is good
- for all intents and purposes what is done with the bellumbeck fight is really good
thats it everything else i either feel neutral about or hate/feel frustrated with
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okay, no shade, but youre missing out on SO much good characters moments if your girlbossify the bg3 women too much. i get it, they're big, strong, badass, but they are, like all bg3 companions, incredibly cringe in their own ways that i think we could stand to appreciate more.
lae'zel throws the worlds biggest meltdown anytime you do anything not directly related to the githyanki creche, only to almost get her shit immediately rocked. lae'zel on modern day stan twitter would be a shitshow and you cant convince me otherwise. and thats before we even mention her fighting you in act two and then immediately crying about it. babygirl its okay, we were only playing. AND TRYING TO KISS HER IN PUBLIC?? she acts big and bad in act 1, fighting rough with you the entire time, but as soon as you ask her for a little kiss? immediate embarrassment. she could absolutely wreck my shit, but shes still a meow meow.
shadowheart is just fantasy catholic. she gets mad if you pick up a statue of selûne bc shes just that catholic. dyes her hair white in a desperate emo crisis of faith moment. recites smut in public. makes jokes that land incredibly flat. is acting way cooler and more chill than she actually is to hide the fact that shes scared. SHE CHOSE THE NAME SHADOWHEART. need i say more?
karlach may be cringe but she is free, i will give her this. she gets the zoomies. she almost blows up a firework shop with her in it because shes so excited. she has a teddy bear called clive. she hasnt read a book since secondary school. she does a little dancy dance if you leave her alone for too long. her inner monologue is just about how horny she is for most people. bisexual failgirl. i love her.
and then the biggest cringefail of them all, minthara. the fact that she absolutely cannot see that every companion at camp actually does grow to really like, love, and respect her bc shes expecting treachery (bc thats what SHE would have done) is as sad as it is just a liiiiittle bit funny. darling. my wife. people like and care about you. not to mention the fact that shes been poisoning you the entire time shes been travelling with you???? cant communicate for the life of her. regularly threatens to kill you but then gets mad if you die. emotionally stunted loserbabe. we will have a july wedding........
what im SAYING isnt that the girls ARENT badass and compotent and cool, what im SAYING is that the lads shouldnt have a monopoly on complexity and depth. you get me?
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