#Andrew Rogers Oracle

[earthcovenant]

Marduk: Patron, Destroyer - Challenging Perception of Justice in Babylonian Society

Marduk: Patron, Destroyer - Challenging Perception of Justice in Babylonian Society. #JusticeFraud #BabylonianJustice #AfghanPeoplesTruth #MardukInspiration #MotivationFromBabylon #AndrewRogersOracle #AfghanistanJustice #BabylonianSociety #BabylonGod

Marduk: Patron, Destroyer – Challenging Perception of Justice in Babylonian Society The Babylonian Society: Marduk, ‘Patron of Babylon, Destroyer’ – Oracle: Andrew Rogers. “Your perception of justice is a fraud, as the occurrences of what has occurred prior to present for the Afghan Peoples, and you stand in position and say it is justice, this is not the truth, which you also do not honour” –…

[oneworldearth]

The Taliban's Resurgence in Afghanistan: Assessing the Delusions of Power

The Taliban's Resurgence in Afghanistan: Assessing the Delusions of Power. #TalibanDominance #AfghanistanRestoration #PowerDelusions #ClearPosition #PerceivedOutcome #TalibanOutcome #USAandtheTaliban #UnitedNationsinAfghanistan #MotivationandJustice

The Taliban’s Resurgence in Afghanistan: Assessing the Delusions of Power OneWorld: Emperor ‘Sentient’, ‘Destroyer’ – Oracle: Andrew Rogers. “Power and its clear delusions in position has result in the restoration and dominance of the Taliban in Afghanistan, the perceived outcome should have been assessed and this outcome of the Taliban should not have been instigated, those involved with this…

[imajicaagency]

The Injustice Against the Palestinian People

The World and its representative Governments and also the United Nations needs to reflect and comprehend the reality of what has occurred in the region of Palestine and to the Palestinian People and in surrounding regions from 1948 from the creation as perceived an Illegal State known as Israel, with no relative rights to ownership of the lands that was secured to create Israel and from this illegitimate, unjust and unlawful position what has been undertook by Israel and supported by countries outside the region of Israel against Palestine, the Palestinian People and surrounding regions who support the Palestinians has been unwarranted and acts of criminally, human rights violations and war crimes supported by example the US Government and its Agencies and Military, the US Allies, the United Nations represented by the United Nations Security Council and the Australian Government its Agencies and Military since 1948 too present day. The basis of Israel and its apparent rights is baseless and not factual but is a representation of a myth, misrepresentation, untruths, lies and deception from 1948 to present time and beyond back in time from 1948. To date no country or military has come to the aid of the Palestinian People to secure their lands that were bequeathed, stolen, annexed from them to create Israel in 1948.

Imajica Agency is an agency that indicates requirements of justice, clearly to the proponents of injustice for example the Palestinian Peoples.

To secure justice and rights for the Palestinian Peoples and secure justice towards the instigators of the injustice against the Palestinian Peoples.

To highlight and expose the unjust actions that have been positioned from the source to present and hold what that represents account.

Please see attached document.

For more information please email: E imajicaagency@gmail.com

All images, text, design, and art license owner Andrew Rogers©.

Andrew Rogers

Founder, Justice Auteur, Creative Director, Consultant, Writer, Oracle

Imajica Agency

E imajicaagency@gmail.com

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The Importance of Worshiping Egyptian Gods and Goddesses in the Modern World

The Importance of Worshiping Egyptian Gods and Goddesses in the Modern World

The Egyptian Society: Anubis ‘God of the Afterlife’- Oracle: Andrew Rogers

“Hello my name is Anubis I look after the dead and all funerary practices when you die you travel to me and have judgement on your life this is important, it is important that you lead a good life so when you are judged upon death you transcend to the afterlife, in ancient times I was worshipped quite widely and there was much to do people feared me, in the modern times things are different after Egypt was taken over by its enemies then the process noted in the Book of the Dead was ceased, new religions came to the force and a lot of history was lost, but I still undertake my responsibilities each day. I am interested in the modern people who worship the Egyptian Gods and Goddesses and are aware of the Book of Dead, it is extremely important that we have the modern person worshipping and learning about the Egyptian Gods and Goddesses, be careful in life and be love, practice daily and we will meet when you journey to the location of your afterlife” Anubis ‘God of the Afterlife’

Anubis, the God of the Afterlife, continues to fulfill his sacred responsibilities, even in these modern times. Although the worship of ancient Egyptian deities has diminished over the centuries, there are still individuals who honor and study the teachings of the Egyptian Gods and Goddesses.

While Egypt has faced various challenges throughout its history, including foreign invasions and the rise of new religions, Anubis remains steadfast in his role as the overseer of the dead. The ancient practice of judgment after death, as described in the Book of the Dead, may have faded away, but the significance of leading a virtuous life remains paramount.

Anubis seeks to connect with those who are familiar with the knowledge preserved in the Book of the Dead. Their understanding of the Egyptian pantheon and their dedication to learning about the ancient ways is crucial. By embracing love and practicing daily, these modern followers ensure a future meeting with Anubis when they embark on their journey to the afterlife.

Let us remember Anubis, the guardian of the dead, and appreciate the importance of spirituality in our lives. May we all strive to live virtuously and be mindful of the ancient wisdom that Anubis embodies.

Anubis ‘God of the Afterlife’

Anubis, the jackal-headed god of ancient Egypt, has fascinated people for centuries with his mysterious role as the guide of souls into the afterlife. From the First Dynasty to the Middle Kingdom, Anubis played an important role in Egyptian society as the god of embalming, weighing of the heart, and ushering of souls into the realm of the dead. Despite being one of the most ancient and frequently depicted gods in the pantheon, Anubis played almost no role in Egyptian myths. However, his significance was far-reaching, as he represented the power of death and rebirth, and his black color symbolized the discoloration of the corpse after embalming as well as rebirth. Anubis was often associated with Wepwawet, another god portrayed with a dog's head or in canine form, but with grey or white fur. Together, the two figures were believed to have guided and protected the deceased on their journey to the afterlife. Anubis also had a female counterpart, Anput, and a daughter, Kebechet, who was the serpent goddess of purification. The myths and legends surrounding Anubis may have faded over time, but his enduring presence in Egyptian culture is a testament to his importance and influence on ancient beliefs and practices.

Anubis' image can be seen in various ancient Egyptian art forms, including reliefs, sculptures, and paintings. His iconic canine head, black fur, and slender body make him instantly recognizable. Anubis was an integral part of Egyptian funerary rituals, and his presence ensured that the dead received proper burial and were guided to the afterlife. Despite not having a significant presence in Egyptian mythology, Anubis remains one of the most iconic and recognizable figures from ancient Egyptian culture. Today, his image is often used in popular culture, from movies to video games and even tattoos. It just goes to show the enduring legacy of ancient Egyptian beliefs and practices, and the lasting impact they have had on the world.

The Egyptian Society

Andrew Rogers: Founder, Egyptian Auteur, Creative Director, Writer, Oracle  

E: theegyptiansocietyorg@gmail.com

All images, text, design, and art license owner Andrew Rogers©.

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[imajicaentertainment]

The spirit, the will to win, and the will to excel are the things that endure. These qualities are so much more important than the events that occur - Vince Lombardi.

Andrew Rogers – Creative Director, Oracle.

��⠀🥀

[imajicaentertainment]

Imajica Entertainment Presents: The Alice Cooper Show

Imajica Entertainment Presents: The Alice Cooper Show

The Alice Cooper Show a 14-part series based on the music of Alice Cooper, with Alice Cooper writing and developing conceptually for the series. Using the albums of Alice Cooper as inspiration and content for the 14-part series

The Alice Cooper Show will directly involve Alice Cooper as creator, writing for each of the episodes of The Alice Cooper Show linked to Alice Coopers Discography.

The Alice Cooper Show will be a revelation that will shock and entertain with each episode.

The themes, and aspects of each episode of The Alice Cooper Show will be created and instigated from Alice Cooper.

The Alice Cooper Show: A Musical Revelation

Rock legend Alice Cooper is set to make a groundbreaking move into the world of television with "The Alice Cooper Show," a 14-part series that promises to shock and entertain audiences. The show will be based on Alice Cooper's extensive music catalog, with the iconic artist himself taking on the role of creator and writer for each episode.

Drawing inspiration directly from Cooper's albums, the series will delve deep into the themes and concepts found within his discography. Each episode is set to reveal a new side of Alice Cooper's creative genius, captivating viewers with its unique blend of music and storytelling.

From the dark and theatrical to the edgy and provocative, "The Alice Cooper Show" is poised to be a one-of-a-kind experience, providing fans with an intimate look into the mind of the rock icon. With Cooper at the helm, the series is sure to push boundaries and leave a lasting impression on all who tune in.

Stay tuned as "The Alice Cooper Show" brings the raw energy and innovation of Alice Cooper's music to the small screen, promising an electrifying journey unlike any other.

Contributor: Clyde AI

You are appreciated for you review and consideration and your considered response of the attached from which I, Andrew Rogers ‘Founder, Creaive Auteur’, represent: The Alice Cooper Show

This contact will be followed up with a phone call to discuss the content of this email and attached document: The Alice Cooper Show

The Imajica Entertainment – The Alice Cooper Show, further details will follow this contact and also a phone call.

All images, text, design, and art license owner Andrew Rogers©.

Please Contact: 

Andrew Rogers

Founder, Creative Auteur, Destroyer Auteur, Creative Director, Producer, Consultant, Writer, Oracle

Imajica Entertainment

E: imajicaentertainment@gmail.com

Zoom: imajicadesign69@gmail.com

Skype: live:.cid.b44175dd49cbc084

All images, text, design, and art license owner Andrew Rogers©.

[earthcovenant]

The Egyptian Society and the Reflection of Injustice: A Perspective on Afghanistan

The Egyptian Society and the Reflection of Injustice: A Perspective on Afghanistan. #JusticeForAfghanistan #EgyptianJustice #SunGodJustice #AfghanPerspective #GlobalJusticeReality #KemetJustice #AfghanOracleInspiration #JusticeAuteur #ImajicaJustice

The Egyptian Society and the Reflection of Injustice: A Perspective on Afghanistan Ra ‘Sun God, Destroyer’ – The Reflection of Injustice: A Journey through Afghanistan The Egyptian Society: – Ra ’Sun God, Destroyer’– Oracle: Andrew Rogers. “The implication that an inferior perspective of justice and rule has been instigated in a Country of known as Afghanistan, this reflects a reality of…

[imajicaagency]

The Role of Jupiter in Roman Society and Its Impact on Justice

The Role of Jupiter in Roman Society and Its Impact on Justice

The Roman Society: Jupiter ‘God of the Sky’, Destroyer’ 

“To accomplish the security required for the Palestinian People, it is a requirement for the inaction of Israel and its military assets, but it also includes the people of Israel who are dangerous and deficient in reference to the Palestinian People and the locations from Israel, which they have wrongfully secured” - Jupiter ‘God of the Sky’, Destroyer’ – Andrew Rogers ‘Justice Auteur, Writer, Destroyer Incarnate, Oracle’. 

Societas Romana: Iuppiter 'Deus Caeli', Perditor. 

"Ad securitatem populi Palaestinae requisitam, exigentia est ad desidiae Israelis eiusque bonorum militarium, sed etiam Israelitici homines periculosos et deficientes in comparatione ad Populum Palaestinae et ad loca ab Israele) comprehendit. quam iniuste firmaverunt" - Jupiter "Deus Caeli, Perditor" - Andrew Rogers "Iustitia Auteur, Scriptor, Perditor Incarnatus, Oraculum".

Understanding the Controversial Statement

The quote provided delves into the complex and contentious issue of security in the Middle East, particularly in relation to the Palestinian people and Israel. It portrays a perspective that emphasizes the inaction of Israel and its military assets as a crucial element in achieving the security required for the Palestinian people. Additionally, it labels the people of Israel as "dangerous and deficient" in their treatment of the Palestinian people and their unlawfully secured locations within Israel.

It's important to note that this quote is attributed to "Jupiter 'God of the Sky', Destroyer", which suggests a symbolic or allegorical context. It could be inferred that this statement may not represent a mainstream or widely accepted viewpoint, but rather a provocative or artistic expression.

The complexity and sensitivity of the Israeli-Palestinian conflict necessitate nuanced and respectful dialogue. Understanding the historical, political, and social dimensions of the situation is crucial to grasp the underlying meanings and implications of such statements. This quote underscores the deeply entrenched perspectives and emotions involved in the ongoing conflict, emphasizing the need for empathy, understanding, and constructive engagement from all parties involved.

The Impact of Israel on the Palestinian People: A Retrospective Analysis

“The indication that Israel and the People of Israel are dangerous is beyond perception and myth, but a reality that has officially impacted on the Palestinian People since 1948 with retribution, justification and justice to be served to Israel and the supporters of Israel from 1948 to present day” – Andrew Rogers ‘Justice Auteur, Writer, Oracle’.

The Impact of the Israel-Palestine Conflict

The quote provided sheds light on the longstanding Israel-Palestine conflict and its impact on the Palestinian people. Since 1948, this conflict has been marked by retribution, justification, and a quest for justice.

The reference to Israel and its supporters as dangerous underscores the gravity of the situation. This viewpoint reflects the deep-seated tensions and opposing perspectives surrounding the conflict.

Andrew Rogers, described as a 'Justice Auteur, Writer, Oracle', emphasizes the tangible reality of the situation. His words highlight the profound impact of the conflict on the Palestinian people, indicating that the consequences and grievances extend beyond mere perception or myth.

This quote encapsulates the complex and deeply rooted nature of the Israel-Palestine conflict, encapsulating decades of historical, political, and humanitarian complexities that continue to shape the region's dynamics.

Securing Justice: The Case for Israel and Palestine

“Justice is not just a theme or an idea but a clear act that is required to be actioned, this is case for Israel and its people, justice is required to be served to Israel and the People of Israel which is the actions of Andrew Rogers and what links Andrew Rogers as of justice, which is clearly focus on securing justice for the People of Palestine and destroying Israel to the point of inaction within the region and in reference to the Palestinian People, to return them to the barren caves of history and dwell for the People of Israel” – Michael ‘Justice Advisor, Spirit Sentient, Destroyer’ – Andrew Rogers ‘Justice Auteur, Writer, Oracle’.

The Importance of Justice: Unraveling Michael and Andrew's Perspective

The passage in question unveils a perspective centered on the concept of justice, as articulated by Michael, a self-proclaimed 'Justice Advisor, Spirit Sentient, Destroyer' and Andrew Rogers, 'Justice Auteur, Writer, Oracle'. Their discourse emphasizes the need for action to secure justice for the People of Palestine while proposing a course of inaction for the state of Israel.

This viewpoint presents justice not merely as a theoretical notion, but as an imperative that demands tangible implementation. Its proponents advocate for a distinction between the actions required to serve justice for Israel and its people, and the purported endeavors to ensure justice for the Palestinian people, implying a dichotomy between the two.

Furthermore, the assertion of returning the Palestinian people to the "barren caves of history" is a stark portrayal that underscores the depth of injustice and suffering endured. Conversely, the idea of "securing justice for the People of Palestine" depicts a drive towards rectifying historical grievances.

In essence, the complex and contentious dynamics at play in the discourse presented by Michael and Andrew underscore the multifaceted nature of the pursuit of justice in the context of the Israeli-Palestinian conflict.

As such, this discourse invites critical reflection on the divergent interpretations of justice and the ethical implications of the proposed actions, opening the door to a deeper exploration of the pursuit of justice in the Israeli-Palestinian context.

Unveiling the Fanaticism: Understanding and Addressing Israel's Actions

“The truth presented is the fanaticism is the predominance of the creation of Israel and is of the Israel Government, its agencies an Military, and a percentage of the Israel People, this fanaticism is supported across the world for example the US and the United Nations, and from this assessed fanaticism is the acts against the Palestinian People and what Israel positions as the basis of their acts from 1948 to present, this fanaticism of Israel is required to be comprehended and removed and just served to Israel for its fanatism, which links criminal acts without being held account as clearly Israel actions against the Palestinian People” - Michelle ‘Justice Advisor, Spirit Sentient, Destroyer’  – Andrew Rogers ‘Justice Auteur, Writer, Oracle’

Jupiter: The King of the Roman Gods

In ancient Roman religion and mythology, Jupiter reigns as the god of the sky and thunder, holding the esteemed title of king of the gods. Throughout the Republican and Imperial eras, Jupiter holds the prestigious position of chief deity in Roman state religion. It wasn't until Christianity emerged as the dominant religion of the Empire that Jupiter's prominence gradually waned.

The Mythological Significance of Jupiter

According to Roman mythology, Jupiter plays a crucial role in establishing the fundamental principles of Roman religion. One notable event is his negotiation with Numa Pompilius, the second king of Rome. Together, they laid the groundwork for important religious practices such as offerings and sacrifices.

Jupiter's influence extended beyond mere mythology, as his role in shaping Roman religious customs had a profound impact on the development of the ancient civilization. As the supreme deity, Jupiter embodies the power and authority that the Romans revered.

Legacy and Influence

As a figure of immense significance, Jupiter's legacy endures through the historical records and artifacts of ancient Rome. His portrayal in art and literature provides a window into the religious and cultural beliefs of that era.

While the ascendancy of Christianity led to the fading of Jupiter's eminence, the impact of the king of gods remains ingrained in the annals of Roman history. Today, the legacy of Jupiter serves as a reminder of the rich tapestry of beliefs and deities that once held sway over the hearts and minds of a flourishing civilization.

Please see attached document.

You are appreciated for you review and consideration and your considered response of the document from which I, Andrew Rogers ‘Justice Auteur’, represent:Jupiter ‘God of the Sky’.

This email will be followed up with a phone call to discuss the content of this email and attached document.

For more information please email: E imajicaagency@gmail.com

All images, text, design, and art license owner Andrew Rogers©.

Andrew Rogers

Founder, Justice Auteur, Destroyer Auteur, Creative Director, Consultant, Writer, Oracle

Imajica Agency

E imajicaagency@gmail.com

Zoom: imajicadesign69@gmail.comSkype: live:.cid.b44175dd49cbc084

[theegyptiansocietyorg]

Seth Embracing the Enigma of the Egyptian God

Wisdom of the Ages for the Modern World: Seth ‘God of Deserts, Destroyer’ – Edition 1

Host: Andrew Rogers: Founder of the Egyptian Society, Egyptian Auteur, Writer, Oracle.

The Egyptian Society: Seth ‘God of Deserts, Destroyer’ – Andrew Rogers Egyptian Auteur, Writer, Oracle.

Seth: The Complex God of Ancient Egypt

In the rich tapestry of ancient Egyptian religion, one deity stands out for his complex nature and multifaceted role. Set, also known as Sēth in Ancient Greek, is a god associated with deserts, storms, disorder, violence, and foreigners. His significance in Egyptian mythology cannot be understated, as he plays a vital role balancing the forces of good and evil.

The Egyptian Society

Andrew Rogers: Founder, Egyptian Auteur, Creative Director, Writer, Oracle  

E: theegyptiansocietyorg@gmail.com

All images, text, design, and art license owner Andrew Rogers©.

[imajicaentertainment]

The spirit, the will to win, and the will to excel are the things that endure. These qualities are so much more important than the events that occur - Vince Lombardi.

Andrew Rogers – Creative Director, Oracle.

𝔢𝔪𝔦𝔩𝔦𝔢 𝔞𝔲𝔱𝔲𝔪𝔫 ˚₊‧꒰ა ʚïɞ ໒꒱ ‧₊˚

[oneworldearth]

Justice and Empowerment: Advocating for Self-Reliance and Self-Rule in Afghanistan

Justice and Empowerment: Advocating for Self-Reliance and Self-Rule in Afghanistan

The Roman Society: Lady Justice ‘Justitia’, ‘Roman Goddess’, ‘Destroyer’ – Oracle:  Andrew Rogers.

“Self-reliance and self-rule need to be advocated to the Afghanistan People and justice undertook against what the Taliban is and what it represents also indicative is the World’s allowance of the Talban to resurface it required justice to be undertook against those involved regardless of position” - Lady Justice ‘Justitia’,‘Roman Goddess’, ‘Destroyer’.

Lady Justice, also known as 'Justitia', is a prominent figure in Roman mythology and symbolism. Depicted as a blindfolded woman holding a set of scales and a sword, she represents fairness, impartiality, and the pursuit of justice.

In ancient Rome, Lady Justice played a vital role in maintaining social order and ensuring that laws were upheld. She was considered the personification of justice and the embodiment of Roman values. The Romans believed that justice should be blind, treating all individuals equally regardless of their social status or background. Lady Justice symbolized this belief by wearing a blindfold, thus demonstrating that judgments should be made solely on the evidence presented and not influenced by external factors.

The scales that Lady Justice carries are also significant. They represent the weighing of evidence and arguments in a fair manner. The idea behind the scales is that justice should be balanced, ensuring a just resolution for all parties involved. The sword she holds signifies the authority and power needed to deliver justice and punish wrongdoings.

Fast forward to the current situation in Afghanistan, Lady Justice's relevance becomes even more apparent. The Taliban's resurgence and their oppressive ideology have caused immense suffering for the Afghan people. To address this, Lady Justice calls for self-reliance and self-rule to be advocated among the Afghan people.

Lady Justice emphasizes the importance of taking a stand against the Taliban's ideology and those who support it, regardless of their position. The call for justice is not limited to only punishing those involved but also recognizing the need for a fair and impartial system that upholds the principles of justice.

The world community also has a responsibility to ensure justice prevails in Afghanistan. Allowing the Taliban to resurface without undertaking the necessary measures would be a grave injustice to the Afghan people who have suffered under their regime. Lady Justice urges the international community to support the establishment of a just and equitable society in Afghanistan.

In conclusion, Lady Justice has a significant role in Roman society as the embodiment of justice and fairness. Her symbolism holds relevance in the current situation in Afghanistan, where justice and self-rule need to be advocated. It is imperative that justice is undertaken against those who support the Taliban, regardless of their position. Only by actively promoting justice and supporting the Afghan people can we ensure a better future for the nation.

Lady Justice ‘Justitia’, ‘Roman Goddess’, ‘Destroyer’

Lady Justice, also known as Iustitia in Latin, is a powerful allegorical representation of the moral force that underlies judicial systems. Depicted with several distinctive attributes, this iconic figure serves as a reminder of the virtues and principles upon which justice is built.

When visualizing Lady Justice, one cannot overlook the blindfold that covers her eyes. This blindfold symbolizes impartiality, indicating that justice should be administered without any bias or prejudices. It is a call for the fair and equitable treatment of all individuals who come before the law, irrespective of their social status, wealth, or power. By wearing the blindfold, Lady Justice emphasizes the importance of an objective evaluation of evidence and arguments, ensuring that judgments are reached solely on the basis of law and reason.

Another significant emblem associated with Lady Justice is the balance she holds in her hand. This balance represents the weighing of evidence and arguments presented by both parties in a legal dispute. It signifies the pursuit of truth and the aspiration for a just outcome. By carefully weighing the evidence before her, Lady Justice ensures that decisions are based on a thorough examination of facts, preventing arbitrary judgments or favoritism.

A third symbol attributed to Lady Justice is the sword she wields. The sword is a representation of the power and authority bestowed upon the courts and legal systems. It signifies the strength required to uphold the law and protect the rights of individuals. The sword serves as a reminder that justice can be firm and decisive when necessary, defending the innocent and punishing the guilty.

Lady Justice has a longstanding lineage that can be traced back to the personifications of justice in ancient Roman art, known as Iustitia or Justitia. Derived from the Latin word "iustitia," meaning justice, Lady Justice finds her counterparts in the Greek goddesses Themis and Dike. Themis, the Greek goddess of divine law and order, and Dike, the goddess of moral justice, share similar roles and characteristics with Lady Justice.

The symbolism associated with Lady Justice has had a profound influence on legal systems throughout history. From courtrooms to legislation, the image of Lady Justice serves as a constant reminder of the principles that guide judicial proceedings. She reminds us of the importance of fairness, objectivity, and the pursuit of truth in the administration of justice.

Imajica Agency

Andrew Rogers: Founder, Justice Auteur, Creative Director, Writer, Oracle  

E: imajicaagency@gmail.com

All images, text, design, and art license owner Andrew Rogers©.

[imajicaentertainment]

Introducing iANIMICv: Imajica Entertainment’s Vision for Anime and Comic Entertainment Industry

Introducing iANIMICv: Imajica Entertainment’s Vision for Anime and Comic Entertainment Industry

Imajica Entertainment is seeking investors and business partners to develop, facilitate and launch Imajica Entertainment – iANIMICv to the World. Imajica Entertainment will appreciate consideration for investment and business partnerships.

Imajica Entertainment - iANIMICv which is of Anime and Comic Entertainment ‘Streaming, Free to Air, Cable and Satellite’ with licensed content and original content of movie, series, music, eBooks, merchandise, and eCommerce. In addition, facilitating Gaming, Virtual Reality, and a Metaverse based on content, managed, and facilitated by AI.

Andrew Rogers has been 25 years working within Advertising, Publishing, Design and TV Production businesses as a Creative Director and Creative Consultant and as an Associate Producer and for a TV Series produced within Australia.

Facilitating Entertainment to the World

Imajica Entertainment will actively secure anime and comic content for the 1920’s to present and day for Imajica Entertainment - iANIMICv and create original anime and comic content for Imajica entertainment iANIMICv a develop Virtual Reality, Gaming, Metaverse and eCommerce based on the anime and comic content and anime and comic original content for Imajica Entertainment – iANIMICv.

Please see attached.

All images, text, design, and art license owner Andrew Rogers©.

Please Contact: 

Andrew Rogers Founder, Creative Auteur, Creative Director, Producer, Consultant, Writer, Oracle

Imajica Entertainment

E: imajicaentertainment@gmail.com

Zoom: imajicadesign69@gmail.com

Skype: live:.cid.b44175dd49cbc084

[ninewheels]

BUFFYVERSE (BUFFY THE VAMPIRE SLAYER + ANGEL) Characters By Screen Time

Buffy Summers - 2630 Angel - 2008 Willow Rosenberg - 1258:15 Xander Harris - 1067:30 Cordelia Chase - 1038 Wesley Wyndham-Pryce - 840:15 Rupert Giles - 820:30 Spike - 760:30 Charles Gunn - 575:45 Winifred “Fred” Burkle - 480:15

Anya Jenkins - 379:15 Dawn Summers - 376:45 Lorne - 281:15 Faith Lehane - 256:15 Riley Finn - 241 Connor - 231:45 Tara Maclay - 211:30 Daniel “Oz” Osbourne - 181:15 Joyce Summers - 164:30 Darla - 154:45 Lilah Morgan - 153 Allen Francis Doyle - 132:30 Lindsey McDonald - 128:30 Harmony Kendall - 123 Andrew Wells - 122:45 Drusilla - 97 Det. Kate Lockley - 88:45 Jonathan Levinson - 79:15 Jenny Calendar - 65:45 Principal Robin Wood - 65:30 Warren Mears - 56 Illyria - 55 Kennedy - 54:30 Daniel Holtz - 51:30 The Groosalugg - 50:45 The First Evil - 50:15 Glory - 50:15 Mayor Richard Wilkins III - 44:30 Eve - 41:15 Jasmine - 41 Anne Steele - 38:45 Principal Snyder - 38:45 Gwen Raiden - 38 Amy Madison - 34:15 Justine Cooper - 32:15 Holland Manners - 30:15 Forrest Gates - 29:45 The Master - 27 Ben Wilkinson - 27 Kendra Young - 25 Nina Ash - 24:15 Adam - 22:30 Amanda - 22:30 Sahjhan - 22 Rebecca Lowell - 22 Skip - 21:30 Gavin Park - 21:15 Caleb - 21 Prof. Maggie Walsh - 20:45 Linwood Murrow - 20:30 Buffy-Bot - 20:30 Parker Abrams - 19:45 Bethany Chaulk - 19 Knox - 18:30 Ethan Rayne - 18:30 Graham Miller - 18:15 Sam Lawson - 18:15 Mr. Trick - 17:30 Virginia Bryce - 17:15 Halfrek - 16 Marcus Roscoe - 15:30 The Beast - 15 Rona - 15 Inca Mummy Girl - 15 Roger Wyndham-Pryce (doppleganger) - 14:30 Trish Burkle - 14:30 Roger Burkle - 14 Ted Buchanan - 13:45 Rondell - 13:30 Clem - 12:45 Vi - 12:45 Dana - 12:45 Quentin Travers - 12:30 Marcus Hamilton - 12:15 Billy “Ford” Fordham - 12:15 Jhiera - 12 Molly - 11:45 Holden Webster - 11:45 Veruca - 11:30 Numéro Cinco - 11:30 Barney - 11:15 Owen Thurman - 11 Melissa Burns - 10:45 Jinx - 10:30 Kathy Newman - 10:30 Judy Kovacs - 10:15 D’Hoffryn - 10 Merl - 10 April - 10 Gene Rainey - 10 Cassie Newton - 9:45 Trevor Lockley - 9:45 Tina - 9:45 Richard Straley - 9:30 Olaf - 9 Larry Blaisdell - 8:30 Gio - 8:30 Gwendolyn Post - 8:30 Katrina Silber - 8:15 Silas - 8:15 R.J. Brooks - 8:15 Willy the Snitch - 8 Cyvus Vail - 8 Alonna Gunn - 8 Harriet “Harry” Doyle - 8 Penn - 8 James - 8 Nancy - 8 Rack - 7:45 Samantha Finn - 7:45 Dracula - 7:45 Jack O’Toole - 7:45 Justin - 7:45 Landok - 7:30 Natalie French - 7:30 Collin, the Annointed One - 7:15 David Nabbit - 7:15 Luke - 7:15 Drogyn - 7:15 Jo - 7:15 Doc - 7 Scott Hope - 7 Marcus - 7 Dr. Ronald Meltzer - 7 Catherine Madison - 7 Lee Mercer - 6:45 Nathan Reed - 6:45 Murk - 6:45 Russell Winters - 6:45 Ryan Anderson - 6:45 Hank Summers - 6:30 James Stanley - 6:30 Billy Blim - 6:15 Shannon - 6:15 Paige Anderson - 6:15 General Gregor - 6:15 Debbie Foley - 6:15 Sweet - 6 Prof. Oliver Seidel - 6 Prima Ballerina - 6 Dr. Angelman - 6 Seth Anderson - 6 Magnus Bryce - 6 Sid - 6 Billy Palmer - 6 Grace Newman - 6 Archduke Sebassis - 5:45 Jesse - 5:45 Chloe - 5:45 Anne (William’s mum) - 5:45 Gage Petronzi - 5:45 Doris Kroeger - 5:45 Pete Clarner - 5:45 Chao-Ahn - 5:30 Dr. Kriegel - 5:30 Sheila Rosenberg - 5:30 The Valet - 5:30 Menlo - 5:30 Tom Warner - 5:30 Sunday - 5:30 Collins - 5:15 Spider Monster - 5:15 Razor - 5:15 The First Slayer - 5 Dr. Sparrow - 5 Wo-Pang - 5 Orlando - 5 Ken - 5 Kyle DuFours - 5 Rhonda Kelley - 5 Tor Hauer - 5 Heidi Barrie - 5 Chris Epps - 5 Coach Carl Marin - 5 Wilson Christopher - 5 T’ish Magev - 5 Lee DeMarco - 5 Zachary Kralik - 4:45 Lyle Gorch - 4:45 Mr. Maclay - 4:45 Vyassa - 4:45 Sam Ryan - 4:45 Jenoff - 4:45 Weatherby - 4:30 Cousin Beth - 4:30 Vanessa Brewer - 4:30 Daryl Epps - 4:30 Devon Macleish - 4:15 Principal Bob Flutie - 4:15 Lissa - 4:15 Nikki Wood - 4 Olivia - 4 Deputy Mayor Allen Finch - 4 Uncle Enyos - 4 Percy West - 4 Smith - 4 Maude Pearson - 4 Old Man (Hell’s Bells) - 4 Eric - 4 Morgan Shay - 4 Richard Anderson - 4 Vocah Demon - 4 M’Fashnik Demon - 4 Female Oracle - 4 The Judge - 3:45 Kit Holburn - 3:45 Caridad - 3:30 Whistler - 3:30 Gronx - 3:30 Cain - 3:30 Dante Chevalier - 3:30 Cameron Walker - 3:30 Zack - 3:30 Tony Harris - 3:15 Male Oracle - 3:15 Izzerial the Devil - 3:15 Dalton - 3:15 Janice - 3:15 Eddie - 3:15 Lorne’s Mother - 3 Senator Helen Brucker - 3 Liam’s Father - 3 Dreg - 3 Donny Maclay - 3 Balthazar - 3 Philip - 3 Lydia - 2:45 Nigel - 2:45 Hus - 2:45 Det. Stein - 2:45 Ed, Grand Potentate of the Fell Bretheren - 2:30 Sandy - 2:30 Lorraine Ross - 2:30 Kakistos - 2:15 Laurence - 2 Jessica Harris - 2 Teeth - 2 Merrick - 1 Numfar - 1

That’s a lot of damn characters. Counted by and rounded to the nearest quarter-minute.

[earthcovenant]

The Injustice of Dangerous Locations and the Actions of the Taliban

The Injustice of Dangerous Locations and the Actions of the Taliban. #UniverseJustice #OneUniverseInspiration #SentientAliens #AfghanJustice #InspiredbyAfghanistan #JusticeAuteur #ImajicaAgencyInfluence #AndrewRogersOracle #TalibanChallenges #Motivate

The Injustice of Dangerous Locations and the Actions of the Taliban OneUniverse: Ensuf ‘Creator’, ‘Alien’, ‘Destroyer’ – Oracle: Andrew Rogers. “In areas that impact on life your location of Earth is malformed and assessed as dangerous in your actions that also secure support and influence that invokes to the level of death your people, this is unjust and is reflected by the actions of the…

[dendre]

Hanglemez 2019/01

Rina Mushonga: Into A Galaxy  9.0  (pop) Andrew Wasylyk: The Paralian  9.0  (instrumentális pasztorál) Nivhek: After...  9.0  (ambient-dreampop) Sharon Van Etten: Remind Me Tomorrow  9.0  (dalszerzőpop) DJ Healer: Lost Lovesongs / Lostsongs Vol. 2  9.0  (ambient-broken beat) Yak: Pursuit Of  Momentary Happiness  9.0  (pszichrock) Bassekou Kouyate & Ngoni ba: Miri  8.5  (mande) Stats: Other People’s Lives  8.5  (gitáros groovepop) Joose Keskitalo: En lahde surussa  8.5  (finn psychfolkpop) Rustin Man: Drift Code  8.5  (posztjazz-artrock) Nkisi: 7 Directions ��8.5  (future techno) Angel Bat Dawid: The Oracle  8.5  (jazz) Dave Harrington: Pure Imagination, No Country  8.5  (artrock-postjazz) Lemonheads: Varshons 2  8.5  (feldolgozáslemez) DAWN: New Breed  8.5  (r&b-pop) Bigwave: Romantic  8.5  (japán future funk, disco) Emily King: Scenery  8.5  (szofiszti neosoulpop) Sister John: Sister John  8.5  (szép gitárzene) Woman’s Hour: Ephyra  8.5  (dream-szintipop) Methyl Ethel: Triage  8.5  (indie-szinti-pop)

Ultramarine: Signals Into Space  8.0  (ambient house) LCD Soundsystem: Electric Lady Sessions  8.0  (dancerock) Juan Wauters: La Onda de Juan Pablo  8.0  (uruguay-i indiefolk) Lifafa: Jaago  8.0  (indiai deephouse) Jay Mitta: Tatizo Pesa  8.0  (singeli, tanzániai juke) TOY: Happy In The Hollow  8.0  (pszichpop) Lip Talk: Days  8.0  (artpop) AJ Tracey: AJ Tracey  8.0  (grime) Jessica Pratt: Quiet Signs  8.0  (kamarafolkpop) Cosey Fanni Tutti: Tutti  8.0  (techno) YMA: Par de Olhos  8.0  (brazil indie-dreampop) Ian Brown: Ripples  8.0  (monkeyman) Girlpool: What Chaos Is Imagenery  8.0  (indiepop) Malibu Ken: Malibu Ken  8.0  (absztrakt hiphop) Mavis Staples: Live In London  8.0  (soul) Xiu Xiu: Girl With A Basket Of Fruit  8.0  (indusztri-experi) Deerhunter: Why Hasn’t...  8.0  (indierock) Maurice Louca: Elephantine  8.0  (arabjazz) Ill Considered: 5  8.0  (jazz) Jards Macalé: Besta Fera  8.0  (MPB) James Blake: Assume Form  8.0  (art&b-pop) Kele Okereke: Leave To Remain  8.0  (dancepop) Jonny Nash: Make A Wilderness  7.5  (ambient) The Specials: Encore  7.5  (skapop) Tallies: Tallies  7.5  (dreampop) Lau: Midnight And Closedown  7.5  (brit folk) Ustad Saami: God Is Not A Terrorist  7.5  (khyal, hindusztáni zene) Jungstötter: Love Is  7.5  (kamarapop) Sundays: Wiaca  7.5  (jangle-dreampop) Pavo Pavo: Mystery Hour  7.5  (dreampop) Bossy Love: Whiplash EP  7.5  (elektrorock) Graham Costello’s Strata: Obelisk  7.5  (jazz) Blockhead: Free Sweatpants  7.5  (absztrakt hiphop) The Telescopes: Exploding Head Syndromes  7.5  (spacerock) Swervedriver: Future Ruins  7.5  (shoegaze-rock) Ladytron: Ladytron  7.5  (elektro-dreampop) Steve Mason: About The Light  7.5  (posztpop) Biiri: Nihiloxica EP 7.5  (bugandai techno) Lowtec: Light Surfing  7.5  (house) Passarani: W.O.W.  7.5  (technohouse) Joe Jackson: Fool  7.5  (piano rock) Cass McCombs: Tip Of The Sphere  7.5  (psychfolk)

Mercury Rev: Bobbie Gentry’s Delta...  7.0  (psychcountry feldolgozáslemez) Czarface & Ghostface Killah: Czarface Meets Ghostface  7.0  (hiphop) Boy Harsher: Careful  7.0  (darkwave-szintipop) Uluru: Acrophilia  7.0  (stoner-psych) Ariana Grande: thank u, next  7.0  (pop) Better Oblivion Community Center: BOCC 7.0  (indiefolkpop) Panda Bear: Buoys  7.0  (avantpop) Blood Red Shoes: Get Tragic  7.0  (gitárpop) Michael Chapman: True North  7.0  (folkrock) Steve Gunn: The Unseen In Between  7.0  (folkrock) William Tyler: Goes West  7.0  (instrumental americana) Sarah Louise: Nighttime...  7.0  (experifolk) You Tell Me: You Tell Me  7.0  (kamaraindie) Sound Stream: Love Remedy  7.0  (discohouse) Lealani: Fantastic Planet  7.0  (artpop) Jorge Velez: Roman Birds  7.0  (ambient elekrtonika) Jay Glass Dubs: Epitaph  7.0  (ambient dub) King Midas Sound: Solitude  7.0  (ambient-dub-poetry) Bob Mould: Sunshine Rock  7.0  (powerrock) Pom-Pom: Untitled II  7.0  (techno) Curren$y & Wiz Khalifa: 2009  7.0  (déli hiphop) Black Dresses: Thank You  7.0  (elektro-glitch-pop) Sneaks: Highway Hipnosis  7.0  (indiehiphop) jonatan leandoer127: nectar  7.0  (hypnagogicpop) The Twilight Sad: It Won/t Be Like This...  7.0  (szindie-pomp) Ossia: Devil’s Dance  7.0  (techno-dubambient) British Murder Boys: Fire In The Still Air  6.5  (industrial techno) Cherry Glazerr: Stuffed & Ready  6.5   (indierock) Sunflower Bean: King Of The Dudes EP  6.5 (indiepop) Polkadot Stringray: valami  6.5  (japán indierock) Savage Mansion: Revision Ballads  6.5  (indierock) Pedro The Lion: Phoenix  6.5  (indierock) Queen Zee: Queen Zee  6.5  (garagepunk) One Step Closer: From Me To You  6.5  (poszthardcore) Lost Under Heaven: Lova Hates What You Become  6.5  (artpop) Sir Babygirl: Cruch On Me  6.5  (electropop) Spielbergs: This Is Not The End  6.5  (noise pop) Beirut: Gallipoli  6.5  (indiefolk) Massimo Volume: Il Nuotatore  6.5  (olasz posztrock) Guided By Voices: Zeppelin Over China  6.5  (indierock) Maggie Rogers: Heard It In A Past Life 6.5  (elektropop) Nina Nesbitt: The Sun Will Come Up...  6.5  (pop) Black To Comm: Seven Horses...  6.5  (dark ambient) Tree & Vic Spencer: Nothing Is Something  6.5  (trap) Silk Road Assassins: State Of Ruin  6.5  (uk bass)

Keuning: Prismism  6.0  (softpoprock) James Holden: A Cambodian Spring  6.0  (filmzene) Vangelis: Nocturne  6.0  (modern classical) Hauschka: A Different Forrest  6.0  (modern classical) G Herbo: Still Swervin  6.0  (gangsta drill) Sada Baby: Bartier Bounty  6.0  (trap) HEALTH: Vol 4: Slaves Of Fear  6.0 (electro-industrialpop) Fidlar: Almost Free  6.0  (garagerock) Rat Boy: Internationally Unknown  6.0  (indierockrap) Toro y Moi: Outer Peace  5.5  (szintifunk) Angelic Milk: Divine Biker Love  5.5  (lofi indie garage) Diva Sweetly: In The Living Room  5.5  (emopoppunk) Croatian Amor: Isa  5.5  (posztindustrial) Xosar: The Possessor...  5.5  (industrial techno) Pavel Milyakov: La Maison De La Mort  5.5  (ambient) Rival Sons: Feral Roots  5.5  (retrobluesrock) Bring Me The Horizon: amo  5.5  (pop) Lucki: Freewave 3  5.0  (cloud trap) Future: The Wizrd  5.0  (trap) Broods: Don’t Feed The Pop Monster  5.0  (elektropop) Weezer: The Teal Album (muhaha)

+++ Kankyo Ongaku - Japanese Ambient, Enviromental & New Age Music 1980-1990  9.5  (csodás ambient válogatás) Terre Thaemlitz: Comp x Comp  8.0  (DJ Sprinkles válogatása digitálisan kiadatlanokból - kimerítő, de sok erős félórával) Leon Vynehall: DJ-Kicks  8.0  (jó dance mix) VA: All The Young Droogs  8.5  (glamválogatás)

(Ezeken kívül még volt sok tucat lemez, amibe belehallgattam, és maximum 10 percet töltöttem velük, mert annyira nem nekem szóltak vagy szimplán borzasztóak voltak, ezeket nem is sorolom. És igen, ez amolyan laza sorrend.)

Ahogyan fogy az idő, úgy lesz egyre jelentéktelenebb egy közepes valami. Amikor tanulókorszakban vagy, akkor számít a közepes is, a rossz is, része a megismerési folyamatnak. Később persze már időpazarlás. Hasznosabb majdnem bármi (például újranézni a kedvenc filmjeidet), mint közepes dologra szánni az időd. De ettől függetlenül persze egyszer MÉG hajlandó vagyok végighallgatni majdnem mindent (lásd fent a sok közepes dolgot, úgy 6.5-től lefelé). Másodszor meg amúgy is nagyon keveset kell. A megismerési kedv nem csillapodik. De ez nem teher. még. 

A popzene nekem már nem annyira érdekes, hallgatom úgy 35 éve, és persze igyekeztem (sőt, igyekszem) végighallgatni, ami volt 1985 előtt is - lehet, hogy bármilyen korszakban elég lenne belőle ennyi, pláne ebben a lefelé tartó ágban. (Ettől még érvényes mellé az is, hogy még mindig nem unom, és nem látszik, hogy valaha is fognám unni.) Az viszont kétségtelen, hogy ami most érdekes lehet benne, az inkább az, hogy miről szól. Amelyik album harminc év múlva érdekes lesz ebből, az az, ami arról szól, hogy mi van most itt. Most viszont nem olyan egyértelmű megmondani, hogy melyik szól a legjobban arról, hogy mi van most. Harminc év múlva sokkal könnyebb lesz rálátni. Jelenleg ezt inkább csak érezni lehet, hogy ez, vagy az _például_ érdekes, ám lehetséges, hogy mégsem mondd annyit, amennyit majd harminc év múlva egy másik olyan, amelyik éppen a jelenben vehető észre nehezebben. Vagy persze csak adott esetben én nem veszem észre így.

Általában az van, ami évek óta van. Túl sok lemez van. Túlontúl sok (az évi 15 ezer lemezt lehet mondogatni a kétezres évek közepe óta, de ma már ez simán a duplája, ha nem triplája - csak február közepéig a Rate Your Music listáz 1000 db 2019-es lemezt és nyilván közel nincs itt az összes, és nyilván az év eleje még nem is olyan sűrű időszak). Ekkora mennyiségből könnyebb az átlagszínvonalat jó-közepesre kihozni, vagyis inkább kihozni egy látható(an nagyobb számú), mennyiségű jó-közepes albumot, mint abban a korban, amikor a sokszor nagyon mellélövő, rosszul számító számító lemezkiadók adott mennyiséget jelentettek csak meg, nehogy maguknak kavarjanak konkurenciát. Azaz teszem azt 1988-ban több volt a kimagasló LP, de értelemszerűen kevesebb mennyiségű a hasonló színvonalat képviselő tűrhető, ‘még érdemes hallani’ típusú zene. Most viszont a minőségi kontroll helyett működő bátorítás: “persze add ki, művész vagy, megcsináltad” rengeteg lelkes, de finoman szólva is fejlesztést igénylő albumot eredményez. Az évtized második felének nyilvánvaló nemtökéletességét képezi le a popzene? “Nem baj, a világ sincs rendben.” Mondjuk például 1996-ban elég sok szögből úgy nézett ki, hogy a Földön innentől már csak jobb lesz, abban a pillanatban nem szabadott félkész dolgot kiadni. És akkor hülyét tettetve megfeledkezem a 3T-ről és a Bush-ról.

Szóval, amelyik a legérdekesebben szól arról, ami van itt most, az zenei értelemben eddig 2019-ben talán nulla lemez volt. Ehhez zseniális újszerűség kellene, olyasmi, ami évek óta alig akad. Jól, szépen, megkapóan, érdekesen, egészen frissen megvalósított viszont mindig rengeteg lesz.

Eddig - ebben a vastagon kibővített januárban (február végén jóval rövidebb lista lesz) - egyrészt Rina Mushonga lemeze tetszett a legjobban. Nem tökéletes, a 9.0 kicsit túlzás, de a szerethetősége van akkora, hogy ellensúlyozza a nem annyira nagy hibákat. Ami engem zavar, hogy néha levakarhatatlanul florence-es az ének, de ez alighanem kevesek baja. Néha túl egyszerűek a szintihangok, nagyon kicsit befejezetlen hatásúak egyes részek. Viszont majdnem olyan jól gyúr egybe zsánereket, mint tavalyi lemezén Kali Uchis és ebben a popos melankóliában valahogy benne van 2019 eleje. Nem hallgattam még annyira sokszor, hogy meg tudjam fogalmazni, pontosan mitől mai, és mitől érdekesen mai amit mond, de van benne mit hallgatni, érdekel, fejteni akarom.

A másik eddigi idei kedvencem egy teljesen másmilyen lemez. Andrew Wasylyk albuma a békés félrevonulás zenéje, szemlélődő, pasztorálos. A kiindulás amolyan akusztikus gitáros-zongorás folk, amire a szokásosnál több ambient/drone-réteg került, de aztán még erre is egyre több fúvós-repetitív hangszerelés passzol tökéletesen. 

Nivhek, azaz Grouper szokásos magas színvonal, téli lemez, ami lehet jó lesz nyári éjszaka is. Sharon Van Etten pedig olyat csinált, amit sokat kell hallgatni, hogy igazán hasson. DJ Healeren annyira rajta maradtam tavalyról, hogy még ezek a szösszenetek is nagyon tetszenek. A Yaké végre egy olyan angol rocklemez, ami maradéktalanul tetszik. Super Furry Animals ugrott be róla többször is, a Spiritualized-szálat csak utólag fedeztem fel. Bassekou Kouyate egyértelműen az elmúlt bő évtized egyik legnagyobb világzenei sztárja, mindegyik lemeze jó, ez most talán azért is tetszik annyira, mert a tempósabb, néha már rockkal is flörtölők után ez ismét akusztikusabb, elmerengőbb. A Stats amolyan 2010-es évekbeli Hard-Fi, Joose Keskitalo a finn szuperpszichedelikus, imádnivaló Paavoharju egyik tagja volt, eszetlen az egészen egyenes vonalú, friss szólólemeze. Rustin Man LP-je kicsit olyan, mintha az utolsó Talk Talk és az első .O.Rang között készült volna, némileg dalosabb szándékkal, nagyon jó.  Nkisi a legjobb, friss tánczene eddig, Angel Bat Dawid nagyon erős szellős jazz, Dave Harrington jobb mint a Darkside-ban. A Lemonheads szuper feldolgozáslemezt adott ki, jobb mint a tíz évvel ezelőtti, Evan Dando bármikor úgy hangzik, mintha a saját dalát énekelné, tökéletes interpretáló. DAWN szokásos nagyon magas színvonalú r&b pop, mindig egy nagyon kevés hiányzik nekem ahhoz, hogy őrülten zseniálist kiáltva dobjam el tőle az agyam. Bigwave japán future funk-őrület, pc music-os diszkó, nem zárom ki, hogy hamar megunom, de egyelőre rajta vagyok. Emily King a neosoul felől szofisztipoposodott, amikor (ritkán) túl direkten haimos, akkor kevésbé, amikor organikusabb hangszerelésű, akkor nagyon tetszik. A Sister John egy kis skót indierockzenekar, egyszerű, nohipszter, notwee, klasszikus underdog, szép dalokkal. A Woman’s Hour egy beteljesítetlen reménység: az első lemeznek sokkal jobbnak kellett volna lennie, aztán meg nem kellett volna belerokkanniuk ennek a második lemeznek a készítésébe, amit most évekkel később mégis befejeztek és nagyon jól tették. Az ausztrál Methyl Ethel pedig lemezről-lemezre egyre jobb artpop, pontosabban szintis indie.

Ezek tetszettek a legjobban eddig. A második kupacban még olyanok vannak, amiket szerintem abszolút érdemes meghallgatni annak, aki bírja az adott stílust, a harmadik kupacban viszont már azok szerepelnek, amikhez rajongónak kell lenni és úgy sem kizárt a csalódás. Legalul meg, azokat hagyjuk.