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room-surprise · 8 months

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Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost

(EDIT: This post is an excerpt/remix of Kabru's section of my larger essay about the real world linguistic and cultural references Dungeon Meshi. You can read the essay on AO3 here. I also have another post about what part of South Asia I think Utaya is based on here.)

Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world.

Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.

So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)

KABRU’S NAME

The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.

KABRU THE MOUNTAIN

Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.

“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

WHAT DOES KABRU’S NAME MEAN?

Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name.

Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling.

This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.

The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.

"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar) “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.) “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”.

WHAT ABOUT UTAYA? IS THAT INDIAN TOO?

Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.

Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.

In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.

The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages.

Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences.

JAPANESE MEANINGS FOR UTAYA

Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry

In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.

The Utaya disaster happened a long time ago.

If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.

Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.

In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.

Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.

Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.

The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it.

The infinite could refer to the dimension the demon comes from, or to the sky above the mountains.

Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism.

With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well.

It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.

WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?

In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it.

Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.

Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.

This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.

CULTURE

In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.

The white balls in Kabru’s dessert are very likely meant to be an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.

Rasgulla are also popular in Nepal, where they are called rasbari.

KABRU’S PHYSICAL APPEARANCE

Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either.

(Indian man with blue eyes)

Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.

Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.

Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party.

CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?

Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.

THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?

Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.

This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.

I don’t think this is what Ryoko Kui is doing in Dungeon Meshi.

UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME

In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source.

It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people.

Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names.

Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations.

(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)

Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.

Kabru having light-colored eyes is central to his story, and Kui talks about it.

KABRU’S STORY AND WHY HIS BLUE EYES MATTER

Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.

This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.

In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this.

WHAT IS THE “EVIL EYE”?

The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon.

In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.

One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer.

HOW DOES THIS APPLY TO KABRU?

Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.

I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do.

This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”

To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education.

CONCLUSION

I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.

This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve.

But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.

ANYWAY…

If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!

#dungeon meshi #delicious in dungeon #dunmeshi #kabru #my stuff #analysis #character of color #theories #Dungeon Meshi Research

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musicaelectronica · 2 years

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QUEVEDO || BZRP Music Sessions #52 (Música Electrónica REMIX) | quedate que la noche sin ti duele

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doomandgloomfromthetomb · 3 months

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The B-52's - Roseland, New York City, April 19, 1982

I was in NYC for a couple of days earlier this month and though time was limited, I did of course find a minute to visit a local record store — Academy Records on W. 18th St. Digging through the $5 bin, I found a nice copy of the B-52's' David Byrne-produced Mesopotamia mini-album, which I've always loved, but have never had on vinyl before. A no-brainer! As I checked out, I noticed that Mesopotamia had been recorded at Bob Blank's Blank Tape Studio, and some quick Google mapping revealed that I was just moments away from where that studio used to be on 37 W. 20th St. A legendary spot, as a footnote in Jesse Rifkin's great This Must Be The Place details:

"[T]he studio's discography includes Television's seminal punk single "Little Johnny Jewel"; disco hits by Musique, Class Action, Crown Heights Affair, and Inner Life; groundbreaking remixes by deejays like Larry Levan, Francois Kervorkian, and Tee Scott; and no-wave/mutant disco albums by the likes of James Chance, Lydia Lunch, Lizzy Mercier Descloux, and DNA. It was the favored studio of genre-bending auteur Arthur Russell, and classic albums by Talking Heads (Speaking In Tongues), the Gun Club (Miami), Joe Bataan (Mestizo), Ashford & Simpson (Solid), the B-52's (Mesopotamia), Miami Sound Machine (Eyes of Innocence) and Sun Ra (Lanquidity) were all tracked there."

All that and Madonna's first single, too! New York City is like this, of course — a neverending web of connections, a labyrinth of layers upon layers upon layers. You could spend your life walking down its streets, discovering the strange stories behind every building's facade. I could never hack it there full-time, but god bless the people who can!

Anyway — the B-52's! What a wonderful band. Here they are at Roseland (239 W. 52nd St.) right around the time that Mesopotamia came out. A killer SBD tape, featuring an expanded lineup: Dave Buck and Ralph Carney on horns. We get a bunch of the new mini-album, plus plenty of stuff from their already stuffed back catalogue. As with any B-52's tape, I'm sure it's not as good as being there in person, but it's still one heck of a party. Nip it in the bud!

(Oh and hey — this old Pitchfork column of mine has more live jams if you need to further celebrate the miracle of the B-52's.)

#the b-52's

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melefim · 4 months

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Dead Boy Detectives full soundtrack!

(Or at least all the ones I could find)

I’ve seen several soundtrack playlists floating around, but unfortunately a lot have other songs added or are missing some that were used in the show, so I went ahead and made my own!

Below the cut is a full listing of when each song was used during the show, timestamped as accurately as I could manage.

Please let me know if there are any songs I missed, and I’ll add them ASAP! Score will be added if/when it’s released. If anyone would be interested in separate posts for each episode, let me know and I’ll get right on it!

Enjoy!

🎥Promotional🎥:

“Psychobilly Bandits” by Alibi Music: Teaser trailer

“Welcome to the Black Parade” by My Chemical Romance: Full trailer

“Young and in Love” by Fast Forward Romance: Meet the Characters teaser

🔮The Case of Crystal Palace🔮:

“Doorman” by slowthai, Mura Masa: Hotel hallway chase scene. (2:33-2:47)

“Hang on to Yourself” by David Bowie: Prep for Crystal’s case. (11:59-12:30)

“Bad Feeling” by Cobra Man: What Crystal is listening to on her headphones in the subway before the David the Demon fight. (12:36-13:04)

“I’m Telling Your Mum” by Danny Farrant, Paul Rawson: Jenny’s introduction. (21:46-22:44)

“It’s Not Unusual” by Tom Jones: In the Malt shop after they find Esther’s house and after Crystal sees David the Demon. (26:42-27:38, 29:24-29:47)

“Bones of Rock” by The Boneless Ones: In the background during Crystal and Jenny’s talk in the alley. (34:03-35:07)

“Take the Rest of Me” by Brocklesby Crooke: Dandelion sprites- Crystal meeting Niko. (36:39-36:51)

“Deal Wiv It” by Mura Masa, slowthai (instrumental): Meeting David the Demon flashback. (38:36-39:10)

“So What?” by NOISY (instrumental): Planning Becky’s rescue in the butcher shop. (41:34-42:19)

“White Teeth” by The Screaming Gypsy Bandits: Record playing inside Esther’s house. (43:33-44:30)

“Surfing in the Sky” by The Vaccines: Fight in Esther’s front yard. (49:08-49:50)

“Missing” by slowthai (instrumental): Sending Becky home, heading back to the butcher shop. (51:23-52:34)

🌼The Case of the Dandelion Shrine🌼:

“Take the Rest of Me” by Brocklesby Crooke: Dandelion sprites- Niko faints outside the bathroom and attracts attention in the butcher shop. (12:48-12:52, 28:29-28:57)

“Natural Successor” by Pictish Trail: Turning Monty human. (47:22-49:16)

🪓The Case of the Devlin House🪓:

“Free Tonight” by Skymachine: Charles & Crystal walk into butcher shop, just a few bars on radio before anchor talks about the storm. (8:13-8:15)

“Oceans” by The Yada Yada Yadas: on radio after anchor talks about the storm while Charles and Crystal are asking Jenny about the Devlin murders. (8:21-8:50)

“Owner of a Lonely Heart” by Yes: Devlin house time loop, repeated multiple times. (First full loop 19:06-21:09. Loop repeats: 21:31-23:05, 23:36-24:38, 25:02-25:35, 26:52-27:17, 29:04-29:55, 30:22-31:24, 33:17-34:30, 34:34-35:35, 35:48-37:01, 37:18-38:55, 39:28-40:50. Final loop: 42:23-42:36)

🌊The Case of the Lighthouse Leapers🌊:

“RoMaNcE” by ShitKid: Jenny reading letter from her secret admirer, gets rent from the girls. (1:16-2:40)

“Fire Escape” by Nine One One: Jenny reading letter before finding the Night Nurse upstairs. (29:06-29:32)

“The Wellerman” (original music box version): Charles winds up music box, hits Night Nurse with it, kicks her into Angie. (43:07-43:49)

“Young Blood- White Sea Remix” by The Naked and Famous, White Sea: End of episode- Niko starts to read letters from mother, Charles and Crystal kiss, end credits. (48:22-50:59)

🐉The Case of the Two Dead Dragons 🐉:

“Thunder” by ZEE MACHINE: Interviewing students about Brad & Hunter. (14:24-15:11)

“Apocalypse” by Cigarettes After Sex: Jenny and Maxine mid-date. (26:54-28:04)

“Melting” by Kali Uchis: Jenny and Maxine late date until stalker reveal. (36:25-38:10)

“Disorder” by Joy Division: End credits. (49:49-50:41)

🍄The Case of the Creeping Forest🍄:

“Who’s Ur Girl?” By The Mysterines: Niko redecorates her room. (1:15-1:29)

“The Wellerman” (original Music box version): Sea calming music box, playing inside Angie. (13:45-14:07, 15:35-15:49)

“A.T.T.A.C.K” by Arre! Arre!: Niko tries to get Jenny to forgive her in the butcher shop. (20:49-21:57)

“Shakedown” by Infamous Stiffs: End credits. (51:17-52:11)

🕷️The Case of the Very Long Stairway🕷️:

“Under the Milky Way” by The Church: Charles’ memories of his death. (11:06-13:15)

“Dinner Jazz” by Tony Kinsey: Limbo/Hotel lobby in Hell. (17:27-18:27, 44:13-44:30)

“Revolution Action” by Atari Teenage Riot: David turns on lights and music in abandoned bowling alley. (30:20-30:48)

“Window Shopping” by Robert Foster: Gluttony/Café when exiting Hell. (43:13-43:35)

“Circle In The Sand” by Belinda Carlisle: Jenny singing in Crystal’s head while possessed. (31:43-33:50)

“Burning” by Yeah Yeah Yeahs: Monty flies away from rooftop, Esther works on her machine, Jenny sleeps while Niko looks at Cursed Magic 8 ball, Night Nurse knocks on supervisor’ door, Crystal eats first memory marble, end credits. (52:37-55:16)

🐍The Case of the Hungry Snake🐍 :

“Standing In The Way of Control” by Gossip: Crystal’s first memory marble. (1:18-2:04)

“I’m What You Want” by Walt Disco: Crystal Club fight memory. (8:35-8:48)

“When I’m Gone” by Ging: Crystal says goodbye and leaves the butcher shop. (16:18-18:13)

“Sleeping On Grassy Ground” by The Heavy Heavy: Charles and Edwin wake up in Esther’s house. (25:55-27:43)

“Who’s Sorry Now” by Connie Francis: Niko and Crystal break into Esther’s house. (30:35-31:17)

“Loss & Relax” by Black Belt Eagle Scout: Talking in Niko’s room. (40:44-42:59)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

And if you like lists of things like I do, you can check out my other Dead Boy Detective ones here!

When Charles’ shirt color changes

George Rextrew’s Edwin comic inspo board

Moves, Incidents, and Cases masterlist

Swearing Stats Masterlist

First pass at finding where the songs in the score are used- full post with timestamps in progress.

#dead boy detectives #dbda #dead boy detective agency #dead boy detectives Netflix #dead boy detectives soundtrack #edwin payne #charles rowland #crystal palace #niko sasaki #music #soundtrack #Spotify #netflix #renew dead boy detectives #dbda playlist #compiled by me #Dbdshow

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dionysianivy · 28 days

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Songs that reminds me of Dionysus ⊹ ࣪ ˖

Hello everyone🍇 This is my playlist of songs that remind me of the time I started working with Dionysus, or the songs that make me feel most connected to him. Maybe some songs don't have any Dionysian vibes, but they are important to me because they make me feel free, wild, and confident. They allow me to show my true colors and not be afraid to reveal who I really am, which is really important for my soul and for my Sag moon! >ᴗ< hope you like it♡

🌿🐆🌿🐆🌿🐆🌿🐆🌿🐆🌿🐆🌿🐆🌿🐆🌿🐆

1. My Blood - Twenty One Pilots | 3:49

2. This Charming Man - The Smiths | 2:42

3. Touch of My Hand - Britney Spears | 4:19

4. Electric Feel - MGMT | 3:49

5. Tarzan Boy - Baltimora | 3:50

6. (Von Dutch Remix) - Charli XCX, Addison Rae, a.g. cook | 2:37

7. Phonography - Britney Spears | 3:33

8. Kill the Lights - Britney Spears | 3:59

9. Big in Japan - Alphaville | 4:45

10. Follow Me Down - 3OH!3 | 3:23

11. Affection - Between Friends | 3:55

12. Sadeness - Enigma | 4:15

13. My Prerogative - Britney Spears | 3:33

14. Karma Chameleon - Culture Club | 4:12

15. New Flesh - Current Joys | 2:47

16. Get Naked (I Got a Plan) - Britney Spears | 4:44

17. All I Need - The Frights | 2:54

18. Hotter than Hell - Dua Lipa | 3:07

19. Can’t Wait - Doja Cat | 3:55

20. Evil - Melanie Martinez | 4:06

21. Everybody Wants to Rule the World - Tears for Fears | 4:11

22. Follow Your Fire - Kodaline | 3:58

23. Hands Up - 6arelyhuman 2:14

24. Overcompensate - Twenty One Pilots | 4:16

25. Fairly Local - Twenty One Pilots | 3:27

26. Breathe on Me - Britney Spears | 3:43

27. Don’t Let Me Go - RAIGN | 3:51

28. Sexual Healing - Marvin Gaye, kygo remix | 6:08

29. Little Dark Age - MGMT | 4:59

30. Metamorphosis - INTERWORLD | 2:23

31. If I Had You - Adam Lambert | 3:48

32. Break the Ice - Britney Spears | 3:16

33. Just Dance - Lady Gaga | 4:02

34. Drunk Together - Jai Waetford ft. Allday | 4:25

35. Wonderland - Natalia Kills | 3:32

36. Gimme What I Want - Miley Cyrus | 2:34

37. Night Crawling - Miley Cyrus feat. Billy Idol | 3:11

38. The Greatest - Sia | 3:33

39. National Anthem - Lana Del Rey | 3:51

40. Miami 82 (Kygo Remix) - Syn Cole | 5:42

41. Alejandro - Lady Gaga | 4:34

42. Poker Face - Lady Gaga | 3:57

43. The Business - Tiësto | 2:50

44. Brutus (Instrumental) - The Buttress | 3:13

45. I’m a Slave 4 U - Britney Spears | 3:23

46. Champagne Problems - Nick Jonas| 3:13

47. Ecstasy - SUICIDAL-IDOL | 2:00

48. Blackout Days - Phantogram | 3:47

49. Hungry Eyes - Eric Carmen | 4:10

50. What’s Love Got to Do with It - Tina Turner | 3:48

51. Touch of My Hand - Britney Spears | 4:19

52. One of Your Girls - Troye Sivan | 2:59

53. Get Back - Britney Spears | 3:46

54. In the Arms of a Stranger - Mike Posner | 3:28

55. Piece of Me - Britney Spears | 3:32

56. The Answer - Britney Spears | 3:55

57. Acknowledge Me - Doja Cat | 3:15

58. Brother Louie - Modern Talking | 3:41

59. Cheri Cheri Lady - Modern Talking | 3:45

60. At the Risk of Feeling Dumb - Between Friends | 3:25

61. Where Is My Mind? - Pixies | 3:53

62. Wildcard - Miley Cyrus | 3:14

63. Thousand Miles - Miley Cyrus | 3:51

64. Often - Doja Cat | 3:20

65. She's Like the Wind - Patrick Swayze | 3:52

66. Heavydirtysoul - Twenty One Pilots | 4:12

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teaandsatanism · 1 month

Text

She Wants Revenge || 2006

1. Red Flags and Long Nights – 5:10

2. These Things – 5:14

3. I Don't Wanna Fall in Love – 3:39

4. Out of Control – 3:39

5. Monologue – 4:56

6. Broken Promises for Broken Hearts – 3:19

7. Sister – 5:18

8. Disconnect – 2:29

9. Us – 4:23

10. Someone Must Get Hurt – 4:48

11. Tear You Apart – 4:46

12. She Loves Me, She Loves Me Not – 5:21

13. Spend the Night (UK bonus track) – 4:22

14. Black Liner Run (UK bonus track) – 4:52

15. Tear You Apart (Chris Holmes Vs. Bystanders Remix) (Japanese bonus track) – 6:40

The hidden track "Killing Time" is at track 66, after 53 blank tracks (51 on the UK CD), which are entitled "Wasted Air" – 0:04.

#dark art #gothic #alternative goth #90s goth #goth #post punk #punk rock #alternative #goth music #gothic music #early 2000s #2000s emo #teaandsatanismOC

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caught-on-tape-fest · 11 months

Text

Caught On Tape: A Carry On Podfest Masterlist

Caught On Tape is a podfic festival for fanfic related to Rainbow Rowell's Simon Snow Trilogy and Fangirl that runs October 29th to November 11th, 2023.

Listed below are all of the podfics posted so far for the fest! (You can find them on AO3 in our collection too.) Thank you so much to all of the wonderful creators who have participated and to the writers who volunteered their works to be podficced.

Rated G

[Podfic] Figure It Out (length: 3:22) read by @forabeatofadrum, written by @wellbelesbian

[Podfic] The Plum Tree (length: 6:21) read by @fatalfangirl, written by @otherpeoplesheartachept-2

[Podfic] Threads of Fate by Aristocratic_Otter (length 1:51:59) read by @caethes, written by @aristocratic-otter

Rated T

[Podfic] The Rise and Fall of Simon Snow Squeaksbury (length: 19:15) read by @youarenevertooold, written by @aroace-genderfluid-sheep

[Podfic] namesakes (length: 6:34) read by @forabeatofadrum, written by @tea-brigade

[Podfic] Crisp and Sweet (length: 22:00) read by @bookish-bogwitch, written by @mostlymaudlin

[Podfic] We Still Bloom (length 1:45:00) read by @hushed-chorus, written by @artsyunderstudy

[Podfic] A Prickly Disposition (length 11:56) read by @fatalfangirl, written by @you-remind-me-of-the-babe

[Podfic] A Restless Mind (Chapter 2 added) (length Ch 1 35:21, Ch 2 45:21) read by @cottagepodfics, written by @whatevertheweather

[Podfic] Worst Disney Princess Ever (length 54:28) read by @youarenevertooold, written by @hushed-chorus

[Podfic] Return to Sender (length 40:08) read by @spiri-a, writtenby @tea-brigade

[Podfic] Meet Me Under the Mistletoe (length 25:48) read by RattleandHum, written by @artsyunderstudy

[Podfic] Raining Cats and Dogs (Without the Cats) (length 32:23) read by @youarenevertooold, written by @whatevertheweather

[Podfic] This Is What We'll Tell Them (length 13:55) read by @captain-aralias, written by @mostlymaudlin

[Podfic] The Sound of Silence (length 49:00) read by @spiri-a, written by @captain-aralias

[Podfic] Petrichor (length 34:26) read by @you-remind-me-of-the-babe, written by @martsonmars

[Podfic] Tuesday (length 6:51) read by @freclface, written by @sillyunicorn

[Podfic] Light Me Up (length 37:28) read by @larkral, written by @mostlymaudlin

[Podfic] "Bro. You can just sleep with me." (length 7:13) read by @larkral, written by @mostlymaudlin

[Podfic] Bestie Status Achieved (length 12:14) read by @larkral, written by @mostlymaudlin

[Podfic] Who Cooks For You? (length 8:16) read by @karry-on, written by @sillyunicorn

[Podfic] 5 times agatha wellbelove should have realised she was a lesbian, and 1 time she did (length 14:35) read by @karry-on, written by @wellbelesbian

[Podfic] Flowers, Cake, and Filthy DMs (length 11:24) read by @iamamythologicalcreature, written by @you-remind-me-of-the-babe

[Podfic] Is This the Real Life? (length 42:52) read by @petrodobreva and @ivelovedhimthroughworse, written by @captain-aralias

[Podfic] Icarus (length 3:02) read by @forabeatofadrum, written by @mostlymaudlin

[Podfic] The Selkie and his Boy (length 2:07:00 spread over six chapters) read by @spiri-a, written by @hushed-chorus

[Podfic] Wielded by the Righteous by Maanorchidee (length 12:32) read by pectinouscube, written by @forabeatofadrum

Rated M

[Podfic] Sleeper Agents (length 13:31) read by @larkral, written by @mostlymaudlin

[Podfic] Shiver (length 43:48) read by theimpossibledemon, written by @captain-araliasand @facewithoutheart

[Podfic] Hold You Close Just Like a Photograph (length 20:05) read by @captain-aralias, written by @skeedelvee

Rated E

[Podfic] The Worst Chosen Ones (The "Let It Snow" Remix) (length 39:19) read by @bookish-bogwitch, written by @captain-aralias

[Podfic] Playing the Field (length 45:56) read by @cutestkilla, written by @fatalfangirl

#caught on tape fest 2023 #masterlist #carry on podfic #snowbaz podfic #carry on fanfiction #snowbaz fanfiction

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