#Armento

[infinitelytheheartexpands]

grimoaldo at the beginning of the final scene of handel’s rodelinda:

@rayatii

[randomrichards]

SOMETIMES I THINK ABOUT DYING:

Plain officer worker

Makes friend with a new co worker

But can’t open up

[rickchung]

Sometimes I Think About Dying (dir. Rachel Lambert).

How [it] unfolds its unfussy, small-scale sense of personal isolation with dry, witty humour that sustains its spare ninety-minute runtime through a carefully composed cinematic structure. Its dreamlike mediation on loneliness and antisocial behaviour reveals some common sensibilities of humanity.

[tinyreviews]

Movie Review: Sometimes I Think About Dying 2023. Made for socially-awkward misfits.

I did not expect to enjoy this movie this much. I think it’s because I can relate. To being awkward, wanting to be alone, yet also wanting a connection. Is this a universal feeling?

It’s a really simple story. Watch for the experience of being Fran. And a mellow, bittersweet ending.

Sometimes I Think About Dying is a 2023 American romantic comedy-drama film directed by Rachel Lambert, written by Kevin Armento, Stefanie Abel Horowitz, and Katy Wright-Mead. It is based on the 2013 play Killers by Armento, and a short film was released in 2019, directed and co-written by Horowitz. The film stars Daisy Ridley, Dave Merheje, Parvesh Cheena, Marcia DeBonis, Meg Stalter, Brittany O'Grady, and Bree Elrod.

[gelu-the-babosa-multiversal]

I finally made Optimus and Megatron holoforms/humanforms that I actually like 😭

This will help me to make more ship art without I losing my soul XD

Oh si Megaton Mexicano es real, su nombre es Armento Montero

[marvelousgeeks]

Based on Kevin Armento’s Killers, Rachel Lambert’s Sometimes I Think About Dying is a well-acted, meandering fumble. The concept sounds riveting on paper, and the screenplay is fascinating at some points, but it lacks the nuance and information necessary to make us understand far more than what’s on the surface. In truth, Daisy Ridley carries the entire film on her shoulders, bringing to life emotions that authenticate her incomparable range, proving that Hollywood should be casting her in more films.

Still, therein lies the problem because it shouldn’t be up to Ridley to show so much when we, as the audience, know so little. With this approach, the film could’ve benefited as a short film rather than a feature, leaving the ambiguity lingering on the final frame with the haunting emotions necessary for viewers to make their own interpretations. Instead, with the slow beginning that misses a proper introduction or any sort of visual to understand Fran’s mindset, viewers are left in a bizarrely confusing state.

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[thehyperthreshold]

Ancient Greek golden Kritonios Crown, funerary or marriage material, 370–360 BC. From a grave in Armento, Italy. A twig of oaks forms the base, from which elements with chalices of blue enamel protrude, with intertwined patterns of convolvulus, narcissus , ivy , roses and myrtle.The top features an image of winged goddess, and four male genii and two draped female figures float over the flowers, pointing towards the goddess.

[cordeliaflyte]

Golden decorated crown, funerary or marriage material, 370–360 BC. From a grave in Armento (Basilicata).

[themovieblogonline]

Sometimes I Think About Dying Review: An Insight Into Quiet Loneliness

Sometimes I Think About Dying is an introspective exploration into the quiet recesses of loneliness and the unexpected, fragile connections that bring color into a monochromatic life. Directed by Rachel Lambert, the film is a thoughtful adaptation of the 2013 play Killers by Kevin Armento and draws inspiration from a similarly titled 2019 short film co-written and directed by Stefanie Abel Horowitz. This romantic comedy-drama, crafted with a unique blend of poignant melancholy and subtle humor, strikes a delicate balance that aims to capture the essence of human isolation and the understated power of companionship. Daisy Ridley stars as Fran, embodying the character's introverted nature with a performance that radiates depth and vulnerability, albeit inconsistently across the film’s duration. https://www.youtube.com/watch?v=-wVBg7Ta1yw The premise of the film is quietly compelling, with Fran leading a life marked by an overwhelming sense of solitude and a peculiar preoccupation with thoughts of death. Ridley's portrayal of Fran's interior world is nuanced, drawing viewers into her solitary existence with an earnestness that feels both profound and relatable. However, where the film falters is in its pacing and occasional predictability, treading familiar ground without offering substantial new insight into the theme of loneliness in the modern world. The arrival of Robert played with a gentle awkwardness by Dave Merheje, serves as the catalyst for the narrative’s exploration of human connection. The chemistry between Ridley and Merheje is notable, although their interactions at times feel constrained by a script that struggles to fully flesh out their characters beyond the surface level. Despite this, there are moments of genuine warmth and tenderness between Fran and Robert that highlight the potential for deep connection even amongst the most isolated of souls. Supporting performances by Parvesh Cheena, Meg Stalter, and Brittany O’Grady add vibrancy to the film. They offer a counterbalance to Fran’s introspection. Cheena's Garrett and Stalter’s Isobel, in particular, bring a necessary levity to the narrative. O’Grady's Sophie offers a nuanced reflection on the various ways people navigate their insecurities and desires for intimacy. The film’s cinematography and use of visual metaphors deserve commendation. Scenes are often bathed in a muted palette, reflecting Fran's internal state. On the other hand,  bursts of color signify moments of emotional awakening. These visual choices enhance the narrative, creating a sensory representation of Fran’s journey that resonates on a visceral level. However, the screenplay, penned by Kevin Armento, Stefanie Abel Horowitz, and Katy Wright-Mead, occasionally meanders. It leaves some emotional beats feeling unearned. The dialogue aims for authenticity, capturing the awkwardness of real-life interactions. But at times veers into territory that feels slightly contrived. Despite this, the script succeeds in delivering moments of poignant reflection on the nature of existence. It threads dark humor throughout in a way that feels both refreshing and deeply human. Where Sometimes I Think About Dying shines is in its quieter moments. Scenes where little is said but much is conveyed. Lambert's direction emphasizes the unspoken, allowing actors to convey depth through gestures and glances. The film's restraint is commendable, but it sometimes fails to fully engage the viewer. The film's exploration of themes such as mortality, the mundane, and the fear of intimacy is ambitious. It explores the protagonist's psyche, showing her common fears and desires in a personal and universal way. However, the film doesn’t always manage to sustain this delicate balance. It occasionally veers into overly introspective territory that detracts from its emotional impact. In its essence, Sometimes I Think About Dying is a film about the beauty of life’s small moments. It also shows the significance of human connection. Everyday life has the potential for transformation through small interactions. The film struggles with coherence but is still commendable. Sometimes I Think About Dying is a film with heart and ambition. Despite its shortcomings, it provides a contemplative look at the lives we lead in quiet desperation. Also, the fleeting moments that can imbue those lives with meaning. Ridley’s performance as Fran anchors the film. She offers a window into the soul of a character whose journey reflects our collective yearning for connection. It may not resonate with all, but for some, it offers a poignant reflection on the human condition. Read the full article

[allthewrongroadsbook]

I have joined so many recovery groups and posting to try and make a difference that I think I have carpal tunnel lol. I want people to know if I could do it anybody can. My books called "ALL THE WRONG ROADS" by Paul Armento Thank You!

[apotheke-kaufen]

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[lmarodrigues]

‘Pastorello d’un povero armento’ from Handel’s Rodelinda

[cinemedios]

Melissa Barrera, Nicholas Hoult y Lana Condor protagonizan 'The One'

Riley Keough produce 'The One', protagonizada por Melissa Barrera, Nicholas Hoult y Lana Condor.

HanWay Films estará en búsqueda de financiamiento y distribución para su proyecto, The One, en el mercado del Festival de Cannes. Según la información que THR dio a conocer primero, el proyecto viene del dúo de directores y escritores Kevin Armento y Jaki Bradley y tendrá como protagonistas a Melissa Barrera, Nicholas Hoult y Lana Condor. Por el momento se encuentra en pre-producción y no se sabe…

[suchananewsblog]

‘The One’: HanWay Films Boards Erotic Horror Starring Melissa Barrera & Nicholas Hoult

HanWay Films has boarded The One, an erotic thriller starring Melissa Barrera and Nicholas Hoult and can launch gross sales on the Cannes Film Festival. The undertaking comes from writer-director group Kevin Armento and Jaki Bradley and is billed as “a nightmarish horror concerning the romantic and psychological warfare waged by our beloved common leisure — and in addition begs the query… are…