#-and also basically saying ''you cannot kill me in a way that matters'' when killed

[acridid-s]

Bloodborne's cut dialogue altered my brain chemistry

[awkward-walking-potato]

Heyo! I love how you write stories with Logan with animals because they’re so beautiful!! I was wondering if you’d write another one please? The reader is a shy mutant with nature powers (grow all kinds of flora, manipulate the elements, live harmonious with any kind of animal), she’s basically like Mother Nature. She has a big secret place where she often goes to. She created it to keep all kind of creatures save from humans and mutants, especially exotic ones, and are very dear to her. He tried to follow her once, but others cannot find the place except for her or if she allows them in. One day, she wants to show it to him and have him meet her family and one of her oldest family members, a gigantic dragon. The dragon is quite intelligent and doesn’t seem impressed nor does he seem to like Logan and constantly tries to kindly kill him/play pranks on him whenever she’s not looking (e.g. pushing him into a pool of mud, taking up all her attention for him, etc.). You can also add Wade to the story if you want to. Thank you so so much and hope you’ve a beautiful day!! 💙

The hidden Sanctuary

Wolverine had always been a lone wolf. Even as part of the X-Men, he kept to himself, preferred the company of silence, and embraced the solace of solitude. But there was something about Y/N that intrigued him. Maybe it was her shyness or the way she melted into the background, rarely speaking unless spoken to, or perhaps it was the powerful, almost mystical energy that seemed to ripple off her in waves whenever she was around nature. Whatever it was, Logan found himself drawn to her in a way he couldn’t quite explain.

Y/N was a mutant with powers unlike any he’d seen before. She could grow entire forests with a wave of her hand, manipulate the elements like it was second nature, and animals of all kinds flocked to her as if she were Mother Nature herself. Logan had seen her turn a desolate wasteland into a thriving ecosystem in seconds, and yet, she remained so modest about her abilities.

He had tried to follow her once when she snuck out of the mansion, curious as to where she went when she thought no one was watching. But no matter how closely he trailed her, she always managed to lose him, disappearing into the forest like a whisper on the wind.

Eventually, he let it go. If she wanted to keep her secrets, he wouldn’t pry… too much. But the more time they spent together, the more Logan found himself wanting to know everything about her. He wanted to protect her, keep her safe, and though he’d never admit it out loud, he wanted her to trust him enough to let him in.

One evening, as they sat on the mansion’s roof, watching the sunset, she turned to him, her eyes sparkling with a mix of anxiety and excitement. “Logan, I… I want to show you something. It’s important to me, but you have to promise not to tell anyone about it.”

Logan raised an eyebrow, surprised by her sudden openness. “You know you can trust me, darlin’. I won’t say a word.”

She nodded, a small smile playing on her lips. “Okay… follow me.”

The journey was long and winding. They traveled deep into the forest, far from the mansion and any sign of civilization. The trees grew denser, the air richer with the scent of pine and earth. Logan stayed close, his senses on high alert, but Y/N moved with a confidence that made him feel oddly at ease.

After what felt like hours, she stopped in front of a large, ancient tree with sprawling roots. She placed a hand on the bark and whispered something he couldn’t make out. To Logan’s astonishment, the tree seemed to shimmer before it slowly began to part, revealing a hidden pathway bathed in golden light.

“This way,” she said softly, taking his hand and leading him through the opening.

Logan’s breath caught in his throat as they stepped into a paradise beyond imagination. It was a hidden sanctuary, a place untouched by the modern world. Lush, vibrant plants of every color covered the ground, towering trees stretched high into the sky, their branches heavy with fruit, and a crystal-clear waterfall cascaded into a sparkling pool surrounded by delicate flowers.

Exotic creatures roamed freely, some so rare that Logan had only heard about them in legends. There were unicorns grazing by the water’s edge, phoenixes perched in the trees, and even a small family of griffins playfully wrestling in the distance.

“This… this is incredible,” Logan breathed, his voice laced with awe.

Y/N smiled shyly, a blush coloring her cheeks. “This is my sanctuary, a place where all creatures, mutant or otherwise, can live in peace. I’ve spent years creating and protecting it. It’s… it’s my home.”

As they walked deeper into the sanctuary, Logan couldn’t help but notice the way the animals greeted Y/N as if she were their queen. She interacted with them lovingly, whispering words of comfort, stroking their fur, and laughing when they nuzzled her affectionately.

But then, they reached a clearing, and Logan’s senses immediately went on high alert. A massive shadow passed overhead, and he looked up just in time to see a gigantic dragon circling above them, its scales shimmering in the sunlight.

The dragon landed with a thud, the ground shaking beneath its weight. It was an ancient, majestic creature with eyes that glowed like molten gold, and it was staring directly at Logan.

“Logan, this is Drakon. He’s one of my oldest friends,” Y/N said, her voice filled with affection as she approached the dragon without a hint of fear. “He’s been protecting this place for centuries.”

Logan nodded, trying to keep his cool, though he couldn’t shake the feeling that Drakon was sizing him up, and not in a friendly way.

“Nice to meet you,” Logan said gruffly, extending a hand. The dragon huffed, a plume of smoke curling from its nostrils, clearly unimpressed.

Y/N laughed, completely oblivious to the tension. “He’s just being protective. Drakon, Logan is my friend. You can trust him.”

The dragon narrowed its eyes, but finally gave a reluctant nod. Still, Logan couldn’t shake the feeling that the dragon didn’t like him very much.

Over the next few hours, Y/N showed Logan around the sanctuary, introducing him to all the creatures and explaining how she had come to find and protect them. Logan listened intently, more captivated by her passion and love for this place than the creatures themselves.

But every time Y/N turned her back, Drakon would make his displeasure known. The dragon would nudge Logan toward a pool of mud, causing him to stumble and fall face-first into the muck, or he’d suddenly swoop down to land between Logan and Y/N, cutting him off and demanding all of her attention.

At one point, Drakon even “accidentally” knocked Logan off a ledge into a thorny bush, earning a surprised laugh from Y/N when she turned around to see Logan tangled in the branches.

“You alright, Logan?” she asked, rushing over to help him.

“Yeah, I’m fine,” Logan grumbled, glaring up at the dragon, who looked away innocently, a satisfied smirk in its golden eyes.

Logan wasn’t easily intimidated, but this dragon was really starting to get on his nerves.

As the sun began to set, Y/N and Logan sat by the edge of the pool, watching the sky turn shades of pink and orange. Drakon rested nearby, keeping a watchful eye on Logan, though he pretended to be dozing.

“I’m glad you brought me here, Y/N,” Logan said softly, breaking the comfortable silence. “This place… it’s a part of you. I can see why you wanted to protect it.”

She smiled, resting her head on his shoulder. “I’ve wanted to show you for a while now. I trust you, Logan. I know you’d never hurt this place or the creatures here.”

Logan felt a warmth spread through his chest at her words, and he wrapped an arm around her, pulling her closer. “I wouldn’t dream of it, darlin’. I’ll protect it just like you do.”

They sat in contented silence for a few more moments, but then a voice broke through the peaceful atmosphere.

“Hey, lovebirds! Mind if I join the cuddle fest?”

Logan groaned as Deadpool suddenly appeared from behind a tree, his red and black suit standing out starkly against the natural beauty of the sanctuary.

“What the hell are you doing here, Wade?” Logan growled, his patience wearing thin.

“Oh, you know, just following you guys. Figured you’d need a chaperone. And what do I find? A magical Disney wonderland! Seriously, you guys have been holding out on me!” Deadpool exclaimed, his eyes widening as he took in the sight of the sanctuary.

Before Logan could retort, Drakon let out a deep growl, his eyes narrowing at Deadpool. “Oh, big guy, relax! I’m just here for the hugs and maybe to steal a unicorn for my apartment.”

The dragon let out a jet of flame that narrowly missed Deadpool’s head, causing him to dive for cover behind a boulder. “Yikes! Tough crowd! Guess I’ll stick to pestering Wolverine.”

Logan sighed, rubbing his temples. “Y/N, I think we’ve got enough trouble with the dragon. We don’t need him making it worse.”

Y/N giggled, watching as Drakon continued to eye Deadpool suspiciously. “I think Drakon likes you more than Wade, at least.”

Logan let out a low chuckle. “Yeah, well, I’ll take what I can get.”

As the sun dipped below the horizon, the sanctuary glowing in the soft light of twilight, Logan realized that, despite the dragon’s antics and Deadpool’s unwelcome appearance, he wouldn’t trade this moment for anything. Here, in this hidden sanctuary, with Y/N by his side, he felt a sense of peace he hadn’t known in a long time.

And maybe, just maybe, he’d find a way to get along with that damn dragon too… as long as it stopped trying to push him into the mud.

As Logan and Y/N prepared to leave the sanctuary, Wadw trailed behind them, trying to coax a reluctant phoenix into his backpack. Drakon, still suspicious, hovered nearby, ready to intervene if necessary.

“Come on, little birdie, you know you want to—ow! Okay, okay, no stealing the mystical creatures,” Deadpool muttered, nursing a singed hand.

[h4venpha]

i think i find comfort in vashwood because of their unwillingness to say outloud how they care and love for one another. like CANONLY, theres so, so much they dont say, yet their actions reflect everything.

i’m pretty sure i’ve spoke on this before but i like to think that they never say more than they need to because of the world they live in, the type of people they are, the type of upbringings theyve had. it all stems back to them not really feeling worthy of the love they are offered.

wolfwood who only thinks of himself as some fucked up modified killing machine and that he believes theres no chance someone as kind hearted as vash would see the good in him, or what little there is left of the good in him. he’s done nothing but kill, he could never redeem himself, and yet vash isn’t scared nor shuns him for it even with his pacifistic ideals.

vash who has seen the brutal truth of wolfwood’s being and still decides he loves him to the very end.

vash who doesnt believe he deserves any ounce of love or commitment because he only hurts those he gets close to. it’s happened before and itll happen again, like hes a walking time bomb and everything will blow up again and the people close to him will die no matter what he does. and wolfwood who canonly sticks beside him until the end! literally calls himself his guide.

vash who has never had true companionship in his 150 years of living, and wolfwood who follows him to the ends of gunsmoke.

just up until vol10, theyre still toeing the line of the relationship theyve created. but the exact moment vash shows up and chooses to prioritize wolfwood over going after knives (the fucking thing he’s been working towards since the big fall, over a hundred years ago) is the moment he steps past that line. its so extremely open and explicit, even wolfwood asks him ‘why are you here?”

while what he says here is true yes, it also sounds like “you cannot die, i’m here to ‘save’ you because i want to live.”

then to this when wolfwood knows and accepts he will die— the sheer HORROR on vash’s face when he realizes wolfwood wont allow him to save him.

few pages ahead, vash’s monologue starts and these old panels come up. “deep down, he had become very close to me.” basically implying that back then, during the ‘shoot’ moment, they weren’t really close. and when vash accused him: “you’re the coward here.”, “you give up all hope so easily”, it was almost surface level in a way? talking to him at surface level

but now, so many chapters later when wolfwood really does give up hope, vash, with all of his developed love through out the story realizes how differently he feels now. wolfwood made him put a fucking gun to his head (giving up hope), and vash who only scolded and accused him, vs vol10 where when wolfwood gives up hope, vash feels straight terror, that he’s really going to lose him. (also the inverted panel is just so gorgeous.)

the whole “isnt that right, wolfwood?” just proves my entire point that vash’s presence here in this fight steps over the line of vulnerability they had created. he knows how he feels, and he knows that wolfwood feels the same, even if hes speaking to him indirectly.

[actual-changeling]

i have a thing with hands and the scene where aziraphale asks crowley to dance is playing on repeat in my head.

while yes, the primary purpose of the ball was to get maggie and nina together, it was ALSO for him and crowley, and you literally cannot convince me otherwise.

"perhaps you can tell me while we dance?"

the look on his face is pure excitement, he is basically bubbling over with it, and if you look at the few seconds before he turns around, you can see how nervous he is, too. his eyes keep flicking back and forth and he wets his lips several times and swallows before he starts talking. this is peak "i'm asking my secret crush and prom date to a dance" behaviour.

crowley's reaction is confusion ("we don't dance) but it's not a no, and aziraphale knows that. his absolutely precious, smitten smile just KILLS me, because boy he would have grabbed him and pulled him onto the dance floor (or what passes as one anyway) no matter what he responded.

yet crowley didn't say no, just "we don't do this" and aziraphale silently says we do now. and then! and THEN! before he takes his hand he glances down at it like he is trying to make sure it's where he thinks it is and that he can grab it. he's probably also just brimming with energy and excitement and it needs to be let out somehow.

but what REALLY gets me is that absolutely adorable GIGGLE he lets out when he takes crowley's hand. he GIGGLES. it's small and breathless and he licks his lips AGAIN. tell me that isn't middle school crush behaviour, he is going through so many emotions it's incredible how well michael sheen portrays all of them at once.

just. the way he is holding his hand. his thumb probably caressed the back of it when he adjusted his grasp and pulled him along, and crowley simply goes with him, zero resistance offered.

if you look closely, you can even see crowley's fingers slightly curl as if he is starting to hold his hand back properly. aziraphale wanted to dance with him so bad, to have him close and hold his hand and look into his eyes while they participate in what he thinks is the definition of falling in love. and crowley will do whatever to make him happy, and if it means dancing and touching him for several minutes, well, he sure as hell isn't going to complain about that.

long story short i'm deceased and will never recover.

[kazzsk2]

Info dumping about resurrected sacrifice au but it's from my text last night to someone who was willing to listen to my ramblings 😌

(Also these are the major outfits the lamb wears in this au)

Anyways, in the au (specifically the resurrection on) it's separated into three parts right. And the story actually starts before the initial seven resurrections it to bring lamb back and make them stay. It's starts right at the time of the lamb's execution and I saw this one post about another person's au saying that the lamb would be executed in their wedding clothes so I kinda took that idea as well to a certain extent.

So basically lamb was executed in wedding attire which narinder took a certain way (kind of considered a miscommunication) and that kind of fueled the desire to resurrect lamb.

This was only heightened with seeing the last remnants of the lamb begin to dissappear like the followers that personally connected with the lamb dying from old age, the statues of them being dirty and covered in overgrown plants, and new decorations for narinder beginning to overtake the old ones. Narinder began to grow quiet and started to wear the viel around this time.

His siblings began to take notice of this, especially shamura. Shamura was the one to actually suggest the whole resurrection thing and though he meant well, this actually kinda ruined narinder's mental health

He began to obess over the possibility of bring the lamb back to the point he had to do the resurrections in secret to avoid his siblings from stopping him. Then, after the several resurrections, he gets the lamb to stay by a five year agreement and does his best over the first part of the story to get them to agree to stay after five years.

During this time, I wanted to make it very comedic but at the same time like super sad undertones. Like totally funny way of doing something but when you really pay attention to the words it's actually sad.

Nearing the end of this first arc is when narinder and lamb have an argument and lamb is like "why don't you beg for me to stay, since you're desperate for your dear vessel back" as more of a (idk the word) snag at narinder, not actually expecting him to do so. But he literally does so and that's when lamb is like "bro I think this is like seriously screwed up and we should talk through this like normal people" this is also the first time narinder vocally speaks as throughout the whole first part, he is mute besides sign language & when he does sermons/rituals for the cult.

This is when lamb & narinder talk and get their biggest insecurities and worries out in the air. The lamb's biggest one being that he's the last of his kind and death was the only way to be connected back with those he lost. Narinder's biggest was how he treated lamb like an object and without the love they deserved. His second being that it felt as though he always bought harm upon the lamb no matter how badly he tried to fix it.

This leads into the second part of the story which is the turn in the two's relationship (& where the lamb starts catching feelings). I want to use the trope where like one falls first but the other falls the hardest with like lamb and narinder with narinder falling first but lamb falling hardest. As they work through their problems and find ways around the ones they cannot fix that easily, the lamb begins to get the feelings & at first hates himself for it. He has a whole inner dilemma of fighting that he wouldn't stay for the 5 years, that narinder had been willing to kill him so easily for power what's stopping him from doing it again, and the fact that falling in love with narinder would be falling in love with the brother of those who murdered their kind.

They managed to (also totally random but I use the headcanon that lamb goes by they/he just in case cuz I keep switching it up) work through their thoughts tho and accept the fact that they have fallen for narinder and it isn't exactly a bad thing.

Most of this part is just the start of their relationship and working it all out like how any semi normal relationship between two people with deep pasts and hidden issues hidden in their bones work. The first half is all the nitty gritty and then the second half is pure fluff

& then the last part is just domestic life epilogue 😌 nothing really serious besides introducing the shitten (hehehe shit-ten).

Ok that's all

[ourfleur]

「Who Do You Belong To?」 [Johnny Cage x Fem Reader]

Summary: Being in a relationship with someone like Johnny Cage isn’t easy, especially when they have the same reputation he does, always so much attention always on you and your relationship. But maybe you can use that to your advantage, make them all know who this A-lister belongs to.

Tags: nsfw (basically just porn with a tiny plot lmao), semi public sex, au, dom&sub, switch reader, switch johnny, jealousy, possession, pet names (mostly baby)

An: hiii so this is my first time not only writing smut but also posting anything i write lol, i hope its not shit.. i pretty much only wrote this because i had this idea and no one had written anything like it so i wrote it myself.. anywaysss enjoy :3

follow my ao3

3 months. It had been only 3 months since you started dating the “infamous” Johnny Cage. 3 months and yet you were already more famous than 99% of the population would ever be.

You were still getting used to the fame, the constant cameras flashing in your face and the constant attention. You knew so many women would kill to be where you are, in the arms of Johnny, knowing that didn’t make life any easier. Constantly, new drama would stir up, rumours about you or your boyfriend breaking up or cheating on each other. But that… that was bearable. What wasn’t bearable was Johnny's co-star on his new movie. She wasn’t shy about wanting him and when the rumours started circulating of him ditching you for her she laughed it off and played stupid. “Oh really?”, she laughed, “I cannot confirm nor deny anything, it’s up to the fans imaginations.” That bitch made you livid.

This was supposed to be a relaxing day but you spent all of your time on Johnny's yacht reading the nasty and idiotic comments from the media. It was also extremely hard to relax considering the paparazzi was so close by, it seemed no matter where you went you could not escape them. But that revelation gave you an idea.

Getting up off the lawn chair you were lounging on, you pranced your way over to your boyfriend, who was occupied with writing his own movie. Taking the notebook out of his hands as you got on top of him. He was surprised at first but then smirked, eyeing the way your little body looked in that tiny bikini.

“Johnnyyyyy…” You whined while looking at him through half lidded eyes. Slowly, you grinded yourself on his clothed dick. “I need you right now.” You smiled, seeing the way his face contorted as you moved yourself across his lap. You leaned down to whisper in his ear, “I need everyone to understand who you belong to, so do me a favour and fuck me where they all can see.” You felt him hardening underneath you at your words. “Fuck, whatever you say baby.”

You leaned into each other, mouths crashing together in an aggressive kiss. Continuing to grind on each other while making out, only breaking to release some particularly intense whimpers. His large hands running all over your tiny body. Moving your hands down his chiselled abs, you reached the prize. Palming him through his shorts, which elicited the prettiest moans from his mouth.

Finally, you took his cock out, glistening with precum. You ran your delicate hand up and down his shaft, fingers tracing his pretty little veins and squeezing with just the right amount of pressure. You raised yourself up, letting him pull your bottoms to the side. You aligned yourself with him and slowly sunk down, making you both moan. You looked out across the water, seeing the many cameras, all focused on you and him. You began moving, listening as he moaned out your name. The way his thick cock stretched you always took you over the edge. You grinded your pretty pussy on him, over and over, not even paying attention to the poor mess of a man beneath you, only staring out at the cameras. Making sure they caught every glimpse of the way you could so easily destroy this big-shot A lister.

“No one else can make you feel this way, right baby?” You purred. “Yes.. fuckkkkk baby yes only you.” You could feel him twitch inside of you while he spoke, he was close. You frowned, “Well that cunt you work with seems to think she owns you.” You pulled yourself off of him, watching him groan with annoyance, his orgasm being denied. “What the fuck? I was close.” Cursing out your name. “Well it’s no fun if we just sit here…” You said, getting off him and leading him to the edge of the boat, your body facing the paparazzi across the water. You bent down in front of him, putting on a show as you pulled down your bikini bottoms. As you did he felt his mouth go dry at the sight of your cunt. You turned back around and moved towards him, arms reaching to grab his hair, suddenly shoving him down on his knees. “Be a good boy and eat me out while your adoring fans watch, maybe then I will let you have what you want.” Your sultry tone doing indescribable things to him.

He started by slowly nibbling and biting at your thighs, hands wrapping around them with ease. You groaned, “Don’t tease me Johnny.” Eyes staring daggers down at him. “Whatever you say…” And with that, he dove right in. His tongue flicking and circling around your clit in ways that could only be described as heavenly. Your hands dug into his hair, shoving his face closer to your aching core. He then moved his mouth down, lapping like a dog at your slick, his nose lightly grazing over your clit, leaving so much more to be desired. Your moans were getting so loud at this point you wouldn't be surprised if everyone on the beach could hear you. “Fuck Johnny, I’m close, you’re doing so good… You look so good on your knees.” Your brain turning to mush as you babble random praises, your orgasm steadily approaching.

And when it hit you were a mess. Moaning out curses and his name, legs turning to jelly. The only thing to stop you from collapsing was his hands, which were glued to your hips. After you finally regained the ability to stand on your own Johnny stood up. Licking the left behind slick on his lips with his tongue. You were about to bark another command at him before he interrupted you. “Agh fuck this. I can't take this anymore.” You were about to question him before he grabbed you, turning you around so he can bend you over on the edge of the boat. He leaned down to whisper in your ear. “Im fucking tired of this, it’s my turn to ruin you, sound good baby?” His voice sent chills down your spine. You nodded, looking at him out of the corner of your eye. He leaned back and soon you felt his cock between your thighs, gliding along your folds. Then, suddenly, the feeling was gone. You turned back to face johnny only to see him walking towards his chair. He grabbed his phone and then winked at you. “For safekeeping yknow?” He finally was back behind you, stroking himself a bit before finally easing himself into you. He groaned your name, taking you fully. You could hardly contain your whimpers when he started moving.

“You look so good on camera, fuck, you should star in one of my films.” He laughed, now moving at a pace all too slow. “I’ll only star in it if I get to fuck you in it.” You responded, releasing a breath that was somewhere between a laugh and a moan. He took his free hand and moved it to your clit, rough fingers circling it at an insane pace. The combination of him pounding into you and hitting that special spot inside if you and him rubbing your clit had you seeing stars. With the way you were moaning and the way your cunt was tightening around his cock he could tell you were close. “You’re so beautiful when you’re whining around my cock.” He chuckled. “F-fuck.. Johnny please I'm so close.” You stuttered out. Suddenly he grabbed you by your hair, pulling you back into his chest. He held the phone out in front of the 2 of you while beginning a relentless pace. “Smile for the camera while you come undone babe. This is your glamour shot.” You could barely focus on what he was saying due to the pleasure that was shooting through your body. He moved his hand from your hair to your neck and squeezed a little. “I said smile.” His tone was stern and that was the last straw. The knot in your stomach snapped and you came, making sure to look into the camera and smile, per his request. Your moans were near pornographic as you shook from your orgasm, falling back onto the edge of the yacht. He pulled out of you and you couldn’t help notice, he still hadn’t cummed. You turned around and glanced down to his still-hard cock and then to his face.

“You gonna come over here and fix this or what?” He questioned, smirking while he spoke. “I guess it’s only fair… you have been so good to me today Johnny.” You turned, falling to your knees. Now eye level with his length. You moved your hands to it, gently stroking your boyfriends dick, trying to see what reactions and noises you could get to come out of his pretty face. You brought your mouth to his tip, doing short kitten licks to his slit. You moved your tongue all over his cock, licking and tenderly tracing every vein with your tongue. “Come on.. don’t punish me more than you already have..” He begged, looking down at you with those puppy dog eyes you just couldn’t resist. “Grab your phone Johnny, let’s see if that whore will understand who you belong to after this.” He was taken aback by your request but nonetheless complied. The moment he started recording you were ready to put on the performance of a lifetime.

Never taking your eyes off the camera, you stuffed his cock into your mouth. Johnny quietly whimpered at the feeling of you taking him in his mouth but before he could savour it, you pulled his dick out of your mouth with a ‘pop’. “Don’t try and quiet those moans Johnny, I need to make sure everyone knows that you’re mine.” He nodded and you eased your mouth back onto him. Johnny had never seen something more beautiful than you choking on his cock. The way your mouth worked had him sure he was in heaven. His breathing sped up and he grabbed your hair. “Fuck i’m so close, let me fuck this pretty face.” You nodded and he gripped your hair tighter. He was so rough, whimpering and crying out with pleasure while shoving his dick as far down your throat as he could. His thrusts started to become sloppy and before you knew it he was painting your throat white and releasing the hottest groans and praises. He pulled his cock out of your mouth and bent down to inspect his work. “You are so gorgeous, I can never get enough of seeing your little mouth filled with my cum.” He smiled, ending the video and throwing his phone to the side while you swallowed.

Safe to say that the internet was going wild for a few months after the paparazzi released those pictures… and safe to say that his stupid co-star didn’t do shit like that again.

[dekusleftsock]

Dekus no good, very bad, faceplant into masculinity and internalized homophobia

I made this a thought post from chapter 402 originally, but I can’t let these thoughts fester any longer. Gotta be correct about it 🫶🫶🫶

Alright so when I originally talked about this on a couple of platforms (not just tumblr, tiktok too and a bit on Twitter that has no connection to this account lmao) I feel like people told me that I was “stretching” with my assumptions.

But then Toga’s backstory being told to Ochako was… directly referenced to a queer allegory. And in 394, she directly says that she likes girls. It’s the thing said last, implying it’s something she’s still ashamed of feeling.

This chapter basically confirmed in my mind that Himiko’s blood quirk was the equivalent to the homophobia that was probably in her own household. And in my mind, that means that blood quirk = metaphor on her queer experience.

And then suddenly, the pieces clicked into place.

In 348, Izuku disagrees with Himiko and Ochako’s ideals—not only at the idea of girly romance, but also at unconventional romance.

Ochako has distanced herself due to Izuku’s inability to confront his own feelings. Shown both physically and metaphorically.

Ochako took all the steps to walk away because from Izuku. Because Izuku held her back.

Or more rather, she realized that Izuku was no allmight, but rather just an average boy in need of saving as anyone else. He is someone who’s flaws cannot align with Ochako’s own ideals for a relationship.

Because ochako is weird.

Izuku holds her back. She can’t be everything she needs to be while around him.

And that’s something Izuku’s not going to understand, not like how she needs him to understand.

And Himiko knows who Ochako is on a more fundamental level than Izuku ever will, and that’s okay.

I feel like whenever I talk about these character flaws having to do with Izuku, it almost sounds like I’m bashing him? I swear, I’m not, it makes complete sense as to why he is this way. And there are people (Katsuki) in the world who can have this in a relationship under the right communication, and some people can’t. And that’s just how we exist. That’s okay. We don’t all have to be compatible with everyone.

Back to the main point, the pieces and the people putting those pieces together were starting to see their parallels.

Even the manga placement parallels them, especially with how clever I feel horikoshi can be with his paneling.

Looking down, looking up. Both three quarter angles. Small mouth expression, big mouth expression. And that blush.

Fake smile when unhappy. Falling for someone who is dying, who you’d do anything for, even toe the line of death defending them, fixing them—just because you can’t help but love someone you wish had walked into your life sooner (or in Izuku’s case, accepted into your life sooner).

Someone you’d sacrifice for. Someone you’re violent for. Someone you’d kill for.

Someone you’d rather let an entire population of people die for than live without.

Someone you’re undeniably, unequivocally, selfish for.

And yet Izuku doesn’t recognize his same symptoms of love through Himiko Toga as Ochako does.

Himiko must be dehumanized to Izuku, because if she’s a person, then she is him.

(What’s even more interesting about this panel, is that if the characters were reversed and it was about Izuku’s violent feelings over protecting Katsuki, danger sense would be going off constantly. So toga is the perfect counter, but Izuku is the ultimate weakness.)

So, okay, how exactly do these things matter? How does this have to do with Izuku’s own personal struggle over his masculinity?

I think what’s important to clarify here is that when I say “internalized homophobia”, I don’t mean that he necessarily is beating himself up over the fact that he likes a boy instead of a girl.

I think it’s connected to his fear of rejection, and his own personal issues having to do with remaining a “strong man” instead of a “weak man”.

Izuku may not believe that liking men is anyone’s business but his own, but does Katsuki think that?

Izuku has called his feelings of admiration gross. Not that he himself is an awful person for feeling them, but that Katsuki will be the one to think they’re gross. And he’s worked so hard to get to this point in their relationship, he doesn’t wanna let it go over some stupid feelings.

And this is where toga comes into the picture, his parallels between her, because just how is Toga supposed to know that Ochako isn’t judging her for her feelings? Technically, all of the things she’s said before the final fight between them have only proved the inevitable. That Toga is gross, a freak, a predator, a danger, because she loves a woman.

How is Izuku supposed to interpret being called a stalker by Katsuki? How is he supposed to interpret when people call him creepy for his muttering and analyzation? How is he supposed to interpret being called a crybaby by his idol, Katsuki, and everyone else when he cannot control that?

How can he handle feelings that are out of his control, and still believe that they’re okay?

And at the very least, even if homophobia doesn’t exist in mha, heteronormativity does. Especially shown through Ashido, a straight girl.

None of that is necessarily Allmight, Katsuki, or even Ochako’s fault, because of course they’re just teasing him—but it doesn’t change the fact that it affects how he perceives himself.

So when I say that Izuku has problems with internalized homophobia, I mean that he is afraid of how the people around him will perceive him, than a constant feeling of self hatred due to not liking women.

And when I say that his internalized homophobia is an extension of his masculinity, I mean that because he has no confidence in himself and his more vulnerable emotions, he is unable to accept what or who he is. This ofc affects the people around him, like saying that Ochako CANT be weird because she’s just “so amazingly normal” without realizing that he’s just downplaying who she is and what she thinks, or dehumanizing the most openly queer character in the series because it benefits the perception he has of himself, or even silently rejecting Katsuki’s feelings simply out of a need to “control his heart and control his quirk”.

In Izuku’s mind, the only way to keep Katsuki is to not be the weird kid he was in his childhood. In a way, Izuku is still performing for Katsuki.

[recurring-polynya]

In the years since I've been running this blog, I've made a lot of jokes about Renji's seemingly ill-thought-out plan of:

Beat Captain Kuchiki

???

Profit Be with Rukia again

but I was looking at his volume poem the other day, and I think that I am an idiot, and beating Byakuya has never been connected to seeing Rukia again. It's a smokescreen. He does have an actual, actionable plan of training and working hard enough to become a vice-captain (specifically Byakuya's vice-captain), and then approaching Rukia again as her social equal. We know that beating Byakuya wasn't a key component of that, because he was planning to do it as soon as she got back from her mission.

The thing about defeating Byakuya is that Renji is purposely setting his sights a few degrees to the left of the truth to keep from falling into depression and despair. Trying to get Rukia back is a thing that he can try to do and fail, and in fact, he very well may. Beating Byakuya is impossible. No one believes he can really do it, least of all himself, which means, paradoxically, he can't lose. When you fail to do the impossible, you can shrug and say, "well, it was impossible, what did you expect?

I mean, it's right there in the poem: "I am going to focus on reaching the unreachable because if I think about Rukia, I am going to kill myself." And I don't think Renji is a guy who has a suicidal bent--the fact that he pursues this line of thinking is proof of that. But what is the difference between a person who thinks about killing themself and someone actively works to not to...? I don't know. It's complicated.

One of the most fundamental themes of Bleach is the idea that Hollows are fallen souls who lose their hearts and eat other souls in order to ease their pain, but they only end up creating more Hollows in the process except that we see examples again and again of shinigami pulling this exact shit (Byakuya, I am looking at you). I cannot figure out if Renji's drive to distract himself from the pain of losing Rukia is a play to avoid falling into monstrosity, or if it's pretty much a direct route. I mean, this is basically exactly the path that Gin and Tousen take--which makes it all the more interesting to me that Aizen rejects Renji as unsuitable for his conspiracy.

I can't put my finger on any particular thing that separates Renji from other characters in this respect, aside from maybe his fundamental Renji-ness-- the fact that he has other friends and connections? That he has hope, no matter how dim, that he may actually reunite with Rukia some day? That he's just a guy who reaches for life instead of death? (Mildly off-topic, but if there is one other character that this is also true of, I think it might be...Matsumoto???)

Anyway, another thing I like about setting himself against an impossible goalpost is that this would be a terrible idea for a human with a finite lifespan, but shinigami have all the time in the world. Go ahead, pal, pursue your impossible tasks, live your truth! I read a lot of stories about semi-immortal beings, and I love love love it when they seem very human and then they do some batshit insane thing that makes you realize, oh, they very much are not.

My favorite way to break my own heart is re-reading the "Fate is a Millstone" chapter, where we learn that Renji was a hair's-breadth away achieving his real goal of talking to Rukia again, only to have Fate throw him a face-full of pocket sand. I think it's extra salt in the wound, to be honest, if he's been pursuing the impossible goal of beating Byakuya as a distraction for all these years, only to arrive at a place where Rukia's life literally hinges on him beating Byakuya, a thing which is not just theoretically impossible, but something Renji has spent 40 years becoming intimately familiar with just how impossible it is.

[ae-neon]

Sarah Janet, do NOT piss me off

“Enjoyed that*, did you?” Chaol growled.

“Immensely.” Celaena patted Chaol’s arm as she took it in her own. “Now you must pretend that you like me, or else everything will be ruined.”

“You and the Crown Prince share the same sense of humor, it seems.”

“Perhaps he and I will become dear friends, and you will be left to rot.”

“Dorian is more inclined to associate with ladies of better breeding and beauty.” She whipped her head to look at him.

He smiled. “How vain you are.”

She glared. “I hate women like that. They’re so desperate for the attention of men that they’d willingly betray and harm members of their own sex. And we claim men cannot think with their brains! At least men are direct about it.” (🙄)

*The "that" in question being Dorian telling Celaena about her alias as a jewel thief

(after picking her up from the mine, spending a night there, spending 2 weeks on the road to the capital and having spent at least a night in the castle. He has already said her real name out loud in public, she has introduced herself to a servant and signed a letter with that name but sure...)

Then Dorian insinuates both him and Chaol are both sleeping with her/gonna sleep with her? All to slight Kaltain, instead of just telling either his mother the queen or Kaltain herself that he has no interest in her. So no, men are not direct about it.

Also Celaena earlier drops a potted plant from a balcony, aiming directly for Kaltain because Kaltain was bad mouthing her over Dorian (Celaena's captor technically) but misses, so really saying she hates Kaltain for betraying and harming members of her own sex for male attention is too ironic. Not to mention Celaena almost breaking her neck when Chaol implies Dorian is out of her league. Typical sjm MC hypocrisy

ALSO ALSO Kaltain is a lesser noble woman in a patriarch feudal society. Her life DOES depend on men. She literally has no choice in the matter

“They say that her father is as rich as a king,” Chaol said. “I suppose that’s part of why Perrington is so infatuated. She arrived here in a litter bigger than most peasant huts; it was carried here from her home. A distance of almost two hundred miles.”

“What debauchery.”

“I pity her servants.”

“I pity her father!” They chuckled, and he lifted the arm linked with hers a bit higher.

First of all, Chaol is a lord. Celaena is a princess. Both are in the favour of the prince whose dad basically owns the continent and benefits off of slave labour. Pointing out that Kaltain's father is rich is supposed to do what exactly

Second, Celaena girl...

"I pity her father🤣😭🙏💯🔥💀"

Literally I wouldn't care if Celaena hadn't tried to justify her behaviour and just said she hates Kaltain

but to try to use the mental gymnastics of liberal feminism to say Kaltain is bad because she's competing for the prince's attention (her literal job as a lady of court) while also saying men are naturally less messy? And being a messy catty bitch with your colonising male friends while you do it?

So much of this book is nonsense like this. Celaena tells us she loves clothes and dressing up and being pretty and so girly

but then swears she being stabbed by her corset and that her dress is impractical and that's why she prefers tunics and pants because it's easier to kill 37 grown men in combat that way

But then dresses in a corseted dress for the first day of the competition despite not knowing what to expect

Nothing is adding up.

To be fair, these things can coexist but in better writing they would present themselves appropriately. Here it is just thrown together one sentence after the other with no attention to the blatant contradiction

[raisedbythetv89]

excuse the ranting here but just had someone try and argue that a fully evil literally on the hunt for the Slayer (bc he’s stalking his PREY to fight and hopefully kill) Spike - finding Buffy attractive (according to an interview James gave where he talks about that moment and said he embodied the kinds of predatory men who literally are “on the hunt” for real life women in bars) as anywhere NEAR the same level of creepiness as a SOULFUL aka SUPPOSED TO BE GOOD angel stalking and falling in love at the sight of an innocent and crying 15 year old Buffy….

Anti spike/spuffy ppl always try and use that interview to make Spike out to be “just as creepy” as Angel which is always just so embarrassing to me that they don’t grasp the basic difference between one was the most evil and literally is a predator to her prey but buffy is also a predator to spike’s kind so there is even still a balance of power between them even then and he’s literally just explaining how he played the scene to get the attitude and body language right as a predator bc he understands that’s what Spike is to Buffy at that time (literally had zero clue he would ever be a love interest of Buffy’s). And the other who is not supposed to be a predator anymore…. hides his identity as a vampire AND hides the fact that he’s been watching her for over a year is still acting as a predator but instead of stalking an experienced slayer to attempt to fight and kill he is stalking a freshly called still weak and vulnerable slayer who he wants to sleep with aka corrupt.

Angel is supposed to be GOOD yet is still acting like a predator. Spike IS EVIL and so is simply acting as someone who has killed two slayers should 💀💀💀💀 the fact that soulless evil Spike and soulful “good” Angel’s behavior can be compared AT ALL is bad for angel and angel alone bc spike is supposed to be evil and treating buffy as someone he is hunting and as an opponent. Angel is supposed to be HELPING Buffy….

But regardless of all that the argument is James said Sarah is beautiful so of course he played up that angle as well so canonically Spike thinks a 16 year old Buffy is pretty and these people really don’t understand the difference between the two 😭😭

First of all I personally have heard Sarah call herself “not the prettiest” at least 10 times in 10 different interviews - how often do you think the people in her life heard her make jokes or comments about her appearance??? To me that always seemed like James just paying a compliment to his costar who doesn’t understand how literally fucking STUNNING she is by basically being like HAVE YOU SEEN HER OF COURSE MY CHARACTER THINKS SHE’S PRETTY LOOK AT HER!! James literally rizzed his way into a main character and love interest like of course he’s gonna be charming in real life by paying compliments to everyone he can every chance he gets. He had sex appeal and a dream AND IT WORKED 💀 and we also see him have chemistry with practically every person on the show that’s just who he is 😹😹😹

But I also just cannot emphasize how much of a difference there is between finding someone attractive or thinking they’re beautiful vs actually ACTING on it and ESPECIALLY acting on it when you call her friend of the same age “just a kid” and say over and over again how wrong it is and that she’s too young AND THEN DO IT ANYWAY. Like it’s a supernatural show with vampires who are 100 & 200+ years old if angel hadn’t constantly acted like her dad and treated Buffy like a kid and everything is season 3 didn’t happen there could be sooooooo much more leniency with angel and buffy’s age differences and I probably wouldn’t care bc applying irl rules to the supernatural doesn’t make a lot of sense but angel always treats her like a child and says over and over again how wrong it is and THAT is what makes it a problem within this supernatural show bc Spike never treats her like a child or like she isn’t his equal ever no matter what age she is

But unfortunately it makes sense people who like a character whose main personality trait is !catholic guilt! (when he’s got a soul) don’t understand the difference between thoughts and actions and how we should only be defining ourselves and other people by their actions. Because we are not every single thought we’ve ever had both good and bad. If you think to do good things but don’t that does not make you good and if you think to do bad things but don’t that does not make you bad.

So evil Spike thinking a beautiful Buffy dancing with her friends is hot at 16 is not even CLOSE to the same as a supposed to be good angel activity pursuing a relationship with her by breadcrumbing the absolute fuck out of her, manipulating her like crazy and lying to her about practically everything and flirting with her under false pretenses after falling in love at the sight of her looking like a child with her lollipop on the school steps at 15 and then watching her cry in the bathroom mirror as he watches her from the bushes with a smile on his face and hope in his eyes and if you don’t understand that there is literally nothing I can do or say to help you

[joseline-woodhouse]

Okay I have to say it.

Will, Ada and Montresor did something way worse than Annabel Lee.

Why? Because motive matters. Now don't get me wrong, a good motive cannot justify an inherently evil action, it however matters more and more when going deeper into more morally grey areas.

Annabel has made it very clear she understands these people, including Duke to be damned regardless of her actions and basically sees herself confronted with a trolley problem that goes: "You, your wife and like X other people are bound to rails. A trolly will run over all but one of you. However if you pull just the right levers, both you end your wife will survive. The first lever you must pull is on Duke." While this doesn't make her actions noble, it gives them a noble cause and one could argue in several ways that she's acting within a moral grey area if we take the situation to be as unshakable as it seems. To make to examples, one could argue in an utalitarian way (this saves more lives than the other option) or in a very human way (this saves a loved one at the cost of a soon to be dead man, who could blame her?). There are also concepts of morality that would condemn her, like for example the categoric imperative or Jewish or Christian (and I think Muslim) religion, in which it is inherently bad to kill a single person even to safe thousands of others.

Annabel considers killing Duke a necessary evil.

Montresor however is acting out of pure sadism and spite and he puts on quite a show to make this clear. He had done so even if he believed everyone would get a happy end and he is having the time of his life killing Duke. That is picture book chaotic evil behaviour right there and by no means redeemable.

Will and Ada? Arguably worse than Montresor, at least not a bit better. This is the kind of stuff that makes large scale modern genocides possible. Hannah Ahrendt (great woman, you should look her up) argues in her book "Eichmann in Jerusalem: A Report on the Banality of Evil" that evil at its worst is not some kind of demonic evil like it has been preached in medieval times, but lays within the sheer banality of an office worker casually doing the phone calls and paper work necessary to send thousands to their certain death, while the office worker goes back home, eats dinner with his family and thinks "I'm just doing my job. It's my supervisors moral responsibility, not mine."

Ada and Will tried to kill for no other reason than because they have been told to do so and the lack of willingness to accept responsibility really shows in their actions afterwards. So I am a bit confused when I see people arguing how terrible Annabel Lee is while defending the "poor boy Will".

So, controversial opinion: in this very specific case, even though Annabel Lee either started this or at the very least didn't stop it when she clearly could have, she hasn't committed anything as immoral as her henchmen committed, who did not even need a motive to kill.

Also I would every day prefer an Annabel Lee willing to kill Duke to safe her wife in the long run over an Annabel Lee that prefers to not be a controversial female character. Let's not forget these people don't actually exist.

[heavenlymorals]

How a Modern Perspective Skews Historical Characters: A Mini Rant on the Hatred of Female Characters in RDR2

This isn't that organized cuz it's more a rant than a retrospective but fuck it it's my blog, I do what I want-

There are so many people who have actual hatred, not criticisms, for Abigail, Molly, Grimshaw, Mary, and other female characters in the Red Dead universe.

And honestly? I find it very interesting. Sure, men will probably always find a reason to hate a female character, but what I find interesting is how many women also hate these wonderfully crafted characters.

It could be so many reasons as to why this may be the case but honestly? I think it's because people forget that they CANNOT analyze this game authentically through the modern lens of morals and behaviors. This game takes place in 1899 America. Let me say it again. This game takes place in 1899 America.

One more time, just for good measure- this game takes place in FUCKING 1899 America. Women had to be dependent on men because otherwise? They'll either be in poverty, exploited, killed, or all three. There was also the honor system. When had to be the moral high ground for their family so them messing up has consequences on their fathers, mothers, siblings, cousins, and anyone connected to their family name.

Abigail getting pissy at John for getting in trouble all the time? If course it'd feel annoying if you're looking at it through the modern perspective but when you don't, it's a woman telling her man to act like a man and be careful because if he doesn't, she and her son will be destitute and destroyed.

Mary not getting with Arthur but using him? What's the likely hood that the law would bother to help Mary when the two people she needs help with are her father and brother- two grown men who can make their own choices that she literally can do nothing about because as a woman, it wasn't her place to dictate what they do. Arthur was her only option. "Girl, what her family thinks doesn't matter, she still should've gotten with him" girl no, because it's much harder and difficult than that- it's like tearing away an entire identity that you depend on to fucking survive.

"but what about Sadie? She was also living during this time period and she isn't drowned by societal expectations-"

Seriously. Do some research, read a book, expand your knowledge of gender roles and what that entails for people because it explains so many things about these characters in such a human way. They aren't "bitches", they are women of their time and people have to understand that.

No. Sadie isn't a part of this discussion because though she is a fun character and an amazing character, she is a mishmash of historical women who did masculine things to survive at one point but then went back to traditional roles, even if they did occasionally go back to to those old activities for sport sometimes, like Anne Oakley or Calamity Jane. Sadie's entire character is basically "but what if they didn't and committed to the nontraditional lifestyle". There are many inconsistencies that Rockstar did regarding the time period that they established earlier to accommodate Sadie's character better. Sadie is a great character but she doesn't belong in this discussion.

Edit: Ok, since this was a rant, as mentioned previously, I was a bit too rushed with the Sadie aspect of this post and ignored some crucial details. I'm not gonna change the post besides just this though. @hillbillyhipster84 made some great points that Sadie was a reference to Appalachian women and real outlaw women who did run and were accomplices in men's crimes, that I was too ignorant to mention prior beforehand because I didn't do much research. I still don't believe that People should use Sadie to bash the other women though, because those women mentioned above were not the status quo and thus were more trivialized because of it.

So many cultures still operate like this too so if anything, you're just learning something new about another culture.

But I swear, anytime someone talks shit about these characters, y'all got me looking like this-

[bubbipond]

Character-Driven Stories - We Are and Their "lack of plot"

From a literary and film perspective...It's a long one if you wanna read...(:

I keep seeing people say We Are and stories essentially like it have no plot and as someone who went to school for this, I have realized some people don't know the word's definition. The hate-on-slice-of-life type shows always perplexe me because there is this idea in media that if a show does not have high emotions or high stakes all of a sudden it lacks plot. A plot is just a matter of cause and effect. Something happens in a story that affects how the story is told. Whatever that plot is, affects the characters and provides substance for them to keep the story going.

What I think people mean when they say that a story lacks a plot is that it is more character-driven than plot-driven. Using We Are as an example, the characters drive the plot instead of the plot driving the characters. Take Game of Thrones as an example; the goal in the story is to see who will get to the Iron Throne (yes I know that there is far more to it but that's the general goal). So no matter what the characters do, that will always be where the series ends. The villains and protagonist will eventually rule and then the series is over. It's not character-driven because whether or not a character changes their mind or dies, the central plot is going to stay intact.

Then in media like We Are, the central focus is the characters and their decision making. If Phum decides he does not want to pursue Peem then their storyline ceases to exist because the plot can only move forward with his decision to keep exploring it. This is because there is no central goal for the character once they make a decision to stop. If We Are were to be plot-driven then there would be a conflict that needed to be resolved that drove the characters. Let's take Never Let Me Go as a plot-driven story PondPhuwin have done. In NLMG the plot that drives the characters are murder, attempted murder, and imprisonment. Nuengdiao's father dies then his mother is nearly killed, leading him to need to run away because now he is being hunted. Those things make or break the plot because there is nothing Nuengdiao or Palm can do while that is happening. Nuengdiao cannot live a normal life without finding out who is after him, ie, the major plot point.

In We Are the plot is centered around friends and the lives of their friend group. The plot moves when they do and when they make decisions. Stories like highly character-driven ones do not have a basic goal or obstacle as one in a plot-driven story would. Think of it as the action of a story being where the plot lies. The reason many slice-of-life-type stories get the, "it has no plot" comment is that they do not have specific actions, consequences, or occurrences that fall back onto a central theme. Many love stories that focus mainly on love tend to be character-driven, not all, but many do. The only action in these stories that moves the plot is the relationships progressing. When the relationships stay stagnant we tend to get the time in romcoms and romances where stories get boring because the only thing moving the story along is their evolving relationship.

It is essentially impossible to have a story without a plot unless your characters are in a room looking at a wall. Even then, I am sure someone could find a way to drive a plot in that scenario.

But anyway, just food for thought. Also, disregard any grammar or spelling mistakes, my phone's autocorrect only wants to correct me when I don't need it to, never when I do... Anyway, that is all I wanted to say about it! No hate to anyone that doesn't like this show or any other one I just hate seeing people say that's stuff.

[le-panda-chocovore]

I think the reason for all that discourse in the JJK fandom is that we had some expectations about what this story would be about, and we were wrong. I'd say it was our fault for having them, because Gege had his own story in mind and it isn't our role to tell him what to write/draw. But I'd also say that we were misled into having those expectations and then being deceived, because shock value is fun.

(I'm not in the AOT fandom so maybe I'm 100% wrong, in which case don't pay attention to me. I'm just rambling I'm not trying to make a point)

See there's not such a thing in Attack On Titans. I mean I know people are arguing whether a decision was good or bad or a character development was positive or negative, but no one is rioting the way JJK readers are even when someone dies, kills, or does worse (they do start a genocide lol). Because in AOT you know since the beginning what this story is about : surviving, war, and liberty. With time you learn that it's also about racism, destiny and injustice. But the story starts with death and blood and it never calms down, characters keep dying or getting hurt and no one's safe all along the story. So you just know it'd end the same way, you know what to expect, that power of friendship won't save anyone here.

But Jujutsu Kaisen is different, because it has all the codes of a basic Shonen. Everyone was comparing it to Naruto during the 1st season so you would believe it'd follow the same path. Of course there's fights and fails and suffering and death, because it's necessary for the growth of the protagonist. He'd learn he's not strong enough and he'd try harder and mature more and be better. Jujutsu Kaisen makes you think it's your One Piece-type manga where 1 person dies every 4 arcs and the main team survives everything, even when it looks impossible.

And then Shibuya happens and you're shocked because it's way to early to kill so many valuable characters in a row. Usually that kind of massacre happens during Big War arcs like in MHA. At first you think it's an interesting writing choice because it changes from other mangas, and you wonder how the main character will evolve from that. But then the training arc never happens, because shit keeps falling on them and there's a pile of deads and you start to wonder when it'd stop. Spoilers : it doesn't.

So at some point you realize it. This isn't a classical shonen. This isn't an happy-ending after a hard fight kind of story. There's no power of friendship to save them, there's no important moral path to keep following no matter what (like "I won't do to you what you did to me because it'd mean that I'm the same" no it doesn't work here), and there's not even a chance to run away from that cursed role no one wants to bear. There's no one protecting the kids anymore. The MC isn't strong enough and the mentors are dead and close friends are off-fight and the one person able to end this has to make the horrendous choice to give up his humanity.

In AOT, you were shocked, but it felt logical in the sense of where the story was leading you from the beginning. In JJK, you feel betrayed and manipulated because everything made you think about those other mangas where people ended up fine, but it was just a cover.

Honestly you COULD have guessed it'd end that way. Many people did. You just ignored it.

You thought Junpei's death was an exception, the Major Point for Yuuji's development, the Shock Value Kill to put some depth nuance in the story. But in reality it was a warning, a taste of the future. There WERE signs after all, and Gege never pretended to write another Naruto. You were so used to the classical shonen that you read the signs and fell for the trick.

JJK has never been a nice story from the beginning, Sukuna was at the center of every event since the beginning. You can dislike what is happening but you cannot say it's bad, as in a scenaristic choice. Gege is a writing genius and unfortunately he's also pure evil.

You shouldn't have trusted a one-eyed cat after all.

[strawhatsemerald]

I know for some people this would sound stupid as hell but here me out!

Let's look at Zoro's sacrifice for Luffy from the perspective of Zoro and Sanji from the Netflix adaptation. I still believe that Sanji, just like Zoro, is in love with Luffy (I’m talking about the adaptation, sorry, but it’s impossible to deny), and I’m sure that Zoro and Sanji know about each other’s feelings for Luffy, but so since neither of them has a relationship with Luffy yet, they are essentially on equal footing.

However, now Luffy is facing death, and Zoro is ready to sacrifice his life for his captain (because I'm sure he believes that he is the only one who can take Kuma's offer).

And this is where the most interesting thing begins.

He's basically saying that his dream doesn't matter if he can't protect his captain. It is obvious that Luffy’s dream is more important for Zoro than his own (even more important than his promise to Kuina), and this despite the fact that when he met Luffy he said that if Luffy stood in his way, Zoro would kill him, and now he is ready to die for Luffy (and in fact, according to chronology, they met just three+ months ago). He changed his mind really quickly.

And just imagine that he is ready to die for his captain,

when Sanji comes out and is also ready to sacrifice his dream and life for the sake of the captain and the crew. Some might say that he was saving Zoro because he couldn’t bear the thought of losing him, but I don’t think so. Let's imagine again that we are talking about Sanji from the adaptation who is in love with Luffy, and for some reason it seems to me that Sanji is not blind and understands that there is a special connection between Zoro and Luffy. He understands that if Zoro dies, it will be a tragedy for Luffy, and Sanji doesn't want Luffy to get hurt. He is most likely confident that if Zoro survives and he, Sanji, dies, then Luffy will worry less, because Sanji believes that Zoro has more chances with Luffy.

(And sorry, but did you notice how pretty Luffy looks here?)

Now Zoro again.

For him, Sanji's offer is essentially a good way to kill two birds with one stone, he can save the captain and will have every chance of reciprocity with Luffy. However, Zoro cannot accept such a sacrifice, he most likely saw through Sanji’s plan, and therefore decides to act as he intended, because it was his idea to sacrifice himself for Luffy, and Zoro never went back on his words.

Moreover, if you look at the situation from the perspective of two idiots in love with Luffy, Zoro also would like it for Luffy, to have someone who is in love with him the way he is and to be by his side if Zoro dies. You can be angry with me, but this is how I see this situation. Let a girl to enjoy the idea!

[sapphorror]

The relevance of chronology in IZ is dubious at best (in the show—it is flat-out non-existent in the comics), but I do kind of love to think about it regardless because there are so many weirdly specific points of internal continuity, practically and sometimes even emotionally, that we can't pretend there's absolutely nothing to examine there, even if the degree to which it matters is next to null. And anyway, I love a fool's errand.

So with that disclaimer I'd just like to talk about everyone's favorite organ harvesting episode and how much it kills me when examined in the context of an on-going continuity, because it's not just one of the most horrifying things Zim ever does across canon, it's really the first horrifying thing that Dib is present to bear witness to, at least on that scale. For all that NanoZim must've been scary and violating on a personal level, it was ultimately still a contained, targeted attack, and not even an unjustified one—not that Dib would consciously think of it this way, but Zim was acting in reasonable self-defense, he just chose to be really brutal and vindictive as he did so. Plus, Dib did come out on top of that encounter, so there were no real lasting consequences besides losing his evidence, which only put him back to square one. Basically, it was a great basis for forming a personal grudge, but it didn't really say anything about how generally malicious or threatening Zim actually was outside the context of their quickly-coalescing rivalry. Zim's only a monster at this point insofar as it's fun for Dib to have a dragon to defeat. The danger he poses does not yet hang over Dib's head like a guillotine.

Dark Harvest, though. In Dark Harvest, Zim shows just how capable he is of committing brutality on total bystanders at a mass scale under much less urgent circumstances without so much as a trace of hesitation or remorse—and by the end of it, Dib learns firsthand how severe the consequences for losing to Zim can actually be. Healed through the miracle of the status quo reset button or not... well.

And this adds a lot of context to why Dib spends the rest of the series so totally convinced of the danger Zim poses, even if most of the time that POV is extreme overkill. If he ever starts to doubt the necessity of his mission, just think about the time Zim stole a bunch of kids' organs, and that's irrefutable proof that Zim CAN accomplish terrible things if left unchecked. If he ever starts to doubt the morality of his intentions, just think about the time Zim stole a bunch of kids' organs (and would do so again!), and he can rest easy knowing Zim deserves every terrible consequence coming for him. If he ever forgets why he absolutely cannot afford to let his guard slip for even a second, just think about the time Zim stole a bunch of kids' organs, including Dib's, and now he remembers exactly why it's so important Zim's never allowed to gain the upper-hand. Even when he finally ditches Zim in Mopiness of Doom, it's not because he stops seeing Zim as a threat, it's that he's gotten too burnt out on single-handedly saving the world all the time to care.

(Gaz, of course, was there too and still thinks Zim is harmless, but Gaz also thinks expressing pain after having your entire lower body melted into off-brand bug spray makes you a whiner, so let's not put too much stock in her judgement here)

Even during Dark Harvest, Dib's immediate response upon finding Zim is to tell him this is totally beyond the pale, as if Zim might actually care—and while Dib trying to convince Zim he's acting totally unhinged isn't exactly unusual throughout the show, past this point he usually does so by appealing to Zim's self-interest ("stop trying to blow up the planet, you're still ON the planet") rather than any hypothetical better nature or good sense, can you even imagine. But that's exactly what he does here, reflexively or not, and that to me is a perfect demonstration of how this episode marks a radical shift in what Dib thinks he's up against.

And for some bonus meta? This also stretches into The Wettening in a really fun way, which is the second episode after Dark Harvest and the first with Dib. The sheer glee Dib takes in exploiting the new-found weakness for all it's worth, just because he can, makes a lot of sense in the wake of Dark Harvest and his new understanding of Zim as an out-of-control inhuman lunatic he has no idea how to stop. Seeing Zim vulnerable to something, openly afraid, and in obviously agonizing pain—well, humanizes would be the wrong word under the circumstances, but it cuts him back down to mortal size. He might be tough, and he might be terrifying, but he's not invincible. Even after Zim very unambiguously wins that fight and finds a way to protect himself from Earth's water, the important take-away is that there are things that can hurt him—Dib just has to figure out what they are. If Dark Harvest is the episode that shows Dib Zim is truly a monster, The Wettening is the episode to teach him even real monsters can be defeated.