#Anthony Ursin

[shirtlesscelebsofdaworld]

[kinmusics]

We would like to sincerely apologize for the long wait on requests. College and moving out have certainly been a doozy! Unfortunately, with the fall semester starting up soon, I can't promise requests will get much faster. As a little bit of compensation, here's another headmate playlist, this time an Eye/Web Jonathin Sims! - Mod Sundrop

1. Private Eyes - Lenachka

2. Don't Get Caught - ApAngryPiggy

3. Entomologists - Ghost and Pals

4. I Need to Know - Anthony Warral

5. Christmas Kids - Roar

6. Dream (Outro from Calamity) - Chonny Jash

7. Without You - Ursine Vulpine

8. Never Meant to Know - Chonny Jash

[mishalogic]

What you thinkin' kid? ... Anthony Ursin kids fashion photography

[meanwhile-on-the-grassy-knoll]

Anthony Ursin

[whatamigonnawatchtoday]

En liberté! (The Trouble With You)

2018. Comedy

By Pierre Salvadori

Starring: Adèle Haenel, Pio Marmaï, Vincent Elbaz, Damien Bonnard, Audrey Tautou, Anthony Ursin, Norbert Ferrer, Jean-Louis Barcelona, Hocine Choutri, Octave Bossuet...

Country: France

Language: French

[rev-love-er]

What have I done? There's nowhere left for us to run 

[dontbesoevil]

tia’s CQL fanvid recs - lan xichen and his ships

Nobody is being shipped with that many different people like Lan Xichen is so here is a selection of six fanvids with some of the different ships available with our dear elder Lan brother.

(If you want more information on the project, you can find that here.)

Please go and give some love to the videos on youtube (and to the vidders on tumblr for those for which i could find a tumblr) and leave a comment.

► Lan Xichen & Meng Yao | Lover’s Death by solariene (on tumblr @solariene​​) Music: Lovers Death – Ursine Vulpine, Annaca Mood: “But did I move?” *swelling violins* Strength(s): The colouring is on point as always, the integration of lyrics and of subs is very well done, the choice of heartbreaking song that works perfectly for them and editing centred on the Temple with other past scenes as memories in the middle. Notes: “I wasn’t prepared for the end”, cue the end Temple scene *insert “This is fine”.gif*

--

The Untamed – Lan Xichen & Jiang Cheng – Take Me Home (FMV) by Earl Hatter Music: Take Me Home (feat. Anthony Hamilton) – Jess Glynne Mood: Sometimes life is a lot and you need someone to be there for you Strength(s): Some nice editing to bring these two together and bring all of the moments they are together in the show Notes: Not a lot of Lan Xichen/Jiang Cheng fanvids so here is one for you all shippers!

--

The Untamed – Lan Xichen & Nie Mingjue – 1000x (FMV) by Earl Hatter Music: 1000x – Jarryd James Mood: “I would do it all again a thousand times” Strength(s): good exploration of those two’s relationship with a cohesive colouring Notes: more content for some less represented ships on youtube with lan xichen/nie mingjue

--

Lan Xichen x Jin GuangYao\Xiayo – No Time To Die by Victoria Music: No Time to Die – Billie Eilish Mood: *lan xichen looking into the distance thinking about the past* Strength(s): some nice muted colouring, what a choice of song for those two and some of the choices of images for the lyrics will make you go “oof” Notes: “I’ve fallen for a lie” – dialogue at the same time “Should I believe you?” – Yes, no, nothing.

--

DEMONS | Lan Xichen + Jin Guangyao | The Untamed • XiYao • 陈情令 by AVee Music: Demons – MAX, Kurt Schneider Mood: “I want to hide the truth, I want to shelter you” Strength(s): Some nice soft and pastel colouring, the choice of this particular of piano acoustic cover of the song fits very well and the editing of the different moments to the lyrics is also very good. Notes: The vidder also has a full explanation of the evolution of their relationship with the lyrics in the description, I highly recommend reading it.

--

Lan XiChen and Jin GuangYao | The Untamed XiYao MV: love s t o r y | 陈情令 (3zun crack) 蓝曦臣 & 金光瑶 by AVee Music: Love Story – Taylor Swift Mood: Romeo and Juliet, but make it gay Strength(s): Short, funny, a colourful colouring, and neat story (also did I mention hilarious)

[dreamsongsims]

Clarence Ursine has arrived! He joined his sister and her husband, Anthony Alto, in the criminal profession. He is a Thief like his mother, and has no problem with the idea of eventually having to take orders from his older sister. He married his teen sweetheart, Bridget Andrews and moved into a house next door to his cousin Ernest. 

[shirtlesscelebsofdaworld]

[pangolin-404]

we desire the lore, could you give us all the lore?

Ask and ye shall receive!

Toy Soldiers: Simply put, dystopia cyborg children. A wee little island somewhere near Europe run by a vaguely defined government is home to some funky shady labs that toy with with robotics and cybernetic enhancements, going beyond the legal acceptance of prosthetics and sight/hearing restoration. They nab kids or young adults nobody will miss and absolutely brutalize them, full blown sci-fi legs and all that.

These creations are them forced against one another in brawls for entertainment, and bets are placed on who will win. Sometimes, they're forced to kill one another or animals.

The top creations are, broadly made by a dude simply called Zookeeper due to his fascination with animals. He bases his experiments around them. One of his first experiments, Ursine, escaped and begins a revolution behind the scenes.

Vulture is just. Nuts. Chest-deep in Stockholm syndrome. He wholeheartedly believes he was saved by Keeper and was made better by the modifications. He fought it at first, but after his first fight he got some claws in his eyes, resulting in his irreversible blindness. Keeper didn't kill him for it, which effectively pushed him to the point of seeing him in a godlike sense.

Archie(to be named as Hybrid, but he remembers his real name so screw Keeper) was the newest recruit was scheduled to undergo some new procedures. He's best friends with Vulture for treating him like a person and is number 2 on Vulture's list of people he'd kill for. But Keeper messed up, and throughout a chain of connections that Archie had to the outside world, Ursine struck at a golden opportunity.

Lab was burned down and everyone was saved. Keeper is god knows where and Vulture swears to kill Ursine for taking away his normalcy and yeah goes on trying to find her but it really doesn't work

Anthony lived on an even tinier island that was pretty isolated. He and a group of people decided to talk to Ursine to beg her not to run their little island over(her revolt got the whole island evacuated and they really don't wanna be overrun by traumatized cyborg children next). They don't know much other than some experiments that may or may not be sentient revolted so they're going in blind.

But! Ursine's elected military general, Spark, gets shot when freaking out over what he perceives as a militia. He blows up, having a built in propane tank and all, and it takes the car with him. Anthony is the only survivor, and is rightfully freaked out.

Long story short he meets starving, burned, scratched up Vulture(who's barely alive trying to fend for himself) and is threatened into getting him decent food and taking him to Ursine. Fun trip for everyone involved.

Corruption: big ol zombie like virus that turns 70% of everything on earth into monsters. It revolves around a little girl who's immune to it, much to the confusion of the three who find her. She's got a funky label on the hospital gown she was found in so they go on a quest to find the mystery lab in hopes for a cure.

Ivan being a pathologist who wants to vivisect a certain someone, Robert trying to just survive in general, and Robert's husband Jeremy, who is slowly but surely turning into a monster and not having a very good time at all. It's a hot mess that's still being worked on

Edit: I FORGOT ONE HOLD ON

This one's a bit vague because I'm trying not to make a certain character fall into the stereotype people with schitzophrenia have

As of yet unnamed: The sky's black. No moon, no stars, big spooky. A wheelchair-bound man(Ben) wakes up to this, goes 'huh, that's not good' and realizes nobody else is around. Like...ghost town. No bodies, either. He goes around trying to figure out what the hell happened, yelling and knocking on doors but getting no reply.

Ends up finding a kiddo after hearing a scream. Kiddo has just bashed in another kid's skull with a rock. F e a r on both sides.

Kid freaks out, at first terrified of him, the calms down enough to insist he's completely rational and justified in killing 'One', shaking and stuttering and looking over his shoulder all the while. Ben can't rush leaving without possibly getting hurt, especially when the kid starts raving about monsters and voices. Prying reveals that kid has schitzoaffective disorder and says it's completely unrelated to the real monsters(it is indeed unrelated), he just has a hard time telling them apart(this does not help his case against Ben).

Ben isn't going to leave a child alone in the sunless hellscape, murderer or not, and calms him down enough to assure him he's not going to hurt him or sell him out to whatever scientists he keeps referring to. Asks for an explanation, the kid("Five") again starts talking about monsters and a fellow named Six, says One tried to get them killed by alerting the monsters, his story's really scrambled. Ben gets worried about him, thinking the kid needs help, but agrees to help him find his friends. It's a slim chance of finding someone, anyways.

Then an unseen monster touches Five and suddenly becomes very seen. "Told you they're real!" -Five probably

[johnnymundano]

The Edge (1997)

Directed by Lee Tamahori

Screenplay by David Mamet

Music by Jerry Goldsmith

Country: United States, Canada

Running Time: 117 minutes

CAST

Bart the Bear as The Killer Kodiak Bear

Anthony Hopkins as Charles Morse

Alec Baldwin as Robert “Bob” Green

Harold Perrineau as Stephen

Elle Macpherson as Mickey Morse

L.Q. Jones as Styles

Kathleen Wilhoite as Ginny

David Lindstedt as James

Mark Kiely as Mechanic

Eli Gabay as Jet Pilot

Larry Musser as Amphibian Pilot

Gordon Tootoosis as Jack Hawk

Kelsa Kinsly as Reporter

It was one of those days; you know the ones - where the only remedy is to watch Alec Baldwin and Anthony Hopkins fight a bear. Luckily Lee Tamahori, David Mamet and Bart the Bear anticipated this need way back in 1997 and made The Edge. In this entertaining wilderness action nonsense a diffident billionaire, Morse (Anthony Hopkins), and a bullish fashion photographer, Bob (Alec Baldwin), are stranded in the Alaskan wilds and have to survive against the odds, said odds including a relentless ursine attacker and their own simmering enmity over Morse’s wife, Mickey (Elle Macpherson). They’ll need each other to survive, but what happens when they no longer need each other? Butch shenanigans in excelsis are in the offing, for sure.

Apparently, The Edge reunited Bart the Bear and Anthony Hopkins, the two having previously worked together on Legends of the Fall (1994); a movie I have never felt the need to watch. But then again I didn’t know Bart the bear was in it. Bart is very much a star in The Edge, easily the equal of the two headliners and he gets a big onscreen shout out at the end, which unfortunately undermines Anthony Hopkins’ portentous final line. I think David Mamet wants us to roll the multi-layered implications of this ambiguous line around our minds like a boiled sweet in a child’s gob, instead you end up going “Bart! The bear was called Bart! Cool. He was good. Man, that bear rocked. Go Bart!”

But the loss of pathos to bathos at the finale is no great loss, as Mamet’s script isn’t one of his stronger ones. It’s very much an “entertainment” as Graham Greene might have had it. It’s not as provocative as Oleanna (1994), but then Oleanna doesn’t have a bear in it, so there you go. Damn, now I really want to watch a production of Oleanna with a bear in it.  

(JOHN: We can only interpret the behaviour of others through the screen we create. 

BART: RRAaauuuugghHHHH! 

JOHN: Agh! My legs! My legs! Oh my God! 

BART: Exactly! 

[Curtain]) 

Nor is The Edge an excoriating portrait of the dog eat dog world of capitalism involving U2’s guitarist selling dodgy real estate. No, the Pulitzer judges can have a lie in; The Edge is just a Boy’s Own adventure, with an extra layer of Mamet’s signature comically excessive manliness. The Edge is so manly there isn’t even a part for Rebecca Pidgeon. However, it’s not all metaphorical whiskey chugging and snapping of towels at each other’s arses in the shower; there’s a woman in glasses who has about two lines and, in a bold casting stroke, the pretty model Elle Macpherson plays a pretty model. Which she is very good at, fair play to Elle Macpherson.

As roles go Macpherson’s is really no more than a fragrant chew toy for the two Alpha males to lock antlers over. The Edge is testosterone laden stuff, as you’d expect from Mamet, but it’s also a bit slack and lazy, which you don’t really expect from him. It’s very much a big budget adventure movie, it feels very much an attempt by Tamahori to atone for the flop of Mulholland Falls (1996). Hey, Hollywood, I can still be trusted to make a movie people will want to see! is pretty much the subtext to every frame of The Edge.  And Tamahori certainly makes a movie worth watching. Savvy enough to take advantage of the quite breath-taking (a cliché; but clichés are clichés for a reason; they are true) landscapes; at once both threatening and bucolic. And the action when it erupts is certainly convincingly pulse accelerating. Hopkins and Baldwin do seem to be in remarkably dangerous proximity to Bart the Bear when he is lunging and roaring at them like a massive, enraged, uh, bear. It’s thrilling stuff; no doubt the result of sharp editing, plucky stunt doubles  and Bart the Bear’s profoundly professional refusal to maim and eat anyone, despite every instinct in him probably urging him to do so. It feels real, in short. Of course it’s an illusion, it’s a movie; but it’s a damn good illusion.

The Edge is very good at creating the illusion that these two dudes are out there alone. Obviously, at all times there would have been a small army of people milling about. With Mr. Baldwin’s latte stirrer and Mr. Hopkins’ nail buffer etc all hovering like midges, to ensure any hardship never exceeded the limits acceptable to millionaires who pretend to be imaginary people for money. It does actually feel like they are stuck out there, dependent on their own meagre resources, whatever they can scrape up from the land and Morse’s learning. Well, for most of the movie it works; as the end nears things get a bit daft. The pair come up with some quite amazing trapping contraptions for a fashion photographer and a billionaire in a non-specific industry; these reach their absurd peak when the fellas are shown wearing home-made clothes fashioned from the pelt of a slain animal. Luckily the actors pick up the slack when all else fails. We’re talking Anthony Hopkins and Alec Baldwin here; if you can’t find entertainment in those two, well,  then that’s why God invented bears.

Anthony Hopkins gives it The Full Hopkins, no doubt inwardly delighted that his older, more sedentary character bests the virile young pretender in almost every scene. Actually, Hopkins’ performance is far better than the movie it inhabits. Yes, he does a bit of face mauling and even that sort of vacant stare thing that he holds just long enough for me to start looking around to find someone who can help him; but, mostly it’s good stuff. There’s actually a distinct arc visible in his character throughout The Edge. Starting off introverted and remote, Morse slowly thaws into someone who appreciates life and can open himself up to people, and all it takes is incredible physical hardship, the death of two people and the realisation his wife is playing away. A small price to pay for a billionaire seeing the sunny side of life. “Never feel sorry for a man who owns a plane.” is repeated several times (just so we don’t miss it), but (SPOILER) it turns out that men who own planes have feelings too. The movie has a few messages, a few too many as these messages kind of trip over each other, but one of the messages is definitely that rich people have feelings too. Boo fucking hoo. Personally, I could give less of a shit about rich peoples’ feelings, but Anthony Hopkins nearly makes me care; he’s that good. Alec Baldwin gets to have more fun as the macho smarm machine angling to replace Morse as Mickey’s favourite bedroom pastime. Charismatically unpleasant as ever, Baldwin tries hard to sell Bob’s later change of nature, but the implacable predictability of the movie works against him.

Because, yes, The Edge is quite a predictable movie, but that isn’t a failure on its part; it seems more than comfortable with that. The Edge is very much at peace with spending quite a lot of time setting up things that will quite blatantly pay off later. The pilot laughingly says he sure hopes they don’t encounter a bird-strike! Do you think they will shortly encounter a bird-strike? Morse has a noggin stuffed with facts purloined from books, but has never been able to put them into practice. Do you think Morse will be able to put some of his book learning into practice over the 117 minute run time? Morse and Bob are initially accompanied by Stephen (Harold Perrineau), who is not Caucasian, is winningly affable and might as well have “Bear Food” and a Use By Date stamped on his forehead. Guess what happens to the luckless Stephen? It is firmly established that a Kodiak bear will never stop killing once it has tasted the flesh of man. Do you think they will encounter a…well, basically, does a bear shit in the woods? Or as bears say, is The Edge a fun chunk of sub-Jack London hokum? Well, yes. Duh. Ask a silly question...But there’s nothing wrong with professionally done fun chunks of hokum. certainly not when you’ve had one of those days.

[absolutelyxosmittenxo]

－ Ａ ＬＩＴＴＬＥ ＴＡＳＴＥ { ａ ｈｅｌｌｂｉｒｄｓ ｐｌａｙｌｉｓｔ }

{ a gift for the dedicated @s-assy-girl for how they've enlightened me in such a twisted love affair i cannot resist succumbing to ❤ }

A playlist of how the young witch of Autumn has grown invested in the raven of Spring, the two maidens succumbing to their thirsts and soon, a deathly romance between them they may regret begins to flourish. 

songs; 

🎵 a little taste {skylar stonestreet} 

🎵 a little wicked {valerie broussard}

🎵 paint it, black {ciara}

🎵 like lovers do {hey violet}

🎵 hypnotic {vanic and zella day}

🎵 dark in my imagination {of verona}

🎵 wicked game {ursine vulpine ft. annaca}

🎵 seven devils {florence and the machine}

🎵 between two points {the glitch mob ft. swan}

🎵 east of eden {zella day}

🎵 arsonist's lullaby {hozier}

🎵 dust in your pocket {glass animals}

🎵 only love {anthony green ft. nate ruess}

🎵 stripped {shiny toy guns}

🎵 blue foundation {eyes on fire}

🎵 the hanging tree {james newton howard ft. jennifer lawrence}

[deejaybearclaw]

Ursine Waves Episode 071: Galveston, Oh Galveston

Listen on Mixcloud

Celebrating the days following Juneteenth by exploring music from the City Where It Happened, Galveston, TX. Underground electronica and hip hop, traditional Cajun, lo-fi, shoegaze, metal, psych, and a couple of vintage soul jams to round things out:

Freddie Douggie - Galveston - Freddie Douggie: Live on Juneteenth transgender lain clones - melt - recovering ancient artifacts from internet friendships HEAVENSENT WLFGOD VS ADAEGON - WALL OF MY NOISE - THE DEMONS IN MY HEARTACHE Darwin's Finches - Outside the Light Bulb Store a Tapir Once Grazed - Good Morning Creatures I babel fishh // evak - wounded workhorse - prison soup Cat Daddy Slick - Introvert ft. Sara Sims and Abe G - Courtesy Calls Rxbyn - feel a wav Kevin Anthony & G-Town - Harry Choates Blues - Eh ha ha: A tribute to the original Cajun fiddle of Harry Choates Owl & Rabbit - Ms. Indigo - Owl & Rabbit EL LAGO - Citadel - Pyramid モホーク 38 - 悔い改め - 海洋 Flight Of The Penguin - For Better Or For Worse - A Sleeping Dragon Atlas - Lingering Cold - From Under A Dark Sun India Tigers in Texas - Viva los Muertos! - India Tigers in Texas Esther Phillips ("Little Esther") - Wild Child - Gee Baby / Wild Child Barry White - I've Got The World To Hold Me Up - No Limit On Love

Aired 6/23/21 on Hollow Earth Radio, KHUH-LP Seattle, 104.9 FM & hollowearthradio.org.

[retegenova]

I villeggianti

Cinema: I villeggianti

Il mistero dell’esistenza

(mymonetro: 2,84)

Regia di Valeria Bruni Tedeschi.

Con Valeria Bruni Tedeschi, Pierre Arditi, Valeria Golino, Noémie Lvovsky, Yolande Moreau, Laurent Stocker, Riccardo Scamarcio, Bruno Raffaelli (II), Marisa Borini, Anthony Ursin. Genere Drammatico

– Francia, Italia,

2018. Durata 125 minuti circa.

Una villa sulla riviera…

[teesturtle]

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[trapangeles]

Drake - In My Feelings

In My Feelings (Official Video) ‘Scorpion’ Available Here: https://drake.lnk.to/ScorpionYD

A FILM BY KARENA EVANS

A POPP ROK PRODUCTION

EXECUTIVE PRODUCERS DIRECTOR X TAJ CRITCHLOW FULIANE PETIKYAN

HEAD OF PRODUCTION ADAM PALMER

PRODUCER AUTUMN HYMES

COORDINATOR - POPP ROK DEAN ROSEN

STARRING DRAKE PHYLICIA RASHAD LA LA ANTHONY SHIGGY CAPITO & MARLEY

DIRECTOR OF PHOTOGRAPHY SANTIAGO GONZALEZ

EDITOR KAT WEBBER

CHOREOGRAPHER & MOVEMENT COACH TANISHA SCOTT

COLOURIST - ALTER EGO CLINTON HOMUTH

SOUND DESIGN & MIXING - APOLLO STUDIOS ETHAN MYERS

2ND UNIT DOP JORDAN ORAM

1ST AD EVRARD SALOMON JAMAR HAWKINS

2ND AD CLYDE GOINS BEN COLLINGSWORTH

LOCATIONS MANAGER JULIANA ZANON BARBARA BREVES

PRODUCTION SUPERVISOR KENIA GUTIERREZ

PRODUCTION COORDINATOR COLLIER MEYER

CASTING - BOK CREATIVE TAREK & CHAD

LOGISTICS MANAGER CHRISTOPHER “BROKER” FAGON

A CAM - 1ST AC RILEY KEATON GABBY VELASCO PAOLO ARRIOLA

A CAM - 2ND AC ADRIENNE DURAZO TAYLOR PERRY

B CAM OPERATOR CHRISTIAN SCHULTZ MICHEL APPLEBAUM

B CAM - 1ST AC LISA LENGYEL ADAM LIPSCOMB

B CAM - 2ND AC HAI LE SUPER 8MM KARENA EVANS KAT WEBBER

VTR CHRIS GAMBLE

DIT STUART HAMMOND PAUL RAHFIELD

SOUND BJ LEHN

BOOM OPERATOR BRIAN MARATEA

GAFFER JIM COVERT

BEST BOY ELECTRIC TRAVIS BARNHART

ELECTRIC MASON MCGUIRE TIM JONES RICHARD LANDRY REMOTE HEAD DOUG PRUSS CRANE TECHNICIAN RICHARD HOOVER DANIEL WAGHORNE

GRIP COY URSIN MARCUS VARNADORE

PRODUCTION DESIGNER JOHN RICHOUX

ART DIRECTOR JONATHAN CAPPEL

SET DECORATOR LEAH BYCHURCH

LEADMAN TONY ZIEGLER

KEY GRIP CALVIN URSIN JR,

BEST BOY GRIP MIKE BONNETT

DRAKE’S STYLIST MELLANY SANCHEZ

DRAKE’S GROOMING LUISA DURAN

ASSISTANT CHOREOGRAPHER JAZZ JOHNSON-ZUCCONI

ASSISTANT PRODUCTION SUPERVISOR IAN MENZIES RACHEL SIGUR

ASSISTANT EDITOR ANNA CATLEY

ASSISTANT COLOURIST KEVIN WU

WARDROBE STYLIST KASEY BAZIL BRYON HAVAR

WARDROBE ASSISTANT TIERRA PATTERSON BRANDON WASHINGTON LAKEISHA SHIELDS HARLAN ANTHONY

HMU DAVID VALESQUEZ ROKAEL’S LIZAMA RAY DODSON ROBERT SARGSYAN RENE RAMOS

HMU ASSISTANT NOELIA RODRIGUEZ

GENIE JOSE RIVERA

DANCERS SORAYA LUNDY CHRISTINA DE LA CRUZ KENDRA JAE BRACY TANESHA “KSYN” CASON LATOYA WEBLEY CHRISTINA KIM DAVIS CIERRA NICHOLS MARIAH HILLIARD ROBERT WILSON JEREMIAH HAYNES RON MYLES MARCUS TAYLOR SATCHEL JOHNSON LAUREN BLESS JONES KOBE JONES ASHLEY STEVENSON DAVID RAYFORD IMAN MARSHALL STEPHEN DUY PHAM DAMIAN GORDON GIANNI REID GABRIELLE SLACK POLANCO JONES JR RONNIE DENTS II TROY PAYNE SHANGOBUNMI DUROTIMI NAILAH SMITH

Music video by Drake performing In My Feelings. © 2018 Young Money Entertainment/Cash Money Records

Music video by Drake performing In My Feelings. © 2018 Young Money Entertainment/Cash Money Records