#-just never get anything written

[super-secret-clown-corner]

i found the lifesteal fanfiction (my ace ass still can't comprehend relationships and how they form lmfao i'm living in some wild qpr fantasy of my own creation)

[ruporas]

kiss the pain away

[transmasccofee]

honestly one of my fav things that isn’t ever talked about with Kusuo is that he is honestly when you actually examine him, a pretty normal teenager. He’s insecure, he cares a lot about his mom and is scared of making her mad, he gets invested in other peoples drama, he dislikes PE, he hates being spoiled for things, he has an embarrassing crush that his friends judge him for, he has an awkward relationship with his dad and fights with his brother, he wants to be protected.

Like underneath all the unfamiliar stuff, he is honestly Just Some Guy.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[sysig]

I can't remember if you've done any drawings for this before, sorry, but I have a requestober prompt! Vargas ladyverse snake charmer au? Or ladyverse dryder au Scri, I feel like the potential for pretty spiderweb clothes is high there. I would request both, but I want to respect the rules ^^ Thank you!!

Day 27 - Skillfully spun sheer shawl

[thelaurenshippen]

genuinely think it's good and healthy to follow at least one person in each of your fandoms who reblogs good gifsets but has just...absolutely dogshit takes on the show, or who ships that ship you despise. keeps things fresh. keeps things grounded. you gotta stay humble

[carlyraejepsans]

hey, you don’t have to answer this at all, I just want you to read it. I have been following you for only a few months now as I’ve only recently gotten back into the undertale fandom; but fuck that callout post. Fuck that callout post, fuck whoever’s is spreading it around and fuck whoever is harassing you for it. From what I’ve seen and heard, you are a very real and cool person, and all your analysis are banger as fuck, and it saddens me to see that people are trying to push you out of this fandom because you believe harassment is bad.

I think it’s incredibly insane how the game about being pacifist, and being kind, even when people are flawed has such a toxic fandom as this - and its not toxic because of the ships. Or the fanfics. Or the porn. Its toxic because people keep trying to push and hurt those who make such content, and it scares everyone else into a strict line and if you dare to even step a foot out by simply going “I don’t want people to be told to kill themselves”, you are the #1 enemy. This fandom is fucking scary, and I am so sorry you have become a target of it. You are in my thoughts, and I pray that this blows over relatively easy for you. <3 you are a great person and whoever thinks otherwise is a miserable, jealous wrench.

awww HAHAHA you're sweet, that's very thoughtful of you. no need for hopes and prayers, just a fucking break from it all a word of kindness was enough. I've had a few nasty anons claiming that the fandom "doesn't need someone like me" which are just hilarious. half this fandom isn't even about its source material, i promise to you I don't care what the Great Undertale Fandom needs. I make my art for myself and write my analysis for myself and my friends, and i know for a fact that they made people happy. people who were moved by it, who were pushed to think more critically about stories at my prompting, and who just plainly had a laugh. i know because they reached out to thank me for it. if I'm on here for anyone other than myself, those are the people I'm here for

this was always just a shitty little hole for an opinionated asshole, but it sure had a larger, more positive impact on the people around me than anyone currently trying to crawl up my ass. that's enough for me

[sea-buns]

Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.

Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.

Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.

But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.

We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.

All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.

I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?

I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us

[epiphainie]

.

[greenerteacups]

favorite relationship (non romantic or otherwise) in the hp canon? one thing I love about lionheart is Harry and hermione’s friendship - criminally overlooked in the books imo pidgeonholing hermione into only the “nagging mum” role for so much of it ! these two are siblings!

interesting parameters! my favorite non-romantic relationship in canon is ron and harry, actually. i think that hermione has great friendships with both of them, but the sheer intensity of the bond between ron and harry is unmatched anywhere outside romantic pairings in the books. harry latches onto him basically at first sight and imprints like a baby goose, and goes, "excellent, at last, a Friend; i will now spend all of my time and attention on you Forever." what's that? hungry you say? sad you say? i will buy you All The Food. then draco "definitely homeschooled" malfoy rocks up with his hilariously incompetent friend overtures and harry says right that's cool, but you threw shade at ron, so you can fuck right off forever. i've had this weird little ginger in my life for less than a day and if anything happens to him i'd kill myself. bye.

and ron drinks! it! up! because he's never had it! he's never been First for someone before, and he LOVES it! and he responds by becoming an instant ride-or-die for harry. that's not a reading, either, that's straight up text: in book 3, ron says, verbatim, "if you want to kill harry, you'll have to kill me." and he's thirteen!! takes him about five minutes to get there, too — in the ten weeks they've known each other before christmas break, eleven-year-old ron weasley tells his MOM about his new cool friend, and whatever he writes is so glowingly effusive that molly knits harry a goddamn family sweater (if you knit, you Know) without having stone cold met the kid! not to mention — ron (at eleven! eleven years old, ron weasley!) decides to pass up his only chance to see his parents until june, not to mention missing his family christmas, so he can stay at hogwarts and keep harry company! because harry potter will never be lonely if ron weasley can help it!!

basically. ron and harry are the original platonic soulmates. they ARE the catherine-heathcliff "he's more myself than i am" dig-up-his-grave-so-you-can-lie-in-it type of love. they are each other's destiny and each other's choice.

[thepromisedbride]

i don’t talk about bridgerton on here but just to clarify. i will not be having ANY eloise hate on this account. i will bite.

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[desktopmermaid]

Ummmm doting grandparents? Peepee and Mimi? Kimmy MUST BE SPOILED FROM ALL ANGLES! Lol

OMMMG THATS never crossed my mind actually. They never actually get to meet sadly :disappointed: but I wanted to draw a “what if” scenario cos I thought it was funny

[cerise-on-top]

I was on Tik Tok and a video appeared of a woman getting ready (makeup, clothes, etc.) to wait for her police wife, I thought of this scenario with Alejandro. Could you do a oneshot like this?

Hey there! Please don't request oneshots or fics or something like that from me, I usually only write those when I'm inspired ^^; I made an exception this time, but please keep that in mind!

Waiting for Alejandro

Among those gentle dreams of twosomeness, where the lovely was the ordinary and loneliness was as far away as the end of the universe, you prayed. With your eyes closed, with your mind showing you beautiful, vivid dreams of your loved one caressing you, giving you the love you yearned for, you murmured along words of love. The gods would be benevolent enough to let you experience that happiness just once more. Where the wars would never end, where the fights were eternal, you hoped for a small respite from it all, granting such to a lone, tired soldier. A warm hand on his cheek, a smile you almost forgot in your wake, tender words exchanged. The pain of being alone was forgotten for just another moment, tearing your heart open any other time. But alas, a dream was as fleeting as a petal drifting through the wind.

Birdsong, louder than what you were used to, tore you from your peaceful slumber, the light shining through the window. It was not bright, but it almost blinded you. And even on this morning, as the birds sang about their love for one another, as they joined one another into an aria of affection, you felt the lightness of your bed. Even this morning, Alejandro had not yet joined you. You turned to his side, images of him slumbering away flickering in front of you. Your safe haven, your sanctuary of rest, was incomplete without him. Taking his pillow into your arms, you closed your eyes. His scent had faded entirely by now. As it was, nothing remained aside from blurry memories. Had you taken him for granted this entire time? Had you not been a good enough partner? Would he even return? Pangs of insecurity gnawed at your heart. Everything was going to be alright, Alejandro was alright. He was going to return soon.

And on your nightstand laid your phone. In your sadness, it seemed less appealing than usual. And yet, somehow, this morning, you felt more drawn to it than usual. Anxiety coursed through you. A simple “I’m coming home tonight” would ease any and all insecurities you had, but the disappointment of not seeing any messages would be too great. Taking it off the charger, you held it in your phone for a moment, running your finger along its case. Curiosity was a strong drive for many, but for you it held more sadness than anything. How long has it been since you had last seen Alejandro? Too long, but today likely wouldn’t change anything. Devoid of any contentment, you sighed. Maybe you should go back to sleep, delude yourself within those dreams of love. He was to return, for you would fight a seven nation army by yourself and boast an empty victory otherwise.

Another few minutes passed, sitting hunched over your phone without ever turning it on. You didn’t know the time, it didn’t matter. It was nothing you needed to know for the time being. An answer to your prayer came in something you didn’t want to see: Your phone vibrated, the screen lighting up and displaying a message.

I will be home in one and a half hours, wait for me 🥰

The sender was Alejandro.

Without batting an eye, you unlocked your phone, hovering your fingers over the virtual keyboard. You wanted to respond, you needed to, but your mind went blank. What were you to say when your mind wouldn’t respond, but your heart sang a little tune? Dancing in its cage, soon to be freed from its shackles. On its stage, it grew warm underneath all the lights. There was naught but a single person as its audience, but the cheers were as wholesome as they were genuine. It beat, it danced in hope. One and a half hours. All this time you were alone, you grew tired, exhausted even. Jumping up from your bed, you made haste towards your closet, picking out some lovely clothes. Alejandro had always loved seeing you in these, complimenting you every time. Today was a day unlike any other. It was special to you in so many ways, you hoped you could make it a day unlike many others for Alejandro as well.

The time spent in the bathroom was not marked by its brevity. Your hygiene made for the base of it all, combing your hair and brushing your teeth so you could feel clean. Although you would have loved to indulge in this little ritual, there was relatively little time. Between rushing to put on your fancy clothes and applying your makeup, you messed up quite a few times. Your speed could have rivaled that of professionals. Even as you poked your eye a few times, even as you applied more makeup than what was likely needed and you had to scrape off little bits. Looking in the mirror, your heart sank. What have you done to yourself? The precipitance caused you to look questionable at most. Alejandro deserved better than that. It was a special day, one to be celebrated. You could under no circumstances afford to look the way you did.

This time with more leisure, you applied everything yet again. Although you may have looked far from perfection, Aphrodite would have been proud of you either way. Rushing to look at your phone, you looked at the time. Ten minutes and the text would have been one and a half hours old.

You stepped outside. The warm sun hit your face and you looked around. No one yet. For as much as every fiber of your being wished for the time to fly by, for those ten minutes to be skipped, you tried to submit to your patience. You had waited for months, surely you could wait another few minutes.

And yet, those ten minutes didn’t seem to pass. If pain and suffering could turn seconds into minutes, then this little waiting game of yours had been turned into hours. Even as you took in the sun’s warm rays, closing your eyes while remembering all those times Alejandro complained about your vitamin D deficiency, as he forced you outside to soak up the warmth, the time didn’t seem to pass. With a sigh you leaned onto the rails.

Thanks for the ride, amigos!

The door to a car was forcefully closed shut and you opened your eyes. Indeed, there he was in all his glory, waving to those who had driven him home. The waiting had paid off. However, you had no control over yourself as you slowly moved towards him. As if on instinct, as if a moth drawn to flame, as if a child seeking its mother’s affection, you sped up, running right at him. Your heart beat loud and heavy in your ears, it was almost unbearable. However, he, too, seemed to have taken notice of you, standing still as he awaited your embrace.

Stumbling and tumbling about, you eventually reached him, wrapping your arms tightly around him. If he was smoke in the air, then you were the jar he was being captured with. You never wanted to let him go again, simply reveling in his touch instead. Alejandro seemed to reciprocate as he wrapped his arms around you as well, laughing as he did so.

“Someone’s very eager to see me today, eh? Good to see you too.”

“I missed you so much, you have no idea.”

The grip he had on you was somewhat tight, but it wasn’t uncomfortable. And for a moment, he was no longer a fighter, holding the one he loved the most. The wars were over for the time being, he could finally focus on something equally as important. And for a moment, the world was at peace. However, in order to protect such properly, he had to let go of you eventually, holding onto your shoulder for a moment longer still.

“Look at you, all dolled up just for me. You look stunning today, mi amor.”

“Thank you, I wanted this day to be special for the both of us.”

Taking on his role of a warrior yet again, he put his arm around you, shielding you from any and all harm there may be. Even in the comfort of his own home, Alejandro couldn’t help but fight whenever needed. It was his calling, his raison d’être. Even during the most peaceful times, threats of war always lingered. His walls were high still, only lowering them so you could get inside his heart and paint it with your love. Walking you towards your shared home, he hummed a little tune.

“I’m so glad to finally be home again. Now I can spend my time with you and relax a little bit.”

“Shit, I didn’t cook anything, though. I’m so sorry, Alejandro.”

He laughed yet again. That melodious, loud laughter you came to adore over the years you spent with him. After opening the door, he gave you a gentle peck to your forehead.

“Don’t worry too much about it, we can always just order some takeout.”

[epickiya722]

I haven't even read the ending and I won't have a full opinion on it until the actual chapter comes out, but from I have seen about "loose ends"... I could imagine that Gege actually wanted to explore more but there are certain reasons that kind of halted that. Similarly, like with MHA's ending.

(I'm sorry but I'm not deciding on just leaks on whether a chapter is good or bad.)

It just feels odd to me. I don't know, it just does.

I think about the overall scheduling and that Gege can't and can do certain things because he does work with other people he has answer to. I wouldn't be surprised if after this, Gege comes out with a statement saying there was a lot he wanted to continue to explore but couldn't due to reasons. There's also Gege's health to consider.

Whether the ending got fumbled or not, again, I don't know. I'm not here defending Gege or making excuses, but putting insight and why the ending possibly became what it is.

Hell, just last year people were upset because how some of the episodes of the anime looked but then it's turns out how the workers literally had to crunch for time and apologized (which I think was just so sad to do because the animation and pacing was fine for me and I know that has to be hard to do with little time to perfect it but some of you couldn't relate but I digress) as if they are actually to blame when they're just employees.

Maybe it is just me but it just seems odd to me.

And I know some people are upset about Gojo. If you are, I'm not holding it against you. I like him, too and yeah, I'm shedding a tear or two.

However, how this fandom acts now compared to before is such major whiplash for me.

Some of you want to throw around "Gege hates Gojo" so much but Gege is the same creator who gave the audience Gojo and a story to understand and yet a lot of people still mischaracterize him and only see him as "a hot character" or "the powerhouse that should come back because how dare he be happy in the afterlife" or "the blue eyed twink".

Actually, I find that some of you probably hate canon Gojo more than Gege supposedly does because of all these different versions that the fandom have conjured up.

The most Gojo did deserve is a funeral after he died and I get being upset if he didn't get that in the story, I would be upset for sure.

But given how much I have seen the fandom act when it comes to Satoru Gojo's character, I'm taking a lot of opinions on "Gege mistreated Gojo's character", the ending and everything else with a very teeny grain of salt. Yeah, be "critical" all you want but it just seems for anything nowadays that's all people want to do without considering other factors.

You can still hate or like something and acknowledge other things that play into why that something is the way it is.