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spnworldx · 2 years

Text

Every JA DOOL Scene

Timestamps for @jarchaeology DOOL videos

I started this in January and decided it would be selfish of me not to share my notes. Don’t ask where I found the time.

This is for all those jackles gif makers out there or those of you who wanna skip through DOOLs drama and literally insane plot lines.

Please let me know if you find any mistakes! I will be updating the list as I complete each season.

My personal favorite episodes are in bold. Usually episodes where Eric Brady is such a boyfriend. Enjoy. <3

- DOOL 1997: 68 Ep Total - WIP (11% complete)

- DOOL 1998: 151 Ep Total - WIP (99% complete)

- DOOL 1999: 157 Episodes Total -

2:07 - 2:29, 31:09 - 33:40, PART 2 0:32 - 0:56

1:12 - 2:30, 14:25 - 16:59, 33:25 - 34:17

N/A

27:25 - 27:37

4:39 - 5:11, 22:46 - 24:03, 24:59 - 25:09, 32:04 - 32:16, 37:13 - 37:45

2:53 - 3:10, 4:15 - 5:08, 18:01 - 18:28

N/A

15:20 - 15:51, 19:08 - 20:45, 34:10 - 34:39

1:21 - 2:28, 16:50 - 19:18, 22:06 - 23:23, PART 2 5:05 - 5:59

0:00 - 0:35, 7:18 - 7:56, 19:48 - 20:43, 25:33 - 28:50

N/A

17:49 - 18:30, 34:10 - 35:09

0:06 - 1:17, 8:16 - 9:53, 20:24 - 22:19, 28:05 - 28:35 , 34:21 - 35:07

0:00 - 0:38, 9:01 - 9:46, 20:17 - 21:12

N/A

N/A in PART 1, PART 2 6:20 - 6:41

17:35 - 19:19, 28:47 - 30:10, 38:10 - 38:20

27:33 - 28:37

16:49 - 17:29, 26:10 - 26:59, 32:07 - 33:13

0:06 - 0:45, 12:38 - 14:38, 15:05 - 16:21, 20:38 - 20:47, 35:55-36:25

N/A

2:35 - 3:06, 31:55 - 32:38, 36:45 - 36:54

23:32 - 24:09

N/A

0:44 - 1:05, 6:19 - 6:55

0:00 - 0:21, 19:44 - 21:42, 29:58 - 31:15, 34:13 - 34:42

0:26 - 1:24, 19:46 - 21:34, 27:07 - 28:31, 33:18 - 33:59

20:20 - 21:52, 34:37 - 35:27

2:28 - 2:42, 16:07 - 16:52

N/A

1:18 - 1:50

N/A

16:18 - 17:42

10:16 - 11:05

12:50 - 13:42, 25:09 - 25:37, 32:58 - 33:44

15:04 - 17:09

N/A

N/A in PART 1, PART 2 4:51 - 5:53, 13:15 - 13:48, 19:16 - 20:08, 20:46 - 21:14

2:03 - 2:40, 19:11 - 20:02, 31:38 - 33:19

1:06 - 1:51, 10:25 - 12:43, 19:46 - 21:39, 22:52 - 23:20, 31:38 - 32:30

11:42 - 12:50, 32:20 - 32:49

10:01 - 11:54, 19:28 - 20:23, 30:31 - 31:22, 33:21 - 34:10

N/A

34:10 - 35:29

30:20 - 32:26

N/A

26:30 - 28:47

N/A

34:13 - 34:50

N/A

21:57 - 22:33

N/A

13:20 - 13:55, PART 2 1:13 - 3:24

5:11 - 6:07 , 13:56 - 16:07, 25:40 - 26:13, 35:46 - 36:41

7:52 - 9:25, 16:54 - 18:03

0:37 - 1:00, 8:40 - 10:14, 18:51 - 20:00, 23:13 - 26:13, PART 2 6:15 - 6:54

2:28 - 3:04, 19:34 - 21:36, 34:10 - 35:00

2:23 - 3:20, 16:50 - 17:47, 29:48 - 31:03, 40:15 - 40:48

1:34 - 2:02, 2:21 - 3:05, 17:55 - 18:30, 28:38 - 30:15, 38:44 - 39:55

1:04 - 2:13, 14:57 - 16:08, 25:44 - 26:35, 33:06 - 33:45, 54:35 - 55:10

11:55 - 12:11, 12:45 - 13:40, 29:50 - 30:36, 31:20 - 31:43, 32:17 - 32:27

N/A

30:48 - 31:53

24:17 - 25:10, 30:47 - 32:15

N/A

32:25 - 32:48

0:54 - 1:27, 20:54 - 22:28, 29:04 - 31:04

N/A

PART 3 0:00 - 1:25, 4:47 - 5:22

2:36 - 2:58, 11:59 - 12:38, 18:05 - 21:03

20:48 - 22:10, 24:15 - 25:23

N/A

10:07 - 10:47

0:26 - 0:37, 0:50 - 1:00, 23:26 - 24:19

10:05 - 10:34, 17:15 - 18:05, 21:00 - 22:05, 24:08 - 25:36, 30:42 - 31:35

5:03 - 6:36, 13:02 - 13:53, 22:08 - 23:17

1:53 - 3:08, 8:08 - 8:42, PART 2 0:00 - 1:28, 9:38 - 10:47, 16:04 - 16:26, 25:39 - 26:14

2:01 - 2:33, 11:44 - 12:41, 26:16 - 27:53, 30:53 - 31:33, 35:00 - 35:20

2:25 - 3:34, 8:56 - 10:08, 20:45 - 21:44, 34:42 - 35:10

4:03 - 5:12, 16:33 - 17:35, 36:25 - 37:36

N/A

5:33 - 6:09, 34:54 - 35:30

0:45 - 1:30, 5:22 - 6:38, 14:41 - 15:46, 26:10 - 28:04

N/A

27:13 - 27:30, 36:14 - 36:48

N/A

16:30 - 17:21

4:21 - 5:34

N/A

12:38 - 13:40, 20:55 - 22:05, 28:54 - 29:59, 31:13 - 31:27

9:53 - 11:20, 16:00 - 17:01

18:40 - 19:40, 25:21 - 26:05, 31:50 - 32:48

0:53 - 1:33, 13:14 - 14:38, 20:36 - 23:38

11:49 - 12:05, 35:54 - 36:28

2:02 - 2:54, 16:25 - 17:05, 23:30 - 24:17, 30:59 - 31:23, 34:09 - 35:07

0:10 - 1:05, 7:41 - 8:58, 17:37 - 19:11, 31:02 - 31:54, 35:32 - 36:16

0:27 - 1:12, 4:17 - 5:59, 28:00 - 28:15, 35:42 - 36:23

10:12 - 11:16

N/A

31:14 - 32:20

0:58 - 2:11, 8:47 - 9:29, 16:39 - 17:02, 20:09 - 21:06

15:11 - 15:45, 25:21 - 26:46

15:40 - 16:25, 29:00 - 29:23

12:30 - 14:20, 26:20 - 27:13, 31:52 - 33:26

1:28 - 2:33, 7:05 - 8:17, 12:08 - 14:25, 21:12 - 23:08

22:10 - 24:25

5:59 - 6:40, 30:45 - 31:42, 36:40 - 37:08

2:00 - 3:34, 16:07 - 16:30

3:30 - 4:20, 15:47 - 16:42

11:14 - 11:50, 15:50 - 16:06, 20:40 - 21:25, 23:24 - 25:59, 31:29 - 32:23, 36:16 - 37:20

6:20 - 8:01, 14:33 - 15:09, 25:18 - 26:17, 34:32 - 36:11

20:09 - 20:55, 27:06 - 27:33, 33:31 - 35:07

1:02 - 2:33, 4:49 - 5:28, 11:18 - 13:11, 15:24 - 19:38, 25:43 - 28:51, 33:50 - 34:31

25:04 - 26:43

35:54 - 36:49

2:38 - 3:30, 6:17 - 7:46, 16:27 - 16:50

N/A

31:26 - 31:50

1:33 - 2:05, 5:31 - 6:39, 8:46 - 11:25, 19:55 - 20:56, 32:00 - 32:39

2:43 - 3:13, 5:54 - 7:17, 27:53 - 29:30

19:35 - 21:34

7:24 - 8:43, 30:03 - 31:07, 35:34 - 36:13

1:00 - 1:32, 9:21 - 10:04, 15:17 - 16:14

1:04 - 1:40, 8:29 - 10:09, 18:18 - 20:12, 30:16 - 31:24

N/A

15:25 - 17:00, 24:36 - 25:43, 32:00 - 32:50

13:02 - 15:49, 35:50 - 37:19

32:00 - 32:40

1:50 - 2:36, 6:22 - 8:28

N/A

24:07 - 25:24, 25:36 - 26:44, 30:34 - 31:47, 35:30 - 35:53

0:00 - 0:40, 3:42 - 5:43, 15:18 - 17:01, 25:09 - 26:38, 30:02 - 31:33, 35:25 - 36:17

0:00 - 1:08, 13:13 - 13:50, 22:29 - 23:20, 28:49 - 29:43

9:22 - 9:32, 22:35 - 23:08

15:37 - 16:03, 22:31 - 23:15, 37:09 - 37:40

- DOOL 2000: 93 Episodes Total -

26:53 - 27:31

2:52 - 3:04, 9:21 - 9:36, 18:24 - 18:41, 22:02 - 22:42, 35:26 - 35:51

2:26 - 3:00, 14:54 - 15:09, 18:06 - 18:26, 23:34 - 24:16

7:50 - 8:20, 12:14 - 13:22, 30:42 - 31:38

2:31 - 2:54, 10:56 - 12:36, 19:33 - 22:35, 28:42 - 31:24, 34:43 - 35:24

22:31 - 24:02, 30:23 - 31:06, 34:58 - 36:04

1:06 - 1:22, 4:42 - 5:26, 14:25 - 14:42

4:00 - 5:00, 9:26 - 10:06, 19:34 - 20:19, 27:17 - 28:31, 31:00 - 33:12

N/A

3:02 - 4:01, 8:04 - 8:19

32:57 - 33:57

N/A

28:32 - 30:38, 32:32 - 34:05

21:14 - 22:43, 24:40 - 25:27, 31:10 - 32:21, 35:08 - 36:42

33:23 - 35:10

2:15 - 3:06, 5:09 - 6:08, 13:52 - 14:59, 20:51 - 23:43, 31:32 - 32:50, 34:39 - 35:21

2:53 - 4:30, 8:03 - 10:02, 12:50 - 15:37

N/A

33:00 - 34:00, 36:45 - 38:37

15:20 - 15:48, 19:59 - 21:45, 26:18 - 28:27, 30:27 - 31:31, 33:26 - 34:36

0:13 - 1:00, 9:08 - 11:07, 19:07 - 20:29, 29:18 - 30:48

0:55 - 1:33, 4:28 - 5:07, 11:02 - 13:25, 20:00 - 20:46

22:05 - 24:47, 32:39 - 33:53

1:32 - 2:25, 4:28 - 7:11

9:20 - 10:16, 18:12 - 18:38, 23:08 - 24:39, 28:23 - 28:37, 34:43 - 35:00

3:25 - 3:55, 22:57 - 23:27, 34:16 - 34:39, 36:29 - 36:35

5:28 - 6:53, 25:14 - 25:56

2:12 - 3:16, 8:12 - 9:00, 16:09 - 16:54, 19:01 - 19:40, 22:30 - 23:24, 31:09 - 32:50, 36:27 - 37:53

3:38 - 3:56, 5:57 - 7:27, 14:36 - 15:11, 18:34 - 18:54, 23:20 - 24:15, 36:04 - 36:35, 37:18 - 37:48

3:19 - 3:48, 6:37 - 8:00, 9:45 - 9:56, 15:45 - 16:25

20:50 - 21:22

2:19 - 2:23, 5:36 - 5:45, 10:12 - 11:08, 18:30 - 18:39, 35:24 - 36:05

6:41 - 8:00, 20:36 - 21:47, 23:40 - 24:10, 29:17 - 29:21

1:55 - 2:30, 4:03 - 5:08, 10:58 - 13:19, 20:07 - 23:08, 29:11 - 30:21, 34:05 - 35:36

3:25 - 3:55, 11:13 - 12:54, 23:41 - 24:56, 30:15 - 31:30, 36:17 - 36:49

0:58 - 2:28, 4:17 - 5:27, 13:08 - 13:43, 20:10 - 21:20, 33:34 - 34:24

2:52 - 3:21, 16:21 - 20:40, 22:21 - 23:05, 28:48 - 28:57, 32:11 - 32:19

N/A

7:00 - 7:25, 13:06 - 13:27, 17:41 - 17:58, 21:26 - 23:24, 24:24 - 25:31

6:48 - 8:04, 12:12 - 12:46, 31:10 - 31:36

N/A

0:15 - 0:26, 2:43 - 2:58, 28:33 - 32:17

1:05 - 2:02, 10:38 - 11:17, 12:47 - 13:58, 21:18 - 22:00, 30:50 - 31:13, 36:16 - 37:36

5:32 - 6:03, 9:32 - 10:51, 15:52 - 17:14, 22:26 - 23:10, 30:05 - 30:23, 33:33 - 34:03

0:35 - 1:09, 11:49 - 12:28, 19:11 - 19:46, 22:48 - 23:50, 31:05 - 31:49

28:32 - 29:03, 30:12 - 31:02

2:07 - 3:18, 13:11 - 15:03, 28:25 - 28:45

14:04 - 14:39, 19:43 - 20:18, 24:38 - 25:21

18:15 - 21:25, 26:10 - 27:18

0:03 - 1:10, PART 2 8:07 - 9:13, 13:18 - 13:52

1:55 - 2:38, 7:50 - 10:04, 20:53 - 24:20

0:00 - 1:19

29:01 - 31:00, 33:38 - 34:51

0:43 - 1:24, 9:03 - 11:01, 18:07 - 19:19, 20:54 - 22:21, 29:58 - 31:45

N/A

17:15 - 17:42, 20:19 - 21:12

11:38 - 12:19

37:37 - 38:11

N/A

0:00 - 0:44, 15:55 - 17:21, 23:53 - 26:50, 32:47 - 33:23, 36:25 - 37:42

9:07 - 9:26, 14:43 - 15:36, 20:04 - 21:46, 25:24 - 26:21, 33:52 - 35:08

0:00 - 1:10, 7:30 - 10:22, 19:46 - 20:32, 24:50 - 26:05, 33:53 - 34:45

0:17 - 1:45, 18:05 - 20:21, 31:49 - 35:23

0:10 - 0:35, 8:40 - 9:43,12:49 - 13:40, 18:47 - 24:16, 30:15 - 30:57, 31:46 - 32:47

1:54 - 2:48, 6:09 - 7:33, 12:26 - 13:43, 21:03 - 22:06, 36:48 - 37:16

N/A

2:45 - 3:49, 25:28 - 27:00, 30:42 - 33:17, 35:53 - 36:37

0:26 - 0:53, 7:42 - 8:24

0:00 - 0:44, 12:16 - 13:38, 21:13 - 21:30, 22:40 - 23:15, 30:03 - 31:00, 33:43 - 34:23

4:54 - 5:56, 15:20 - 16:54, 25:40 - 28:27, 33:25 - 34:06

13:47 - 15:06, 22:21 - 23:53, 30:07 - 31:05, 31:42 - 32:49

17:18 - 18:49, 25:10 - 26:55, 30:22 - 32:11

N/A

6:26 - 7:23, 12:51 - 15:39, 21:15 - 22:56, 30:42 - 32:23, 35:52 - 36:53

3:59 - 4:33, 25:17 - 26:56

N/A

14:20 - 14:58, 23:31 - 25:01, 27:04 - 29:18, 37:27 - 38:43

4:31 - 6:24, 10:17 - 11:38, 14:37 - 16:00, 19:04 - 20:29, 27:20 - 29:00, 30:03 - 32:32, 36:00 - 38:33

6:00 - 6:33, 8:36 - 11:02, 14:32 - 15:47, 18:44 - 20:13, 26:26 - 28:13, 36:48 - 38:15

0:00 - 0:45, 7:07 - 9:06, 19:42 - 20:56, 23:57 - 26:22, 33:58 - 34:32, 37:59 - 38:56

0:00 - 0:53, 7:27 - 9:45, PART 2 0:00 - 2:22, 15:46 - 18:18, 20:47 - 21:21

1:53 - 2:16, 12:36 - 13:51, 22:59 - 24:56, 31:26 - 32:38, 37:31 - 38:45

2:13 - 2:45, 4:03 - 5:31, 8:16 - 9:00, 13:10 - 14:10, 19:41 - 21:10, 32:30 - 33:23, 37:17 - 38:44

0:46 - 1:50, 5:27 - 6:34, 11:45 - 12:49, 18:58 - 24:27, 25:44 - 28:00, 34:15 - 36:10

22:32 - 23:02, 26:11 - 28:30, 35:06 - 37:54

38 notes · View notes

voidandradiance · 2 years

Text

MIANITE S2: LORE MASTERLIST

once again, we are using jordan's pov. shoutout to hollis for reminding me that episodes which do not involve andor are still plot relevant.

Ep 1: introductions [0:00-50:00, 1:40:00-1:48:00]

Ep 2: vague and ominous commentary from Andor [1:57-4:05, 9:38- 11:29]

Ep 3: the trial situation [15:45-34:50]

Ep 4: Apologies [3:30-5:30]

Ep 6: conversation at the lighthouse [9:35-22:22]

Ep 7: Helgrind arrives [0:00-18:10]

(The Taint continues to spread; TR does their best to slow it with ethereal blooms, with Sonja leading most of the process. Jordan successfully creates a pair of ethereal blooms.)

Ep 12: conversation at the Taint [full ep]

for Andor's conversation with Sonja - Sonja - Ep 13: [53:45-58:30]

Ep 13: Ianite’s Creed, Steve's trial [full ep]

Ep 14: jail break [full ep]

Ep 15: aftermath, Note to Sparklez [0:00-4:00, 28:20- 29:50]

Ep 16: Andor and Steve both Totally Not Suspicious [6:30-16:00]

Ep 24: Lieutenant Al arrives [18:40-46:00, full transcript of Lt. Al]

Ep 25: speech at the docks [17:50-37:57]

Ep 26: aftermath of speech [0:00-12:10, 29:40-39:00]

Ep 28: Steve talking about planned rebellion [11:00-14:30, 17:10-22:20]

for Lieutenant Al getting drunk - Sonja - Ep 28: [21:50-26:10, 32:32-46:32]

Ep 29: Lieutenant Al’s acting career [0:00-7:00]

Ep 30: Lieutenant Al offers a Deal [9:50-11:00, 19:40-25:00]

Ep 31: Jordan makes a worsening series of bad choices [0:00-13:00, 24:00-1:12:00]

Ep 32: Jordan realizes his choices were bad [0:00-7:10]

Ep 33: Jordan decides not to deal with the consequences of his actions [0:00-1:00]

Ep 34: Martha disapproves. the wizards arrive. [12:12-13:20, 21:10-end]

Ep 35: Ianite returns [7:45-end]

for proper statue entrance - Sonja - Ep 31: [33:45-42:30]

Ep 36: Steve explains the Inertia [6:25-11:20]

Ep 42: Dianite arrives [9:45-end]

Ep 45: Martha and her mother deserve each other [18:10-35:00, 40:40-54:00]

Ep 46: letters from Steve, Ianite's Dreams [3:30-55:45] (optional)

Ep 47: Inertia <3 [full ep]

Ep 48: Helgrind gets ✨️Banished✨️ [full ep]

Ep 49: the Angel Ring [17:00-54:00, 1:00:00-1:01:25]

Ep 50: Guard Tom's Diary, Flight, wizardly substances [full ep]

Ep 51: Guard Tom, portal nonsense, the Wagonlington [2:00-3:20, 12:25-20:00, 1:15:00-end]

Ep 52: [use chapter timestamps on video]

Ep 53: Steve proposes. Jordan plays awkward distraction [full ep]

Ep 55: Dianite being normal about Mot, Thomas the Dank Engine [20:00-27:20, 1:48:00-end}

Ep 56: Guard Tom, Obby Bot [28:25-1:08:20, 1:20:00-1:25:00, 1:35:00-1:45:15]

Ep 57: Obby Bot [5:00-7:00, 10:30-14:15, 19:00-20:00, 22:00-42:30, 48:00-end]

Ep 58: Guard Tom does philosophy, [2:00-28:10, 39:30-41:00, 50:00-1:15:25]

Ep 59: TR discusses Obby Bot, recent plot, purge invites [20:15-21:25, 38:30-43:30, 53:00-55:00]

Ep 60: Jordan builds his portal system and gets half a scrap of validation [52:00-53:15]

Ep 61: the Pretty Pink Princess Incident [45:00-end]

Ep 64: everyone does questionable rituals [23:00-54:00, 1:03:00-end] (47:08, 51:40 - Andor mentions)

Ep 68: the weed basement, the first crypt [full ep]

Ep 71: the second crypt, reunion at the campsite [1:30-end]

Ep 72: exploring Urulu [full ep]

Ep 74: Mot's house, Ianite's arrows [0:00-5:45, 16:30-50:00]

Ep 76: Deviser Gaines' notes [1:00:00-end]

Ep 77: Deviser Gaines' message [24:30-35:00]

Ep 78: guard tom situation, DG worker, Dianite [4:30-44:40]

Ep 81: Jordan visits Mianite's turbines, Ianite goes on vacation [10:00-51:15, 1:13:30-1:31:30]

Ep 83: Katsir, and relations with trees [full ep]

Ep 84: reunion at Dagrun [10:00-end]

Ep 85: the dragon statue, Ianita(s) [9:20-12:45, 31:30-end]

Ep 86: the Terrible Tragedy [full ep]

Ep 87: the stranger, the homestead [0:00-30:15]

Ep 88: the Funeral [full ep]

Ep 97: Jordan considers more deals [10:00-end]

Ep 98: Martha and Mianite start bidding [0:00-24:15]

Ep 100: Urulu attacked, Jordan makes choices [9:25-17:40, 30:00-32:00]

Ep 104: the world begins to crumble [full ep]

Ep 105: more marthanite [5:00-33:00]

Ep 107: Tucker kicks some kindergarteners [11:30-end]

Ep 108: karma collects, and wheat bows [full ep]

Ep 110: season finale [full ep]

#mianite #retirement home posting #fern's archivist diseases

17 notes · View notes

lorecatchup · 10 months

Text

2015: Cody Rhodes WWE appearances, episode dates and time stamps:

Smackdown January 2: 21:31

RAW January 5: opening

Smackdown January 9: 39:44

Main Event January 13: 1:10

Smackdown January 22: https://youtu.be/NMkJnkE_mhg?si=lXFEdXvbAdypDJQh

Royal Rumble: 1:54:35 #13

Smackdown January 29: 51:33

Smackdown Fallout: https://youtu.be/BSbYO2qCgGc?si=5QbwKd6DU9ngHQvw

RAW February 2: 37:15 "don't call me Cody" starts

Smackdown February 5: 17:02

RAW February 9: 1:17:10/1:22:43

RAW February 16: 29:29/41:43

JBL 117: https://youtube.com/clip/UgkxIDwx3NIBVF9RsmebfD16tyF3UHBC8L9X?si=9hmpJrz2xBda_PIv

Main Event February 17: 10:28

Smackdown February 19: 1:01:39

Fastlane: 27:45

RAW February 23: 1:20:00

RAW Fallout February 23: https://youtu.be/e3T0YFtlW_U?si=nJx7I_qiYColdb6U

JBL #118: https://youtube.com/clip/UgkxErV0mtEAzTsq5S5kcbIui_ZSVm6o71Th?si=v3RaFKhvyVm4bP1D

Main Event February 25: 32:26

Smackdown February 26: 1:03:40

Smackdown March 5: 1:22:22

RAW March 9: 25:00

Smackdown March 12: 10:16/1:09:13

RAW March 16: 1:37:26

Smackdown March 19: 26:55

March 19: https://youtu.be/7NiAl-M-x-A?si=H3p_7FiXt6fkGqFn

RAW March 23: 15:29

JBL Show #122: https://youtube.com/clip/UgkxK4-n4VPU0I_L64V807qVM62QVt0wy0MQ?si=WdrgEB2Q7siKUFFH

Wrestlemania press: https://youtu.be/ubOwDXMMe0g?si=FhhYFFCVHxDJf0X_

Wrestlemania press:

https://youtu.be/WrGwo8ZHOMI?si=pbhfpRU8DXYEZQi6

Wrestlemania press:

https://youtu.be/szwMEu2XAwI?si=EcGfYc45V4li2Nc9

Wrestlemania press:

https://youtu.be/-6lgIvwmU1w?si=WfiFCKIGuPBzW0y9

Wrestlemania press:

https://youtu.be/BvC2kdoZ5Ek?si=QqD3VO1_9g_6O_Yf

Wrestlemania: first match

RAW March 30: 59:21

Main Event April 1: 1:00

JBL Show #123: 0:21

RAW April 6: 48:44

RAW April 13: 1:15:37

Main Event April 22: 19:52

RAW April 27: 52:30

Main Event April 29: 32:02

RAW May 4: 1:16:21

Main Event May 6: 34:04

JBL #128: https://youtube.com/clip/Ugkxmz5nofzSJMpnkh-EHnJbBXY8WEL0PvDM?si=0CuWIvoRllHjpCJa

Main Event May 13: 31:28

Superstars May 15: 29:37

Payback kickoff: 27:28

RAW May 18: 1:36:50

Smackdown May 21: 48:54

RAW May 25: 1:02:00

RAW Fallout: https://youtu.be/7Jhnvh6kulg?si=6xFh0GsF9wpTChz3

Elimination Chamber kickoff: 40:05

Smackdown June 4: 28:34

Main Event June 10: 17:20 Last match before Dusty passes

YEAR NINE

RAW July 13: 1:54:16

Smackdown July 16: 53:20

Smackdown July 23: 17:52/23:38

RAW July 27: 35:06

Smackdown July 30: 53:53

RAW August 3: 1:49:00

August 5, 2015: https://youtu.be/GPWyZK_suAk?si=d8VUDTrDQPjndZAky

Smackdown August 6: 55:27

RAW August 10: 1:51:21

August 10:

https://bleacherreport.com/articles/2544390-stardust-storyline-a-fascinating-case-of-wwe-breaking-the-4th-wall

Main Event August 12: 14:58/32:30

RAW August 17: 1:52:26

Main Event August 19: 16:56

Smackdown August 20: 37:22

SummerSlam:

RAW August 24: 1:12:14

Main Event August 26: 12:56/24:39

Smackdown September 3: 16:36

Superstars September 4: 28:31/34:17

Smackdown September 10: 1:01:48/1:08:53

Superstars September 11: 7:34/29:35

RAW September14: 1:19:18

RAW Fallout September 14: https://youtu.be/mL17o0Nnga0?si=02_sBQRrPJ1p_U_Z

Smackdown September 17: 23:12

Night of Champions Kickoff

RAW September 21: 16:41

Main Event September 22: 16:51

September 26: https://youtu.be/FNKjUOp8Pvo?si=ACf77PcDtUZzkZku

RAW September 28: 1:11:47

Smackdown October 1: 49:24

Live from MSG October 3: 23:19

Battlefront 2 Let's Play, October 8: https://youtu.be/EkBSOapmJpc?si=IUzMj9BOKTAwD4m1

Smackdow October 8: 1:04:51

RAW October 12: 2:05:39

Main Event October 14: 1:13

Smackdown October 15: 14:00

Superstars October 16: 34:23

Smackdown October 22: 7:33

Superstars October 23: 33:54

Hell in a Cell Kickoff: 36:58

RAW October 26: 1:50:43

Main Event October 27: 14:46

RAW November 2: 32:55

Main Event November 4: 11:28/27:45

Seth knee injury

Smackdown November 12: 54:22

Superstars November 13: 24:30/29:43

Smackdown November 19: 19:37

Survivor Series Kickoff: 55:00 Goldust Returns

RAW November 23: 59:24/1:01:07

Main Event November 25: 2:25

RAW November 30: 1:47:51

Main Event December 2: 32:52

RAW December 7: 31:20/1:46:13

December 21, 2015: https://youtu.be/WFlkomAT-RQ?si=46zmq0Pnahkulpu

December 22, 2015: https://youtu.be/qnLUd6e-5NM?si=z6AtRqlfO61CGK7Y get em chewie

Smackdown December 24: 18:49/35:46/54:37

Main Event December 30: 28:45

#dates and times

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dj-bouto · 11 months

Video

youtube

01. 0:00:00 - Hoahio "Happy Mail" 02. 0:03:43 - Arve Henriksen "Planting Trees Creating Beauty" 03. 0:08:02 - Maurice Ravel "Rapsodie Espagnole, prélude à la nuit" 04. 0:11:40 - Sinead O'Connor "Feel So Different" 05. 0:18:04 - Alog "As Complicated And As Beautiful As Always" 06. 0:24:49 - Ikue Mori "Hive" 07. 0:29:55 - Jamie Saft "Chet" 08. 0:34:31 - Portishead "Machine Gun" 09. 0:39:10 - Wibutee "Lookout" 10. 0:43:58 - François Couturier "L'éternel Retour" 11. 0:47:36 - Béla Bartok "The Miraculous Mandarin, Third Seduction Game" 12. 0:49:16 - J.S.Bach "Komm, Jesu, komm" 13. 0:56:02 - Maurice Ravel "Pavane Pour Une Infante Défunte" 14. 1:02:15 - Olivier Messiaen "Le Banquet céleste" 15. 1:08:10 - Brian Eno "2_1" 16. 1:16:27 - Ligeti "Lux aeterna" 17. 1:24:20 - David Lewiston "Padmasambhava Tsechu Sadava" 18. 1:37:13 - Fred Gianelli "Contemplation Part 2" 19. 1:48:16 - Mari Boine "Áhccái (Mix by Future Prophecies)" 20. 1:56:56 - Monolight "Red Mystic" 21. 2:02:18 - Alog "Drunk Dj's" 22. 2:07:00 - Hoahio "Chatchat" 23. 2:09:16 - Ikue Mori "Clapper" 24. 2:12:00 - Wibutee "Up And Away" 25. 2:14:59 - Roberto Gerhard "Hymne À La Muse-Gerhard" 26. 2:15:54 - Arve Henriksen "White Gravel" 27. 2:17:53 - Massacre "South Orange Sunset" 28. 2:21:58 - Tetsu Inoue "All Natural" 29. 2:23:38 - Schoenberg "Pierrot Lunaire, Sérénade" 30. 2:25:59 - Olivier Messiaen "Mode De Valeurs Et D'intensités" 31. 2:29:47 - Schoenberg "Chamber Symphony #1 in E" 32. 2:59:10 - Edward Artemiev "Mirror - Exodus" 33. 3:05:50 - Robert Henke "Signal to Noise II" 34. 3:14:12 - Ligeti "Etude pour Orgue" 35. 3:20:14 - Philus aka Mika Vaino "Kuvio 4" 36. 3:29:02 - Ikue Mori "Recipe" 37. 3:33:01 - Tore Elgaroy "Jellybrain" 38. 3:34:56 - Ennio Morricone "Once Upon A Time In The West (revisited by John Zorn)" 39. 3:43:00 - Gabor Szabo "Azure Blue" 40. 3:47:12 - Dolly Parton "Jolene" 41. 3:50:39 - Mahler " Symphony #9 In D, Adagio" 42. 4:11:48 - Mozart "Masonic Funeral Music" 43. 4:17:13 - Mozart "Requiem In D Minor, Introitus" 44. 4:21:49 - Edward Artemiev "Solaris - Dream" 45. 4:28:19 - Bill Laswell "Aghora" 46. 4:38:00 - Phonophani "Cook Islands" 47. 4:40:45 - Jamie Saft "T'khelet" 48. 4:47:09 - Hoahio "Less Than Lovers, More Than Friends" 49. 4:53:28 - TV Victor "Agai" Mixed by Dj Bouto #contemporary #electronic #avantgarde #improvisation #jazz #trance #chillmusic #classical

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sleepyskunk · 2 years

Text

List of Movies / 2022 Movie Trailer Mashup

* * * PART I - THE NIGHTMARE BEGINS * * *

0:00 - Hellraiser

0:02 - Bardo

0:04 - Mad God (double shot)

“I’ll take care of you.” - Hatching

0:08 - The Cursed

0:09 - Hatching

0:11 - Smile

“I don’t wanna hurt anyone, but it feels kinda good.” - Firestarter

0:12 - Firestarter

0:14 - Men

“This darkness. It’s irresistible.” - Next Exit

0:24 - The Burning Sea

0:26 - Mad God

0:29 - The Northman

“You’re tormented. Feels more like... Haunted.” - Men

0:31 - Men (double shot)

0:33 - Vesper

0:35 - She Will

0:37 - Doctor Strange and the Multiverse of Madness (double shot)

“Things just got out of hand.” - Doctor Strange and the Multiverse of Madness

0:40 - Three Thousand Years of Longing

0:44 - The Batman

0:45 - She Will

0:46 - The Worst Person in the World

“It is time to start seeing. It is time to start speaking. It is time to listen.” - Crimes of the Future

0:47 - The Black Phone (double shot)

0:49 - Barbarian

“Every night, I dream the same dream. Now, the nightmare begins.” - Doctor Strange and the Multiverse of Madness

0:51 - Athena

0:52 - The Menu

0:53 - Emancipation

0:54 - Decision to Leave

0:55 - Black Crab

0:56 - Don’t Worry Darling (double shot)

0:58 - Puss and Boots : The Last Wish

0:59 - The Witch Part 2 : The Other One

1:01 - The Woman King

1:02 - Doctor Strange and the Multiverse of Madness

1:04 - Morbius

1:06 - The Batman (quadruple shot)

1:08 - All Quiet on the Western Front (double shot)

1:10 - Smile (double shot)

1:11 - Black Panther : Wakanda Forever (double shot)

1:13 - Jujutsu Kaisen 0

1:15 - The Invitation (double shot)

1:16 - The Black Phone (quintuple shot)

1:19 - My Country My Parents

1:19 - Firebird

1:21 - She Will

1:22 - Watcher (double shot)

“I see you there, even if you won’t show your face.” - We’re All Going to the World’s Fair

1:24 - Orphan: First Kill

1:25 - Abandoned

1:27 - We’re All Going to the World’s Fair

1:28 - Scream

1:28 - Hellraiser

1:29 - White Noise

1:30 - X

“Are you all right? No.” - X

1:31 - Prey for the Devil

1:32 - The Northman

1:33 - Avatar : The Way of Water (double shot)

1:35 - Moonfall

1:36 - Emergency Declaration (double shot)

1:38 - Fantastic Beasts: The Secrets of Dumbledore

1:38 - Moonfall

1:39 - Jurassic World : Dominion (double shot)

1:40 - Black Adam

1:41 - Black Panther: Wakanda Forever

1:42 - Prey

1:43 - RRR

1:44 - Resurrection

1:44 - Don’t Worry Darling (double shot)

1:45 - A Wounded Fawn (double shot)

1:45 - She Will

“I’ll take care of you.” - Hatching

1:48 - Everything Everywhere All at Once

* * * PART II - THE SHIP IS GOING UNDER * * *

1:52 - Weird : The Al Yankovic Story (double shot)

1:55 - Turning Red (double shot)

2:01 - The Bad Guys (quadruple shot)

2:04 - The Bob’s Burgers Movie

2:05 - Studio 666

2:06 - Terrifier 2

2:07 - Marry Me (double shot)

2:08 - Paws of Fury (double shot)

2:09 - The Grey Man

“Ballsy.” - The Grey Man

2:11 - Turning Red (triple shot)

2:13 - Thor: Love and Thunder (double shot)

2:15 - Paws of Fury (double shot)

2:16 - The 355

2:16 - Flux Gourmet

2:17 - Minions : The Rise of Gru (triple shot)

2:18 - Ambulance (triple shot)

2:20 - The Nan Movie (quadruple shot)

“Put that on.” - The Nan Movie

2:25 - Honk for Jesus

2:26 - Fresh

2:27 - Superhéro Malgré Lui

2:28 - Bodies Bodies Bodies

2:29 - Glass Onion : A Knives Out Mystery

2:30 - Violent Night

2:31 - Paws of Fury

2:31 - Vengeance (double shot)

2:32 - Jackass Forever

2:33 - Clerks III

“That’s how we did it in the nineties, son!” - The Nan Movie

2:34 - Sonic The Hedgehog 2 (triple shot)

2:36 - Bullet Train (quadruple shot)

2:39 - Uncharted (triple shot)

2:41 - Weird : The Al Yankovic Story (double shot)

2:43 - France

2:44 - Unplugging

2:45 - I Love My Dad

2:46 - Bros

“We may not look like it, but we’re actually kind of hip.” - Spoiler Alert

2:46 - Spoiler Alert (double shot)

“I’m praying for an asteroid.” - Ticket to Paradise

2:48 - Ticket to Paradise (triple shot)

2:53 - Babylon

2:55 - Official Competition

2:56 - Family Camp

2:56 - Bros

2:57 - Confess, Fletch

2:58 - Lyle, Lyle, Crocodile

“What’s the worry here Nick, you’ve actually lost some of your talent? Pfff, no.” - The Unbearable Weight of Massive Talent

2:59 - The Unbearable Weight of Massive Talent

3:00 - Not Okay

3:01 - Bad Luck Banging of Loony Porn

3:02 - Coupez!

3:03 - Pearl (double shot)

“The ship is going under.” - Triangle of Sadness

3:05 - Triangle of Sadness (triple shot)

3:02 - Coupez!

3:07 - The Burning Sea (double shot)

3:09 - Day Shift

* * * PART III - TAKE THE ADVENTURE * * *

3:11 - Petite Maman

“Myself, My grandmother, and everybody gets together and we all watch 60 minutes. Nana, make the noise.” - Marcel the Shell With Shoes On

3:22 - Marcel the Shell with Shoes On (quintuple shot)

3:33 - Fall

3:35 - Costa Brava, Lebanon (double shot)

3:38 - Pleasure

“If you’re watching this, it means that something went wrong. I thought that I could make it all okay. I’m sorry.” - Resurrection

3:40 - Alice

3:42 - Saint-Omer (double shot)

3:44 - The Good House

3:46 - Aftersun

3:47 - Broker (double shot)

3:50 - Laal Singh Chaddha

3:52 - The Forgiven

3:54 - My Policeman (double shot)

3:57 - Decision to leave

“Can I ask you a question? What’s it like being depressed. It feels like you don’t remember what better feels like.” - Cha Cha Real Smooth

3:59 - Armageddon Time

4:01 - Causeway

4:03 - The Fallout

4:06 - Cha Cha Real Smooth (double shot)

4:11 - While Bird (double shot)

4:13 - Italian Studies

4:15 - The Banshees of Inisherin

4:16 - Alice, Darling

4:18 - Alone Together

4:19 - Happening

4:21 - Clara Sola

4:23 - After Yang (double shot)

“I’m worried that she’s forgotten what an amazing person she is.” - The Whale

4:25 - The Whale

4:27 - Bones and All (double shot)

4:28 - Where the Crawdads Sing

“I don’t want you for one year, dad. I want you for my whole life. I thought we were gonna do all that stuff together. Don’t you want to? You have no idea.” - Don’t Make Me Go

4:30 - Don’t Make Me Go

4:32 - Aftersun

4:33 - Sharp Stick

4:34 - Umma

4:36 - Petite Maman

4:37 - She Said

4:38 - The Railway Children

4:39 - The Quiet Girl (double shot)

4:41 - Paris 13th District

4:43 - Don’t Make Me Go (double shot)

4:46 - Little Girl

4:48 - Till (double shot)

4:51 - Wildhood (double shot)

4:53 - Decision To Leave

“Your father never stopped thinking about you.” - Return to Seoul

4:55 - The Son (double shot)

4:58 - Turning Red (triple shot)

5:01 - Return to Seoul

“No matter what, I still want to be here with you.” - Everything Everywhere All at Once

5:02 - Everything Everywhere All at Once (double shot)

5:06 - Belle (double shot)

5:08 - Close

5:09 - Maika

5:10 - Moonshot (double shot)

“I thought it was too late. Now I’m not so sure.” - Mrs. Harris Goes to Paris

5:12 - The Sea Beast

5:13 - Living (double shot)

5:15 - Hit the Road

5:16 - Mrs. Harris Goes to Paris

5:17 - The King’s Daughter (double shot)

5:19 - Tár

5:19 - Catherine Called Birdy

5:20 - Babylon

5:21 - Blonde

5:22 - The Grey Man

5:23 - Babylon

5:24 - Elvis

“This could all be over in a flash.” - Elvis

5:25 - Nope (double shot)

5:28 - The Fabelmans (double shot)

5:29 - Don’t Worry Darling (triple shot)

“You know what my mistake really was? I didn’t go far enough.” - Emily the Criminal

5:32 - En Corps (double shot)

5:33 - Avatar : The Way of Water

5:34 - Tár

5:36 - Lightyear (double shot)

5:37 - Moonage Daydream

“Life is fantastic.” - Moonage Daydream

5:38 - Top Gun : Maverick

5:44 - Women Talking

“Don’t use me as an excuse not to live. It may be good, it may be not, but just... take the adventure.” - Marcel the Shell with Shoes On

5:46 - Golden Voices

5:48 - Empire of Light

5:49 - Luzzu

5:51 - Broker

5:54 - After Yang

5:56 - Marcel the Shell with Shoes On

#2022MovieTrailerMashup

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honor-every-part-of-you · 1 year

Text

Hannibal S1E4 Timestamp List

And we’re back in the saddle!

0:00 opening credits 0:21 cut to black 0:22 Recap 0:52 cut to black 0:53 text on screen: Baltimore, Maryland 0:56 Exterior of H's house 0:59 W and H in H's chairs in profile H leaning forward W talking about walking at night and looking back at his house in the night 1:09 Exterior of W house lit up in the distance at night 1:16 Medcloseup on Will - I't really the only time I feel safe 1:21 H leans forward in profile - you stood in the breathing silence of GJH's home 1:27 W listening in profile - H - the very spaces he moved through 1:30 mecdloseup on H in quarter profile - tell me will did they speak to you? 1:33 silent flashback to w entering hobbs's kitchen 1:36 W very intense - with noise and clarity 1:40 H still staring intently - you could sense his madness like a bloodhound 1:44 W - I tried so hard to know GJH 1:47 flashback to GJH with knife to Abi's throat 1:50 W - to see him 1:52 flashback to W shouting - GJH, FBI! 1:54 W remembering unhappily 1:55 flashback of GJH slitting Abi's throat 1:56 flashback of GJH stumbling backwards as he's being shot 1:57 flashback of W continuing to fire at GJH 1:58 W past the signs and vials 2:03 flashback of w putting pressure on Abi's wound - beyond the lines on the police report 2:05 the pixels on those 2:07 flashback of W putting pressure on abi's wound 2:09 w - printed faces of sad dead girls 2:13 flashback of terrified w looking over to see GJH in the corner looking back 2:17 flashback of bloodspattered w looking toward GJH 2:18 w subtley shaking his head 2:21 H staring at w - how did you feel seeing melissa impaled in his antler room (is he hoping for w to admit to the same level of congruence?) 2:26 w staring at h in a daze 2:27 flashback to ms hanging from the antlers 2:29 w blinks out of the daze - (quietly) guilty 2:35 H - because you couldn't save her? 2:37 w - because I felt like I killed her 2:40 flashback to W examining marissa 2:42 closeup on w examining marissa 2:43 wideshot of w and h facing each other, w leans forward in emphasis 2:43 w - I got so close to him, sometimes it felt like we were doing the same things 2:54 h listening to w talk about feeling synced with GJH 2:56 W - showering or sleeping at the same time 2:59 H - even after he was dead? 3:00 closeup on W considering the question 3:02 flashback to GJH dead in the corner of the kitchen 3:04 W nods and confirms 3:06 H - like you were becoming him? 3:10 W remembers his nightmare of killing Abi 3:12 closeup of W killing Abi, while insisting he knows who he is 3:14 W - I'm not GJH, Dr Lecter (oh Will, you weren't empathizing with GJH, you were empathizing with Marissa's killer) 3:16 closeup on H considering W's statement 3:19 Opening Credits 3:39 Cut to black 3:40 closeup of maggots on moldy food 3:44 medcloseup of maggots on moldy food 3:46 closeup of bloodspattered family portrait 3:48 blood on individual family pictures 3:50 medshot of corpses at moldy dinner table 3:56 zoom in on closeup of W looking into camera, half light half dark on his face, shift into warm colors of pendulum time 4:05 cut to black 4:06 pendulum swinging over black background 4:08 wideshot of pendulum reversing flies on moldy food 4:11 pedulum reversing flies, then mold on Christmas Ham 4:15 zoom out from closeup on W now in pendulum time 4:19 blood on Christmas table reversing 4:23 zoom out on W continues to medwide shot 4:24 reverse bloodspatter on individual portraits 4:26 reverse bloodspatter on group family portrait 4:28 medcloseup blood fully reverses on mother, she begins to sit up 4:31 Entire family sits up from the positions where they died 4:32 closeup on Christmas ham 4:34 zoom out from closeup on W as he begins to narrarate the murder scene, finish on wide shot of entire family at table 5:02 W points to little girl and tells her to eat her "growing foods" 5:06 little girl immediately eats forkful of broccoli 5:10 zoom back in on W as he cont to narrarate with smug/stern expression 5:35 closeup on W as camera flashes 5:35 camera flash on W's face 5:36 closeup on W's eyes as camera flashes 5:36 camera flash on W's eyes 5:37 extreme closeup on W's eye with camera flash 5:40 closeup on W staring 5:42 wideshot on W and mother sitting at the table with the rest of the family slumped over dead 5:47 W turns from table to mother 5:50 mother looks sadly at W 5:53 W looks regretfully at mother, aims a gun at her 5:59 W pulls trigger 5:59 W shoots mother 5:59 mother is shot in the forehead 6:01 blood spatter from mother on group family portrait 6:02 blood spatter on individual portraits 6:03 mother falls forward onto table while W continues sorrowful thousand yard stare 6:05 Jack watches W as he mentally recreates the scene, then interrupts to ask what W sees 6:18 medcloseup on J - Who's family values? 6:23 J watches W - no answer 6:26 H's bentley driving along a country road 6:32 H drives up to W's house 6:40 H exits car, framed by W's porch 6:48 W's dogs look up toward fron of the house 6:49 H looks in through windows to see W's dogs waiting at the door 6:52 H walks up to W's door and pulls a chain of sausages out of a paper bag 7:03 H enters W's house, holds sausage out to dogs 7:14 med shot on dogs catching sausage bites 7:17 med shot on H begining to walk between the dogs 7:18 H walks across the room to W's piano and tries a note 7:34 medcloseup on H standing up from W's piano and looking down toward the dogs 7:37 medwideshot on H in front of W's fireplace and bookshelves, turning and considering the room 7:41 closeup on a boat motor on a stand 7:43 H pulls open a drawer to reveal undershirts and socks 7:47 medwideshot of H closing the drawer and continuing to look around 7:52 H approaches W's fly tying station and leans down to look through the magnifying glass 7:56 closeup of H's eye through the magnifying glass 7:58 H sits down at W's fly tying station 8:00 H moves the magnifying glass away from the fly in progress 8:03 wideshot of H in profile sitting at the fly tying station and petting one of the dogs 8:05 closeup of H considering the fly tying equipment 8:07 H pulls a feather out of a tray 8:09 closeup of H positioning the feather onto the fly in progress 8:10 H winding a thread around the addition to the fly in progress 8:12 closeup of H's hands adjusting the fly in progress 8:15 closeup of H winding the thread around the fly in progress 8:17 medshot of H continuing to wind the thread 8:18 closeup of the thread being wrapped the last time 8:20 closeup of H looking closely at the fly in progress 8:21 closeup of the fly being tied off 8:23 H sets down the tool while holding the thread on the fly in progress 8:25 closeup on the thread being snipped off the completed fly 8:28 medshot of H stroking the completed fly 8:29 closeup on H stroking the completed fly and removing it from the tying station 8:31 medshot on H removing the completed fly from the tying station 8:32 closeup on H pressing the hook of the completed fly into his thumb until it bleeds 8:38 closeup on the fly being lowered to reveal the bead of blood on H's thumb 8:40 closeup on H putting his thumb to his mouth to suck off the blood 8:47 bloodspattered group family portrait from the opposite angle as before 8:50 camera flash on the blood spattered group family portrait 8:50 medshot of W in profile listening to J describe the family while CSI takes pictures 8:53 J walks along table describing the family 8:56 medshot on W off center pointing out that one of the children is missing from the tabeau 8:58 J continues walking while looking at notes to confirm missing child 9:00 gloved hand picking up blood spattered picture of young boy 9:03 W looking down in classical painting pose looking down toward picture while cameras flash 9:05 00:09:05:11 9:05 camera flashes as W looks at child's portrait 9:05 medshot on J - possible runaway probable abduction 9:08 medshot on W - or both 9:08 camera flash on W saying Or Both 9:09 J - when misery rains, it pours 9:11 camera flash on J - when misery rains it pours 9:11 closeup of blood spattered picture of family's children including missing boy 9:13 W looking down on pictures, saying they depict layers of lies 9:16 camera flash on W looking down at children's pictures 9:18 J listening to W looking uncomfortable (I should start numbering that description 9:20 J crouches to take a picture - Norman Rockwell with a bullet 9:22 first camera flash as Jimmy says Norman Rockwell with a bullet 9:22 second camera flash as Jimmy says Norman Rockwell with a bullet 9:25 B - no broken windows or torn screens 9:27 camera flash on B - no broken windows 9:27 wideshot of J listening to B, gestures - they probably rang the front door 9:30 first camera flash on J looking toward front door 9:30 second camera flash on J looking toward front door 9:30 B looking to side - bullet holes 9:31 wideshot of whole team around the table as B points out bullet holes 9:33 camera flash on wideshot of team around the table 9:33 second flash on wideshot of team around the table 9:34 W still in rennascence martyr pose, looks back at table of portraits 9:37 closeup of bloodspattered picture of mother kissing the missing boy holding a stuffed octopus 9:40 medcloseup on W as he looks down at picture 9:43 wideshot on team standing around table as Z describes evidence 9:46 wideshot on Z describing low angle of shot as J looks closely at the table 9:48 medcloseup of W turning to side - when did jessie go missing? 9:50 J stands up - a little over a year ago 9:53 meshot of W nodding and turning back to pictures 9:55 closeup on mother kissing missing boy picture again 9:58 W back in martyr pose looking thoughtful 9:59 exterior of abi's psych facility 10:04 mirrored shot of Abi running her hand over her scar then covering it with a scarf 10:18 extreme wide shot of Abi and Alana walking through outdoor corridor 10:21 Alana walking next to Abi - sharing will help normalize 10:24 Abi looking skeptically at Alana - I'm not normal, not anymore 10:30 landscape shot of other patients at the facility with a and abi walking in background 10:37 A and Abi walking - trauma can arrest vocal development 10:44 medwideshot of A and A from front - victims can broadcast victimhood / not me / that's not necessarily true 10:52 Abi looks irritated and curious at Alana 10:53 Alana to Abi - your victimhood has a high profile 10:55 Abi - a celebrity victim, somone asked if I kept my stained clothes 11:02 Alana - how did that make you feel? 11:04 Abi - like I want to go home, but I don't have a home anymore 11:10 Alana - you will, I'll help you find it 11:14 Abi looks skeptical 11:16 Alana - give the support group another chance 11:20 Abi, angry - support groups are sucking the life out of me 11:21 Alana - isolation can suck just as much 11:25 Abi looks stubborn 11:28 Alana - you have to find someone to relate to in this experience 11:32 medwide shot across H's desk, H looks up at knock on the door 11:36 H opens office door 11:38 Alana gives H chirpy Hi 11:39 H looks stern - do you have an appointment? 11:40 Alana - do you have a beer? 11:43 H's stern expression cracks, smiles, moves aside to invite Alana in 11:44 Alana smiles and accepts invitation 11:45 Alana walks by H, H closes the door, they're comfortable with close proximity 11:49 wideshot of H bringing drinks to sit next to Alana on settee, A thinks Abi might have low-grade depression 11:56 H and A toast their drinks 12:09 H watches A drink his beer and smirks (you little shit) - she? 12:12 Alana to H - nothing wrong with a little self-medication, right doctor? 12:16 H toasts the statement and drinks as A takes in a deep breath 12:20 camera begins to circle around the settee as they discuss keeping abi in the facility 12:25 camera cont to circle as H suggests releasing Abi 12:30 camera conts to circle as they argue 12:37 camera slows as they argue 12:42 camera comes to a stop, Alana - Abi's in no condition to tackle real-world issues 12:45 H - I'm not suggesting abandonment 12:50 Alana - this is a girl who was very attached to her parents 12:53 H listens as Alana says Hannibal stepping in would be a crutch 12:56 Alana - Abi needs to figure things out in a clinical environment 13:04 H bows to Alana - I defer to the passion of my esteemed collegue 13:09 Alana looks like she thinks H is teasing 13:10 H - passion is good, it gets blood pumping 13:13 H and A toast each other again - no clink 13:16 wideshot of W looks on from foreground TSS processing bodies in the lab 13:18 medshot of J looks under a blanket at a body on a lab bench 13:22 wideshot with J looking at another body 13:24 medshot on J looking through a file folder 13:26 wideshot with TSS turning to look at W 13:29 medshot on Will starkly backlit - why do you say that? 13:31 med closeup on Z - because family friction is a catalyst for personality development 13:35 medcloseup on W starkly backlit 13:37 medcloseup on B, smiling toward W and glaring at Z 13:39 wideshot on TSS with J walking toward black blanketed body 13:43 medwideshot of W looking uncomfortably toward J 13:45 medshot of J looking under black body blanket 13:47 medcloseup on Z smirking at W and looking away 13:49 medwideshot of J and W standing on either side of body on lab bench 13:52 medwideshot of Jimmy and B listening to Z talking 13:53 medcloseup W starkly backlit 13:55 Z turning from away from camera toward camera, smile falling 13:57 med wide shot of W walking from corner of room toward lab benches 13:59 Z looking irritated and frustrated as W walks past 14:01 med wide shot of W walking by B and looking back to Z - or lousy onese 14:03 med wide shot of Z giving irritated grin and nodding at W's comment 14:05 med shot of J handing photo printout to W across body blanket 14:07 W in martyr pose facing J 14:08 closeup of mother with bullet wound lying on dinner plate 14:11 medcloseup on J discussing photo 14:14 W listening to J, turing back to photo 14:19 closeup on mother's corpse with bullet wound in forehead on lab bench 14:21 medcloseup on W looking up at J in sad realization 14:23 J nodding at W in sad realization 14:24 cut to black 14:27 closeup on H looking almost directly to camera - Tell me about your mother 14:30 closeup slight zoom out on W - some lazy psychiatry Dr Lecter, low hanging fruit 14:34 closeup on H - I suspect that fruit is on a high branch, very difficult to reach 14:39 closeup on W - so is my mother 14:43 closeup on H - an interesting place to start 14:45 medshot on W - tell me about your mother, let's start there 14:50 med shot on H with an "I see your shit" expression - both my parents died, orphan until Uncle Robertus adopted me 15:00 med shot on W - YOU have "orphan" in common with Abigail Hobbs 15:03 medshot on H - WE have a lot in common with Abi - she's already demonstrated an aptitude for the psychological 15:11 medshot on W - something so foreign about family, never connected to the concept 15:22 wideshot on both - you made your own family - I connected a family of strays, thank you for feeding them 15:32 H nods - I was refering to Abi 15:37 medshot on W, who's smile falls and he looks away 15:41 medshot on H, stares at W - tell me about the turner family, were they affluent? 15:46 medshot on W, looking annoyed - they lived like they had money, we were poor, moved from one boatyard to the next 16:01 medshot on H - always the new boy at school, always the stranger 16:03 closeup on W - always 16:05 H - what grudge was this mother's killer harbouring against her? 16:09 W, shakes head, thinking - motherhood 16:12 H - not motherhood, a perversion of it 16:17 W looks up, thinking 16:20 buiscuit with assorted veggie looking things 16:26 wideshot on J starting to eat before H has sat (bad manners, Jack) and smiling up at H's description of the food 16:28 wideshot on H - you promised to deliver your wife to my dinner table 16:31 wideshot on J - we'll have to polish up our act, what am I about to put in my mouth? 16:39 wideshot on H - rabbit 16:39 wideshot on J holding up fork and laughing - he should have hopped faster 16:41 wideshot on H grinning - yes he should have 16:43 insert of man wearing black and red plaid running through trees in a panic and tripping 16:44 closeup on large piece of meat being butchered 16:44 closeup on chunk of meat being flambe'd in a skillet 16:45 H grinning - fortunately for us, he did not 16:52 J chewing and talking with his mouth full (is he suicidal??) - our friend will seems haunted today 16:55 H - we don't know what nightmares lie coiled beneath will's pillow 16:58 medcloseup on J - children killing other children is not that unfamiliar a concept to Will 17:03 medcloseup on H - you still suspect Abigail? 17:05 J - maybe the nightmare under will's pillow is that he was wrong about her 17:11 wide on H - children transport us to our childhoods, will may feel the tug of life before the fbi and you 17:18 closeup on J 17:19 closeup on H - simple times fixing boats with dad - that time is an achor streamed behind him in heavy weather 17:27 J nods thoughtfully 17:30 night falls over building obscured by trees 17:32 wideshot on the front of W's house as he lets the pack out 17:43 dogs snuffle around the base of a tree 17:48 W watches the dogs run around, not happy but content 17:55 extreme up angle of sun obscured by the FBI building 17:59 medwideshot of Z examining mother's bullet wound 18:00 Jimmy and Bev at a lab bench describing evidence 18:02 Bev and Jimmy in foreground at bench with Z in center background at body tables 18:08 medwideshot of Z walking around body table discussing asymmetries cause by puberty 18:14 medshot on B and Jimmy in profile saying no one's seen Jessie Turner in over a year 18:17 medwideshot on Z saying he extrapolated from measurements at time of abduction to establish height/weight limits 18:20 medwide on Bev and Jimmy at bench zooming in facing camera 18:22 medshot on Z - he'd be four foot eighty pounds tops 18:25 return to over Bev and Jimmy's shoulder, Jimmy examining a game controller - god's gift to trace analysts 18:27 medshot on Jimmy at bench examing game controller, saying there's no matches 18:32 medshot on Bev going through papers at bench 18:34 Bev and Jimmy in profile medwide, ruled out family's prints 18:36 fingerprint analysis on computer screen 18:38 medcloseup on J and B J looking quarter profile to camera, B looking to bench in profile 18:40 fingerprint analysis on computer screen 18:41 medwideshot on Z looking thoughtful and sad - the Lost Boys 18:42 Jimmy stands up and walks to the computer screen - I think I found on of them 18:46 tracking shot through W's classroom as he lectures on hickeys, saying in their current case the bite marks don't have suck bruises 18:59 wideshot on Jack storms into lecture hall announcing class is dissmissed and telling everyone to get out 19:02 medwideshot W behind his desk holding papers looks up toward J 19:03 medwideshot as J approaches desk and turns around to look at students 19:04 medwideshot on J and W as J yells at students to leave 19:06 wideshot on students shuffling and packing their things 19:09 medwide on J and W, J glowering at students and W dropping papers in frustration 19:12 J crosses arms and sits on edge of desk as students file out 19:14 medwide on J and W - You're making it hard to provide an education Jack, we found a match for another missing kid 19:27 tracking wide shot on J and W at desk 19:31 W realizes how many similarities there are between the families 19:41 J stands and turns to face W - we're ready when you are and you're ready now so let's go 19:43 W looks grim - you're expecting a crime scene 19:48 Balcony and railing in nice suburban house with Christmas decorations, panning down to living room with bodies of the family 20:01 medcloseup on adult man with bullet hole in forehead lying on the ground 20:03 medwide shot on blonde woman with bullet hole in forehead slumped over on sofa surrounded by wrapped presents 20:05 shot of fireplace surrounded by detrius of Christmas morning 20:07 charred and blackened body of child curled up in the fireplace 20:09 swat team passes garlanded staircase followed by team visibly reacting to a bad smell 20:19 medcloseup on swat, J and W entering living room, still flinching from the smell 20:21 wideshot of team entering living room and seeing the dead family 20:24 medcloseup on W with Jimmy in background looking grim as he surveys the scene 20:27 cut to black 20:30 exterior of FBI 20:32 wideshot of team in the lab surrounded by new set of bodies, saying the mother was killed last again 20:38 medwideshot on J listening to W 20:41 medwideshot on W - not exactly the same, something went wrong 20:43 Bev and Z looking at mother's body - not single present under the tree for mother 20:45 J turns around to look, W in background - they took her presents they took her motherhood 20:48 up angle on Z saying she was shot multiple times 20:51 Z facing away from camera pointing out that the first bullet didn't kill the mother 20:53 W listening to description of crime absorbing the imagery 20:56 Bev pointing out that the bullet would hav caused brain damage 20:59 W - her body went into convulsions 21:00 Z - shot her again to put her out of her misery, but with a different gun 21:04 medshot on Jack and Jimmy - so someone else shot Connor's mom 21:06 W still processing 21:08 wideshot on full team, J asks who the burned child in the fireplace is 21:09 J pulls back blanket to reveal the burned body 21:11 W looking at ceiling says he thinks it's connor frist 21:13 J and J turn to look at w 21:15 W - he'd been prepped to shoot his mother, not watch her suffer 21:16 wideshot on everyone looking at the burned boy again 21:17 J talking to Jimmy - connor couldn't put his panic back in the bottle so he got shot too 21:20 W - whoever shot him, disowned him 21:26 camera looking at RV through diner window, pulls back to see a woman and three boys sitting at a table looking sad 21:37 medcloseup on teenage boy looking toward woman 21:39 medcloseup on woman and small boy - I couldn't make him understand, the family you're born into isn't really family 21:45 medcloseup on second small boy listening to woman 21:47 closeup on woman - we're making our family 21:51 second small boy - what happened to your family? 21:53 teenager - we are her family 21:55 medcloseup of teenager and second boy in profile, tense - I meant your other family 21:59 woman- the family you think is family is just a stepping stone 22:04 teenager and second boy look up at woman 22:06 woman looks at second boy with concern - you feeling okay sweetie pie? 22:10 teenager insists "he's fine" angry at second boy 22:12 woman - CJ - gentle scolding 22:14 teenage looks back at his milkshake 22:16 woman looks toward teenager with exasperation 22:18 second boy looks down at the table warily 22:19 woman smiles and takes a deep breath - are you excited to go home? 22:23 second boy keeps eyes down on table 22:25 closeup on woman - even if it is to say goodbye, because we're your family now christopher 22:28 second boy looks up toward woman 22:29 closeup on woman with gentle smile - you can only have one family 22:33 wideshot of W sitting at his desk in his empty lecture hall 22:36 wideshot with W in foreground, Bev opens lecture hall door 22:39 wideshot as W continues to stare at his computer 22:42 medwideshot on Bev walking into the lecture hall with coffee, smiling 22:46 W continues to stare at the computer 22:48 Bev smirks - ever hear of Willard Wiggin? 22:50 tracking shot of Bev walking toward W - he's an artist who does micro sculptures 22:56 W continues to stare at computer, Bev walks around the desk - he's so focused he works between his heartbeats 23:00 W stares stock still 23:03 Bev walks up to W's side and looks at his computer 23:07 missing child posters on a computer screen 23:12 medwide shot at Bev leans over to look closer 23:18 W in profile with Bev looking at him - ritalin etc can delay growth 23:22 W rubs forehead as he describes medical side effects 23:26 B stands and smiles - Willard Wiggin had a lonely childhood 23:33 W looking up at Bev sitting on the edge of the desk - who is Willard Wiggin? 23:36 Bev laughs and says Price got a match on the bullet from a murder involving a 13 year old boy 23:43 W leans back listening to Bev, catches on to the connection 23:49 Bev describing the old case 23:53 W looking apprehensive - 13 year old milk carton material? 23:58 CJ's missing poster on the computer screen 24:08 medshot on full team looking at computer screen, saying CJ was too nice a kid to become a sophisticated murderer and kidnapper 24:27 tracking shot on CJ walking through store aisles and coming around to stare at Christopher 24:41 Woman finds money in her purse and hands it over to the cashier with a smile 24:46 CJ stares menacingly toward Christopher 24:48 Christopher so frightened he wets himself 24:55 woman accepts change and turns to notice Christopher's accident 24:57 medshot on woman and cashier smiling then looking worried as they realize what happened 24:59 Christopher snaps away from CJ to look at woman 25:02 woman looks worried an checks Christopher for fever 25:08 Christopher watched woman as she stands to get napkins 25:09 woman grabs a bunch of napkins, mops up puddle, and apologizes to cashier 25:19 Christopher looking down passively as woman cleans up 25:21 Woman stands up to reassure Christopher that he shouldn't be embarrased because accidents happen, smiles sweetly 25:27 Christopher looks back at CJ 25:29 quick zoom in on CJ continuing to stare threateningly 25:35 Hannibal opens the door of his office - good evening Will 25:38 W stands up looking especially grumpy and carrying a bag 25:40 H steps aside to let W in, looking interested in the bag 25:42 wideshot of W walking into H's office with agitated body language, throws bag onto setee 25:44 closeup of bag landing on settee, a wrapped gift showing in pocket 25:45 wideshot as H closes the office door and turns to look at W 25:46 H nods and points at the bag and gift 25:47 medwideshot on W taking his jacket off and saying the gift was for abigail 25:50 H still standing by the door - was? 25:50 wideshot - I thought better of it, I was upset, maybe still am 25:57 closeup on H carefully tucking the gift into the pocket - what is it? 26:00 W in profile H in foreground stands up 26:03 H walks toward W, turns to sit in his chair - you want to teach her how to fish? 26:08 H sits, leans back, crosses legs, links hands, and looks at W questioningly - her father taught her to hunt 26:10 W figeting with the stuff on H's desk - that's why I thought better of it 26:12 H stares at W's ass - feeling paternal Will? 26:14 W turns harshly to H - aren't you? 26:16 medcloseup on H looking up toward W - yes 26:17 W nods strongly and continues to look around 26:19 H continues to eye W - Dr Bloom advised against taking too personal an interest 26:23 W turns away from H 26:24 H looking lusty at W's agitation - tell me, why are you so angry? 26:27 medwideshot of W turned away from H - I'm angry because I know I can't help those boys 26:31 medcloseup on W - I can't give them back what they just gave away 26:35 medcloseup on H looking thoughtful - family 26:36 wideshot with W in foreground trying to calm down - yeah 26:39 H looks back up and listens to W 26:41 wideshot with W in foreground walking into the shadow of a cabinet - we call them the lost boys 26:47 H still looking contemplative - it's our responsibility to help Abi find her way 26:55 exterior of Abi's psychiatric facility 26:59 Abi closes book, camera zooms out to reveal H sitting next to her - I don't think I'm allowed to leave after I climbed the fence 27:09 medshot on H explaining that he's one of Abi's guardians and he made arrangements 27:12 Abi - where are we going? 27:14 H - my home, I'll cook and bring you back before bedtime 27:23 medwideshot on Abi and H - can I spend the night? I don't like sleeping here 27:27 medcloseup on H - you have to sleep in your own bed - this isn't my bed - tell me about your bad dreams 27:36 slow zoom in on Abi looking down and describing a dream of Marissa sending her pictures of NB gutted 27:52 H - how you left him 27:54 Abi looking up at H in distress and aprehension 27:56 H looks back patiently 27:59 Abi - even though she's dead I worry she's going to tell everyone and they'll think I'm just like my dad 28:06 H continues to listen 28:08 closeup on Abi as she sits up - sorry can't talk about this in group 28:15 H - you don't have that luxury 28:17 Abi nods and steels herself - I'll just have to get used to lying 28:20 H smiles proudly 28:22 wideshot of Abi standing up and goes to her dresser as H turns to stand up 28:24 H stands - you only have to lie a about one thing, and when you're with me you don't have to lie about anything 28:32 tracking shot - Abi puts on jacket as H returns book to dresser and squares it up - in my dream I wonder how I can live with myself, when I wake up I know I can 28:51 medshot on Abi - does that make me a sociopath? 28:54 H - it makes you a survivor - opens door for Abi and closes it behind them 29:05 cut to black 29:08 exterior of H's house 29:10 extreme closeup of mushrooms at the bottom of a glass kettle as water begins to fill 29:13 mushrooms in kettle as water fills again 29:15 mushrooms floating at surface of water in kettle 29:16 closeup of glass kettle with mushroom tea turning from upside down to rightside up 29:22 closeup of mise en platz in steel ramikens 29:23 closeup on H's hands cutting into white round vegetable 29:26 Abi watches H cooking 29:28 medwide shot on H cooking and Abi standing across the counter - have you thought about applying for schools? 29:30 medshot on Abi - my dad killed girls at all the schools I applied to 29:35 H, blinking - perhaps that can wait then 29:38 medshot on Abi looking at H with determined expression - I want to work for the FBI 29:41 medcloseup on H, smiles - I would certainly feel safer if you were in the FBI protecting my interests 29:48 Abi, knowing exactly what he means - they wouldn't let me because of dad 29:54 medcloseup on H - only if they believe that's in your nature too 29:57 Abi - nature vs nurture 29:58 medshot of H looking up at Abi - you're not your father's daughter, not anymore 30:02 Abi, upset, looks down 30:04 medcloseup on H, looking compassionate and speculative - what if it weren't painful anymore to think of him? 30:12 Abi confused shaking her head - my dad? 30:15 H - yes. Have you ever tried psylocibin? 30:21 med two shot, Abi - mushrooms? that's what's in the tea? 30:26 medshot of H - yes 30:27 medwideshot of H walking around counter to pour out tea - you need to supplement your traumatic memories with positive associations 30:40 medcloseup on H leaning over the tea - no more bad dreams abigail 30:42 closeup on H's hands pouring tea from glass pot into gold rimmed cups 30:44 medcloseup on Abi in profile looking skeptical - you want me to do drugs? 30:46 medwide shot on H finishing pouring the tea - I want you to do this drug with my supervision 30:52 medcloseup of H handing Abi the teacup - do you trust me? 30:56 medcloseup of Abi in profile looking at H like are you kidding, but takes a deep breath and reaches for the teacup 31:00 closeup of Abi taking the teacup from H 31:03 medwideshot of H watching Abi accept the teacup 31:05 Abi sips the tea, looking up at H 31:09 H watches Abi drink and smiles 31:10 closeup on evidence board tracking the murders down the eastern seaboard 31:17 medwideshot on J and Bev looking at the evidence board 31:19 very wide shot of tss listening to J with W against the back wall 31:22 medwideshot of J listening to Jimmy 31:24 medwideshot of Jimmy over J's shoulder, turns to listen to Z 31:26 medshot on Z - trying to construct a geographical pattern when the murders are weeks apart 31:30 medwide on W - we have other patters, middle children from traditional affluent families 31:37 closeup on Bev looking concerned at W 31:39 very wide shot on whole team with J walking back to the evidence board 31:42 closeup on pictures of missing boys on evidence board 31:45 slow zoom in on medshot of W - what kind of kid follows a kid who does this? 31:54 J and Z looking toward W - there's no indication these kids came from abusive families 31:57 slow zoom on closeup of W - capture bonding, a passive psychological response to a new master 32:20 sausage and eggs on brioche in a skillet on H's stove 32:22 medshot on H tending to stuff on the counter and stove, looks up and smiles at Abi 32:25 Abi looks down with disoriented and queasy expression 32:27 autumn trees shaking and warping in Abi's drugged memory 32:29 Abi sighting the deer with her rifle beside GJH 32:30 closeup on Abi pulling the trigger 32:32 medcloseup on deer looking toward camera with bloody ear 32:33 crane shot of Abi firing her rifle among autumn leaves beside her dad 32:34 Abi back in H's kitchen looking down in a daze 32:36 GJH and Abi in the cabin, GJH walking Abi through butchering the deer- remember just like we talked about 32:37 closeup on Abi's hunting knife 32:38 closeup on Abi's hand stroking through the deer's fur 32:40 closeup on Abi as she begins to butcher the deer 32:41 medshot on Abi and NB as she stabbs him 32:41 medcloseup on NB as he looks down in pain at the knife 32:42 closeup on Abi's frightened and horrified face as she pulls the knife through NB's torso 32:43 medshot on Abi in H's kitchen, she lets go of the teacup, which falls 32:44 teacup falls to the floor and shatters with heavy blur and some slow motion 32:47 H looks up from the stove to look at the broken teacup as Abi looks down at her hands, distracted 32:48 Abi still watching her hands, tilts head and asks if Dr Bloom approved thisr 32:52 medwide shot of Abi walking stiffly off screen while H walks forward to assess the mess 32:56 closeup of Abi in profile as she walks through kitchen, her attention caught on something else 32:58 closeup on fruit in a wooden bowl wavering from the drugs 33:00 medshot of Abi in profile selecting an organge fruit 33:03 closeup on H kneeling and picking up the shards of the teacup - you and I will have many secrets 33:07 Abi drops into the armchair in the corner, examining her orange fruit 33:09 H turns away from looking at Abi, back to the floor where the shards are 33:11 closeup on orange fruit being fiddled with in Abi's hands, smearing slowly from the drugsr 33:14 medshot on Abi navelgazing at the orange fruit 33:17 medshot on H kneeling in profile- it can be a spiritual experience for patients 33:19 medcloseup on Abi putting her fruit down and turning to concentrate on H 33:22 medshot upangle of H walking toward Abi - psychological trauma is an affliction of the powerless, I want to give you your power back 33:26 closeup on Abi looking dazed and nauseaus - I don't feel so good 33:29 H knees in front of Abi with reasurring expression - That will pass, let it wash over you 33:33 medcloseup on Abi with an intense expression as H cradles her face 33:36 closeup on H - through you, let me be your guide 33:40 Abi looks over to the kitchen counter - you're making breakfast for dinner? 33:45 closeup on H as he grins at Abi 33:46 medwideshot on H standing up and walking back to the kitchen counter, Abi grinning happily 33:49 medshot on H walking around counter talking about the history of breakfast for dinner 33:53 medwide shot of H catching a peeled potato on the edge of his knife 33:54 medshot on H holding up the speared potato with a showy grin 33:55 medshot on Abi making an exaggerated impressed expression 33:56 medshot on H continuing to cook - taste is not only biochemical it's also psychological 33:59 medcloseup on Abi looking from the potatos to the stove 34:00 closeup on sausage and eggs in the skillet 34:02 medcloseup on Abi - sausage and eggs was the last meal I had with my parents 34:04 medshot on H with reassuring smile - it's also the first meal you're having with me 34:09 medshot on Abi smiling with wide eyes 34:11 Alana, Bev, and Will in the lab around a table covered in paper evidence 34:15 closeup on Alana holding a folder with a missing child printout on the front 34:17 medwide on W over A's shoulder, speculating on the personality of the remaining Lost Boys 34:29 medshot on Bev reading description of one potential Lost Boy 34:39 medshot on Alana - what makes these boys susecptible? 34:43 they're isolated from their brother - a brother without a brother 34:50 medshot on Alana - brothers looking for a mother 34:52 medshot on Bev listening to Alana 34:54 Alana - they're killing the mothers last 34:58 W looks up at Alana and processes the idea 35:01 pan up from desk covered in neat stacks of files to W entering 35:03 medwide shot on J looking up from the computer on his desk - yeah? 35:05 medwide on W - not just CJ, there's a woman a mother figure 35:11 medshot on W - looking to form a family 35:13 medcloseup on J thinking it through - family can have a contagion effect on some people 35:18 medshot on W, with a well yeah expression 35:20 medcloseup on J - it can influence them to adopt similar behaviors and attitudes 35:24 W walks toward J from medshot to medcloseup - this woman wants these children to burst with love for her, she has to erase their families 35:35 medshot on J - she convinces them no one can love them like she does then makes sure of it 35:38 medshot up angle on W saying a security camera caught Christopher close to his family 35:55 wideshot Christopher approaches the front door of a house, rings the bell, looks around, then goes back to the door 36:11 medcloseup on Christopher as the front door opens to him 36:12 wideshot on brunette woman recognizing and grinning at Christopher 36:15 med wide zooming to med of brunette rushing to hug Christopher while he doesn't respond 36:18 medwide on woman hugging Christopher then pulling back to kneel and smile up at him 36:21 medcloseup to closeup of Christopher unresponsive to his mother's reaction 36:28 cut to black 36:31 nice suburban home framed with autumn leaves from across the street 36:36 black SUVs with police lights speeding through the suburban street 36:38 wideshot of SUV's approaching the house 36:40 low up angle of swat teams' boots running through leaves on the lawn 36:42 very wide shot of SUVs pulling up to the house and the team exiting with weapons 36:48 medwideshot of swat approaching the front door and preparing the ram to breach 36:51 swat rams open the door from the perspective of the door 36:52 cut to black 36:53 swat team enters the house and begins to sweep 36:56 swat swarms through house with TSS coming in behind them 36:58 wideshot of swat exiting from the back door3 36:59 wideshot of TSS running through the living room, armed, toward the back door, passing through the wall and panning out to the team arrayed on the patio 37:02 medshot of Christopher standing beside CJ, still impassive 37:03 wideshot of Lost Boys facing off with Christopher's family across an idyllic backyard, CJ raises gun 37:04 wideshot of mother and father panicking and trying to sheild other children 37:06 medshot of Swat firing rifle 37:06 closeup on bullet hitting CJ's shoulder from the back 37:06 medcloseup from back of CJ falling and mother turning toward other children 37:07 wideshot of CJ falling and everyone else running toward center 37:08 wideshot of Christopher running away from the group along walkway 37:09 wideshot CJ falls from grill to ground, Swat gets other Lost Boys to kneel on the ground 37:11 very wide shot TSS and swat swarm off the patio toward family and LBs 37:15 Christopher pushes through white picket gate into pool area, followed by Will 37:21 medwideshot on Christopher turning and pulling gun on Will 37:22 medshot on Will pulling a gun in response 37:23 medwideshot of W gesturing for the Swat member to hold fire 37:24 wideshot of Christopher and Will holding each other at gunpoint, W raises gun off Christopher 37:27 medshot on W with hands in the air telling Christopher to put the gun down 37:29 medshot upangle of Wendy exiting the pool house, patting Christopher's head, then wrapping an arm holding a gun around him 37:35 medshot of W reacting to the situation getting a lot worse 37:37 medshot of Wendy looking intense and Christopher looking resigned 37:39 medshot of W kneeling down, still talking to Christopher 37:41 wideshot of Wendly holding a gun to Christopher and Christopher holding a gun on W kneeling with hands up 37:43 medcloseup of Will putting gun on the ground - please 37:45 medwideshot of Bev screened by trees, firing a gun 37:46 medcloseup of Wendy being shot in the shoulder and falling away from Christopher 37:46 medcloseup of W ducking away then looking up to see what happened 37:48 medshot of Bev running in front of autumn leaves 37:49 medwide shot of Christopher turning away to look down at Wendy 37:50 medshot of Bev continuing to run toward C and W 37:52 medshot of W walking past Swat looking grim 37:55 wideshot of Bev leading Christopher away while Will and Swat look down at Wendy 37:57 med closeup strong upangle W looks down toward Wendy 38:00 medshot slow zoom in on Wendy bleeding on concrete 38:03 medshot up angle Will looks down on Wendy, blinks, and turns away 38:04 closeup on Christopher in the back of a car, zoom out to see Jack get in the driver's seat and looking back at Christopher 38:14 closeup on Christopher - can I go home now? 38:16 medshot on Jack looking back at Christopher - you're not going home for a long time 38:19 closeup on Christopher looking down sadly - you came here to kill your family 38:22 J looking back at Christopher - that's all anybody knows 38:27 closeup on Christopher looking away - I wasn't going to do it 38:30 closeup on J looking back - you're going to have to talk to a lot of people about it 38:38 closeup on christopher - she told us we had to make our own family, asks J if he has a family 38:55 closeup on Jack - I don't have any children, no 38:58 closeup on Christopher looking down, shaking head - then you don't know what it's like 39:04 closeup on J looking up and nodding in acknowledgement 39:08 closeup on Christopher looking down - can I talk to my real mom? 39:14 closeup on Jack, nodding - in a little while, but first I need to to talk to me 39:22 closeup on Christopher looking down sadly 39:25 exterior of Hannibal's house 39:27 medwide shot on Hannibal looking down feigning apologetic expression 39:30 medcloseup on Alana dressing H down for taking Abi out of the facility without consulting her 39:33 medwide on murder puppy getting smacked with a newspaper 39:36 wideshot pan of Alana confronting H 39:40 medcloseup on H looking down apologetically and nodding 39:42 medcloseup on Alana over H's shoulder - I'm not a professional scold, don't put me in this position again 39:48 medshot of Alana walking away from H angrily, H apologizes 39:52 medwide on A over H's shoulder - RUDE! SHOCKINGLY RUDE! 39:56 medwide on H - you have every right to be upset 39:58 medwide on Alana with don't fuck with me expression - where is she? 40:02 medwideshot on H - she's in the dining room 40:04 Alana with a I'm Not Done With You face, turns toward dining room 40:07 medwide on H with abyssal eyes watches Alana walk toward dining room 40:09 wide to med wide as Alana walks around counter past H - Alana, you were right 40:16 medcloseup on Alana - often am, be more specific 40:20 medcloseup on H up angle - she wasn't ready, had anxiety, I gave her a sedative 40:27 medcloseup on Alana looking further enraged - what did you give her? 40:29 closeup upangle on H - only half a valium but she may be hazy 40:34 Abi sitting alone at H's table, looks up sluggishly and looks to side 40:36 wideshot as Alana walks in, smiles and greets Abi, notices a third place setting 40:45 Abi looks up to H 40:47 wideshot of Hannibal pulling out chair from third place setting for Alana 40:50 A sits down to table, Abi dazedly asks if she's hungry 40:59 Alana smiles stiffly - I could eat 41:03 Abi continues to stare vaguely at Alana 41:05 H pours orange juice and notices Abi's focus on Alana - what is it? 41:10 closeup on Abi's creepy dazed smile 41:12 medshot of Alana and Hannibal looking concerned into the camera, shifting out of focus and into Abi's parents and back - what do you see? 41:21 closeup on Abi's creepy smile - I see family 41:29 wideshot of all three at table, H turns to look at alana 41:31 closeup on Jack wearing pajamas and readers in bed, turning and smiling 41:35 wideshot on J sitting in bed - hello 41:37 wideshot of Bella approaching the other side of the bed, avoiding eye contact 41:42 closeup on J putting his readers back on as Bella settles into bed 41:47 medcloseup on J taking the readers back off again - you think it's too late for us to have kids? 41:54 closeup on Bella blinking and turning to Jack with a frustrated expression 41:56 medshot on Jack looking lovingly at Bella, she blinks at him, thinking 41:58 closeup on Bella withdrawing and turning away 42:01 closeup on Bella faced away - it is for me 42:09 wideshot of J looking over at Bella as she reaches up to turn off her light 42:12 closeup on J turning away from Bella and turning off his own light 42:23 exterior of Will's house with red white and blue lights flashing across it 42:26 wideshot of will's dogs arrayed on beds around a space heater in the fireplace 42:32 med to med closeup of W settling down for sleep 42:45 fade to black 42:46 end credits 43:12 DDLC logo 43:14 Living Dead Guy Logo 43:16 AXN logo 43:19 Gaumont Logo

#hannibal #hannibalTV #hannigram #hannibal fanwork #hannibal timestamp list #ceuf

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yo-snap · 11 days

Text

Some timing may be a bit off, but here are some content and trigger warnings for

2001: A Space Odyssey

Typed out under the cut.

● 0:00:00 through 0:02:51 eerie music/black screen ● 0:03:00 movie starts lol ● 0:05:00 landscapes/open spaces ● 0:06:05 bones ● 0:07:33 animal attack ● 0:08:05 animal noises ● 0:10:20 dead animal ● 0:12:08 eerie music/animal noises ● 0:14:55 bones ● 0:15:56 weapon ● 0:16:32 death ● 0:17:02 raw meat/eating ● 0:18:05 animal noises ● 0:18:55 violence ● 0:19:51 space ● ~0:20:00 spinning objects ● 0:21:52 sleeping ● 0:27:54 phone/video call ● 0:30:43 awkward conversation ● 0:34:25 fighting (on tv) ● 0:38:28 and 0:39:54 some flashing ● 0:41:07? bright light ● 0:41:22?? Public speaking ● 0:45:38 eerie music ● 0:47:36 eating/speaking w mouth full ● 0:49:10 eerie music ● 0:49:50 beeping/ flashing lights ● 0:52:10 sounds/lights ● 0:53:10 taking pictures ● 0:54:23 loud sound ● 0:58:33 eating ● 0:59:57 sleeping ● 1:03:55 shirtless/ call from parents ● 1:04:52 and 1:07:08? sleeping ● 1:12:10 breathing ● 1:15:56 spacewalk ● 1:18:48 xray/flashing lights ● 1:24:34 talking behind someone’s back >__> ● 1:27:22 through 1:30:09 intermission ● 1:30:07? Breathing ● 1:31:26?? spaceawalk ● 1:32:18 implied violence ● 1:32:34 spinning object ● 1:35:00 beeping/flashing lights ● 1:35:25 more flashing lights ● 1:39:07 life function readout ● 1:39:17 beeping/flashing lights ● 1:40:15 death/flashing lights ● 1:48:27 beeping/flashing lights ● 1:52:07 murder??? Idk space lobotomy ● 1:54:44 Daisy ● 1:55:54 flashing (bad) ● 1:57:14 eerie music ● 2:02:02 lights/eerie music (stargate part) ● (the rest i got with negative runtime, so they might be off) ● 2:11:55 hotel scene ● 2:12:30 breathing ● 2:17:05 eating ● 2:17:27 breaking glass ● 2:20:16 baby jumpscare lol

#2001 a space odyssey #2001 aso #2001: a space odyssey #movie content warning #movie trigger warning #content warning list #trigger warning list #sorry if i did anything incorrectly #i didn't make that image i found it on reddit i think #.

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cinetenso · 2 months

Text

1 00:03:37,886 --> 00:03:40,054 Mrs. Alsop's out!

2 00:03:40,221 --> 00:03:42,932 Mrs. Alsop's out!

3 00:05:29,580 --> 00:05:32,125

Did you turn off the gas?

What gas?

4 00:05:32,250 --> 00:05:34,210 Which is her room?

5 00:05:34,335 --> 00:05:36,004 Uh, this one.

6 00:05:46,180 --> 00:05:48,683 We must move her at once. Where's the landlady?

7 00:05:48,808 --> 00:05:50,643

She's not home.

Where's your room?

8 00:05:50,768 --> 00:05:55,106

Two floors up.

That'll do. Take her shoulders. I'll take her feet.

9 00:05:55,231 --> 00:05:57,025 Come on, miss.

10 00:06:05,533 --> 00:06:07,702 Careful of my bag. Pick it up.

11 00:06:07,827 --> 00:06:10,371 I'm sorry. You'll have to do that yourself.

12 00:06:21,007 --> 00:06:24,052 Open the windows. She needs lots of fresh air.

13 00:06:24,218 --> 00:06:26,012 So do I.

14 00:06:32,310 --> 00:06:34,937

Should I call an ambulance?

We have no time.

15 00:06:35,063 --> 00:06:38,066 She must have an emetic first. Glass of water, please.

16 00:06:42,612 --> 00:06:45,740 I shall need two quarts of warm water and some towels.

17 00:06:45,865 --> 00:06:47,742 Towels. Coming up.

18 00:06:57,877 --> 00:07:00,546 You found this bottle clutched in her hand?

19 00:07:00,671 --> 00:07:03,216 Certainly did. From your dispensary.

20 00:07:03,341 --> 00:07:06,719 I see. How long have you known this girl?

21 00:07:06,844 --> 00:07:08,763 About five minutes.

22 00:07:08,888 --> 00:07:12,433 Well, she'll need looking after for a couple of days.

23 00:07:12,600 --> 00:07:15,853

How about the ambulance?

It isn't necessary now.

24 00:07:15,978 --> 00:07:17,980 She's out of danger.

25 00:07:18,106 --> 00:07:22,110 Besides, sending her to a hospital would start an inquiry…

26 00:07:22,235 --> 00:07:24,904 and attempted suicide means jail.

27 00:07:25,029 --> 00:07:28,116 However, in a couple of days, she'll be fully recovered.

28 00:07:28,241 --> 00:07:30,576 Meanwhile, let her rest quietly.

29 00:07:30,701 --> 00:07:33,079 If she's thirsty, give her orange juice.

30 00:07:33,204 --> 00:07:35,289 And tomorrow, if she has an appetite…

31 00:07:35,456 --> 00:07:37,708 a little chicken broth, but no tinned food.

32 00:07:37,834 --> 00:07:40,878 Now, if you'll be at my dispensary in 10 minutes…

33 00:07:41,003 --> 00:07:43,047 I'll have a prescription for you.

34 00:07:43,172 --> 00:07:45,883

For me?

No, for her, of course.

35 00:08:14,871 --> 00:08:16,289 Headache?

36 00:08:16,414 --> 00:08:18,958 Where am I?

37 00:08:19,083 --> 00:08:21,586 You're in my room. I live two floors above you.

38 00:08:21,711 --> 00:08:23,671 What happened?

39 00:08:23,796 --> 00:08:27,175 I came home and smelled gas coming from your room…

40 00:08:27,341 --> 00:08:29,302 so I broke in the door, called a doctor…

41 00:08:29,427 --> 00:08:32,054 and together we brought you up here.

42 00:08:32,180 --> 00:08:34,265 Why didn't you let me die?

43 00:08:34,390 --> 00:08:36,392 What's your hurry?

44 00:08:36,517 --> 00:08:38,603 Are you in pain?

45 00:08:40,938 --> 00:08:43,441 That's all that matters.

46 00:08:43,566 --> 00:08:46,360 The rest is fantasy.

47 00:08:46,485 --> 00:08:49,947 Billions of years it's taken to evolve human consciousness…

48 00:08:50,072 --> 00:08:52,116 and you want to wipe it out.

49 00:08:52,241 --> 00:08:55,161 Wipe out the miracle of all existence.

50 00:08:55,286 --> 00:08:59,207 More important than anything in the whole universe.

51 00:08:59,373 --> 00:09:01,375 What can the stars do?

52 00:09:01,542 --> 00:09:05,171 Nothing… but sit on their axis.

53 00:09:08,090 --> 00:09:10,718 And the sun, shooting flames…

54 00:09:10,885 --> 00:09:13,387 280,000 miles high ‒

55 00:09:13,512 --> 00:09:15,973 so what?

56 00:09:16,098 --> 00:09:19,810 Wasting all its natural resources.

57 00:09:19,936 --> 00:09:23,189 Can the sun think? Is it conscious?

58 00:09:23,314 --> 00:09:25,358 No, but you are.

59 00:09:28,736 --> 00:09:30,738 Pardon me. My mistake.

60 00:09:42,917 --> 00:09:45,836 Here you are, and there you go.

61 00:09:47,922 --> 00:09:50,424 Well, bless me! Heavens alive!

62 00:09:50,591 --> 00:09:53,552 Look at that! Look at me door!

63 00:09:53,678 --> 00:09:55,554 Housebreaking, that's what it is.

64 00:09:55,680 --> 00:09:57,932 And I suppose she's taken all her things.

65 00:09:58,099 --> 00:10:01,644 She'll go to jail for this. I knew she was no good.

66 00:10:01,769 --> 00:10:04,355 That quiet type.

67 00:10:04,480 --> 00:10:07,316 Still waters that run deep usually stink!

68 00:10:15,574 --> 00:10:18,744 That's funny. She hasn't taken a thing.

69 00:10:18,869 --> 00:10:20,997 And what's more, she won't either ‒

70 00:10:21,122 --> 00:10:23,332 not until she's paid four weeks' rent.

71 00:10:23,457 --> 00:10:25,167 Smashing in a door!

72 00:10:25,293 --> 00:10:28,296 Nice festivities to be going on behind my back!

73 00:10:28,462 --> 00:10:31,340 Well, she's out now, and she'll stay out!

74 00:10:44,020 --> 00:10:45,980 Mr. Calvero.

75 00:10:46,147 --> 00:10:48,607 Oh, Mr. Calvero!

76 00:11:25,019 --> 00:11:27,772 - Is that you, Mr. Calvero?

Huh?

77 00:11:27,897 --> 00:11:31,317 Here's your laundry. I was about to leave it on your bed.

78 00:11:31,442 --> 00:11:33,277 Just a moment.

79 00:11:35,863 --> 00:11:37,573 Just a minute.

80 00:11:39,116 --> 00:11:40,826 Hold everything.

81 00:11:40,951 --> 00:11:43,579 Hold everything. Just a minute.

82 00:11:55,299 --> 00:11:59,220

You dropped these.

Oh, yes.

83 00:11:59,345 --> 00:12:01,430 And here's your oranges.

84 00:12:02,473 --> 00:12:04,141 Thank you.

85 00:12:26,872 --> 00:12:28,999 So this is how she spends her evenings.

86 00:12:29,125 --> 00:12:31,961

You keep ‒

You take your hands off me!

87 00:12:32,086 --> 00:12:33,963 What's that woman doing in your room?

88 00:12:34,088 --> 00:12:35,798 Just the opposite of what you think.

89 00:12:35,923 --> 00:12:38,801 I'd like to know who smashed in my door downstairs.

90 00:12:38,926 --> 00:12:40,553

I did. - You did?

91 00:12:40,678 --> 00:12:43,180

You have a leaking gas pipe.

I have a what?

92 00:12:43,305 --> 00:12:45,766 I mean, that room has a leaking gas pipe.

93 00:12:45,891 --> 00:12:47,977 There's something fishy about this.

94 00:12:48,102 --> 00:12:50,729

Who is she, anyway?

You ought to know by now.

95 00:12:50,855 --> 00:12:53,774 Came here six weeks ago. Said she was a working girl.

96 00:12:53,941 --> 00:12:56,861 That's what they all say. What are you so interested for?

97 00:12:56,986 --> 00:12:58,988 Listen, the girl tried to kill herself.

98 00:12:59,113 --> 00:13:02,992 Took poison, turned on the gas. I happened to come home just in time.

99 00:13:03,117 --> 00:13:05,619 Then I'll call the police and get an ambulance.

100 00:13:05,786 --> 00:13:08,414 It'll be in all the papers. You don't want that.

101 00:13:08,539 --> 00:13:10,332 She's not staying where she is.

102 00:13:10,458 --> 00:13:14,545 My good woman, I don't want her. Let her go back to her own room.

103 00:13:14,670 --> 00:13:16,797 I should say not. Besides, it's rented.

104 00:13:16,964 --> 00:13:19,008 You can't throw her into the street.

105 00:13:19,133 --> 00:13:21,635 She's not going back to her own room.

106 00:13:21,802 --> 00:13:24,263

Then she'll have to stay where she is.

What?

107 00:13:24,388 --> 00:13:26,599

Scandalize my household?

What's the difference?

108 00:13:26,724 --> 00:13:29,477 We could be man and wife, for all anyone knows.

109 00:13:29,643 --> 00:13:32,021 Oh, could you? Well, you'd better not be.

110 00:13:32,146 --> 00:13:34,648 You'd better get rid of her, and quick too.

111 00:13:34,773 --> 00:13:36,609 "Man and wife"!

112 00:13:36,734 --> 00:13:39,487 You watch out for that hussy. She's no good.

113 00:13:39,612 --> 00:13:42,490 What's more, she's been sick ever since she came here.

114 00:13:46,243 --> 00:13:48,287 It wouldn't be dandruff, would it?

115 00:15:53,537 --> 00:15:55,873 Ready?

116 00:16:44,546 --> 00:16:47,299 Let 'er go.

117 00:16:56,600 --> 00:17:00,187 ♪ I am an animal trainer A circus entertainer ♪

118 00:17:00,312 --> 00:17:03,941 ♪ I've trained animals by the score Lions, tigers, and wild boar ♪

119 00:17:04,066 --> 00:17:07,653 ♪ I've made and lost a fortune in my wild career ♪

120 00:17:07,778 --> 00:17:09,822 ♪ Some say the cause was women ♪

121 00:17:09,947 --> 00:17:11,949 ♪ And some say it was beer ♪

122 00:17:13,742 --> 00:17:17,413 ♪ And then I went through bankruptcy and lost my whole menagerie ♪

123 00:17:17,538 --> 00:17:21,208 ♪ But I did not despair I got a bright idea ♪

124 00:17:21,333 --> 00:17:24,920 ♪ While searching through my underwear a thought occurred to me ♪

125 00:17:25,045 --> 00:17:29,508 ♪ I'm tired of training elephants so why not train a flea ♪

126 00:17:30,968 --> 00:17:34,596 ♪ Why should I hunt for animals and through the jungle roam ♪

127 00:17:34,722 --> 00:17:38,684 ♪ When there's local talent to be found right here at home ♪

128 00:17:40,561 --> 00:17:43,564 ♪ I found one but I won't say where ♪

129 00:17:43,731 --> 00:17:46,275 ♪ And educated him with care ♪

130 00:17:46,400 --> 00:17:49,111 ♪ And taught him all the facts of life ♪

131 00:17:49,236 --> 00:17:51,947 ♪ And then he found himself a wife ♪

132 00:17:52,072 --> 00:17:54,908 ♪ I give them board and lodgings free ♪

133 00:17:55,075 --> 00:17:57,745 ♪ And every night they dine off me ♪

134 00:17:57,870 --> 00:18:00,414 ♪ They don't eat caviar or cake ♪

135 00:18:00,539 --> 00:18:03,208 ♪ But they enjoy a good rump steak ♪

136 00:18:03,333 --> 00:18:07,171 ♪ Off my anatomy Off my anatomy ♪

137 00:18:07,296 --> 00:18:09,590 ♪ It is an odd sensation ♪

138 00:18:09,715 --> 00:18:13,677 ♪ When after meals they take a stroll around the old plantation ♪

139 00:18:15,220 --> 00:18:17,806 ♪ Now I'm as happy as can be ♪

140 00:18:17,931 --> 00:18:20,642 ♪ I've taught them lots of tricks, you see ♪

141 00:18:20,768 --> 00:18:24,813 ♪ And now they're both supporting me They're both supporting me ♪

142 00:18:26,774 --> 00:18:30,277 ♪ Walk up, walk up I've the greatest show on earth ♪

143 00:18:30,444 --> 00:18:34,114 ♪ Walk up, walk up and get your money's worth ♪

144 00:18:34,239 --> 00:18:37,951 ♪ See Phyllis and Henry those educated fleas ♪

145 00:18:38,076 --> 00:18:41,663 ♪ Cavorting and sporting on the flying trapeze ♪

146 00:18:41,789 --> 00:18:45,417 ♪ So anytime you itch don't scratch or make a fuss ♪

147 00:18:45,542 --> 00:18:49,296 ♪ You never can tell You might destroy some budding genius ♪♪

148 00:19:03,977 --> 00:19:05,521 Phyllis! Henry!

149 00:19:07,564 --> 00:19:09,650 Phyllis! Henry! Stop that!

150 00:19:09,775 --> 00:19:11,777 What do you think you're doing?

151 00:19:11,902 --> 00:19:14,154 You ought to be ashamed of yourselves…

152 00:19:14,321 --> 00:19:16,532 fighting like that.

153 00:19:16,657 --> 00:19:20,118 All right. Phyllis, you stay in the box. Henry, alley-up!

154 00:19:26,750 --> 00:19:28,460 Alley-up!

155 00:19:34,258 --> 00:19:35,843 Up!

156 00:19:39,972 --> 00:19:41,807 Alley-up!

157 00:19:52,693 --> 00:19:54,653 Phyllis!

158 00:19:54,778 --> 00:19:56,738 Phyllis!

159 00:19:56,864 --> 00:19:58,532 Phyllis!

160 00:19:58,699 --> 00:20:01,994 Never mind that. You should've done that before I opened the box.

161 00:20:02,119 --> 00:20:04,037 Do you hear? Come on!

162 00:20:04,162 --> 00:20:06,957 Phyllis! Alley-up!

163 00:20:10,836 --> 00:20:12,254 Phyllis…

164 00:20:12,379 --> 00:20:14,339 alley-up!

165 00:20:18,343 --> 00:20:20,012 Alley-up!

166 00:20:22,556 --> 00:20:24,558 Do you want me to squeeze?

167 00:20:26,518 --> 00:20:28,312 Alley-up!

168 00:20:31,732 --> 00:20:33,442 Up!

169 00:20:36,987 --> 00:20:38,739 Alley-up!

170 00:20:50,751 --> 00:20:52,377 Alley-up!

171 00:20:59,593 --> 00:21:03,555 Stop that, now. Phyllis, come up from there.

172 00:21:03,680 --> 00:21:07,434 Phyllis, do you hear? Remember, you're on a diet.

173 00:21:07,559 --> 00:21:10,896 Phyllis! Have you gone mad?

174 00:21:11,939 --> 00:21:13,941 Ph‒ Phyllis!

175 00:21:14,107 --> 00:21:17,152 Stop that, do you hear? Stop it!

176 00:21:17,277 --> 00:21:19,529 Phyllis!

177 00:21:19,655 --> 00:21:21,740 Phyllis, do you hear? Come up at once!

178 00:21:21,865 --> 00:21:23,617 You go too far.

179 00:21:23,742 --> 00:21:26,161 Phyllis! What are you doing?

180 00:21:27,746 --> 00:21:30,123 You crazy little creature, you.

181 00:21:30,248 --> 00:21:33,126 Phyllis, Henry wants you.

182 00:21:33,251 --> 00:21:35,087 Come, Phyllis.

183 00:21:35,212 --> 00:21:36,797 Phyllis, stop that.

184 00:21:38,715 --> 00:21:41,969 Stop ‒ Phyllis!

185 00:21:42,094 --> 00:21:44,680 Phyllis, come out here! Come out!

186 00:21:44,805 --> 00:21:47,307 Where do you think you're going, you nitwit?

187 00:21:47,432 --> 00:21:50,477 Phyllis! Stop that, now.

188 00:21:50,602 --> 00:21:54,106 Phyllis, do you want me to scratch?

189 00:21:59,528 --> 00:22:02,155 That's not Phyllis!

190 00:22:02,280 --> 00:22:04,157 Where's Phyllis?

191 00:22:04,282 --> 00:22:06,326 Oh, there she is! Stop that!

192 00:22:06,493 --> 00:22:09,079 Stop it!

193 00:23:23,904 --> 00:23:25,822 Are you awake?

194 00:23:28,241 --> 00:23:30,702 Your husband said to see how you were.

195 00:23:30,827 --> 00:23:32,871 Who?

196 00:23:32,996 --> 00:23:37,209 Your husband. And said I was to warm up some chicken soup for you.

197 00:23:37,334 --> 00:23:39,586 "Husband"?

198 00:23:39,753 --> 00:23:42,547 Here, ducks. Let me help you. Come on.

199 00:23:42,672 --> 00:23:44,841 You haven't eaten a thing all day.

200 00:23:44,966 --> 00:23:47,094 Some nice warm soup will do you good.

201 00:23:47,260 --> 00:23:48,595 Thank you, no.

202 00:23:59,189 --> 00:24:01,024 Your wife won't eat.

203 00:24:01,149 --> 00:24:03,902 Well, that's a blessing to a poor married man.

204 00:24:15,497 --> 00:24:18,875 Well, how do you feel?

205 00:24:20,252 --> 00:24:21,753 Much better, thank you.

206 00:24:21,878 --> 00:24:25,257 Good. Pay no attention to this "wife" business.

207 00:24:25,382 --> 00:24:29,803 It's the front of respectability Mrs. Alsop insists she owes the new housemaid.

208 00:24:30,846 --> 00:24:32,889 However, as soon as you get well…

209 00:24:33,014 --> 00:24:34,808 you'll be free and divorced.

210 00:24:34,933 --> 00:24:36,518 I think I'm well enough now.

211 00:24:36,643 --> 00:24:38,311 Mm, not quite.

212 00:24:38,436 --> 00:24:40,856 I think you'd better stay another day or so.

213 00:24:40,981 --> 00:24:42,732 You're very kind, but…

214 00:24:42,858 --> 00:24:45,777 I think I'm able to get back to my room now.

215 00:24:47,112 --> 00:24:49,322 I'm afraid that isn't possible.

216 00:24:50,490 --> 00:24:51,867 Why?

217 00:24:51,992 --> 00:24:55,120 Mrs. Alsop's rented it. The people are moving in today.

218 00:24:56,538 --> 00:24:58,123 Oh, I see.

219 00:24:58,248 --> 00:25:01,126 However, you're perfectly welcome to stay here…

220 00:25:01,251 --> 00:25:04,004 until you know what you want to do.

221 00:25:04,171 --> 00:25:06,882 What can I do? I'm helpless.

222 00:25:10,927 --> 00:25:13,847 Why didn't you let me die and get it over with?

223 00:25:14,014 --> 00:25:18,018 That's no way to talk. You're alive, and you'd better make the most of it.

224 00:25:18,143 --> 00:25:20,187 I'm destitute, ill.

225 00:25:20,312 --> 00:25:22,355 Listen…

226 00:25:22,480 --> 00:25:25,150 I don't know what's wrong with you…

227 00:25:25,275 --> 00:25:26,818 but if you're ill…

228 00:25:26,943 --> 00:25:30,989 and if it's what Mrs. Alsop thinks it is, you should do something about it.

229 00:25:31,114 --> 00:25:34,284 It isn't hopeless. If it's, uh ‒

230 00:25:34,409 --> 00:25:37,162 uh ‒ of course, you know what I'm talking about.

231 00:25:37,287 --> 00:25:39,206 I don't think I do.

232 00:25:40,123 --> 00:25:43,376 Let me put it this way: A young girl, alone…

233 00:25:43,501 --> 00:25:45,837 thrown out into the world, gets ill.

234 00:25:45,962 --> 00:25:49,174 If it's anything like that, you can be cured.

235 00:25:49,299 --> 00:25:53,428 There's a new drug they've discovered performing miracles, curing thousands.

236 00:25:53,553 --> 00:25:56,598 If it's anything of that nature, don't be afraid to tell.

237 00:25:56,723 --> 00:25:58,725 Maybe I can help.

238 00:25:58,850 --> 00:26:01,311 I'm an old sinner. Nothing shocks me.

239 00:26:04,356 --> 00:26:06,358 It's nothing like that.

240 00:26:06,483 --> 00:26:09,027 Are you sure?

241 00:26:09,152 --> 00:26:11,655

Positive.

But you have been ill?

242 00:26:11,780 --> 00:26:16,034 Yes. I was five months in the hospital with rheumatic fever.

243 00:26:16,159 --> 00:26:18,620 Is that all? Then what are you complaining about?

244 00:26:18,745 --> 00:26:21,039 It's ruined my health. I can't work.

245 00:26:21,164 --> 00:26:23,166 What do you work at?

246 00:26:23,291 --> 00:26:25,502 I was a dancer.

247 00:26:25,627 --> 00:26:29,089

A dancer?

I was a member of the Empire Ballet.

248 00:26:29,214 --> 00:26:31,007 Then you ‒

249 00:26:31,132 --> 00:26:33,426 And I thought you were a ‒

250 00:26:33,551 --> 00:26:36,096 So you're a ballet dancer.

251 00:26:36,263 --> 00:26:39,891 Pardon me, but we haven't met formally. What is your name?

252 00:26:40,016 --> 00:26:43,687 Thereza Ambrose, but I'm called Terry.

253 00:26:43,812 --> 00:26:46,731 Charming. How do you do?

254 00:26:46,856 --> 00:26:50,777 I'm also in the business. My name is Calvero. Perhaps you've heard of me.

255 00:26:50,902 --> 00:26:53,280 You're not the great comedian?

256 00:26:53,405 --> 00:26:56,658 I was. However, we won't go into that.

257 00:26:56,783 --> 00:26:59,911 Tell me, whatever brought you to this state of affairs?

258 00:27:00,036 --> 00:27:03,957

Ill health, mostly.

Then we'll have to get you well.

259 00:27:04,124 --> 00:27:07,585 It isn't the ideal spot for convalescing…

260 00:27:07,711 --> 00:27:09,963 but you're welcome to it ‒ that is…

261 00:27:10,088 --> 00:27:12,465 if you can put up with being Mrs. Calvero.

262 00:27:12,590 --> 00:27:14,301 Of course, in name only.

263 00:27:14,426 --> 00:27:16,344 It won't inconvenience you?

264 00:27:16,469 --> 00:27:18,972 Not at all. I've had five wives already.

265 00:27:19,097 --> 00:27:21,224 One more or less makes no difference.

266 00:27:21,349 --> 00:27:24,644 Moreover, I've arrived at the age where a platonic friendship…

267 00:27:24,811 --> 00:27:27,564 can be sustained on the highest moral plane.

268 00:27:32,819 --> 00:27:34,654 Now, let me see.

269 00:27:34,821 --> 00:27:38,283 Your mother was a dressmaker and your father a lord?

270 00:27:38,408 --> 00:27:40,952 The fourth son of a lord. That's quite different.

271 00:27:41,077 --> 00:27:42,912 Mm-hmm.

272 00:27:43,038 --> 00:27:45,123 How is it that he married your mother?

273 00:27:45,248 --> 00:27:47,167 She was one of the family housemaids.

274 00:27:47,292 --> 00:27:51,087 Sounds like a novelette. Did he have any money?

275 00:27:51,212 --> 00:27:53,340 No, the family cut him off.

276 00:27:53,465 --> 00:27:56,176 So your sister's the only one living?

277 00:27:56,301 --> 00:27:58,428 Yes, and she's in South America.

278 00:28:00,347 --> 00:28:04,476 Tell me, was it just ill health that made you do what you did?

279 00:28:05,393 --> 00:28:07,812

That, and ‒ - And what?

280 00:28:09,814 --> 00:28:12,192 The utter futility of everything.

281 00:28:13,651 --> 00:28:16,363 I see it even in flowers…

282 00:28:16,529 --> 00:28:19,240 hear it in music.

283 00:28:19,366 --> 00:28:21,868 All life aimless, without meaning.

284 00:28:21,993 --> 00:28:25,080 What do you want a meaning for?

285 00:28:25,205 --> 00:28:27,874 Life is a desire, not a meaning.

286 00:28:27,999 --> 00:28:30,502 Desire is the theme of all life.

287 00:28:30,627 --> 00:28:33,254 It's what makes a rose want to be a rose…

288 00:28:33,380 --> 00:28:35,298 want to grow like that…

289 00:28:35,423 --> 00:28:39,094 and a rock want to contain itself and remain like that.

290 00:28:41,262 --> 00:28:43,890 What are you smiling about?

291 00:28:44,015 --> 00:28:46,476 Your imitation of a rose and a rock.

292 00:28:47,435 --> 00:28:50,146 Oh. I can imitate anything.

293 00:28:50,271 --> 00:28:54,275 Ever seen a Japanese tree? They're lopsided. They grow this way.

294 00:28:57,737 --> 00:29:00,031 Of course, pansies grow this way.

295 00:29:02,033 --> 00:29:04,411 The dark ones frown and go like that.

296 00:29:07,747 --> 00:29:10,417 However, the meaning of anything…

297 00:29:10,583 --> 00:29:13,253 is merely other words for the same thing.

298 00:29:13,420 --> 00:29:16,214 After all, a rose is a rose is a rose.

299 00:29:16,339 --> 00:29:19,259 That's not bad. Should be quoted.

300 00:29:19,426 --> 00:29:21,177 Think ‒

301 00:29:21,302 --> 00:29:24,139 Think how meaningless life was a moment ago.

302 00:29:24,264 --> 00:29:28,101 Now you have a temporary husband and a home.

303 00:29:28,226 --> 00:29:30,228 There's your drinking water.

304 00:29:30,353 --> 00:29:32,772 and in case of any emergencies…

305 00:29:32,939 --> 00:29:35,442 the first door on the left.

306 00:29:35,608 --> 00:29:37,610 It's the same on each floor.

307 00:29:39,112 --> 00:29:40,905 Good night.

308 00:30:29,829 --> 00:30:31,664 Spring is here.

309 00:30:33,166 --> 00:30:35,168 Birds are calling.

310 00:30:36,628 --> 00:30:39,130 Skunks are crawling.

311 00:30:39,255 --> 00:30:41,966 ♪ Wagging their tails ♪

312 00:30:42,091 --> 00:30:44,093 ♪ For love ♪

313 00:30:46,012 --> 00:30:47,680 Spring is here.

314 00:30:48,932 --> 00:30:51,017 Whales are churning.

315 00:30:52,185 --> 00:30:54,938 Worms are squirming.

316 00:30:55,063 --> 00:30:59,692 ♪ Wagging their tails for love ♪

317 00:31:00,693 --> 00:31:03,238 ♪ What is this thing of which I sing ♪

318 00:31:03,363 --> 00:31:05,281 ♪ That makes us all bewitched ♪

319 00:31:05,406 --> 00:31:08,284 ♪ What is this thing that comes in spring ♪

320 00:31:08,409 --> 00:31:10,828 ♪ That gives us all the itch ♪

321 00:31:11,704 --> 00:31:14,207 ♪ Oh, it's love ♪

322 00:31:14,332 --> 00:31:16,584 ♪ It's love It's love, love, love, love ♪

323 00:31:16,876 --> 00:31:20,129 ♪ Love, love, love, love, love love, love, love, love ♪

324 00:31:58,585 --> 00:32:01,588 Pardon me, but have you a flyswatter?

325 00:32:01,713 --> 00:32:03,673 I beg your pardon.

326 00:32:03,798 --> 00:32:06,676 If you come begging around here, I shall call the police.

327 00:32:06,801 --> 00:32:08,511 I repeat: I beg your pardon.

328 00:32:08,636 --> 00:32:11,431

I don't care what you've eaten.

I have eaten nothing.

329 00:32:11,556 --> 00:32:13,725 You haven't? Poor dear. Get yourself a sandwich.

330 00:32:13,850 --> 00:32:16,686

I demand an apology!

An apology? I don't know you.

331 00:32:16,811 --> 00:32:19,314 Who are you? Are you in the social register?

332 00:32:19,439 --> 00:32:21,524 My name happens to be Smith.

333 00:32:21,649 --> 00:32:24,986

Never heard of them.

That shows you're asinine.

334 00:32:25,111 --> 00:32:26,613 I should have worn my overcoat.

335 00:32:26,779 --> 00:32:28,990 You've interrupted me in the middle of my sonnet.

336 00:32:29,115 --> 00:32:30,533 The middle of your what?

337 00:32:30,658 --> 00:32:33,786 Not in the middle of my what. The middle of my sonnet.

338 00:32:33,911 --> 00:32:36,247 My ode to a worm.

339 00:32:36,372 --> 00:32:39,667 "O worm, why do you turn into the earth from me?

340 00:32:39,792 --> 00:32:42,962 'Tis spring, O worm. Lift up your head…

341 00:32:43,129 --> 00:32:46,215 whichever end that be, and smile at the sun.

342 00:32:46,341 --> 00:32:48,801 Untwine your naked form, and with your tail…

343 00:32:48,968 --> 00:32:51,512 fling high the dirt in ecstasy.

344 00:32:51,638 --> 00:32:54,265 'Tis spring! 'Tis spring!

345 00:32:54,390 --> 00:32:56,059 'Tis spring."

346 00:32:58,019 --> 00:33:00,980 Ridiculous ‒ a worm smiling at the sun.

347 00:33:01,147 --> 00:33:03,524

Why not?

First, a worm can't smile.

348 00:33:03,650 --> 00:33:06,819

Did you ever appeal to its sense of humor?

Of course not.

349 00:33:06,944 --> 00:33:09,113

Well, then.

But it doesn't make sense.

350 00:33:09,238 --> 00:33:12,200 Why should poetry have to make sense?

351 00:33:12,325 --> 00:33:15,578 Don't you know there's such a thing as poetic license?

352 00:33:15,703 --> 00:33:18,206 Just a moment! I've given you no license.

353 00:33:18,331 --> 00:33:22,293 No, don't. This thing we're doing is so much bigger than ourselves.

354 00:33:22,418 --> 00:33:25,963 At this moment, I'm beginning to grasp the meaning of life.

355 00:33:26,089 --> 00:33:28,675 Oh, what a waste of energy.

356 00:33:28,841 --> 00:33:32,178 What is this urge that makes life go on and on and on?

357 00:33:32,303 --> 00:33:33,846 You're right.

358 00:33:33,971 --> 00:33:37,141 What does it all mean? Where are we going?

359 00:33:37,266 --> 00:33:40,770 You're going south, dear. Your hand's in my pocket.

360 00:33:40,895 --> 00:33:42,939

Naughty.

How did it get there?

361 00:33:43,064 --> 00:33:46,442 Pure magnetism, old dear. Pure magnetism.

362 00:33:49,320 --> 00:33:52,407 Why are you antagonistic towards me?

363 00:33:52,532 --> 00:33:54,325 Must we be serious?

364 00:33:54,450 --> 00:33:56,703 You make it difficult for me to know you.

365 00:33:56,869 --> 00:33:58,871 Read my memoirs in the Police Gazette.

366 00:33:59,038 --> 00:34:00,998

You're a funny man.

Why?

367 00:34:01,124 --> 00:34:03,251 To talk about worms the way you do.

368 00:34:03,376 --> 00:34:06,546 Why not? Even flies are romantic.

369 00:34:06,671 --> 00:34:08,464

Flies?

Oh, yes.

370 00:34:08,589 --> 00:34:11,217 Haven't you seen them coming from the stable to the table…

371 00:34:11,384 --> 00:34:13,469 chasing each other over the knobs of sugar…

372 00:34:13,594 --> 00:34:15,680 keeping their appointments in the butter?

373 00:34:15,805 --> 00:34:18,725

You've read The Life of the Bee?

No, I haven't.

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