#BECAUSE I AM SEETHING

[no-where-new-hero]

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

[bonefall]

May i ask why do you think that Brambleclaw wasn't a good father? not saying i disagree if that is what you think, but why do you? just wondering because i like what you say

Again I hope to have time sometime soon to make a big thing like I did with Breeze, but what gets me about Bramble is that incredibly self-concerned. Like, regularly unable to see past his own feelings to the point where he can't consider his effect on other people.

And Po3 in particular is ALSO trying to frame him like the perfect, most amazing dad in the world. It's for the dramatic irony of the reveal, and to make it EXTRA sad that he's going to abandon his children when he finds out they're adopted... but in the process, they just ignore anything crummy he does. Like he can Do No Wrong.

Particular instances I plan to get into;

When he's angry or disappointed, he's NASTY. He isn't this "super supportive papa" that the Three keep saying he is; he's most supportive when they're making him proud.

He fails to notice that Lionpaw's behavior is getting increasingly violent as a result of his mentor physically abusing him. Is that "Great Dad" material? To not notice your son is struggling?

We eventually learn that Ashfur approached him after one of these savage beatings to butter up to Brambleclaw, insisting that this sort of physical abuse is neccesary because it will give him a strong son.

Stress that again; Ashfur appealed to Brambleclaw's ego so he could keep beating his teenage child. In what world is that "Great Dad" material??

When Hollypaw then tries to tell her dad about how uncomfortable seeing her brother being savaged made her, Bramble tells her... ohh she's So smart, and So so responsible, and he relies on her to keep her brothers in line, and what Ashfur is doing is neccesary.

In any other book series, this would have been a MASSIVE condemnation of Brambleclaw. To be manipulated into allowing his son to get beat, and then turning around to tell his daughter he trusts her to understand it because she's so mature.

But because the Erins like Bramble so very much, it's not acknowledged. Then Ashfur tries to murder these kids later.

And like... again, they want him to be seen as so wonderful and amazing so that it's extra painful when he disowns these kids, but AGAIN, Brambleclaw is supposed to be this incredibly loving, unconditionally loyal, amazingly responsible father...

So how exactly is THAT consistent with abandoning his kids during the most upsetting time of their lives?

Does a wonderful father get consumed by his own pain and humiliation and cut off his kids, one of whom is in the middle of a breakdown? Does he take out his divorce on the children? Is being a "wonderful father" seeing the son you let get abused looking at you, DESPERATELY missing you as his dad, and just turning away?

Or, maybe, being a parent is about being mature. Putting aside your own personal anger or pain or ego to be there for your kids. Something like that???

And yet, he continues to act like that for an entire year. Not improving or self-reflecting at ALL the entire time. When it's miraculously revealed that Hollyleaf isn't DEAD, he's STILL wallowing. The kid he raised came back from the dead but FUCK that, who cares, "what about MY feelings?? Why is no one thinking about whats really important. Meeee."

(Mind you, he was willing to help this same person get away with murder in the last arc. But back then, she was his daughter. Now he doesn't care.)

Eventually SQUIRRELFLIGHT has to tell him that he shouldn't throw away his entire family because he's mad at her. Someone ELSE had to shout it down his thick skull that his bitterness is consuming him and he's ruining his life. Even after a year of punishment, she holds his hand like a big baby and guides him away from his OWN destructive behaviors.

But this isn't about Squilf. This is about Brambleclaw.

He enabled his son's child abuse. The abuser went on to attempt murder of his victim. He IMMEDIATELY turned on the kids he raised when he found out they were secretly adopted, because he was angry at his ex-wife. He only changed because the EX-WIFE told him to cut it out.

That's why I think he's not a great dad. I think talk of his Greatly Dadness are narration wank, and when you look closer, you see a FASCINATINGLY flawed character that the Erins hold back out of WEIRD writer favoritism.

[lanshappycorner]

Malledu🐉♠️ doodles

[hoodedhavok]

“My impertinence wounded my mother’s pride” 

i am going insane what the fuck do you mean these gods are neglectful AND their love is conditional AND when their love is revoked could literally mean your DEATH??? because your pride as an immortal being was wounded????? grow up!! be better!!!!

[ducktracy]

the voice direction for Marjorie Tarlton’s Sniffles is so especially great in Lost and Foundling, really love how affectionately stilted her deliveries are. i think of woosterwoostersyestershire constantly. (also helps that it’s an especially great cartoon in general)

[milkteataro-chan]

The moe sleeves…

[kingofanemptyworld]

It’s official! Based on the results of my recent polls, the hottest version of Ichigo (according to Grimmjow) and the hottest version of Grimmjow (according to Ichigo) are…

*drumroll*

Hybrid Ichigo and TYBW Grimmjow!

Convenient they’re in the same arc lmao

[gatioxd]

moot doodle es

hand was feeling better today so I finally drew some moots!!! then it started hurting again and couldn't color IM SORRY characters belong to @petalharbor annddd @spazzmatik ahhh !!!!!!!!!!

[univemma]

I have my problems with the hidden world, like many others. And i just want to gather all my thoughts in one place here because i feel like many agree that the ending itself isnt the problem, but how they did it. For me, personally, they ruined it with the reactions to the dragons leaving. Specifically, the reactions of the dragons.

First, we have Meatlug, who in the past has been shown thay merely HEARING FISHLEGS' VOICE causes her to become overwhelmed with excitement. (RTTE S2E9)

And yet here, she looks like this:

Like?? Not even a frown when she's leaving Fishlegs, who is clearly her favourite person in the world (literally watch ANY HTTYD media and this is made abundantly clear).

Moving on, we have Barf and Belch. Now it can be said that the twins and their dragon don't really have as many emotional dragon-rider moments as the others, but it is still clear that Barf and Belch love their riders. Except here:

The twins look DEVASTATED, meanwhile they (sorry belch is cropped here I couldnt get a ss with both in it) hardly look sad. Barf at least looks a little upset but still, its borderline.

And moving on, to perhaps what angers me the most, Snotlout & Hookfang. These two are easily my fav dragon-rider duo/team, and for many reasons.

Very quickly, allow me to take you back to RTTE S1E13, in which Hookfang goes out of his way to protect "Girl-Hookfang" and her eggs from a Titanwing Monsterous Nightmare when she sends out what Hiccup describes as a "distress signal".

When Snotlout tells Hookfang to choose between him and the dragon, he ultimately chooses defending her. But at the prospect of leaving Snotlout, he looks LIKE THIS:

He looked MISERABLE and even made sad little dragon noises (idk how to describe them im sorry). So,

TELL ME WHY

IN THE HIDDEN WORLD

HE LOOKS LIKE THIS

SNOTLOUT LOOKS LIKE HES LISTENED TO AN ENTIRE MITSKI ALBUM, BROS FUCKING SOBBING SCREAMING CRYING THROWING UP.

And Hookfang hardly even looks at him, just kinda gives him a sideways glance. Like

HELLO???! And ONE OF THESE had a lower budget as a TV show AND a lower quality model (which, unrelated, ive seen some people really dislike but I think the show models are great!)

The only one to act somewhat appropriately is Toothless, who warbles and makes his little dragon noises at Hiccup, almost talking with him, they have their big heartfelt moment and their cute hug before he leaves. Because of course they get it, its Hiccup and Toothless.

And yeah i get it that clearly the dragons are sick and tired of hunters and therefore understand the need to leave. But they dont even look sad! Breaks my heart because after three movies, two tv shows and all the specials of the dragons and riders bonding and caring for each other and they don't even get a heartfelt goodbye.

And let us not forget that Snotlout, Fishlegs and the twins, who have been riders since the FIRST MOVIE, and main characters in their own right for years, don't even get a GOODBYE LINE?? LIKE LITERALLY, Astrid and Valka? Absolutely, they deserve it. Gobber? Sure, he hasn't known grump nearly as long but he's been a relevant and important main character as long as the kids. And Eret-

Now, I love Eret. He's cool. He's great. Love a hunter turned rider.

But WHY DID THEY GIVE A LINE TO HIM AND SKULLCRUSHER (approx. 1 year relationship) OVER THE SIX YEARS OF FISHLEGS, RUFF, TUFF AND SNOTLOUT? THEY DONT EVEN GET A "Goodbye." WHAT.

And again thats not me shitting on Eret getting one, its on the others NOT

And this isnt even beginning to mention Valka and Cloudjumper do not START ME on their TWENTY YEAR FRIENDSHIP AND BOND BEING TORN APART IN A ONE MINUTE GOODBYE.

Anyways on a lighter note, the parallel with Hiccup removing his hand from Toothless in a reverse of the first time they touched all those years ago always gets me emotional. My fav part about the ending.

And that's pretty much all I like about it LMAOO

[ratcandy]

getting into actual angry arguments: awful. terrible. going to be thinking about it for the rest of the day. leaves me seething about what I could have said differently for the rest of my life.

getting into friendly debates: ohhhhhh enrichmennce.. :) mine brain is so full and thinking..........yippie yaaaaaay!!!!!!

[lbhslefttiddie]

there are a lot of rumours around the origin of Shen Yuan, the Sect Leader's favourite disciple--the most popular theory is that he is actually the Sect Leader's son, though its has escaped no one's notice the name and features he shares with Qing Jing's Peak Lord...

[lunavour]

i'm thinking about maul and obi-wan again no one fucking touch me

[kampflesben]

These are trying times for Yoshida stans

[grimbothefool]

OKAY FINE I'LL REMOVE THE BUTT ONES. i found one i forgot anyway

[lightbulb-warning]

this is getting ridiculous there's so much stuff i wanna draw i need to clone myself immediately

[true-blue-sonic]

I've heard at least one person suggest that the one who tried to get the Chaotix to go after Silver was, in fact, Eggman Nega; as, in his ideal turn of events, the deal would've simply ended with Espio just capturing Silver and thus preventing anyone from interfering with Nega's plan of releasing the Ifrit and powering it with Chao. The fact that Espio decided to hear Silver out at all and then started trusting him inexplicably is the only reason it ended up backfiring.

OH DAMN

OH I LOVE THAT

You see, I was reasoning that Nega actually wouldn't do that: why would he direct more people towards the Chao disappearances who could intervene and rescue them? He'd just be shooting himself in the foot by asking a group of detectives to mingle themselves into the problem, with the chance they'd take potentially-capturable Chao from right under his nose and/or find out what's truly going on. But you're absolutely right!! Even with Sonic & Tails and Espio & Silver rescuing Chao, Nega himself says he has enough of them in Mystic Haunt Zone to make the Ifrit invincible anyway. The only reason this doesn't succeed is because Sonic and Tails just so happened to find the room and take all the Chao along with them before Silver and Espio did and before Nega could continue with the plan. Add to that the fact that Eggman in Shadow's/Metal Sonic's story figures Nega is Rouge's client and is making her collect the Chaos Emeralds: we thus know Nega has done so with at least one person in the past. Furthermore, this isn't mentioned explicitly in the game itself, but Vector does somehow know Silver's name and that he "showed up" one day, despite Silver being a time traveller whose prior adventure was kept entirely contained to Onyx Island and like four other people. Even if it's not explicitly said in the game Vector got that info from the client in question (and the wording seems contradictory to this idea, even, but it could maybe be an As You Know introduction for the player), it's also not impossible either. And lastly, Nega is noted to be short-sighted and lose track of the tinier details easily, so him figuring that the Chaotix couldn't possibly find out his real identity and plans does fit here as well, I would say.

I love how, in this scenario (and my Espilver fic because I am absolutely going to be diving into this more), there was so much hinging on Espio chasing down Silver and capturing him... and he just did not, lol. You know how Sonic Channel's story with Sonic and Silver in Soleanna mentions how Silver's "way of life" inspires people and makes them want to watch over him and cheer him on forever? If I can nicely write that into Stories with Silver and Espio, I'll be one happy gal <3