#2D Site plans

[loudprincessdetective]

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[interactive0999876]

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[siliconecuk]

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[famousstarlightavenue]

[tejjyinc]

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[devsgames]

HOT GAMEDEVS DON'T GATEKEEP

Inspired by this post by @midwinterhunt, here's a compilation of all the game dev resources I have come across, most of which I use fairly frequently. Most of these are free, some are paid but fairly cheap. Feel free to add your own resources. ✌️

Important reminder: When using basically any works or programs someone else created in your games, make sure you thoroughly understand the licenses and terms it has been shared with. If you don't know what the terms are, reach out to the resource and ask. Don't be lazy about this; it's not only dishonest but it can come back to bite you.

Engines

Unity - Best suited for mobile and multi-platform.

Unreal - Tailored for shooters and high-fidelity experiences.

PICO-8 - Virtual console for simple games

Godot - Open source and free!

GameMaker - Good for 2D games

Bitsy - Great little engine for making simple games and experiences

Construct - Never used but have heard nice things

Scratch - If you've never coded before, this is the best place to start. Great for young devs and those who want to get their feet wet.

Adventure Game Studio - Best suited for adventure games

RPG Maker - Best suited for top-down classic JRPG style games

Twine - Text-centric games like Interactive Fiction

Assets

OpenGameArt - Many assets, various licenses, and plenty of CC0 content.

Unity Store - For Unity only. Some free.

Unreal Store - For Unreal only. Some free.

Godot Asset Library

Jean Moreno's Toon Effects - Some of the best effects available on the Unity store. Unity only but I've used them in basically every project.

Steamworks.net C# Wrapper For Unity - Unity only C# wrapper for integrating Steam compatibility to your game

Itch.io - Plenty of free art assets and game dev resources

Kenney - Kenney makes tons of open-source assets for devs to use.

Art

Mixamo - Generates rigs for your humanoid models and lets you apply a library of free humanoid animations to them. Super helpful for prototyping. Adobe.

Blender - Free, open source and fully featured 3D program.

XNormal - Free offline normal map generator

Normal Map Online - Free online normal map generator

Crocotile - Cheap tool for building 3D models from sprite sheets

MagicaVoxel - Free voxel modelling tool

Piskel - Free online sprite drawing tool

Aesprite - Paid sprite drawing tool

TurboSquid - Not always great quality, but can be good source of free placeholders.

Textures.com - Limited texture downloads per day but free for personal use.

Pexels - Free stock photo resource. Most are free for commercial use. Check licenses.

Clipstudio - Good for illustration or graphic design. One time payment.

GIMP - Image editing program a-la Photoshop. Free.

Audio

Audacity - Free and fully-featured DAW/audio editor.

sfx.me - Free 8-bit synth-style sound effect generator for games.

CastingCallClub - Easy forum to find amateur voice talent for your project (p.s.: you should pay them).

FreeSound.org - Free sounds, searchable by license. A go-to for my audio needs.

Incompetech - Royalty-free music by Kevin McLeod.

Scott Buckley Music - Royalty free with conditions. Generally more on the cinematic side of things but very good stuff!

SoundCloud - 'Search -> By Track -> Filter: Use Commercially' leads to songs posted with allowance of commercial use. Always reach out to the artist to understand their terms and confirm that it's okay to use with your project.

Project Planning

Keymailer - Handy for mailing keys to influencers (don't expect a lot of traction unless you're paying for some of the features though).

Trello - Kanban board. Great for organizing tasks, managing bugs, etc. Free.

Notion - Private text and wiki page editor. Good for project organization, note taking, and fleshing out ideas. Free.

Obsidian - Alternative to Notion, with similar features.

Miro - Free whiteboard for organizing thoughts, images, brainstorming, etc.

Wave - Free Bookkeeping site. Great for keeping finances organized.

[moonandblossoms]

Just a minute.... There is no validity when it comes to liking a ship, regardless if it is canon or not, poorly written or not, or whatever it could be. You have the right to like what you ship, but I just wish if some of you all can stop sending death threats or DM authors in these sites to convince your ship to them. It's their choice, it's their story and the characters belong to them.

Imagine you are a mangaka or an author. You create your characters, the setting and idea of your story. You become a famous writer and plan your own ships. Now some random dude comes online and sends death threats for not making a ship canon of what he or she likes, how would you feel?

It's just a show or manga with 2D characters. Let's stop taking it too seriously.

Non canon ships are not inferior or less reasonable to ship in a personal sense, but not the vice versa either just because canon ships sound boring or usual.

[eegasleega-will-change-this-l8r]

Rambling About New Pork City

This is just a long series of ideas for how I envision New Pork City's layout (mostly from planning for my Minecraft build)

My vision differs a lot from the layout in the game, since that's only a 2D representation of the city, and there's probably a lot we don't see So I want my version of it to fit in a 3D environment, while also having some extra worldbuilding for flavour ^^

So something I've seen debated a few times is where exactly NPC actually is! In the game, we only reach it through a flying limousine, so we don't get any sense of where we've actually gone. It's not marked on the map, and there's not really any strong clues in the city itself to suggest where it's located. (early in development, it was actually gonna be New Pork Island, which is interesting) Personally, I recently started liking the idea that it's actually located in the Death Desert! It's mysteriously blocked off after the timeskip, the only area in the game we can't return to Plus, it's situated right over the 7th Needle, which Fassad presumably lived nearby (like the other Magi), while his floor in the Empire Porky Building is decorated to look like a desert. There's obviously nothing concrete, but that's where I place it in my mind!

So let's start at the earliest point in the timeline of NPC's development: Porky first arrives in the Nowhere Islands, around the vicinity of Locria's house. They meet, exchange ideas, etc, Porky sways him to his side. Soon after, he starts pulling in his armies and all the people who will form his empire. At the site of his arrival, the Pigmasks begin construction of some very basic buildings. Simple things like barracks, armories, the very first labs, etc. Really just a small compound built around Fassad's house while the empire starts.

Over time, more and more buildings were added to this spot, expanding upwards and forming a chaotic, mountainous "city," the Pigmask's capital. This is still at the beginning of the Pigmasks' expansion into the Islands, so everything is very shoddy and crude, purely functional and with none of the sophistication of their later structures. (Fassad's house is airlifted out and temporarily relocated elsewhere).

During the 3 years following the third chapter of the game, as the Pigmasks solidly establish their presence across the Islands, the King deems the old city to be unfit for the grandeur of his empire. As such, the entire city is buried under a mountain of dirt and concrete, to serve as the foundation for the brand new capital of the Nowhere Islands. A shaft is dug from the base of the mountain to its summit, and an elevator is installed to allow for quick travel to the future city.

3 years after the Pigmasks' arrival in Tazmily Village, New Pork City is finally completed (mostly). It sits on top of the buried husk of the old city, which can still be accessed through several points (the sewers and the MT Apartments are both parts of the old city). A section of the highway leads to the main elevator (now incorporated into the Empire Porky Building, and later into the caves underneath the desert), where newcomers from Tazmily can enter the city. The city itself also contains a landing pad for Porky's private limousine, but this is reserved just for him and his special guest.

The city is arranged so that all the most interesting sights are oriented towards the landing pad, providing the King's guests with the best possible first impression of his empire's capital. Though it's largely a monument to himself, it was also Porky's express desire that New Pork City be the perfect utopia for his special guest, with everything he could possibly dream of.

The entrance to the Empire Porky Building sits at the top of the city, but parts of the building actually extend downwards into the ground, connecting it to the main elevator shaft, which the building sits centered directly on top of. The rest of the city spirals down from the building's entrance, built into and around the mountain's summit. Most of the city is just wooden cutouts of course (including the seemingly-larger city in the background), and as said above, they're all pointed to face towards the limousine pad. As such, the city's entire facade falls apart once one starts to make their way upwards to the top level and passes behind all of the false buildings on their way. Most of these are also placed to cover up the uglier parts of the city, dumpsters and grimy service doors, etc.

Few random things to finish up: There's speakers all over the city constantly blaring music (Porky can also take control of these if he wishes). Heck, they probably have things pumping smells into the streets like Disneyland. Pretty constant rains of confetti, too. Porky snatched a bunch of old-world things from all over the place and scattered them around the city to fill up empty space, hence why there's so many random objects placed everywhere (like the greek pillars, the masks, etc. did that christmas tree belong to someone). He told the Pigmasks to go uproot the coolest tree they could find so he could incorporate it into the city and finally have the world's coolest treehouse. Honestly idk what he was thinking with the Rollercoaster that Just Kills You

So yeah, that's all the stuff I have in my head about New Pork City, minus all the stuff specific to my interpretation of Porky's characterization (which'll be it's own post... some day...) :D And this sort of shows how I wanna go about designing it in Minecraft... still going slow, but it's going! I've figured out a style i think works, and I've figured out a rough idea of how I wanna scale it ^^

[definitelynotshouting]

Been a while since i updated yall on my minecraft world, so heres the greenhouse i designed last night that im planning on building to house my bamboo and the allay i nabbed last week or so :] the smaller section is for an attached bee farm

This design is actually 100% mine!!! This is the first time i havent used a tutorial as the base of a build, and while it still needs a few tweaks and extra decorations, for a first pass im pretty damn happy with it. I did use a site to help me with the dome shape, it's called plotz and it was extremely helpful especially while using the 2D model :]

Also please look at my diamonds rn, holy fuck

[megamagimugi]

now here’s where we ✨uno reverse✨and you get a question and some praise.

What got you into the Mario fandom? And also!! Your bio says your a fan of TMNT, but which version do you like the most? The 2003 and 2012 version are pretty nostalgic to me, but I loved the 2012 one the most, their designs are personally my most favorite! ROTTMNT I know is a really good one; I started binging it last summer but never got around to finishing it :(

Now praise! I know I’ve said this in your ask for me, but I just REALLY love your art. Your redraws are on another level, you effortlessly nail the M&L style— seriously, why is it so hard for me?? I’m too perfectionist when it comes to them. 😂 I knew once I saw your drawings of Zahra’s amazing Anything for Him story that I’d be hooked. And your attention to detail is just 🤌🏾🤌🏾🤌🏾 like that water from your beach redraw I’m still not over.

And you’re always so supportive of my art, and it means more than words 🥹 especially with the anticipation of my upcoming animation, my motivation fluctuates. I want to pick up my Apple Pencil and just do it, but it’s like something holds me back. Honestly just talking about my art with people is a good source of drive for me, and you’re definitely one of the best sources of motivation ♥️ thank you for being so kind, and thank you for being you! You’re so loved 🫂

Okay, storytime it is! (This is most definitely going to be my longest answer to date; hope you don't mind).

Let me give you some background first. Unlike most people I didn't get into gaming as a little kid. My household was basically video game-free - my father wasn't into gaming, neither was my older sister and my mother was even somewhat against video games. Under these circumstances the first video game I ever played was the Sims, as my sister had a short-lived phase when she liked it. I found it incredibly boring. Sometimes I'd watch my cousins or friends play other games when I visited, but they'd never let me play xD Still, that made me realize that I enjoyed (=wanted to try) racing and action/adventure games.

At one point, when I was a little older, my still humble gaming experience led me to finally playing my first Mario game: Mario Kart. I look back at that experience fondly as I also won against my friend at the time on my first try. He wasn't particularly great at gaming either but hey, a win is a win.

Anyway, I got curious about these characters and started searching for more info, and for more games to try out. I finally got to the Super Mario Bros. series, discovering my love of 2D platformers along the way. There's a retro gaming museum in my area where you can play on old computers and systems so you bet I spent some time there playing the oldest of Mario games, which was a big step in me getting into this genre as a whole and this series in particular.

I also tend to gravitate towards brothers in media and well, Mario and Luigi are obviously brothers so I guess I got curious about their relationship and how it plays into the lore of the games. Which brought me to the Mario & Luigi RPGs, which I loved. I guess you could say I got Hooked On The Brothers™ But honestly, the carefree and fun atmosphere as well as the sort of wacky fairy tale setting were very appealing to me too.

I started slowly but surely collecting whatever Nintendo game consoles and games I could find and afford, and watching playthroughs of those I couldn't. I even played a couple fan games, such as (Mario) The Music Box - despite it being so very different from the source material LOL

And of course, the 2023 movie got me to appreciate the franchise even more and be more active in the fandom, reading more fanfics etc. Which eventually brought me here. I started reading Luigi's Escape Plan by jelly-fish-wishes and some other comics on Tumblr and the site tried to force me to register so often that I eventually gave in, annoyed. I definitely don't regret that decision though!

And look at me now, creating my own content - well, only fanart really - for this lovely fandom. And interacting more and more with other fans.

Now for the Turtles. I've been a fan since I was like 11 and first started watching the 2003 series (only the first 3 seasons were available in my country at the time, but a few years later I found the rest on YouTube). I've watched all versions other than the 1987 series and Michael Bay movies, and read some of the comics (I really love the original Mirage comics!), yet that first series still remains my favorite. My favorite animated show of all time even. You could chalk it up to nostalgia, but it's definitely more than that as nostalgia is rarely a big factor for me when it comes to genuinely enjoying things. I just really like this version of all of the major characters the most, as well as the humor, the dialogue and the action scenes (those fight choreographies were amazing tbh), and the plot overall. As well as the art style in the first 5 seasons. Sure, the show wasn't perfect due to the frequent animation mistakes and the painfully bad Japanese (the fake kanji were bad enough but the horrible pronunciation, man... the pronunciation...), but everything else more than makes up for it.

In case you're curious, overall I did enjoy the 2012 series too. Really, I enjoyed most of the Turtle media. Tbh I have a bit of a weird love-hate relationship with RotTMNT though.

And last but not least, thank you so much for your kind words! It's so interesting that some people here praise my style while it was something my old professor criticized as too generic in my digital art and animation when I was applying to college. And people like you saying I pay a lot of attention to detail when my art teachers and professors criticized me for going too abstract in my paintings and not precise enough in my drawings. It's been healing some of these old art related insecurities stashed away somewhere in my brain, ngl.

I totally get your struggle with perfectionism. It's my old frenemy that to this day rears its ugly head more often than I care to admit, especially when it comes to art. It's important to relax and do your thing anyway. I'm sure you'll make some sick animations and I'll be here cheering you on along the way. You got this, girl!

And I appreciate what you said about me at the end. If there's anyone in this world who makes me feel loved and like I'm actually worth something, it's you and other amazing people in this community. Thank you so much :))

[secretgamergirl]

Hell is terms like ASIC, FPGA, and PPU

I haven't been doing any public updates on this for a bit, but I am still working on this bizarre rabbit hole quest of designing my own (probably) 16-bit game console. The controller is maybe done now, on a design level. Like I have parts for everything sourced and a layout for the internal PCB. I don't have a fully tested working prototype yet because I am in the middle of a huge financial crisis and don't have the cash laying around to send out to have boards printed and start rapidly iterating design on the 3D printed bits (housing the scroll wheel is going to be a little tricky). I should really spend my creative energy focusing on software development for a nice little demo ROM (or like, short term projects to earn money I desperately need) but my brain's kinda stuck in circuitry gear so I'm thinking more about what's going into the actual console itself. This may get techie.

So... in the broadest sense, and I think I've mentioned this before, I want to make this a 16-bit system (which is a term with a pretty murky definition), maybe 32-bit? And since I'm going to all this trouble I want to give my project here a little something extra the consoles from that era didn't have. And at the same time, I'd like to be able to act as a bridge for the sort of weirdos who are currently actively making new games for those systems to start working on this, on a level of "if you would do this on this console with this code, here's how you would do it on mine." This makes for a hell of a lot of research on my end, but trust me, it gets worse!

So let's talk about the main strengths of the 2D game consoles everyone knows and loves. Oh and just now while looking for some visual aids maybe I stumbled across this site, which is actually great as a sort of mid-level overview of all this stuff. Short version though-

The SNES (or Super Famicom) does what it does by way of a combination of really going all in on direct memory access, and particularly having a dedicated setup for doing so between scanlines, coupled with a bunch of dedicated graphical modes specialized for different use cases, and you know, that you can switch between partway through drawing a screen. And of course the feature everyone knows and loves where you can have one polygon and do all sorts of fun things with it.

The Genesis (or Megadrive) has an actual proper 16-bit processor instead of this weird upgraded 6502 like the SNES had for a scrapped backwards compatibility plan. It also had this frankly wacky design where they just kinda took the guts out of a Sega Master System and had them off to the side as a segregated system whose only real job is managing the sound chip, one of those good good Yamaha synths with that real distinct sound... oh and they also actually did have a backwards compatibility deal that just kinda used the audio side to emulate an SMS, basically.

The TurboGrafix-16 (or PC Engine) really just kinda went all-in on making its own custom CPU from scratch which...we'll get to that, and otherwise uh... it had some interesting stuff going on sound wise? I feel like the main thing it had going was getting in on CDs early but I'm not messing with optical drives and they're no longer a really great storage option anyway.

Then there's the Neo Geo... where what's going on under the good is just kind of A LOT. I don't have the same handy analysis ready to go on this one, but my understanding is it didn't really go in for a lot of nice streamlining tricks and just kinda powered through. Like it has no separation of background layers and sprites. It's just all sprites. Shove those raw numbers.

So what's the best of all worlds option here? I'd like to go with one of them nice speedy Motorolla processors. The 68000 the Genesis used is no longer manufactured though. The closest still-in-production equivalent would be the 68SEC000 family. Seems like they go for about $15 a pop, have a full 32-bit bus, low voltage, some support clock speeds like... three times what the Genesis did. It's overkill, but should remove any concerns I have about having a way higher resolution than the systems I'm jumping off from. I can also easily throw in some beefy RAM chips where I need.

I was also planning to just directly replicate the Genesis sound setup, weird as it is, but hit the slight hiccup that the Z80 was JUST discontinued, like a month or two ago. Pretty sure someone already has a clone of it, might use that.

Here's where everything comes to a screeching halt though. While the makers of all these systems were making contracts for custom processors to add a couple extra features in that I should be able to work around by just using newer descendant chips that have that built in, there really just is no off the shelf PPU that I'm aware of. EVERYONE back in the day had some custom ASIC (application-specific integrated circuit) chip made to assemble every frame of video before throwing it at the TV. Especially the SNES, with all its modes changing the logic there and the HDMA getting all up in those mode 7 effects. Which are again, something I definitely want to replicate here.

So one option here is... I design and order my own ASIC chips. I can probably just fit the entire system in one even? This however comes with two big problems. It's pricy. Real pricy. Don't think it's really practical if I'm not ordering in bulk and this is a project I assume has a really niche audience. Also, I mean, if I'm custom ordering a chip, I can't really rationalize having stuff I could cram in there for free sitting outside as separate costly chips, and hell, if it's all gonna be in one package I'm no longer making this an educational electronics kit/console, so I may as well just emulate the whole thing on like a raspberry pi for a tenth of the cost or something.

The other option is... I commit to even more work, and find a way to reverse engineer all the functionality I want out with some big array of custom ROMs and placeholder RAM and just kinda have my own multi-chip homebrew co-processors? Still PROBABLY cheaper than the ASIC solution and I guess not really making more research work for myself. It's just going to make for a bigger/more crowded motherboard or something.

Oh and I'm now looking at a 5V processor and making controllers compatible with a 10V system so I need to double check that all the components in those don't really care that much and maybe adjust things.

And then there's also FPGAs (field programmable gate arrays). Even more expensive than an ASIC, but the advantage is it's sort of a chip emulator and you can reflash it with something else. So if you're specifically in the MiSTer scene, I just host a file somewhere and you make the one you already have pretend to be this system. So... good news for those people but I still need to actually build something here.

So... yeah that's where all this stands right now. I admit I'm in way way over my head, but I should get somewhere eventually?

[interactive0999876]

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[siliconecuk]

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[kathaynesart]

your career is almost EXACTLY what i want mine to eventually look like.

do you have any tips on reaching the point you’re at, now? like what did you major in in college, etc?

(if this is too big an ask ofc you don’t have to answer)

Of course! I'm always willing to give advice where possible. More info below:

I went to school at Loyola Marymount University in LA, California where I majored in animation and minored in studio arts. If you are planning on working in the arts, I recommend taking several things into serious consideration when it comes to schooling: A) Consider whether or not talent searchers for your job of choice care more about your portfolio or a piece of paper that says you studied in this department. There is no universal answer and this can vary from job to job. B) If you can learn through cheaper means such as online courses/community college rather than go into debt for half of your life for a four year experience. C) If you really want put all your chips on the table and go into the arts (I went to a well rounded university in case I fell out of animation and art as a career). Next off, realize that there can be a big difference in what you're passionate and what your skill sets are. Be flexible and really examine what you like to do in your free time as well as your strengths and weaknesses. I loved cartoons and anime in general so I thought animation was the way to go, however, in retrospect I draw very slowly (which is not great for 2D animation), did not like 3D programs, and spent most of my free time outside of school projects messing around in Photoshop with designs and writing stories. With this in mind I realized years after graduating that my strengths lie in graphic design (which has been mostly self taught), writing, and illustration. With finding work, realize that every little thing you do is an opportunity for a job, whether you realize it or not. For example, an acquaintance of mine from an old job saw my silly Inktober drawings on social and reached out to me to ask if I could fill in for him at Mattel while he was on a month long honeymoon. That's how I got my foot in the door with my several years long freelance gig at Mattel and it was purely by knowing people and continuing to put my work out there for them to see. So make sure to always be open to meeting people, be it through conventions, fandoms, or even jobs unrelated to your desired career. You'll never know what might come of it! Finally make sure to create accounts on sites like Indeed and Linked In and keep them up to date. I got my current job by being on Indeed and my Diseny job I got through Linked In. Both times they reached out to me rather than me submitting to them.

I hope that helps! If anyone has more questions feel free to ask!

[blurrymango]

do you ever plan on returning to twitter? if so please do we need more freaky ass gorillaz fans

Most definitely NOT. Sorry. But I don't vibe with. Well. The major antishipper culture there.

In all honesty, I think all you freaky Gorillaz fans should come here to tumblr instead. It's better here.

There is a small chance if I'm desperate enough that I might.

But I'll be honest. I don't like having more than one social media presence, and I also despise a lot of major Gorillaz fanartists on that goddamn website, mostly because they're hypocrites and antis.

To all the Gorillaz fans on twitter who are into my type of fun (shota 2D, trans 2D, and most importantly and non-negotiably BOTTOM 2D because I would rather rip out my fingernails than have anything to do with 2D as a top when it comes to 2Doc) add me on discord, I'm BlurryMango on there. Or, more favorably, COME TO TUMBLR. PLEASE.

GET OFF THAT HORRIBLE APP AND COME TO THIS SLIGHTLY LESS HORRIBLE SITE. PLEASE. COME HERE. I DON'T WANT TO BE THERE.

[lazuli-sm]

Aight boys, got a plan. 2024 is a year of learning.

Gonna learn 6 different things.

Python

Pre-Algebra

Norwegian Language

Blender

Live2D

2D Animation

Why Python? Code is cool. (Gonna learn JavaScript afterwards)

Why Pre-Algebra? Cause mah math skills are not.. good lol.

Why Norwegian? Wanted to learn a language and Norway is a cool place.

Why Live2D, Animation and Blender? You don't know me if you have to ask that question.

Also gonna try and actually have 2 days off a week off work. Cause let me tell ya, focusing on work so much is leaving me no room for anything else. I mean i'm currently on day 25 of a (earliest) 28 day streak with no days off between both my jobs.

I. Am. Tire.

Also gonna get an autism/adhd test done someime this year. Probably later in the year when I have more money saved up. Many plans this year. I'll check back at the end of the year if this site is still around by then lmaoooo