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[bluesturngold]

hi. i'm pasting this image here and then i'm going to download it so i can pull it up as a reference for this stage in the advance wars 2 remake. in my old age (mid-20s) i simply can't handle being zoomed all the way out

[hob28]

Photoshop with Online Courses and Earn Your Certificate: The Ultimate Guide

Introduction

Adobe Photoshop is the premier software for photo editing and graphic design. Whether you are a novice looking to learn the basics or a seasoned professional aiming to refine your skills, a Photoshop online course with a certificate can provide the structured learning and credentials you need. This guide explores the benefits of taking a certified Photoshop online course, key features to look for, and the top courses available to elevate your design skills and enhance your career prospects.

Why Enroll in a Photoshop Online Course with a Certificate?

Photoshop is an intricate tool with a vast array of features. A structured online course can help you navigate its complexities efficiently, providing comprehensive knowledge and practical skills. Here are some reasons to enroll in a Photoshop online course with a certificate:

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Top Photoshop Online Courses with Certificate

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Conclusion

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[hopefulluminarypenguin]

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[etanow]

MASTER POST

The Experimental Monster Laboratory, or Monster Labs, is a TADC AU where the cast is in the physical world! Sorta..

C&A Research Facilities is one of the cornerstones of the science and medical worlds! They do everything; funding research, manufacturing equipment, and research into the known and unknown in an effort to understand everything. To the public, that is.

They experiment heavily in everything, from hiring literal Gods on earth to manage the more ..sensitive divisions; mixing machine and magic, technology and the supernatural, genetic experimentation, you name it, they’ve probably done it! The world outside may not know anything of the advancements they’re researching but there is little C&A Labs won’t allow in the name of progress in understanding and cataloging everything in their universe. Our story takes place in one of the more private residencies deep in C&A, belonging to Caine; a minor God with mysterious origins, unknown limitations, and boundless enthusiasm for learning everything he can about his little science friends.

╰┈➤ Content

╚═ Unnamed fic (Coming soon...) ╚═ Bubble can cook?? .

╰┈➤ Asks

╚═ Does Pomni act like a zombie? ╚═ Is Zooble's Demon Snake Leg happy? ╚═ Gangle is in a Situation.png ╚═ Gangle's temperament ╚═ Has Ragatha ever shocked anyone? ╚═ Gangle love RAAAH ╚═ Do Caine and Ragatha fight over Pomni? ╚═ Why did Gangle summon a demon? ╚═ Why does Pomni wear a bell collar? ╚═ Kinger's eye ╚═ What if there was a baby crying? ╚═ Death trauma [Gangle and Pomni] ╚═ Kinger has ONE hobby outside of Bugs ╚═ Is Zooble protective of Gangle? ╚═ What happens when you touch Pomni's brain? ╚═ JAX DATED SOMEONE?? ╚═ What does Jax do? .

╰┈➤ References

╚═ Intro Cards ╚═ Height Chart Lineup ╚═ Zooble Demon Snake Leg Intro Card /j ╚═ Queenie ╚═ Gummigoo ╚═ The Sun Room ╚═ Logo .

╰┈➤ Arts

╚═ First ML AU Post ╚═ Second, exploring outfits ╚═ Design sketches part 2 ╚═ Pomni + flower language ╚═ Showtime + Ragapom doodles ╚═ Jax not practicing lab safety ╚═ Abstragedy cuddles ╚═ Raga doodle ╚═ Ragapom doodle ╚═ Jax and Meadowsweet ╚═ Pomni staring out a fake window.png ╚═ [Gives pomni flowers] ╚═ more doodles ig

.

╰┈➤ Misc.

╚═ Caine Lemon Rant [Animatic] ╚═ Zodiac signs?? ╚═ Caine gets called a Tumblr Sexyman and cries ╚═ Bubble Looksmaxxing ╚═ Jax wants to take ketamine with you (Romantically) ╚═ Caine eats a lemon [Animatic] ╚═ BUNNYSUITSSS ╚═ Magma doodles ╚═ Magma doodles part 2

.

╰┈➤ Pomniverse

╚═ Wonderland and Zombni are friends :D

.

╰┈➤ Boundaries / Q&A

╚═ Any story plans? I'm not sure yet, currently writing a fic and several comics on the way.

╚═ Any boundaries? None, so go crazy! I am OK with gore, NSFW, angst, violence, etc, just be sure it is tagged/TW'd appropriately as not everyone is OK with that content. I'd also like to see please LOL

╚═ Can we create fanart/fics/content? Can we dub or fancam? Yes of course!! Please tag me, I'd love to see all of it! I'm tracking the tag #TADC Monster Labs AU for other's content

╚═ Is NSFW allowed? Yes, both art and fic, so long as it's marked appropriately I'd very much love to see!

╚═ Can I ship the characters, self-ships, or OC x Canon? Yes, ship away! Just be aware the only au-canon ships are Caine/Pomni, Ragatha/Pomni, Gangle/Zooble, and PAST Ragatha/Jax.

╚═ Can we make OCs? Go on ahead! Here is a PSD file for the blank template and the PNG can be found here.

╚═ Who are you?

✦✧ Hi I'm Audi! 26, she/they. Full-time office worker, I do art in my free time. ✦ My current interests are TADC, RWBY, Looney Tunes, and Trolls. ✧ I draw using a custom PC, a Huion Kamvas 16 (2.5K), and Adobe Photoshop. Currently learning to use Procreate. ✦ I do not RP and this isn't an ask blog, asks interacting directly with characters will probably not be answered. ✧ Asks are not guaranteed to be answered, sorry if yours isn't but please don't spam/send multiple times! ✦ Commissions and requests are not open at this time, thank you. ✧ My main tumblr is Audi-art. My Twitter is Hammerspaced.

[antoniosvivaldi]

Neural Filters Tutorial for Gifmakers by @antoniosvivaldi

Hi everyone! In light of my blog’s 10th birthday, I’m delighted to reveal my highly anticipated gifmaking tutorial using Neural Filters - a very powerful collection of filters that really broadened my scope in gifmaking over the past 12 months.

Before I get into this tutorial, I want to thank @laurabenanti, @maines , @cobbbvanth, and @cal-kestis for their unconditional support over the course of my journey of investigating the Neural Filters & their valuable inputs on the rendering performance!

In this tutorial, I will outline what the Photoshop Neural Filters do and how I use them in my workflow - multiple examples will be provided for better clarity. Finally, I will talk about some known performance issues with the filters & some feasible workarounds.

Tutorial Structure:

Meet the Neural Filters: What they are and what they do

Why I use Neural Filters? How I use Neural Filters in my giffing workflow

Getting started: The giffing workflow in a nutshell and installing the Neural Filters

Applying Neural Filters onto your gif: Making use of the Neural Filters settings; with multiple examples

Testing your system: recommended if you’re using Neural Filters for the first time

Rendering performance: Common Neural Filters performance issues & workarounds

For quick reference, here are the examples that I will show in this tutorial:

Example 1: Image Enhancement | improving the image quality of gifs prepared from highly compressed video files

Example 2: Facial Enhancement | enhancing an individual's facial features

Example 3: Colour Manipulation | colourising B&W gifs for a colourful gifset

Example 4: Artistic effects | transforming landscapes & adding artistic effects onto your gifs

Example 5: Putting it all together | my usual giffing workflow using Neural Filters

What you need & need to know:

Software: Photoshop 2021 or later (recommended: 2023 or later)*

Hardware: 8GB of RAM; having a supported GPU is highly recommended*

Difficulty: Advanced (requires a lot of patience); knowledge in gifmaking and using video timeline assumed

Key concepts: Smart Layer / Smart Filters

Benchmarking your system: Neural Filters test files**

Supplementary materials: Tutorial Resources / Detailed findings on rendering gifs with Neural Filters + known issues***

*I primarily gif on an M2 Max MacBook Pro that's running Photoshop 2024, but I also have experiences gifmaking on few other Mac models from 2012 ~ 2023.

**Using Neural Filters can be resource intensive, so it’s helpful to run the test files yourself. I’ll outline some known performance issues with Neural Filters and workarounds later in the tutorial.

***This supplementary page contains additional Neural Filters benchmark tests and instructions, as well as more information on the rendering performance (for Apple Silicon-based devices) when subject to heavy Neural Filters gifmaking workflows

Tutorial under the cut. Like / Reblog this post if you find this tutorial helpful. Linking this post as an inspo link will also be greatly appreciated!

1. Meet the Neural Filters!

Neural Filters are powered by Adobe's machine learning engine known as Adobe Sensei. It is a non-destructive method to help streamline workflows that would've been difficult and/or tedious to do manually.

Here are the Neural Filters available in Photoshop 2024:

Skin Smoothing: Removes blemishes on the skin

Smart Portrait: This a cloud-based filter that allows you to change the mood, facial age, hair, etc using the sliders+

Makeup Transfer: Applies the makeup (from a reference image) to the eyes & mouth area of your image

Landscape Mixer: Transforms the landscape of your image (e.g. seasons & time of the day, etc), based on the landscape features of a reference image

Style Transfer: Applies artistic styles e.g. texturings (from a reference image) onto your image

Harmonisation: Applies the colour balance of your image based on the lighting of the background image+

Colour Transfer: Applies the colour scheme (of a reference image) onto your image

Colourise: Adds colours onto a B&W image

Super Zoom: Zoom / crop an image without losing resolution+

Depth Blur: Blurs the background of the image

JPEG Artefacts Removal: Removes artefacts caused by JPEG compression

Photo Restoration: Enhances image quality & facial details

+These three filters aren't used in my giffing workflow. The cloud-based nature of Smart Portrait leads to disjointed looking frames. For Harmonisation, applying this on a gif causes Neural Filter timeout error. Finally, Super Zoom does not currently support output as a Smart Filter

If you're running Photoshop 2021 or earlier version of Photoshop 2022, you will see a smaller selection of Neural Filters:

Things to be aware of:

You can apply up to six Neural Filters at the same time

Filters where you can use your own reference images: Makeup Transfer (portraits only), Landscape Mixer, Style Transfer (not available in Photoshop 2021), and Colour Transfer

Later iterations of Photoshop 2023 & newer: The first three default presets for Landscape Mixer and Colour Transfer are currently broken.

2. Why I use Neural Filters?

Here are my four main Neural Filters use cases in my gifmaking process. In each use case I'll list out the filters that I use:

Enhancing Image Quality:

Common wisdom is to find the highest quality video to gif from for a media release & avoid YouTube whenever possible. However for smaller / niche media (e.g. new & upcoming musical artists), prepping gifs from highly compressed YouTube videos is inevitable.

So how do I get around with this? I have found Neural Filters pretty handy when it comes to both correcting issues from video compression & enhancing details in gifs prepared from these highly compressed video files.

Filters used: JPEG Artefacts Removal / Photo Restoration

Facial Enhancement:

When I prepare gifs from highly compressed videos, something I like to do is to enhance the facial features. This is again useful when I make gifsets from compressed videos & want to fill up my final panel with a close-up shot.

Filters used: Skin Smoothing / Makeup Transfer / Photo Restoration (Facial Enhancement slider)

Colour Manipulation:

Neural Filters is a powerful way to do advanced colour manipulation - whether I want to quickly transform the colour scheme of a gif or transform a B&W clip into something colourful.

Filters used: Colourise / Colour Transfer

Artistic Effects:

This is one of my favourite things to do with Neural Filters! I enjoy using the filters to create artistic effects by feeding textures that I've downloaded as reference images. I also enjoy using these filters to transform the overall the atmosphere of my composite gifs. The gifsets where I've leveraged Neural Filters for artistic effects could be found under this tag on usergif.

Filters used: Landscape Mixer / Style Transfer / Depth Blur

How I use Neural Filters over different stages of my gifmaking workflow:

I want to outline how I use different Neural Filters throughout my gifmaking process. This can be roughly divided into two stages:

Stage I: Enhancement and/or Colourising | Takes place early in my gifmaking process. I process a large amount of component gifs by applying Neural Filters for enhancement purposes and adding some base colourings.++

Stage II: Artistic Effects & more Colour Manipulation | Takes place when I'm assembling my component gifs in the big PSD / PSB composition file that will be my final gif panel.

I will walk through this in more detail later in the tutorial.

++I personally like to keep the size of the component gifs in their original resolution (a mixture of 1080p & 4K), to get best possible results from the Neural Filters and have more flexibility later on in my workflow. I resize & sharpen these gifs after they're placed into my final PSD composition files in Tumblr dimensions.

3. Getting started

The essence is to output Neural Filters as a Smart Filter on the smart object when working with the Video Timeline interface. Your workflow will contain the following steps:

Prepare your gif

In the frame animation interface, set the frame delay to 0.03s and convert your gif to the Video Timeline

In the Video Timeline interface, go to Filter > Neural Filters and output to a Smart Filter

Flatten or render your gif (either approach is fine). To flatten your gif, play the "flatten" action from the gif prep action pack. To render your gif as a .mov file, go to File > Export > Render Video & use the following settings.

Setting up:

o.) To get started, prepare your gifs the usual way - whether you screencap or clip videos. You should see your prepared gif in the frame animation interface as follows:

Note: As mentioned earlier, I keep the gifs in their original resolution right now because working with a larger dimension document allows more flexibility later on in my workflow. I have also found that I get higher quality results working with more pixels. I eventually do my final sharpening & resizing when I fit all of my component gifs to a main PSD composition file (that's of Tumblr dimension).

i.) To use Smart Filters, convert your gif to a Smart Video Layer.

As an aside, I like to work with everything in 0.03s until I finish everything (then correct the frame delay to 0.05s when I upload my panels onto Tumblr).

For convenience, I use my own action pack to first set the frame delay to 0.03s (highlighted in yellow) and then convert to timeline (highlighted in red) to access the Video Timeline interface. To play an action, press the play button highlighted in green.

Once you've converted this gif to a Smart Video Layer, you'll see the Video Timeline interface as follows:

ii.) Select your gif (now as a Smart Layer) and go to Filter > Neural Filters

Installing Neural Filters:

Install the individual Neural Filters that you want to use. If the filter isn't installed, it will show a cloud symbol (highlighted in yellow). If the filter is already installed, it will show a toggle button (highlighted in green)

When you toggle this button, the Neural Filters preview window will look like this (where the toggle button next to the filter that you use turns blue)

4. Using Neural Filters

Once you have installed the Neural Filters that you want to use in your gif, you can toggle on a filter and play around with the sliders until you're satisfied. Here I'll walkthrough multiple concrete examples of how I use Neural Filters in my giffing process.

Example 1: Image enhancement | sample gifset

This is my typical Stage I Neural Filters gifmaking workflow. When giffing older or more niche media releases, my main concern is the video compression that leads to a lot of artefacts in the screencapped / video clipped gifs.

To fix the artefacts from compression, I go to Filter > Neural Filters, and toggle JPEG Artefacts Removal filter. Then I choose the strength of the filter (boxed in green), output this as a Smart Filter (boxed in yellow), and press OK (boxed in red).

Note: The filter has to be fully processed before you could press the OK button!

After applying the Neural Filters, you'll see "Neural Filters" under the Smart Filters property of the smart layer

Flatten / render your gif

Example 2: Facial enhancement | sample gifset

This is my routine use case during my Stage I Neural Filters gifmaking workflow. For musical artists (e.g. Maisie Peters), YouTube is often the only place where I'm able to find some videos to prepare gifs from. However even the highest resolution video available on YouTube is highly compressed.

Go to Filter > Neural Filters and toggle on Photo Restoration. If Photoshop recognises faces in the image, there will be a "Facial Enhancement" slider under the filter settings.

Play around with the Photo Enhancement & Facial Enhancement sliders. You can also expand the "Adjustment" menu make additional adjustments e.g. remove noises and reducing different types of artefacts.

Once you're happy with the results, press OK and then flatten / render your gif.

Example 3: Colour Manipulation | sample gifset

Want to make a colourful gifset but the source video is in B&W? This is where Colourise from Neural Filters comes in handy! This same colourising approach is also very helpful for colouring poor-lit scenes as detailed in this tutorial.

Here's a B&W gif that we want to colourise:

Highly recommended: add some adjustment layers onto the B&W gif to improve the contrast & depth. This will give you higher quality results when you colourise your gif.

Go to Filter > Neural Filters and toggle on Colourise.

Make sure "Auto colour image" is enabled.

Play around with further adjustments e.g. colour balance, until you're satisfied then press OK.

Important: When you colourise a gif, you need to double check that the resulting skin tone is accurate to real life. I personally go to Google Images and search up photoshoots of the individual / character that I'm giffing for quick reference.

Add additional adjustment layers until you're happy with the colouring of the skin tone.

Once you're happy with the additional adjustments, flatten / render your gif. And voila!

Note: For Colour Manipulation, I use Colourise in my Stage I workflow and Colour Transfer in my Stage II workflow to do other types of colour manipulations (e.g. transforming the colour scheme of the component gifs)

Example 4: Artistic Effects | sample gifset

This is where I use Neural Filters for the bulk of my Stage II workflow: the most enjoyable stage in my editing process!

Normally I would be working with my big composition files with multiple component gifs inside it. To begin the fun, drag a component gif (in PSD file) to the main PSD composition file.

Resize this gif in the composition file until you're happy with the placement

Duplicate this gif. Sharpen the bottom layer (highlighted in yellow), and then select the top layer (highlighted in green) & go to Filter > Neural Filters

I like to use Style Transfer and Landscape Mixer to create artistic effects from Neural Filters. In this particular example, I've chosen Landscape Mixer

Select a preset or feed a custom image to the filter (here I chose a texture that I've on my computer)

Play around with the different sliders e.g. time of the day / seasons

Important: uncheck "Harmonise Subject" & "Preserve Subject" - these two settings are known to cause performance issues when you render a multiframe smart object (e.g. for a gif)

Once you're happy with the artistic effect, press OK

To ensure you preserve the actual subject you want to gif (bc Preserve Subject is unchecked), add a layer mask onto the top layer (with Neural Filters) and mask out the facial region. You might need to play around with the Layer Mask Position keyframes or Rotoscope your subject in the process.

After you're happy with the masking, flatten / render this composition file and voila!

Example 5: Putting it all together | sample gifset

Let's recap on the Neural Filters gifmaking workflow and where Stage I and Stage II fit in my gifmaking process:

i. Preparing & enhancing the component gifs

Prepare all component gifs and convert them to smart layers

Stage I: Add base colourings & apply Photo Restoration / JPEG Artefacts Removal to enhance the gif's image quality

Flatten all of these component gifs and convert them back to Smart Video Layers (this process can take a lot of time)

Some of these enhanced gifs will be Rotoscoped so this is done before adding the gifs to the big PSD composition file

ii. Setting up the big PSD composition file

Make a separate PSD composition file (Ctrl / Cmmd + N) that's of Tumblr dimension (e.g. 540px in width)

Drag all of the component gifs used into this PSD composition file

Enable Video Timeline and trim the work area

In the composition file, resize / move the component gifs until you're happy with the placement & sharpen these gifs if you haven't already done so

Duplicate the layers that you want to use Neural Filters on

iii. Working with Neural Filters in the PSD composition file

Stage II: Neural Filters to create artistic effects / more colour manipulations!

Mask the smart layers with Neural Filters to both preserve the subject and avoid colouring issues from the filters

Flatten / render the PSD composition file: the more component gifs in your composition file, the longer the exporting will take. (I prefer to render the composition file into a .mov clip to prevent overriding a file that I've spent effort putting together.)

Note: In some of my layout gifsets (where I've heavily used Neural Filters in Stage II), the rendering time for the panel took more than 20 minutes. This is one of the rare instances where I was maxing out my computer's memory.

Useful things to take note of:

Important: If you're using Neural Filters for Colour Manipulation or Artistic Effects, you need to take a lot of care ensuring that the skin tone of nonwhite characters / individuals is accurately coloured

Use the Facial Enhancement slider from Photo Restoration in moderation, if you max out the slider value you risk oversharpening your gif later on in your gifmaking workflow

You will get higher quality results from Neural Filters by working with larger image dimensions: This gives Neural Filters more pixels to work with. You also get better quality results by feeding higher resolution reference images to the Neural Filters.

Makeup Transfer is more stable when the person / character has minimal motion in your gif

You might get unexpected results from Landscape Mixer if you feed a reference image that don't feature a distinctive landscape. This is not always a bad thing: for instance, I have used this texture as a reference image for Landscape Mixer, to create the shimmery effects as seen in this gifset

5. Testing your system

If this is the first time you're applying Neural Filters directly onto a gif, it will be helpful to test out your system yourself. This will help:

Gauge the expected rendering time that you'll need to wait for your gif to export, given specific Neural Filters that you've used

Identify potential performance issues when you render the gif: this is important and will determine whether you will need to fully playback your gif before flattening / rendering the file.

Understand how your system's resources are being utilised: Inputs from Windows PC users & Mac users alike are welcome!

About the Neural Filters test files:

Contains six distinct files, each using different Neural Filters

Two sizes of test files: one copy in full HD (1080p) and another copy downsized to 540px

One folder containing the flattened / rendered test files

How to use the Neural Filters test files:

What you need:

Photoshop 2022 or newer (recommended: 2023 or later)

Install the following Neural Filters: Landscape Mixer / Style Transfer / Colour Transfer / Colourise / Photo Restoration / Depth Blur

Recommended for some Apple Silicon-based MacBook Pro models: Enable High Power Mode

How to use the test files:

For optimal performance, close all background apps

Open a test file

Flatten the test file into frames (load this action pack & play the “flatten” action)

Take note of the time it takes until you’re directed to the frame animation interface 

Compare the rendered frames to the expected results in this folder: check that all of the frames look the same. If they don't, you will need to fully playback the test file in full before flattening the file.†

Re-run the test file without the Neural Filters and take note of how long it takes before you're directed to the frame animation interface

Recommended: Take note of how your system is utilised during the rendering process (more info here for MacOS users)

†This is a performance issue known as flickering that I will discuss in the next section. If you come across this, you'll have to playback a gif where you've used Neural Filters (on the video timeline) in full, prior to flattening / rendering it.

Factors that could affect the rendering performance / time (more info):

The number of frames, dimension, and colour bit depth of your gif

If you use Neural Filters with facial recognition features, the rendering time will be affected by the number of characters / individuals in your gif

Most resource intensive filters (powered by largest machine learning models): Landscape Mixer / Photo Restoration (with Facial Enhancement) / and JPEG Artefacts Removal

Least resource intensive filters (smallest machine learning models): Colour Transfer / Colourise

The number of Neural Filters that you apply at once / The number of component gifs with Neural Filters in your PSD file

Your system: system memory, the GPU, and the architecture of the system's CPU+++

+++ Rendering a gif with Neural Filters demands a lot of system memory & GPU horsepower. Rendering will be faster & more reliable on newer computers, as these systems have CPU & GPU with more modern instruction sets that are geared towards machine learning-based tasks.

Additionally, the unified memory architecture of Apple Silicon M-series chips are found to be quite efficient at processing Neural Filters.

6. Performance issues & workarounds

Common Performance issues:

I will discuss several common issues related to rendering or exporting a multi-frame smart object (e.g. your composite gif) that uses Neural Filters below. This is commonly caused by insufficient system memory and/or the GPU.

Flickering frames: in the flattened / rendered file, Neural Filters aren't applied to some of the frames+-+

Scrambled frames: the frames in the flattened / rendered file isn't in order

Neural Filters exceeded the timeout limit error: this is normally a software related issue

Long export / rendering time: long rendering time is expected in heavy workflows

Laggy Photoshop / system interface: having to wait quite a long time to preview the next frame on the timeline

Issues with Landscape Mixer: Using the filter gives ill-defined defined results (Common in older systems)--

Workarounds:

Workarounds that could reduce unreliable rendering performance & long rendering time:

Close other apps running in the background

Work with smaller colour bit depth (i.e. 8-bit rather than 16-bit)

Downsize your gif before converting to the video timeline-+-

Try to keep the number of frames as low as possible

Avoid stacking multiple Neural Filters at once. Try applying & rendering the filters that you want one by one

Specific workarounds for specific issues:

How to resolve flickering frames: If you come across flickering, you will need to playback your gif on the video timeline in full to find the frames where the filter isn't applied. You will need to select all of the frames to allow Photoshop to reprocess these, before you render your gif.+-+

What to do if you come across Neural Filters timeout error? This is caused by several incompatible Neural Filters e.g. Harmonisation (both the filter itself and as a setting in Landscape Mixer), Scratch Reduction in Photo Restoration, and trying to stack multiple Neural Filters with facial recognition features.

If the timeout error is caused by stacking multiple filters, a feasible workaround is to apply the Neural Filters that you want to use one by one over multiple rendering sessions, rather all of them in one go.

+-+This is a very common issue for Apple Silicon-based Macs. Flickering happens when a gif with Neural Filters is rendered without being previously played back in the timeline.

This issue is likely related to the memory bandwidth & the GPU cores of the chips, because not all Apple Silicon-based Macs exhibit this behaviour (i.e. devices equipped with Max / Ultra M-series chips are mostly unaffected).

-- As mentioned in the supplementary page, Landscape Mixer requires a lot of GPU horsepower to be fully rendered. For older systems (pre-2017 builds), there are no workarounds other than to avoid using this filter.

-+- For smaller dimensions, the size of the machine learning models powering the filters play an outsized role in the rendering time (i.e. marginal reduction in rendering time when downsizing 1080p file to Tumblr dimensions). If you use filters powered by larger models e.g. Landscape Mixer and Photo Restoration, you will need to be very patient when exporting your gif.

7. More useful resources on using Neural Filters

Creating animations with Neural Filters effects | Max Novak

Using Neural Filters to colour correct by @edteachs

I hope this is helpful! If you have any questions or need any help related to the tutorial, feel free to send me an ask 💖

[darkficsyouneveraskedfor]

The Man 11

Warnings: non/dubcon, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: mob!Lloyd Hansen

Summary: a demanding customer complicates more than your work life.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

You half smile and half cringe. Oh boy. He wants you to do that. With him there. Well, you never really did it with an audience. You’re more of a loner when it comes to... cumming. 

You let out a brittle chuckle, “sir, that’s... you know, I think I’m pretty good. I got lots of action today--” 

“I’m not asking,” his voice is dusky and makes your chest thump. Wow. Okay, you can see for a split second how he might be attractive. If you just photoshop the caterpillar off his lip with your mind Adobe. 

“I understand but what if I just focused on you, sir. You seem to enjoy that--” 

“Don’t make me repeat myself. It’s getting old. Fast.” 

“Sure, that’s fair, I hate a broken record,” you gulp and look down then back up, squinting as you smile with a strain in your cheeks. “So, like down here or... it’s a bit tight...” you sheepishly show your teeth then laugh for real as the joke bubbles in your mind. You can’t help but let it free, “that’s what she said.” 

He blinks and looks at the ceiling then down again. He sits back in his chair, legs wide, hands on his thighs. 

“Get on the desk,” he orders. 

You inhale and steel yourself. This is a lot. You think you’ve been handling things well. One thing in particular but you don’t know how much more you can take. Today has been intense. What time is it? 

You move forward, once more face to face with his crotch before you manage to plant a foot and stand. His eyes flick down and he hums. You turn slowly and try to see the corner of his screen. Holy, it’s not even three o’clock. 

“What the hell are you looking at?” He snarls. 

“Nothing, sir, promise--” 

“Turn it off.” 

You should say the same thing about his dick. You keep your mouth closed and press the button to black the monitor. You put your hands on the desk and carefully slide his delicate keyboard and mouse aside. They’re so light you nearly toss them. You shake your head. 

“What?” He sneers. 

“It’s just, sir, Apple products are made to break. This keyboard feels like a wafer.” 

“This isn’t what we’re doing right now. Focus.” 

“I’m focused,” you whine and consider the desk. This glass better be sturdy. 

You lift one knee, then the other. You don’t like this. It's like crossing ice; tenuous and just as cold. He clicks his tongue. 

“You know, you don’t got a bad ass considering,” he mutters. 

You should thank him. It’s a real compliment. All those squats you do when the shop slows down are paying off. You’re too frazzled to do much more than turn over and sit facing him. As hot as this might seem in his head, the logistics are not easy. Or safe. 

You glance around and frown, “sir, what if I break--” 

“You keep talking, and I’ll break something on you,” he swivels the chair slightly as his hand crawls up his pantleg. 

“Got it, okay, so...” you bend your legs, putting your feet on the glass and wiggles your toes.  

You slowly pull your thighs apart. You tremble as the cool air slips between them and grazes your cunt. Your ears are burning and your skull is pounding. You’re dizzy. This desk is really high up. You could fall and crack your head open. 

“Take your fucking time,” he growls. 

“Sir, I got a bit of stage fright here,” you squeak, “I never really... you know, in front of someone.” 

“No use being shy when you had me down your throat twice today,” he reprimands. 

“Fair,” you tilts your head, “that’s a good point.” You look down at your body and reach down between your legs. You blow out between your lips, almost whistling as some of the tension seeps out. “That’s helpful advice, actually.” 

He sighs and you seal your lips. You nod and close your eyes. You can do this. How many times have you done this? Well, maybe you shouldn’t be proud of that.  

You feel down your tummy and along your pelvis. Goosebumps rise and you shiver, leaning back on your other hands as your feet arch against the edge of the desk. You feel along your coily hair and delve between your tender folds. You’re wet but that’s better than the alternative. You’d rather this not last forever. 

You press down on your clit and take a deep breath. You let it out slow as you trace the sensitive bud and hum. Alright, gotta get the rhythm. You’re thinking too much. Stop that. 

Wait, no. You need to think. You need to picture something. This is too much pressure. Knowing he’s watching you, you have to think of anything else. Of someone. Someone sexy. You gotta get the motor going. 

You ease back onto your elbow as the heat begins to flow. You picture this burly guy you saw down at the sandwich shop. You don’t quite have the clear picture of him but he was tall and thick and he had some nice eyes. He also looks pretty grumpy but he could probably channel that energy into some good hip action. 

Okay, back to the point. You put together the fantasy; thick arms, hairy chest, throaty grunts, and a big... yeah. That’s it. Your fingers swirl faster, slippery as your excitement builds. You moan and tilt your head back. You’re almost there. 

You flick your fingers up and down, your thighs quivering. You gotta give this guy a name. Something sexy. Gene? No, ew, that’s not it. Hm. Oh, yes, Adam? The first man. The epitome of maleness. 

You squeak as your breath hitches and your lashes flutter. Your toes curl and you put your head forward as the tension winds tight and all at once, unleashes. You quake and drone out madly, head lolling as you fight to keep your fingers moving. You feel your orgasm flowing from you, wetting your cunt and the creases of your thighs. Fuck... 

Suddenly, your land on your back. The glass braces and you wait for a crack. Lloyd pins you by your neck. He swats your hand away from your cunt and frames your entrance with two long fingers. He drags them up, rubbing your buzzing clit as you squirm. 

“Oh, Adam,” you burst out and your eyes snap open in horror. You didn’t mean to let that out. 

“Adam?” He growls as he stops, squeezing your throat tighter, “who the fuck is Adam?” 

You touch his wrist, “I meant... Floyd?” 

[xiaolanhua]

Hello!

I absolutely love your edits and gifs. I was thinking about making edits/gifs too but I'm not sure where to start : ( Would you be able to share some resources? Or any tips you have for someone that's just starting out? I'm not even sure where to download the videos from :/

Thank you in advance!

hello!! omg thank you so much for liking my gifs 🥹🫶🫶

Of course! In this post I'll share some tips that I think are helpful when making gifs, specially from asian dramas (mostly chinese and korean)!

Where to download k/cdrama videos?

dramaday (korean media only)

mkvdrama (korean, chinese, japanese, thai etc)

avistaz.to (they have the most complete catalog of asian dramas but you can only have access to the files if you register and they open for registration only every now and then so if you want to join, you have to have a invite or wait till they open)

2. Where to make gifs?

Mostly, the gifs on this website are done using Adobe Photoshop but I think for the past few years there is a lot of users who use Photopea which is an online (and free) version of photoshop.

3. How to make gifs?

Well, I think there's a some ways of making gifs but the 2 most common are through screencapping and using vapoursynth. Before I knew how to use and install vapoursynth I used the screencap method a LOT so I totally recommend you to begin giffing using the screencap method before you try other ways of giffing. Also, with this method, you can use on both Photoshop and Photopea.

In this gif tutorial made by @kylos you can learn how to install the program mpv to take screencaps and how to make gifs using the captures.

There's this complete guide on how to gif made by @cillianmurphy that is very helpful.

Also, this comprehensive giffing tutorial by @redbelles is great!

But if you want to know how to gif using vapoursynth (if you are an MAC user), i totally recommend this how to install post and COMPREHENSIVE GIFFING TUTORIAL (vapoursynth + ps cc 2018) post, both from my beloved @dingyuxi 🫶

If you don't have Photoshop and want to make gifs using Photopea, I think this and this tutorials will be great for you.

4. How to color?

Coloring gifs is something very personal to each gifmaker but if you want to know how to start doing it, i recommend you these tutorials:

becca’s mega coloring tutorial by @nataliescatorccio

coloring tutorial by @magnusedom

simple gif colouring for beginners by @kinnbig (specially focused on east & south east asian skin tones)

Finally, I recommend you looking at the resource directory from @usergif because they have a collection of tutorials and resources that are very handy when making gifs!

If you have any particular question from how I gif, I will gladly answer!

[kingshovelbug]

Hii what is your best advice to younger adults trying to make it independently and make a living? In art, savings or anything you think of. Thank you in advance!

dont be too hard on yourself. its tough out there right now in regards to like everything regardless of what old people say. also this is going to be a lot so im slapping a read more on here

⭐️ first thing id recommend for anyone is to start figuring out a budget. figure out how much youre making monthly. keep all your food receipts for a month or two to see what youre spending on food. find out what youre paying for thats necessary like utilities and whats not

the goal for a budget (or at least mine) is to find a good balance of earning vs spending. im paying off my credit card right now because i ran through all my savings after we had to move last year but my goal used to be to save 1/4 of what i earned after bills and putting money into an emergency fund (usually an emergency fund is 3 months worth of expenses). but it depends on how much you can comfortably put away. if you can put more away do it. but if you never spend money and deprive yourself of joy youre going to burn yourself out regardless of what your job is

⭐️ if youre not already buy store brand for as much shit as you can. if its an ingredient i promise as someone who cooks and bakes you probably wont notice the difference. if its an actual snack it depends. again both from a money perspective and to boycott pro-isreal companies we get a lot of snacks from aldis and theyre awesome. i dont miss anything from mars, oreos etc when i have my chocolate coconut wafers

⭐️ if you have any subscriptions and you need to get rid of something you can probably cancel them. for *most* things theres some kind of free alternative. but again just like with a budget. there are going to be some subscriptions that make your life easier and while youd save money without them it would lead to extra work and burning out. ex willow has kofi gold because it has really cool extra features that help with running the shop. but for streaming services? im going to be so honest. both to save money and with how cheeky streaming companies (in a bad way) have been getting… you can find whatever you want to watch online for free

if you need to use anything from the microsoft office suite, but youre not required by youre job to specifically use microsoft, libreoffice is a free alternative that i actually like better. its what i use to help willow run their shop and its free

for art programs. if you still have photoshop switch. not just for money reasons. adobe is getting bold with what they can claim as their content and use from what people produce in their program. the switch isnt the easiest but there are a bunch of alternatives. some free some like csp offer one time licenses which are so much better than subscriptions. will has spent almost $2k on photoshop and after effects from using it as long as they have. when csp is $50 and they like csp better anyways. i also know of krita and fire alpaca which are free

⭐️ also theres stuff about being an adult that i thought you had to pay for but you dont? like for car insurance i went through an independent insurance agent and they found me a cheaper plan than i could find myself. i didnt pay the guy. they get a cut from the insurance company for finding them another customer. some banks or credit cards offer financial advising sessions to users. its boring but if you can get a copy of your health insurance see if they have any free shit on there thats available for you. my brother gets free doctor finding? like i can call them, tell them what specialist he needs and instead of me calling around to find one that can take him, they connect me with someone. my work offers 3 free therapy sessions (better than nothing) and free food that i take advantage of

⭐️ i think one of the biggest things that makes an impact for us is researching before buying stuff. sounds like a no brainer but you dont just want to find the cheapest deal. you want to find the best bargain, the best bang for your buck. whats the best quality thing you can get that you can also afford? itll prevent your from having to replace stuff all the time and by extension spending more than you need to. we have nonstick pots and pans that are scratched and starting to peel (which apparently can cause cancer??) that were cheap because of being on sale. now after looking into what makes quality cookware i know i should of just slowly bought stainless steel

⭐️ last big one. credit cards. unfortunately we need them so find one with a low apr and that offers decent cash back. use it up to like 20% of your limit and pay it off every month. focus on using it on things that will get you cash back so you can essentially get free money

im sure i could ramble more but this is already super long

[pavonisgiron]

Jackrabbits, gouache and colored pencil on Bristol. 11x7in.

Digital art has been my beloved for so long - Photoshop CS6 had been both my deeply hated nemesis and beloved companion for nearly a decade, but this past year has seen an update in my technology (negating my license, boo) and negative advances in services of Adobe and, my more current system, CSP. This year I'm choosing to take a step away from digital art and focus my efforts on traditional art instead. So here's to seeing more gouache, pastel, and acrylic work in 2023!

[mudora]

A few days ago, I re blogged a post describing the intense backlash Adobe is getting for certain policies involving permissions with their cloud services, and posted an article citing these agreements lack of changes until recently - and upon thinking on it for a few days, I AM noticing the apparent lack of transparency, especially since they updated those terms. But the lack of trust for Adobe remains true regardless, and further updates on this matter are far more alarming then the initial read. So, definitely try to find other programs then Adobe's products. I'll likely need to search for something myself. Sadly, I am mostly comfortable with photoshop's features, and clip studio does not work in the way that I like or prefer. I'm a user who likely does not spend as much yearly on a sub, since (and I'm not joking) my uncle does indeed work for Adobe as a programmer, and unfortunately has no clout to stop this higher level lunacy from happening. Though I might pay a smaller price tag, it doesn't change the fact that the price for their programs is astronomical. I'll likely keep using it and other software as I don't have many other options that work the way I'd like them to for my process. However some other options are always nice to look up on. Keep in mind, I am an advanced user, and simple photo manip tools are not going to cut it for painting/drawing/and visual development. I am keeping my eye on a few promising options. Thankfully for Photo manipulation and editing, there is plenty of good and free software to use. Some recs for those who can't just get off the burning Adobe Train - use your firewall to protect you from potential spying from their programs. On Windows, you can change these settings directly within your firewall settings. "No problem.

And for those wondering, on Windows both 10 & 11, go to Control Panel > Windows Defender > Advances Options > Manage Outgoing Connections > Add new rule.

From here you'll enter a wizard menu where you can pick and choose programs to block access to."

(credit to @kevinreijnders.bsky.social for this tip). I also suggest not to use the cloud for your file storage, and I rec getting a different storage device for your art files anyway, as you can take it with you anywhere you go with either an external hard drive, or usb memory stick.

[andmaybegayer]

Hello it's me with another very naive computer question!

One of the really common complaints you see about modern software (from Adobe, Microsoft, etc.) is the move from the single-purchase model to a subscription-based model. While I understand that people are upset about paying more money over time, this also feels like the only viable option for shipping products that work with modern OSes, especially Windows (I don't have any experience with MacOS). Windows pretty regularly updates, and if you want your product to continue to work, you have to continue paying your engineers to maintain compatibility through time.

Obviously I understand that there are lots of FOSS options out there, but for the companies that are built on making money from these sorts of software products, I don't see another way. Am I way off the mark here?

This is a really good question. I don't have a great answer, but the model I have in my head is that "traditional software distribution" is partially an artifact of an era where companies were starting to use computers but internet use was still spotty so providing support for software was just a very different ballgame. A lot of what I'm saying here is not like. Fact as much as it is my understanding of The Software Business from the side of someone who is a little involved in that but mostly not in that.

(This is mostly about "business software", that is to say, accounting packages, creative suites, design packages, modelling tools, etc. This model does not explain like. Spotify. But that's much easier to explain.)

You're not wrong that the subscription model really make sense given modern software development, where patches come out continuously and you get upgraded to the latest version every time something changes, but there has been a significant change in how software is developed and sold that makes it noticeably different. I think that the cause of this is mostly because it's finally practical to do contract-style deals with hundreds of thousands of customers instead of doing one-off sales like we used to do.

In the Traditional model you charge a pretty sizeable upfront cost for a specific version of the software, you buy Windows XP or Jasc Paint Shop 7 or whatever and then you get That Version until we release The Next Version, plus a couple years of security and support. When the next version hits, we stop adding any new features to your version, and when that hits end of life, you maybe get offered a discount to buy licensing for the latest version, or you drop out of support.

Traditional software with robust support typically costs an awful lot, Photoshop CS2 was $600 new in 2005, or $150 to upgrade from CS, because you're paying for support and engineering time in advance. A current subscription for just Photoshop is $20/mo, and that's after twenty years of inflation. Photoshop is also cheap, a seat for something like SolidWorks 2003 could probably have run you $3000-4000 easy. I can't even give you a better guess there because SolidWorks still doesn't sell single commercial licenses online, you have to talk to their salespeople.

The interesting thing to me about Traditional pricing was that I think it was typically offered to medium to small businesses or individuals, because it's an easy way to sell to smaller customers, especially if it's the 90's and you're maybe selling your software through an intermediary reseller who works with local businesses or just a store shelf.

Independent software resellers were a big business back in the day, they served as a go-between for the software company and smaller businesses, they sold prepared packages in a few sizes and handled the personal relationship of phoning you up and saying "Hey there's a patch for your accounting software so that it doesn't crash when someone's surname is Zero, we'll send you a floppy disk in the mail with some instructions on how to install it." Versioned standard releases are a thing you can put in a box and give to resellers along with a spec sheet and sales talking points. This business still exists but it's much smaller than it once was, it's largely gone upmarket.

If you were bigger, say, if you were a publishing house that needed fifty seats of editing software you'd probably call the sales department of Jasc or whoever and get a volume deal along with a support contract.

Nowadays why would you bother going through resellers and making this whole complicated pricing model when you could just sell subscriptions with well-established e-commerce tools. You can make contract support deals with individuals at scale, all online, without hiring thousands of salespeople. You can even provide varying support levels at multiple cost brackets directly, so you don't need to cultivate a direct business relationship with all your customers in order to meet their needs. Your salespeople handle the really big megacorp and government deals and you let everyone else administer themselves.

It also makes development easier. You can also deploy patches over the net, you just do it in software. You can obsolete older versions faster, since you can make sure most people are using the latest version, and significantly cut down on engineering time spent backporting fixes to older versions. I think a lot of this is straightforwardly desirable on most software.

Now, there are still packages sold by the version, and there are even companies selling eternal licenses.

Fruity Loops Studio is still a "Buy once forever" type deal.

MatLab can be purchased as a subscription or as a perpetual one-version license.

Windows is still sold like this, but also direct to customer sales of Windows are minimal, Windows is primarily sold to OEM's who preinstall it on everything.

But it's a dying breed, your bigger customers are going to want current support and while there are industries where people want to hang around on older versions, for a lot of software your customer wants the latest thing with all the features and patches, and they'd rather hold on to their money until later using a subscription rather than spend it all upfront. Businesses love subscriptions, they make accounts books balance well, they're the opposite of debt.

Personal/private users who might just want the features of Photoshop CS2 and that's fine forever don't matter to you. They're not your major customers. This kind of person is not a person who your business cares to service, so you don't really care if you annoy them.

Even in the Open Source business world, subscriptions are how the money is made, just on support rather than for the software itself. You can jump through relatively few hoops to run Ubuntu Enterprise or SUSE Enterprise Linux on your own systems for free, but really there's not much benefit to that unless you pay for the dedicated support subscription.

In many ways I think a lot of things have changed in this way, I have a whole thing about the way medium-scale industrial manufacturing has changed in the past thirty years somewhere around here.

While there are valid reasons you might want to buy a single snapshot of some software and run that forever, the reality is that that's a pretty rare desire, or at least that desire is rarely backed by money. If you want to do that you either need access to the source code so that you can maintain it yourself, or you need to strike a deal with someone who will, or it needs to be software so limited that it (and the system it runs on!) never need updates. Very few useful programs are this simple. As a result subscription models make sense, but until recently you couldn't really sell a subscription to small businesses and individuals. Changes in e-commerce and banking have enabled such contracts to be made, and hey presto, it's subscription world.

[hopefulluminarypenguin]

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[window-to-the-void]

Hey so what's Linux and what's it do

It’s an operating system like macOS or Windows. It runs on like 90% of servers but very few people use it on desktop. I do because I’m extra like that I guess.

It’s better than Windows in some ways since it doesn’t have a bunch of ads and shit baked into it. Plus it’s free (both in the sense of not paying and the sense of freedom [like all the code is public so you know what’s running on your system, can change whatever you want if you have the skills to, etc]). Also it’s more customizable.

The downside is a lot of apps don’t run on it (games that have really invasive anti-cheat [cough Valorent cough], Adobe products, Microsoft office — although a shit ton of Windows-only games do run totally fine). There’s some alternatives, like libreoffice instead of MS office (also anything in a browser runs fine, so Google docs too). GIMP as a photoshop replacement does exist, it’s fine for basic stuff but I’ve heard it’s not great for advanced stuff.

[antoniosvivaldi]

Oh I’m sorry I have GOT to ask! How did you do the text animation in the first gif of 718688291365502976/pscentral-event-15-favourite-ships-kanej?? It’s just. It’s so beautiful

Hi anon! I've used After Effects to create the text animation in the first panel of this post. I'll show you the basic idea of how I've created the animated text effect here :D

What you need:

A cutout font (the font that I've used is Trouble Child Outblack by @justlikethistrain)

Adobe Photoshop with Video Timeline feature

Adobe After Effects

Supplementary files: gif prep action pack / golden outline layer style / assorted textures

Difficulty: advanced; knowledge in gifmaking with the video timeline interface assumed

Note: This tutorial assumes that you're working with all of the composite gifs in a Photoshop composition file and using the video timeline interface

Other useful tutorials to refer to: Text overlay effect / After Effects text animation / clipping mask vs layer mask

Tutorial under the cut. Like / reblog if you find this useful!

1) Photoshop: Preparing your gif panel

Setting up your PSD composition panel: Create a blank PSD file and set it to Tumblr dimensions (540px x 540px in this particular gifset)

Enable Video Timeline and drag all of the component gifs from your folder to the PSD composition file. Resize / move these gifs around until you're happy with the placements.

Trim the timeline work area so it's the same length as the shortest component gif you've added to the PSD composition file. You can also add some textures & additional adjustment onto this panel.

2) Photoshop: Exporting your base gif

I highly recommend exporting the base gif right now, to ensure a smoother experience scrubbing through the video timeline when adding finishing touches later on in the workflow.

My preferred method is to render the composition as a video clip from File > Export > Render video.

To get the optimal export quality, I use the following settings:

3) Photoshop: Preparing your text layer

Make a new Photoshop composition file of Tumblr dimensions

Drag in the video clip that you've just rendered (the base gif) to this composition file

Add a new text layer in your PSD composition file and set the colour to white then tweak this layer until you're happy with the text placement.

For performance optimisations on After Effects, I duplicate the PSD composition file and delete all other layers. This PSD file contains only the text layer that will be animated.

4) Photoshop: Adding overlays & decorations on the text layer

This step allows you to preview the text effect without the animations (i.e. allows you to tweak the texturings & colourings)

Duplicate the text layer. Set the bottom layer's (highlighted in red) blend mode to Exclusion and apply the gold outline layer style to the top layer (highlighted in green). Make sure the Inner Shadow is disabled!

The panel now looks like this

I want to have the liberty to use different colours & textures on the bottom text layer with animation, so the next thing I do is to right click on the bottom text layer and select "Group from Layers"

To change the colour of the filled text layer to purple:

Collapse the Group that you've just created

On top of the collapsed Group a purple Colour Fill layer,

Set the Fill layer's blend mode to "Colour"

Right click on the Fill layer and select "Create Clipping Mask"

Now the colour of the filled text layer is purple

After adding more textures & decorations on the text layer (with photo negative effects) I get the following:

5) Photoshop: Adding overlays & decorations on the text layer

To avoid performance issues on After Effects, I make a new PSD file of the same dimension. With both the PSD files open, I select the text layer (highlighted in red) while holding Shift, I drag this to the blank PSD file (see the green arrow)

Holding Shift ensures that the layer's placement is preserved when it's copied to a separate PSD file.

In the new PSD file, I set the text layer's blend mode to "Normal"

6) After Effects: Animating your text layer

Make a new project on After Effects and drag in the text layer PSD file. Import this file as a Composition

Also drag in the base gif video clip to the AE project.

While we won't be exporting anything with the base gif visible, having this file in the project file is useful if you want to have a better picture of how the animation will look in tandem with the gif.

Double click on the composition. Hide the colour fill and background layers. Then right click on the text layer, go to Create > Convert to Editable Text

To be able to preview the animation with the base gif, drag the video clip to the composition file and below the text layer. The visibility of the layer can be toggled on / off anytime in the After Effects workflow

Now we prepare the text layer to be animated. Because the final animated effects is 3D & has motion blur, right click on the text layer and select "3D layer" (highlighted in green) and Switches > Motion Blur (highlighted in red)

Go to Animation Presets > Text to browse through some presets that you could use to animate the text layer. For this gifset, I've used a preset within the 3D Text folder called "3D Random Spike Tumble in".

While selecting your text layer, press U to view the keyframes and you can adjust the position of these keyframes until you're happy.

For more finishing touches, press U again to tweak more options in this preset. In this case, I do to Animato 1 > Range Selector and changed the Colour Fill to #fff (the default colour is light yellow)

Then do you File > Export > Add to Render Queue

Click on the Output Module and use the following settings to render the text layer as a video file with transparency

Then after specifying the folder in which you'll export the video to, click "Render" to render the video file containing your animated text layer.

7) Photoshop: Adding the animated text & finishing touches

On Photoshop, drag the rendered clip containing animated text, to the PSD composition file with the static text layers.

Duplicate the animated text video layer

Drag one of the layers inside Group 1 and set the blend mode to "Exclusion" (Highlighted in green)

Move the other layer to the top and apply the gold outline layer style with Inner Shadow disabled (highlighted in red)

Hide both text layers (highlighted in yellow)

By scrubbing through the timeline, I've noticed that the animation didn't look clean enough, so I'll add some finishing touches

By selecting the upper text layer containing layer styles, go to the timeline and add opacity keyframes going from opacity 0% to 100% a few frames apart

Once you're happy with the finishing touches, flatten / render your PSD composition file, change the frame delay to 0.05s and export your gif and voila!

I hope this helps 💖

[dilftaroooo]

omg, im obsessed with ur about me/overview post! if u don't mind, how did u make the gif/banner?

thank yew thank yew! a good amount of the gifs I have in my pinned post are from other sources that I've found on this app and other websites. the MAIN gif that has the pic of lil kim on it was made using adobe photoshop but i canceled my subscription 💀

If you wanna take your editing to a somewhat advanced approach, get Krita. It's a drawing/editing software, and if I'm correct, it's free to use (I don't remember spending a single penny for it).

for editing on mobile, i'll refer u to a post I made that lists the apps I've used to make banners and such