Question: if you were one of the Supergirl writers and had been tasked with explaining how or why Lena didn’t know Kara was Supergirl (given how generally obvious it would be when Lena— the world’s smartest woman— has interacted with both Kara and SG) would you have written something fundamentally different than what the show decided to go with?
i couldn’t sleep this morning, suddenly remembered this ask, and decided i desperately needed to answer it.
so my absolute favorite explanation for this was in "The Love of Forgetting" by KL Morgan. i know it would've been extremely difficult to execute on film, but i would've really liked if the explanation had been that kara used cloaking tech or the "image inducer" and that it slightly changed her face. i thought this was SO smart in the fanfic, and one of the few explanations i could actually buy; that lena doesn't recognize kara because they LITERALLY don't look the same. just both blonde, fit, and beautiful, but not the same faces. it would've been amazing if they'd just used her stunt double, but then you wouldn't have your star actress in the dramatic scenes, so. i get it.
the only other explanation i liked was for superman. i'd think i'd seen a post on here about it, but it was the idea that no one THOUGHT superman had an alter ego. no one imagined that he would pretend to be human in his downtime and hold down a job and have friends. no one was looking for superman in the real world, so no one saw the similarities between he and clark kent. that might get us to lena not recognizing kara, but my god... the evidence was abundant and insurmountable on the show which leads us to fanfic's most popular explanation...
denial. i think this one treads water a bit because we know lena's had a highly traumatic, dysfunctional upbringing. they even show us that her one other friend CANONICALLY GIVEN, andrea, lied to her and betrayed her. she just doesn't want to see it. we also see her, quite regularly, show a form of disappointment with this highly idealized concept of supergirl. she moved to national city for her. does quite a lot to get her attention and impress her. and then still believes that supergirl doesn't trust her, that she can't move past her last name. "never meet your heroes." i think maybe denial might stop her from thinking her only friend in national city and second in her life (maybe third if you cound sam) would be SO duplicitous for four years, even if lena did see all the signs (the most egregious of which to me was Supergirl SAYING HER NAME WAS KARA!) it's just extremely difficult for me to believe that a smart woman like cat grant would figure it out but not lena, so it really leaves the only explanation is emotional for lena, which sort of tracks (but not really.)
we know the show dragged it out for years because it was the most important (and only) emotional element to the show, which to me is a critique of how little they managed to build for kara than anything reasonable about lena being unable to see it. lena "finding out" was always going to be a seasonal arc, but they kept pushing it off while failing to make us care about anything else in the plot. then it's this massive amount of time that's passed but a genius hasn't guessed, but EVERYONE ON THE SHOW INCLUDING CHILDREN, have guessed kara is supergirl. it was never going to make sense. what i would've fundamentally done differently is known how to write a la ali adler in season 1 and given us real conflict, stakes, character development, etc. for kara that didn't weight her conflict with lena SO heavily that it had to be drawn out until the show was literally ending.
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I have a headcanon that I occasionally enjoy indulging in that Donna would have been the ideal vessel for Eva. However, in the early stages of Donna's transformation she did not need the flowers to produce her hallucinations and even Miranda was not immune to her powers. It's uncertain whether Donna herself has control over what she makes people see or whether it is taken from the memory stores of the Black God but either way Mother Miranda is not sticking around to investigate. Not when Donna has such a latch on her mind. Not when she has to watch her Eva's death over and over again.
I like to think that it was Miranda who separated Donna's cadou and implanted it into Angie, spreading her consciousness out so she is incapable of storing enough power to affect Miranda herself. And then, of course, she fiddled the notes, scratching out how she was an unfit vessel, placing the blame on Donna.
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Agatha: Here’s a fun Christmas idea. We hang mistletoe, but instead of kissing, you have to FIGHT whoever else is under it.
Hecate: Agatha. no.
Ada: Mistlefoe.
Hecate: Please stop encouraging her.
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Also, you know who is just over there in Valinor C-R-YING over Adar and his orc babies?
NIENNA.
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The only thing incorrect about the characterization of Santana Lopez from glee is that she never called anyone cunt or faggot
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@allvalley100
Prompt: Silver Spoon
Pairing: Hawkmetri
Friendships: Hawk & Yasmine, Demetri & Yasmine
Yes, even more vampire!Demetri x human (presumably?) Eli because I cannot be contained XD This is a direct prequel to this and kinda goes with this as well!
***
“That’s real silver all right.”
Yasmine slips another shiny utensil back into the lavish gift box. Eli frowns.
“You sure?”
“I grew up in Encino. I think I know expensive shit when I see it.”
Demetri eyes Sensei Silver’s “olive branch”—a cruel trick meant to take advantage of his new condition. He runs frigid fingers along his arm, sharp canines gnawing his lip.
“If we need confirmation…” Yasmine grabs a spoon, pretending to aim it. “Demetri, c’mere.”
Eli’s arm abruptly shields Demetri’s body. “Don’t you fucking—”
“Chill. I’m kidding.”
“You’d better be.”
He grabs Demetri’s hand, squeezing tightly.
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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dungeon meshi is my favorite road-trip comedy film
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Can't stop thinking about reverse Scott Pilgrim au where Ramona has to fight all of Scott's exes, Punk drummer Kim, Megastar Envy Adams with an army of groupies, Femme fatale Lisa Miller, Jaded obsessive Knives Chau, maybe an alternate timeline version of herself.
And when she's all done it's just kinda Wallace standing there and she's like Wallace what are you doing, I'm meeting Scott's ex here and he just gives this sad shrug smile and she's like Oh and then he pulls out the baseball bat-
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Ngl if I had a child with Poseidon, the God of the Seas, and had to pay swimming lessons for my son because he was scared of water, I'd be cursing Poseidon forever like you don't show up, don't pay child support and now you can't even help your actual ocean spawn to swin????
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The realest part of the Barbie Movie was when Barbie was like "okay but what if this hurts his feelings? what if this makes him sad? :(" after Ken stole her house, stole her car, and stole her agency, because as a woman you still have to second guess everything you do on the assessment of whether it might hurt a man's feelings.
And then that apprehension was proven right one million times over by the entire Conservative Internet Manosphere pissing and shitting and screaming themselves hoarse over Barbie daring to hurt a man's feelings.
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Arabella: Halsin, how do I get revenge on someone who's wronged me?
Halsin: Well, little one, the best revenge is letting go and living well.
Arabella: ...
Arabella: Astarion, how do I--
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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The thing that is striking me the most about this album is just how messy and human it is. She’s not holding anything back or trying to appear one way or another. She’s just letting it all out regardless of what anyone might say. She found that trying to be polished and keep all the ugly, imperfect, human stuff in to be stifling and just said fuck it I need to do this for me. This album was an exorcism for her.
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i haven’t seen the new spiderverse movie and i watched the first one years ago so every time i see a post about it i have to physically resist the urge to send a screenshot to my girlfriend and say “explain this images to me”
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