This is my first time listening to Yeat at length. I've come to the realization that I don't need 22 tracks from artists like this anymore. He seems to use the same exact flows as Travis Scott, without the same level of entertainment value, maintaining a monotone voice throughout every single track.
Upon reviewing the credits, I noticed numerous writers listed for each track, as well as various 'TikTok Producers', which initially surprised me. It appears that we're witnessing the full evolution of Soundcloud rap into TikTok rap, with the first successful artists garnering substantial industry hype and financial backing. This is likely how Yeat managed to feature Future on the track 'Stand On It', which falls flat.
There's undoubtedly a place for this type of music, and Yeat appears to be leading the charge in the zone of TikTok rap. However, the repetitive and uninspired lyrics fail to drive the overall industry forward. By the end of this album, I find myself thoroughly exhausted. Thankfully, it's finally over.
{Suzanne Collins, The Hunger Games / the godfather pt 2 / fromdarzaitoleeza / Hozier, All things end / Oscar Wilde, The Ballad of Reading Gaol / Florence + The Machine, Falling / Jenny Slate, Little Weirds}
[closing the loop started by @effervescentdragon @pgaslys and @carlosheinz hehe enjoy ]
Earth 8912, which is a possible version of the year 2093, was introduced in Iron Man 250# with a cover date of December, 1989. The Doctor Doom of that age is just a head and a few organs. The Iron Man of that age is Andros Stark. They were created by David Michelinie and Bob Layton. Camelot had been reborn with Merlin and a young King Arthur. Kids rode around on hover boards. People drove flying cars. ("Recurring Knightmare", Iron Man 250#, Marvel Comic Event)