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#American TV Directors
gone2soon-rip · 2 years
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JULES BASS (1935-Died October 25th 2022,at 87).American tv director,producer,lyricist and writer,who co-founded the US film production company,Rankin/Bass Productions,with his firend,and fellow tv director,producer & writer,Arthur Rankin Junior.Together,they made some of America’s best loved animated and stop motion animated family and childrens tv shows,especially christmas and other holiday season themed shows,such as Frosty the Snowman (1969),The Year Without a Santa Claus (1974).Rudolph the Red-nosed Reindeer (1964),and The Mad Monster Party.(1967),and as well as the animated fantasy feature,The Last Unicorn (1987).https://en.wikipedia.org/wiki/Jules_Bass
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mimi-0007 · 9 months
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tuttle-did-it · 3 months
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M*A*S*H fans- I've realised that some of you newer fans might have realised that Archive of American TV did dozens of interviews with the M*A*S*H actors, writers, producers, directors, etc.
If you haven't seen some of these, I'd really recommend it, because these are amazing interviews where some of these people tell stories you might not have heard, before from some really brilliant people.
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mariocki · 10 months
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An uncredited Jacqueline Hill appears as an unnamed Irish barmaid in The Vise: Death Pays No Dividends (1.5, ABC, 1954); in the UK, this episode wasn't seen until 1960 as part of ITV anthology The Crooked Path
#fave spotting#jacqueline hill#barbara wright#doctor who#the vise#classic doctor who#death pays no dividends#the crooked path#1954#classic tv#oof. ok. here goes. the story behind The Vise is needlessly convoluted and frankly absurdly confusing. the Danzigers were a pair of#American brothers who moved to the UK in the early 50s to produce tv film serials‚ The Vise being their first major production. the used#British casts‚ writers‚ crews and directors but the series was being explicitly made for American tv; the ABC mentioned above is not the#Associated British Cinemas group who were one of the big four franchise holders in UK television‚ but the American Broadcasting Company for#whom this series was being made and who transmitted it across the pond. there the series was The Vise‚ and then when recurring character#Mark Saber became popular‚ it was retooled as The Vise: Mark Saber and then again when the series later moved to NBC it became Saber of#London. despite being almost entirely a british production‚ The Vise was never seen here in that format; the episodes were split up and#appeared under various different anthology titles including The Crooked Path and Tension‚ sometimes not appearing on uk#screens until years later (if indeed they did all end up getting a uk showing). others were edited together into loose portmanteau films#for cinema release. Mark Saber‚ to add confusion upon confusion‚ was a pre existing character who'd been around for several years before#The Vise and had had his own series (albeit with a different star) already on American television (itself having gone through several#titles‚ including ABC Mystery Theatre and simply Mark Saber; that latterly being one of the titles which later Vise episodes went out under#back in the UK). i know. i know. my head hurts too.#regardless of the (very confusing) background‚ the series is quite a lot of fun and rather better than its reputation (it's true that#the Danzigers were businessmen first and artists a very distant second). it has an unmistakable wash of the USA about it despite featuring#almost zero americans (it has a host delivering to camera introductions‚ which feels very american‚ but even he's not a yank; Australian#actor Ron Randell got the gig and very good he is too). it also has a definite degree of luridness which I'm not certain UK tv was quite#ready for in 54 (stories typically involving adultery‚ blackmail and some really quite suggestive scene settings). poor Jac doesn't get#much of a part‚ but she does get a few lines (it's not unusual that she's still uncredited‚ with most Vise eps seeming to credit only 3 or#4 main players and of course Randell). her Irish accent is pretty good but she doesn't get any closeups alas
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nellarw95 · 10 days
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Happy Birthday Clint 🥳🎂🎈🎁🎉
Clinton Eastwood Jr
May 31,1930
Buon Compleanno 🥳🎂🎈🎁🎉
31 Maggio 1930
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theersatzcowboy · 1 month
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The Killing Floor (1984)
Director: Bill Duke
Cinematographer: William Birch
Starring: Damien Leake, Alfre Woodard, Dennis Farina, Ernest Rayford, Moses Gunn, Clarence Felder, Stephen McKinley Henderson, and John Mahoney.
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typerception · 1 year
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Great night with great people. I did not have all the pictures I was in, but you get the point 🤙🏿🤙🏿🤙🏿🤙🏿🤙🏿 #Holidayvibes We all need that work-life balance. Enjoy yours. Godfirst subscribe at http://www.ty-perception.com #Holidayparty #photoshoot #photographer #stylus #Tyshawnjamison #Director #movie #melanin #lead #darkskin #International #typerception #American #African #black #film #TV #instagram #twitter #Blackownedbusiness #Filmmaker #Brooklyn #NewYork #la #atl #chicago #melaninart #king #entrepreneur (at Manhattan, New York) https://www.instagram.com/p/CmQNcqZt2ml/?igshid=NGJjMDIxMWI=
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Tenacious D - Tribute 2002
"Tribute" is a song by American comedy rock duo Tenacious D, and the second single from their self-titled debut album (2001). The song is a tribute to what Kyle Gass and Jack Black refer to as "The Greatest Song in the World" (often confused as the song's title). Upon its release, "Tribute" failed to make a commercial impact in the US, but it became a hit in Australia and New Zealand, peaking at number four on the Australian Singles Chart and number nine on the New Zealand Singles Chart. In Europe, the single reached number 25 on the Dutch Top 40, and number 84 in the UK. The single was re-released in 2021 as part of the band's "Super Power Party Pack", commemorating the twentieth anniversary of the band's debut album.
"Tribute" was the first song Black and Gass played live as Tenacious D. The song, like many other songs that were recorded on Tenacious D, was originally performed on their short-lived HBO TV series. During earlier performances of this song Kyle Gass played the opening to "Stairway to Heaven". In the 2006 film Tenacious D in The Pick of Destiny, it is implied that the climax of the movie, a rock-off challenge between Satan and Tenacious D told through the song "Beelzeboss (The Final Showdown)", is the incident chronicled in "Tribute", and that the portion of "Beelzeboss" performed by Tenacious D is the song receiving tribute.
The music video shows Black and Gass walking down the "long, lonesome road" and their encounter with the demon, played by Dave Grohl, who also plays drums and rhythm guitar on the song. Passersby include cameos from Ben Stiller and video director Liam Lynch. The policeman is played by JR Reed, who played "Lee" in the band's television series. "Tribute" was nominated for two Music Video Production Association Awards: "Alternative Video of the Year" and "Directorial Debut of the Year". In addition, it was a nominee for best video in the 2002 Kerrang! Awards.
"Tribute" received a total of 77,7% yes votes!
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Okay time for the PBS Kids essay
Read it under the cut!
:readmore:
In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.
Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.
Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.
Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.
Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.
This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.
For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.
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Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.
Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.
Just one year after the debut of Mr. Roger’s came Sesame Street.
While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.
While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)
At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.
Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.
White actors were and still are a minority on show.
In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.
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It doesn’t get more explicit than this.
I want to point out this comment because it’s funny
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You’re telling me this bitch isn’t Hispanic???
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Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?
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That’s right. Non-white focus.
These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.
Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.
It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.
Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.
Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.
A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”
One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”
There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.
Sagwa, the Chinese Siamese Cat
Created by Chinese-American woman Amy Tang
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Dragonfly TV
Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups
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Maya & Miguel
One of the network’s first Hispanic-led shows
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SciGirls
I shouldn’t have to explain what the goal of this one was.
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Molly of Denali
When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!
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It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.
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Disney Jr. could never. (Other than trying to teach colorblindness, of course.)
I’m gonna have to cut this into two parts, since I just hit the image limit
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thatspussybabie · 11 months
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why don't you write a weird gay play about a heterosexual all-american comic character and get a cease & desist from the comic company then spend the next 20 years working to become the creative director of the comic company and create a campy tv show that culminates in your weird gay play-turned-musical, creating the most fulfilling full circle in media history. just try it out, see how it goes
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6ebe · 2 years
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Why is the line of duty theme song so good 😐
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gone2soon-rip · 1 year
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RICOU BROWNING (1930-Died February 27th 2023,at 93).American actor,film director,underwater cinematographer and screenwriter,most notably known as portraying the titular Gill-man in the underwater scenes for Universal studio classic 50′s monster trilogy.The Creature From the Black Lagoon,Revenege of the Creature and The creature Walks Among Us.Another actor,Ben Chapman,portrayed the creature on land scenes. Browining is also the co creator,with Jack Cowden,of the 6′s US classic family tv series,Flipper,about a friendship between a boy and his dolphin,the titular flipper.His directorial work,was mostly for scenes in films shot underwater,such as the Bond films,Thundeball and Never Say Never  Again,also for Raise the Titanic,and for the 80′s comedy,Caddyshack. https://en.wikipedia.org/wiki/Ricou_Browning
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ghoulpiled · 24 days
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ʟᴏꜱ ᴀɢᴇʟᴇꜱꜱ || Part One
𝙷𝚘𝚠 𝚌𝚘𝚞𝚕𝚍 𝚊𝚗𝚢𝚋𝚘𝚍𝚢 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞? 𝙷𝚘𝚠 𝚌𝚘𝚞𝚕𝚍 𝚊𝚗𝚢𝚋𝚘𝚍𝚢 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚕𝚘𝚜𝚎 𝚢𝚘𝚞? 𝙷𝚘𝚠 𝚌𝚘𝚞𝚕𝚍 𝚊𝚗𝚢𝚋𝚘𝚍𝚢 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚕𝚘𝚜𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚗𝚘𝚝 𝚕𝚘𝚜𝚎 𝚝𝚑𝚎𝚒𝚛 𝚖𝚒𝚗𝚍𝚜 𝚝𝚘𝚘?
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❧𝐏𝐚𝐢𝐫𝐢𝐧𝐠: Pre-War!Cooper Howard x fem!Reader
❧𝐑𝐚𝐭𝐢𝐧g: E / MATURE! Minors, DO NOT interact!
❧ᴄᴏɴᴛᴇɴᴛ: Smut with plot, virgin!reader, cheating, lowkey alcoholic reader, oral (female receiving), fingering, penetration
❧𝐋𝐞𝐧𝐠𝐭𝐡: ~6k
❧𝐒𝐮𝐦𝐦𝐚𝐫𝐲: From costars to strangers, it’s like fate keeps bringing the two of you together.
❧ɴᴏᴛᴇ:  Lots of switching from present to past tense as events happen. Also, added new parts from what the teaser had. Realized I wanted to make this a story with more than one part. If I kept just one part... it would be far too long.
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You have been in the acting game for far too long. Originally you were advertising royalty. Your mom first put you into commercial gigs at the young age of five. Luckily for your mom, BlamCo Mac & Cheese was looking for the new poster child. Your face was plastered on billboards all around Hollywood. “Nothing says dinner like BlamCo Mac & Cheese. Bring the family together for a dish everyone will enjoy.” This phrase will forever be etched into the grooves of your brain. But as all gigs go, you outgrew BlamCo. Once you hit age ten, you couldn’t be the cutesy little kid telling families to eat the most disgusting mac and cheese known to man. Like many gigs will do, you were dropped from the gig. It paid well. Well, it paid your mom well. 
She would go on lavish vacations without you. Only leaving you with a babysitter. This babysitter ended up raising you. Your mom would also buy herself expensive dresses and handbags. What would you get? Hand Me downs of whatever wardrobe on commercials could give you.  This was a common theme early on in your career. The money you made was promised to you once you hit eighteen. Enough money to go to college and make a name for yourself professionally. After the BlamCo gig, you hit a dry spell. No one wanted a kid going through puberty as the face of their brand. With money getting tight, your mom signed you up for every and any background character role in a film and TV show she could. That’s where Nuka Cola noticed you.
Upon hitting sixteen, Nuka Cola representatives came up to your mom offering you a four year contract to be the face of Nuka Cola. It paid insanely well. So you did it. Another gig with your face plastered everywhere. From highway billboards to full body cut outs of you in Red Rockets across the country, you were back in the limelight. But those four years went by quickly. Once the contract ended, you were eighteen. You were excited to throw your acting career away. Child stardom was too damn much. College was going to be a fresh start for you! To no one’s surprise, you never got your money. To make it worse, your mom kicked you out of the house. She didn’t see you as profitable anymore. Mainly because you are old enough to go your own way. 
Due to all these gigs, you never had time to make friends. So you took to crashing on random old co-star’s couches. You were back to background gigs. Which paid okay but not enough to help pay for college. Sadly, that was a dream you could never catch. It took three years for you to finally get your foot back in the door with big acting gigs. That gig being A Man and His Dog. A film in which you play the main female character who is supposed to seduce the main lead. It wasn’t really a film expected to go anywhere. The lead was a man straight out of the Sino-American War who had never acted a day in his life. This was also your first big gig, you’re not one to talk. Unknown to you, that man would become western movie royalty. A young and disgruntled Cooper Howard. 
First day on set was odd. No one really talked to you. Not even the director. There was no way you were to know if you were doing the role justice. They had you in a wedding dress with white face paint. It was embarrassing. You stand near your trailer, lighting up a cigarette during lunch. Rent was due that night and you had no money to pay it. If this gig didn’t make a lot of money, you’re screwed. With a shaky breath, you look down at the ground. You’re getting cigarette ash all over this dress. Wardrobe is going to kill you. 
“Now what’s a pretty thing like you doing out here all alone?”
The southern voice takes you out of your thoughts as you look up. You rub your eyes, messing up the makeup you have on. Now your hand is stained white. Great. Cooper walks over to you  before leaning against your trailer. He takes out a cigarette of his own and begins to smoke with you. This is the first person to speak with you and it's the lead of the film. You try to act natural but you’re smitten. There is some charm he holds. Maybe it’s the fact you’re playing weird lovers in the film or the fact you have never been in contact with such a gorgeous man before. This moment right now makes you realize you’ve never had your first kiss. Your life has been acting gig after acting gig. No time for personal relationships.
“Are ya just gon’ stare at me?” He chuckles, voice smooth like whiskey. 
You clear your throat and shake your head.
“Sorry, I’m not used to small talk.” Is all you can truly muster.
He offers you a kind smile. One that feels like sickly sweet honey on a hot day. It makes your stomach flutter with butterflies. He already has you wrapped around his finger. Maybe it’s the southern drawl that burns like a good bourbon. He is one hell of a charmer. 
“Ain’t small talk unless you want it to be.” He takes a long drag from his cigarette, licking his bottom lip.
“You’re killing it by the way. The director is- pardon my language- a dick.” Cooper scoffs, shaking his head. He flicks his cigarette onto the ground and stomps on it which causes you to do it to your own.
You can’t help but chuckle at that. 
“You can say that again.” You turn to face him, leaning against your own trailer.
Maybe this set wouldn’t be as bad as you thought. 
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During set, you would crash at Cooper’s apartment. A tiny place near filming. You ended up getting evicted because you couldn’t afford rent. It was only logical you still find somewhere to crash. You’re lucky you became close with Cooper. He’s a gentleman. Made you feel at home. You opened up about your childhood and he opened up about war. War. It was a scary thing. His stories kept you on the edge of your seat. Here you were, thinking you had a tough past. Almost all of Cooper’s friends are dead because of the war. You could only comfort him. 
It’s not like he didn’t have a support system. He had a beautiful fiancé who would stop by sometimes. You couldn’t help but feel a bit of jealousy when she came by. Of course you and Cooper were just friends but no one had shown you kindness the way he had. Maybe you fell for him out of convenience… or the feelings were real; Yet, the way he held her and the way she made him laugh was something you’ll never have with him. 
There were late nights at Cooper’s apartment where he would be on the phone with his fiancé nonstop. But then there were nights just for you. All his attention on you after wrapping. The two of you would share a few drinks and shoot the shit about set. Make fun of the director or one of your costars. There was one night in particular where the both of you got overly excited about drinking.
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It was a tough day after set and the two of you were sitting on his couch drinking the stress away. This was after filming an explicit scene with him. The way he was on top of you was burned into your brain. While there was no real sex that had happened, the performance was perfect. Hungry kisses were pressed to your neck and you fake biting his collarbone causing him to hiss in pain… 
While sitting next to him, three rum and Nukas in, you were getting handsy. So was he. He laid a hand on your knee and you have a hand on his chest.
“Never acted out a sex scene before…” You slur, biting your lip.
“It was kind of obvious, darlin’” Cooper takes another sip, causing you to swat at his chest.
“Coop! C’mon. It wasn’t that bad was it?” You whine and lean back against the couch.
“Well… I mean, think of it as if it was real. That should help your performance.”
You look up at Cooper and your cheeks turn red. It took a moment for him to realize what you were getting at. When he did, his own cheeks heated up. 
“You’re not sayin-”
“I am.” You say and he pulls his hand off of your knee. “Never kissed anyone either.”
Maybe it was the drinks, maybe it was pent up lust from the set, but he leans in. Against your better judgment, you lean in too. You could taste the rum against his soft lips. Wrapping your arms around him, you don’t question this one bit. Running his tongue over your bottom lip, you invite him inside your mouth. You run your tongue over his, feeling the rough bumps. He bites your tongue softly, sucking on it. It was enough to make you moan. You curl your fingers in his hair, tugging at it. Cooper pushes himself against you where you could feel just how hard you were making him. He bites down on your tongue once more before you realize what is going on. That this wasn’t acting. That you were actually making out with Cooper Howard. The taken actor. One who’s fiancé, Barb, considered you family.
You pull away and only a trail of spit was what was connecting you. You were going to apologize but he got up, leaving the room. No words were shared for the rest of the night. You feel guilty. But you were too damn drunk for this. So was he.
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After filming wrapped, you were thrust into the world of press. The both of you seemed to forget about the kiss. The one you shared with him while drunk. Thank god for that. The press tour with Cooper was something else. The director wanted you two to lean into a facade. He wanted the both of you to act like lovers. This was to sell the film, lean into that romance your two characters had. You couldn’t flirt for shit without a script. Cooper, however, was a complete natural.
You followed Cooper’s lead. You know it was all an act but you were falling for him. Hard. He was the first man to ever give you the time of day. You knew it was fake flirting but every blush that he caused was real. The film ended up being big enough to push both Cooper and you into the spotlight. Now you’re landing gigs like crazy as well as him.
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One night you called his hotel room, drunk. You had gone to his bar after a press interview with your other cast mates. Cooper stayed in. At a payphone, you rang him. It was right after a man tried to hit on you and take you to his place. It was less romantic and more forceful. He was a balding older man who seemed to hug his cup of on tap beer. Ultimately, you punched the man in the face. He tried to grope you. You had the right to fight back. Maybe you had a tough relationship with alcohol. You’ll address that later in life. But while at that payphone, you whined and cried to Cooper. This night you barely remember other than the fact that he came and got you. He went out of his way to help you. 
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You both play lovers again in another western B-film. This one didn’t have the same success as the prior film but it was still another film you did with Cooper. You loved working with him. It was always such a delight. But mid-this film, he got married. That ruined the tabloid rumors of the both of you together that were thrusting you into stardom with him. Hollywood loved rumors. You weren’t even invited to the damn wedding. That had put a rift between the both of you. He never told you why you weren’t invited. He was supposed to be your closest friend. After getting married, things changed. He didn’t act as friendly towards you. Actually, he ignored you. Barb started showing up to set more and more. You did not know at the time it would be the last time you’d be acting with him.
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After that film, you two were no longer casted together. He did a lot more solo cowboy films while you still got put into that innocent lover girl stereotype. But Hollywood really started to make you jaded. Any man who approached you only wanted sex. No one liked you for you. Your personal life was shit. You had no one. But Cooper? He seemed to have it all. A wife, a kid on the way, and a successful career.You only had a career. You yearned for love. 
About three years later, you worked on a western film; one with no relation to Cooper. You were the star. Maybe people started to realize that you weren’t as innocent as films made you seem. You played a jaded mayor who took matters into her own hands when the town,  mainly men, started to turn on your character. The director and writer were women which made the set far more comfortable than anything you have ever experienced. 
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Once that film wrapped, you were invited to an after party at the director’s home. Not just for your film but the other films that were filming in the lot. It was about time you had fun. For years you were on your own. No parties, just work. When you got there, the place was packed. It felt odd being dressed in a skin tight black dress, you were getting glares from older men and women. You shared hugs with a few cast and crew members before heading for the open bar. You get a vodka cranberry and find a secluded place away from most people. When you thought you were alone, you heard a familiar voice arguing.
“Did you have to invite all your coworkers?” 
Cooper. His voice is as sweet as the first day you met him. You’d recognize it anywhere.
“If we want to settle that commercial deal, you might as well get friendly with them.” 
His wife.
You scoff, rolling your eyes. Maybe she was nice. But it was almost like she knew you liked her husband. The awkward tension soured any companionship that could have happened. But that was for the best when you think about it in hindsight. You were under the influence at the moment, not exactly in the best state to talk to your ex-costar. Besides, his wife was a higher up at Vault-Tec, something a lot of actors and actresses seem to hate. There was a lot of drama going on with that. You better ignore those two like the plague, for your own sanity.
Looking from your hidden spot, you see his wife had walked away from him. She probably went to grab a drink. It made sense. He stood with a cigarette in between his fingers, still as pretty as the last time you saw him. Cooper’s eyes catch yours and you duck back to your secluded spot. You curse to yourself as you hear his footsteps come towards you.
“Ain’t no way that’s Y/N.” His southern accent is strong, causing you to swoon.
You step out of your hiding spot and sigh, offering him a friendly smile. He hugs you, acting like nothing happened. Like it hadn’t been years since you last saw him. He had a charming smile on his lips.
“Oh hey.” You shrug.
“Seen your latest picture, you killed it.” 
“Thanks.”
You didn’t know what else to say to him.
“How have you been?” He asks. It was a question you’ve been dreading.
“Fine.” You shake your head.
“Fine?”
“Mhm.”
You down the rest of your drink, needing the liquid courage. You didn’t need to hear about how great his life was. How he had a beautiful wife and a child. Cooper seemed to take the hint, getting agitated himself.
“I can tell when I’m not wanted, darlin’.” He teases you. That nickname makes you want to vomit.
“You’re not wanted?” You scoff. You were being a bit of a dick but you’ll blame your actions on the alcohol. “Says the man who decided he couldn’t be my friend after getting married.”
“You think that was my choice?”
That shut you up. You look at him, confused. Then he continues, “She knew, you know.”
The kiss. He had to be talking about the kiss. It’s the only thing she could have known.
“How?”
“I told her.” He admitted, shrugging. “How could I not? She’s my partner.”
“Wow, what a gentleman.” 
He shakes his head, sighing. “If you were in a relationship, you’d do the same. Like, if a guy came and kissed you, you’d tell your partner.”
“I didn’t kiss you.” You defend.
“But you kissed back. You could have stopped me.” Cooper shrugs.
You’re about to explode at him until Barb comes up to the two of you with drinks in her hands. She offers you a fake smile, passing a drink to him and wrapping her arm around his arm. 
“Y/N! I haven’t seen you in ages! How are you?” She asks. You must keep things civil.
“Hi. I’ve been just fine, so busy.” You laugh awkwardly. 
“I didn’t know you’d be here. Cooper and I actually have people to talk to but it’s been great seeing you.”
Just like that, she tears him away.
Good riddance.
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You spend the rest of the night drinking. People try to talk with you and it's just useless networking. Networking is great until you have to do that for hours on end. You watch Cooper and Barb, seeing them exchange kisses. The living room becomes an impromptu dance floor for couples. He tries to get her to dance with him but it's fruitless. They leave the living room to go somewhere. You hope they leave for a moment until you look at the time.
You’re about to leave when a handsome man approaches you. Hollywood’s newest playboy. Tall, brown slickback hair just like James Dean, and a killer smile. He wears a designer suit, sliding up next to you.
“You come here all alone, pretty thing?” He asks. 
Fuck it. You take his bait.
“Yes. It's been such a bore here all alone.” You pout, jutting your bottom lip out slightly. 
He wraps an arm around your waist, smirking. “Share a dance with me. Promise I don’t bite, baby girl.” 
You sway with him, hips pressed against his. His hands rest on your hips. You are far too drunk for this. All you can think about is Cooper. It’s wrong to think of Cooper when with another man. But when this man’s hand snakes up to cup your cheek and your lips connect, you think of your first kiss. The one you shared with Cooper. This doesn’t help one bit. But now you’re on the dancefloor, kissing this man as if he’s your reason for living. You moan against his lips, whining when he bites your bottom lip. He takes this as an invitation to squeeze your ass with his other hand. You open your eyes, making eye contact with Cooper. No Barb by him. Just him on his own. 
Maybe it was evil to do this, you keep your eyes in focus with Cooper’s as you kiss this stranger. He looks angry. Why should he be angry? In his words, he’s a married man. You close your eyes again, letting your tongue slip into this stranger’s. Staying like this, you’re content. That is until someone pulls the man away from you. You open your eyes and see an angry Cooper standing in front of you. Whining, you cross your arms.
“Hey, listen, I have dibs.” The man says, rolling his eyes.
Cooper looks at you with a certain flame in his eyes you can’t place.
“Aren’t you gonna say anything?” He scoffs.
All he can do is drop mister heartthrob on the ground, grabbing your hand. “We are leaving.”
Before you can protest, Cooper has dragged you outside. It’s only the two of you. 
“Why would you do that?” You whine, leaning against the nearest wall. Your head was pounding.
“I can’t watch you whore yourself out for some low-life’s attention. You’re better than that.” “Whore myself out? What the fuck is your problem, Howard? Don’t you have a wife to get back to?”
“She left.” 
Before you can get any other word out, he hungrily presses a kiss against your lips. He tastes like cigarettes and expensive liquor. You don’t protest. His hands grip at your hair, tugging the strands harshly. He pulls your head back so his lips can attach to your neck. 
You can’t deny the feelings you still hold for him. He’s the reason you haven’t been with anyone else since. The reason you’re in your late 20s and still a virgin. He bites down softly on your neck just to cause a reaction. You moan, tugging at his hair. Cooper finally pulls away, smirking. You look at him, face red. It’s easy to tell that the both of you are under the influence. 
“How many men do you fuck when you go to parties?” He asks, moving a hand down to cradle the small of your back.
“None.”
That causes him to snap out of whatever haze he was under.
“None? Nice lie, darlin’.”
Would it be embarrassing to tell him you’re still a virgin? 
“Not a lie, Coop.”
You look at him, eyes innocent in this moment. You’ve been waiting for him, as embarrassing as it may seem. Cooper looks you up and down, a sickly sweet smirk plastered on his face. Maybe his wife doesn’t touch him anymore. That’s the only logical thought on why he’d be acting like this. But nothing is ever logical with Cooper Howard. 
“You’re hopeless.” He chuckles to himself before letting you go. Next thing you know, he’s turning to walk away.
You rest against the wall, not wanting this moment to end. You grab his wrist, pouting.
“Don’t leave me this time.” You beg.
“I gotta get home…”
“Fuck home.” You’re feeling gutsy.
“No. I have to go. If I stay, who knows what I’ll do, doll.” Cooper shakes his head, pulling away from your grip. He walks off to the end of the driveway, signaling a cab. 
Just like that, he’s gone.
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A week later and Cooper’s face is already plastered on billboards for Vault-Tec. He’s in a stupid blue and yellow suit. His signature colors. It didn’t matter where you went, Cooper was there. It’s a sick reminder of what you’ve been through. As more time passed, the more jaded you became. You lived in a shitty studio apartment in the hills. At night you’d drink away your sorrows. You had enough money to buy your own place but a big mansion would feel like you were overcompensating for something.
Roles started to stop coming in. No one wanted to hire you. You were this close to going back to ads. No offense to ads but you were over that. You were nearing your thirties. One evening your agent called, you thought he was going to drop you right then and there. Instead, he wanted to introduce you to someone. Being single this long and being in the spotlight makes rumors spread. A single woman? Label her a communist. That’s what started to happen. 
You meet this man your agent wants you to meet. Low and behold, it’s mister James Dean look-alike. His eyes light up, pressing a kiss to your hand when you meet again. Just like that, you were dating him and getting roles. You played his lover in a film about greasers. You were the innocent good girl next door. Tabloids ate that up. You moved in with him in his mansion. A big beautiful place with a hot tub and inground pool. You were arm candy for him. For you, it was almost like you had never aged. The only thing about you that made it noticeable that time passed was that you became more and more jaded.
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One night you have to head to your boyfriend’s premiere for a western he was in. You wear a long red dress that hugs your curves and shows off your breasts. From all directions paparazzi called for the both of you. Now your boyfriend never told you what this film was about but you damn near had a heart attack when you saw Cooper Howard on the carpet with his wife in his arms. He was wearing a black velvet suit with his hair slicked back. Just the sight of him made you nearly choke on air. When he catches a glimpse of you, he bites his bottom lip; however, he notices the man who is holding your waist. That smirk of his falls. Who is he one to judge? 
You find a spot in the theater and sit down. Looking around, you see Cooper with his wife. They’re overly flirty together tonight. Something you have never seen throughout your whole time knowing him. Once the lights dim in the theater, you lean over to your boyfriend and whisper something about going to the bathroom. You make it out of the theater and you never realized how jealous you were. Your relationship now? All forced. You didn’t even like the guy. Hell, he kisses like a fish out of water. 
Going to the family bathroom, you nearly kick the trash can in anger. In this moment you are hit by how fake your life is. How much shit you’ve been through and how love is not real. Well not real for you. You grab the sink and look at yourself in the mirror. You’re wearing more makeup than normal. It’s like you put makeup on a goddamn pig. Right now you have to play the role of a loving and loyal girlfriend. But is that you? Do you love him? 
Before you could continue questioning everything, the bathroom door opens. You must have not locked it.
“My bad I-” 
That fucking voice. Just hearing it right now is like the universe is taunting you.
“Darlin’.” 
“Cooper.”
You face him, a frown on your face. He doesn’t look any better. It’s like he’s seen a ghost. He comes into the bathroom, locking the door. Why would he do that? 
“Haven’t seen you in months… glad to see you’re doing well. I’m sorry about that party. What I did was wrong.” He begins to apologize. “If I knew you two were-”
“We weren’t.” You cut him off. “I should be going.”
You’re about to push past him and out of the bathroom until he grabs your wrist.
“Listen, I miss you. You were my best friend for a while an’ I just threw ya out like an old toy.”
You don’t answer.
“You look so pretty tonight. That dress… you look so good, sweetheart.”
“Don’t.”
“I-”
“I don’t get you, Cooper Howard. I don’t understand how you work the way you do. You’ll kiss me and then act like nothing ever happened. You make me feel insane! What is it with you? Do you do this with any woman you act with? If you do, I feel horrible for your wife.”
His soft expression sours. You know what’s to come next.
“You are not one to talk.” He starts, “You know it’s crazy, I used to like you.”
That makes you laugh. Of course he did. “Oh sure you did.” You roll your eyes.
“I did!” He defends.
A part of you wants to believe him but he has been nothing but in love with his wife since day one. What makes him think now it is okay to say this? Is it because you’re with a guy? That you’re not single? At this moment, the tension in the room is too tough. You couldn’t even cut it with a knife. For once, you kiss him. You’re the one pressing your lips against his. Both of you are sober at this moment. Kissing him sober is so much better than before. Your cherry red lipstick is smearing across his lips. Neither of you seem to care. He has you pushed up against the sink, you can feel his arousal in his pants. You push your hips into his, moaning as he bites down on your lip. This time feels different than any time before. It’s like you know you’re going to cross a line. He lifts up your dress, pressing a finger against your soaked panties. He nearly growls at the feeling. 
“Can I?” He asks and you nod.
He instantly drops to his knees leaving you confused. In one swift motion, he pulls down your panties. Before you can look down, his tongue runs over your clit. You twirl your fingers in his hair, tugging at it softly. All the times you’ve almost had him have led up to this moment. Softly, he sucks on your clit. You’re about to moan his name but something else takes your attention. He’s shoving two fingers into you. 
“Coop!” You hiss, grinding your cunt against his face. 
He chuckles, swirling his tongue over your clit. You swear you’ve died and gone to heaven. No one has ever made you feel this good. There’s a fire in your core. He curls his fingers and starts to rock them in and out of you. This just started but you swear you’re going to cum soon. He nips at your clit, playing with it between his teeth.
“Close. Fuck, I’m close.” You moan out.
Without warning, he pulls his fingers out of you. Pressing a kiss to your thigh, he looks up at you. Without his fingers inside of you, you whine. Looking down at him, you meet his eyes.
“You’re going to cum on my cock, got it?” 
He stands up, struggling with his belt. You try to help him take it off but he swats your hands away. Once the belt is off, he pulls his pants and boxers down in one swift motion. He’s big. You don’t know how he’s going to fit inside of you. It’s possible but it looks like he could split you in two. Who knew he was packing this whole time?
Cooper lifts you up onto the sink so you’re on display. He pulls your dress up around your waist before coating himself with your arousal. 
“Beg for it.” He demands, “How badly do you want me?”
You’ve never begged before. But fuck it. “Badly.”
“How badly, darlin’? Use your words.” 
He’s constantly rubbing himself up and down your slit. Everytime he brushes against your clit you lose it, a tiny moan slipping past your lips.
“I want you to fuck me, Cooper. Like all those times you’ve kissed me. I need you. I ache for you.” You whine.
He accepts that, slowly pushing into you. It hurts. It’s bigger than any toy you’ve used on yourself. You wrap your arms loosely around his neck, whimpering. Cooper doesn’t seem to pick up on the discomfort because he’s already starting to thrust in and out of you. He rests his forehead against yours so he could look into your eyes and he fucks you. His jaw is hanging slightly as it seems he’s thinking with his cock rather than his head. Every time he hits a certain spot inside of you, you moan louder. 
“You’re tight, sweetheart. Bet your boyfriend doesn’t fuck you like this.” Cooper grunts, pressing a messy kiss to your lips. 
“Bet he doesn’t know how to make you cum.” He taunts.
You’re already starting to moan again, head tilting back. Maybe once this is over you can tell him that he’s your first. That you’ve been waiting for this day. To avoid saying anything stupid, you press a desperate kiss to his lips. It’s mainly to shut the both of you up. You’d never let your boyfriend touch you like this. He’s not Cooper. He’ll never be him. You feel nothing but bliss right now as Cooper fucks you. His thrusts are getting faster, messier. Pulling away from the kiss, he rests his forehead back on yours. Using a free hand, he starts to play with your clit. You feel like you’re on fire.
“Gonna cum. Fuck, Coop.” You moan.
This seems to encourage him, he’s getting sloppier. “Cum for me, sweetheart. Make a mess all over my cock.” He nearly growls.
You feel a knot explode in your lower stomach as you hit your climax. You’re digging your nails into his suit as you scream his name. Anyone outside the bathroom could hear the both of you. This was a risky game the two of you were playing. You clench down on him as you orgasm. His cock twitches inside of you as he quickly pulls out. You’re trying to catch your breath and he’s jerking his cock off. It’s aimed right at your clit. 
“Gonna cum all over your pretty pussy. Fuck.” He grunts, rambling to himself. 
His head falls back as he cums. It’s a lot. Some of it lands on the sink, your pussy, and your dress. You’re covered in his cum. Still trying to catch your breath, you look at Cooper. His hair is no longer slicked back, it’s falling into his face. Not just that but he’s drenched in sweat. He’s made a mess of himself. Made a mess of you. 
While the both of you catch your breath, you feel the urge to blurt something out. 
“I was a virgin.” 
He looks at you, confused and horrified. Confused because he could have sworn you’d have had sex by now and horrified because he took your virginity in the bathroom of a theater. Quickly, he pulls back up his pants. 
“I’m sorry.” Is all he can muster. He’s ashamed that your first time was here. That it wasn’t special. To him, you deserve nothing but the best in life. That’s why he was always scared to hurt you. 
His reaction is making you feel sick. This isn’t how it should be. It should be a cute moment shared between the both of you. You’re about to open your mouth but he quickly leaves the bathroom. Now you’re feeling ashamed. 
You take a few minutes before getting up. You wipe whatever bit of his cum off of you that you can. Next thing you do is leave the bathroom and go back to the theater. Sitting next to your boyfriend, the only thing on your head is that you smell like sex. 
You smell like Cooper Howard.
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tag list: @djarinsgirl27 , @cupid-club
part two coming soon
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determinate-negation · 3 months
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Hollywood has made a lot of movies about the Holocaust, but not a single one has shown a romani perspective, even though half of Europe's roma population was exterminated by the nazis. I can't really think of anything coherent to say about this, do you?
because it is not of interest to western audiences and doesnt fit the pre-established popular narrative structures of mass culture relating to ww2. whats going to be a popular movie has nothing to do with the real magnitude or importance of something. the big space that ww2 and nazi movies occupy in mass culture also has little to do with the real history of the holocaust for any of its victims. in fact the holocaust was pretty absent from american consciousness post war, it wasnt seen as part of why the us was fighting ww2, survivors didnt talk about it, and it first started to enter popular american consciousness in a big way because of a nbc tv series in 1978 called holocaust about a fictional jewish family. and although this series was the first time many americans had even seen or heard of many aspects of the holocaust, it was still criticized for sanitizing the true extent of nazi war crimes and how horrific conditions were. all this is to say that very few of these popular culture representations really have to do with showing the full reality of something, there are calculations in terms of everything relating to the mass market for film and tv. theres on one hand a western fascination with the third reich (just go to any book store and see how many books there are about hitler) that i think motivates a lot of these representations and on the other hand the transformation of memory of the shoah into a political tool for us interests and the rise of the israel lobby in the us, thus american films are more likely to feature jewish narratives. jewish protagonists in world war 2 movies will likely be more relatable to an american viewer than roma people, straight up, because most mainstream holocaust films with jewish main characters are about middle class ashkenazi jews who lives are much like middle class americans. even though most of the jewish victims of nazism were poor religious eastern european jews. its the fear that it could happen to you, and thats less apparent if the story is about victims you cant relate to. also, theres a lot of jewish directors in america and not a lot of roma directors 🤷🏻
further reading:
The Culture Industry
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mariocki · 2 months
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Brannigan (1975)
"Well, if it was up to me, I'd get some men out thumping on the streets, passing out some 'e pluribus unum'. That's what ninety percent of police work is today."
"The murder rate in your country, I'm sure, gives ample testimony to your superior police methods."
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nellarw95 · 27 days
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Happy Birthday George 🥳🎂🎈🎁🎉
George Walton Lucas Jr
May 14,1944
Buon Compleanno 🥳🎂🎈🎁🎉
14 Maggio 1944
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