The Prisoner (1969), End of the Tunnel (1972) and The Witness (1975) - art by Margaret Keane
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"1970s Black Woman" by Sebastian Star
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"RAIN WITH NO FLOOR"
JOHN WESLEY // 1979
[acrylic on paper | 25 1⁄2 x 19 1⁄4"]
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A scorpion and a crawfish.
Thought about making this a longer comic but for now it’s just me fooling around with ink + digital painting
(lyrics are from Half Life by the Symposium)
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Sun Center, Ingo Swann, 1975
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Straycats by Martin Leman, 1980
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“If we can’t be lovers we’ll never be friends…”
Mixed media, 22.5x30in, 28 hrs
(click for better quality)
One day I’ll sit down and give an extensive talk on my experience with synesthesia, but for now I’ll just say that for me, music has always been tied to my art. Inextricably. When I put on music as I paint it’s not just background noise, it’s actively informing the piece. This is an example of me taking that to the logical extreme, this entire piece was made and crafted by the music I heard as I painted it. Using Beatles (and solo career) songs from across their lifespan, the finished piece becomes a visual symphony of shared history between Paul McCartney and John Lennon. Everything shared, and everything left unsaid.
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Better Homes and Gardens Creative Decorating on a Budget, 1970
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"1970s African Woman" by Sebastian Star
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me speeding to count stock as fast as possible to avoid taking radiation damage from my parents god-awful taste in television
are these Really the ugliest homes in america or is your personality just equivalent to a cheap, wet paper towel. are these Really the ugliest homes in america or do you take your home decor inspiration from psychiatric hospitals and white women on pinterest named Meykaighlahe
just say you hate art and go build your dream unseasoned microwave mashed potato of a house in fucking utah or something oh my gOD
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