#Bookend Events

[guardian-angle22]

TK/Carlos + Touch

↳ 3.08 In the Unlikely Event of an Emergency

[the-weed-and-read]

[lavampira]

#ffxivbridgerton — countryside

Dearest Gentle Reader, The wheel of time turns ever onward, and with it, so does our eventful season. Whether in light of prior scandal, or perhaps simply the progression of their swift dalliance, this author cannot say, but it appears D’alia has accepted Sidurgu’s request for her hand. If the rumor mill is to be believed, the pair have already been spotted with rings and taken an early retreat to the countryside in lieu of any grand ceremony. Regardless of veracity to the claims, after witnessing their captivating courtship from the start, one thing is for certain: this has been quite the love tale for the ages. Yours Truly, Lady Whistledown

[ectonurites]

SUPER DARK TIMES (2017) DIR. KEVIN PHILLIPS ↳ JOSH TEMPLETON, ZACH TAYLOR, & ALLISON BANNISTER

[gillianthecat]

Thought my physics lab was two days late and I had only three hours left to get it in at all, but it turns out that there was no lab this week at all.

Hallelujah 🙌

I fucked up absolutely everything else last week but at least I accidentally didn't fuck that up.

[pippindot]

Pip took Best Opposite today. It was a very special win under a very prestigious judge (he was President of the UKC when silkens were brought in). Pip showed beautifully. She's now

BOSS ISWS Ch UKC Ch Sundance Wings of Inanna ATD RATI

[solradguy]

When I wasn't distracted by Chinese? mobile gacha game Alchemy Stars today, I got a bunch of the Dengeki PS pages cleaned. ~30 left plus the 7 I need to rescan, so I'll probably finish this tonight.

[thegiantofkokonur]

I’m glad true crime is slowly making the transition away from the veneration and mystification of killers/criminals and more analysis of the sociological and structural factors that make them, the failings of justice in their apprehension and prevention, and celebration of victims. there’s still horrible media like the Bundy and Dahmer biopic, and I think their “legacies” have been so entwined with the narrative of the dark and mysterious evil in the shadows they’re never going to be recognized as the lonely, entitled, and incompetent pieces of shit they actually were. And that’s mostly because recognizing that means the cops failed at their fucking jobs, and they can’t fucking have that. But it’s now inescapable that the last decade of mass shooters were all inspired by the hype generated by the TCC over the shooters that came before them, so I think some of them are starting to actively disengage with the aforementioned narrative and just acknowledge these people are the ultimate outcome of highly racist, homophobic, and misogynistic systems of population control. They aren’t anything special or interesting.

[homebeccer]

Lukewarm take but I'm really not happy w the BNHA ending - and yeah it's easy for me to sit back at my "corporate" nine to five and shake my head and criticize a professional author but I mean. C'mon. People are joking about "Quirk: All for What" and yeah genuinely it was all for what? Deku already had the heart and soul of a hero he just didn't have a quirk to help him compete in the superhero society that existed. At the end of episode one I thought the show was going to be Deku using his knowledge and observations about quirks to find their weaknesses and use them against the villain and fight crime like that, but then he gets a quirk. Paradigm shift. This is the reality of the narrative for the rest of the series. The majority of his journey was training his body and honing his quirk. He didn't learn any lessons about being a hero - Iida learned more about the true attitude of a hero à la Stain and maybe Deku learned about the power of friendship in the vigilante arc (or would, if any of his classmates still had characters to speak of). Deku has everything it takes to be a hero except a power. Then he gets it. Then it's taken away again in the eleventh hour. Then it's given back at 11:30. Like. For why.

Y'know whose narrative would have been made so rich by losing their quirk? Bakugo. He had the quirk of a hero and the heart of Not a Hero to start off the story. He was Deku's narrative foil, and for all the story's faults they really did a decent job with his character. For him to lose his quirk at the end of the story and resign himself to chasing after Deku (who until the events of the story had been chasing him) would have made a powerful bookend. Bakugo was coasting on his power while having a nasty personality, but now that he's grown and learned and matured it would have been a good way to really Show that growth. Have him get the super suit with gauntlets that set off explosions. He does just fine as a pro hero, just not of his own power, and he's okay with that.

I think Horikoshi is a really really really good idea guy, like Moffat or Butch Hartman or any of those other types. It's the follow through that doesn't... Well ... Follow through. There's people who will disagree and think the ending is satisfactory and that's fine, I'm glad you enjoyed it! This has just been turning around in my brain for a bit and I wanted to type it out.

[gffa]

ABSOLUTELY UNWELL that both Obi-Wan and Ahsoka have visions of Anakin-as-he-was (as they remembered him, as he was the good person they loved) that you're not really sure if it's truly Anakin or if they're projecting his visage because they haven't let him go. Absolutely punching the wall over how it's spread across the timeline, set during Anakin's time as Obi-Wan's Padawan, set during his time as Knight as Ahsoka's Master, set during his Revenge of the Sith era just before he fell, the last moment when they both remember him being the person they knew and loved. Is it really Anakin, finding a way to reach out to both of them through the Force? Anakin who certainly wasn't ready to let Obi-Wan go during the events of Obi-Wan Kenobi, Anakin who would want to help Ahsoka in her time of need during the events of Ahsoka, Anakin who of ALL people would find a way to project himself into his loved ones' minds and hearts? Or is it that it's not really him, but that he had the same effect on both of them, that he carved such a space for himself in their hearts that his fall scarred them for decades afterwards, that their own issues now revolved around him, Obi-Wan cutting himself off from the Force, from hope for the future, from helping those he could because Anakin haunted him so deeply? Or Ahsoka cutting herself off from connections with those around her, too afraid she would become another Vader or help create another Vader to truly embrace Hera and Sabine and Jacen and everyone else left? Obi-Wan and Ahsoka are bookends to Anakin Skywalker's library, each of them sliced open a piece of Vader's helmet to see the man underneath in a way no one else in the galaxy could, because these were the two people that could still cut into the heart of Anakin, and that cuts both ways. They held onto him just as much as he held onto them. Absolutely wailing and gnashing my teeth at the ambiguity of both of these characters having visions of Anakin that you're not sure if it's really him because they're so wrapped up in him that maybe they called him there, maybe he came on his own, maybe everything that's at the core of them both is so tangled up in him that they can't see anything else, all they can see is a vision of Anakin Skywalker.

[indigovigilance]

Jimbriel, Satan, the Book of Life, and what it means for Crowley

Acknowledging that what we know so far about the Book of Life from various characters is highly suspect, I'm going to posit to you that Beelzebub is actually the true authority on the Book of Life, and that they bookend Season 2 with very important (and hopefully accurate) information about the Book of Life. With that in mind, let's take Beezlebub's S2E1 description and see how it fits with other canon evidence:

But what does it mean to have never existed in the Good Omens universe? For that, let us look to Satan.

From in-show canon, we know that Adam was able to retroactively change Satan's status as his father to not his father:

Adam altered reality, although Crowley, Aziraphale, the other celestials, and even Adam himself remember those events from a timeline that supposedly has been erased:

But Crowley nonetheless confirms that this is reality now. Satan was never Adam's father.

Additionally, though not technically in-show canon, we know from Notorious NRG that once Satan became Lucifer, this erased Lucifer from existence in the GO universe:

And Crowley's monologue in the bar drives it home; even though Lucifer no longer exists, Crowley still remembers him, and some key events that they were involved in together.

But a more dramatic portrayal of erasure is found in our favorite Good Omens himbo, Jimbo. In the trial of Gabriel, the Metatron makes direct allusion to the fact that Gabriel will no longer be Gabriel after his demotion:

Not "your memory of your time as the supreme archangel will be erased," no, it's:

Your memory of your time as Gabriel will be erased.

Whether he means to or not, Aziraphale reinforces this characterization of memory-loss-as-new-identity:

This can be taken simply as a safety measure, but Jimbo doesn't understand it that way and we see throughout the remainder of the season that Aziraphale is very consistent about calling his unexpected guest "Jim," even correcting Crowley when they're speaking privately and it wouldn't blow his cover to call him Gabriel:

But the final word on memory and identity, especially as they pertain to Jimbriel, again comes from our Lord of the Flies, Beelzebub:

All your you is your memories.

Altogether we see that there is significant in-show canon to support a theory that memory is inextricably linked with identity, and that when memory is removed, identity is so drastically changed that the name of the entity must also change... and the person who existed before, with that former name, exists no longer; it is as if they never had.

(But, as we see in the case of Gabriel, they can be restored.)

I told you in the title that this post was about the Book of Life: it is. Everything discussed here about memory and identity must necessarily characterize how the Book of Life operates, at least with respect to erasure. When someone is erased, they don't vanish, but they are so changed it is as if a new person has taken the place of the old, the way Jim took the place of Gabriel, until he got his memories back. But we can surmise that when someone is erased from the Book of Life, their memories aren't conveniently stored in a TARDIS/Ru Paul fly for later recovery. The memories may not be gone, but I'm going to guess that they would be extremely difficult (or impossible) to retrieve.

What this means for Crowley:

I think we need to give this scene a lot more credit for telling us how this universe works. Surface level, it reads as "you don't understand my trauma, and how I've been changed by it." Which is a very valid interpretation. But we can dig deeper and see that, given everything else we know about celestial beings losing their memories, names, and identities, Crowley is alluding to something far more horrific than just the scars left by flaming swords and halo-grenades.

These are the scars of a lobotomy. Something was taken from him, and he is aware of it.

He knows that his memory has been tampered with. Various people (Furfur, Saraqael) tell him that they recognize him, and of things they've done together. He has no recollection of them, but instead of getting agitated, he brushes it off and ignores it. This lack of questions from the guy who questions everything tells us that he already has the answers; not the memories, but the knowledge of why he doesn't have them.

Furthermore, when he's trying to get Jim to remember the something bad and Jim says it hurts, Crowley says:

I know. Do it anyway.

How does Crowley know that it hurts, to try to recall memories that have been taken out of your head?

Because he's been through it.

He has tried to remember, and some memories, like working on the Horsehead Nebula with Saraqael or monkeying around with Furfur, weren't worth the pain. Or perhaps it was pain on top of pain to remember what he had lost.

It is an especial testament to the cruelty of Heaven that he remembers going into battle, but not the bonds he formed with his friends. He remembers a million lightyear freestyle dive into a boiling pool of sulfur, but not the work he did on the Horsehead Nebula, a thing that brought him joy.

And now, the person he loves most in the world, his only refuge from the terror of his empty nightmares, from his malignant and creeping sense of unease that something is missing, has gone back to that place where his identity was so horribly violated that he lost his name.

How will our hero cope?

If you liked this meta, you will almost certainly like my meta on Continuity Errors.

For my thoughts on who Crowley may have been before the fall, go here.

For my thoughts on how this pertains to Metatron, go here.

As I continue to produce metas related to this theory, you'll be able to find them all here.

[kanmom51]

Smeraldo garden marching band - JM

Song and MV - My thoughts

Very long post ahead. Seeing that @andy-wm wrote such an amazing post already, I am sending whoever hasn't read it to go read and like it.

I agree with @andy-wm's thoughts and am going to use it as a base to mine, jot down a few points I would like to either add or emphasize. I could have reblogged, but I felt there was just too much I wanted to convey and better I do it in a separate post.

So let's get it.

Where where where do I start?

Maybe from the end, seeing that the song does seem to open and closes with the BTS reference.

I do agree the song is not JM singing his love to Army.

I've seen Army trying to twist and turn it around once again making it all about Army, JM telling us things he couldn't tell us before, the truth he couldn't before - that he loves army? Say what? Since when did he not tell Army he loved us? Since when was that a truth that had to be hidden? Nah. It's funny how people are getting the whole connection to the Smeraldo flower, the connection to The truth untold (will talk about that a little more later on), but are not willing to take that one extra step and see or admit what that thing JM telling us is.

There is a reason this song comes after Set me free Pt. 2!!

This is a different JM. One that decided to live his life as himself, flying away free like a butterfly.

And he connects the dots in the MV.

This is about something that was obviously hidden by him until now, something he is telling us now, a secret he is letting us in on, once he told "all the opps" to fuck off.

These lines here:

All the things we couldn't say before And your hidden feelings too I'll tell you everything now (Just for you) Don't you worry anymore Since we’re together now Let's be a little more honest (Let's go)

Clear as day.

This is about hidden feelings (and not necessarily hidden from the person he loves but from us, as we are the audience and it's time to tell us about it). Same btw with the honesty. Not that he hasn't been honest with that person he loves, but it's time to be honest with us, perhaps practice that same honesty that certain person has been trying to practice throughout 2023.

This is JM's time. JM's secret to tell.

So why, oh why the hell would it be about his love for Army and wanting to hold our flaming hands????? Please make it make sense.

Forget the fact that the lyrics are just not it. Nope. He might love army but he definitley doesn't want army, and spare me any reasoning, JM is a big boy and he KNOWS what it means when he says "I want you babe...", and it ain't him wanting Army. Nope. Nah. No way.

On top of that, by now we know that everything JM does is for a reason, and the 12 June in the lyrics is no different. This is about BTS, not Army, and the idea of the bookending, I love love love that one. This exactly:

That means the events happening in the song, happen within the context of Bangtan. Reading between the lines, the person he is singing to/about is within Bangtan.

Ah, and there is this too:

No special course in reading comprehension needed here.

Not a love song to army. If it wasn't clear from the lyrics then it's said here. A song JM wrote for army to help them express their feelings for a loved one when they are having issues doing so themselves (all part of the layering I will talk about later on).

I'll just say here that JM is the king of layering. One song and MV containing messages within messages.

One more thing about that ending frame from JM though.

When the curtains rise and the lights turn on Everyone is in their places Turn up the music I think we’re ready now Let's begin one, two Put your hands up

These lines.

As I was watching the MV for the first time reading those lines, this is what popped straight into mind (and speaking of popping, I will get to that too, that naughty cutie, sexy, lovely man of ours and his not so innocent innuendos - yes, I do think his mind was going there):

When do you feel your heart connected with another member ?

"...when my eyes naturally meet Jimin's and we high five..."

*Side note: not JK telling us his heart is connected with JM basically all the time...

I guess JK is talking about moments like that.

When I saw/heard those lines in JM's song it felt like the one JM was talking to in that moment wasn't all of the members, but that one person standing on that stage with him, that one person that he just said all his "I love you"s to.

Oh, and a little example of nothing being coincidental and fully thought out by JM:

Ok then.

Just as @andy-wm mentioned, JM gives us hints galore throughout the whole MV as to who that individual is he is speaking to, confessing his love to (again, all while also clearly talking to us letting us in on that secret that he was hiding until now).

We have him hinting to what it ain't.

That the person in question is not of the female variety. The potentially romantic moments are only with the male characters. That "yes sir" add-on.

Ooh, I love you babe I'll come closer to you I love you, babe (Yes, sir) Ooh, I want you, babe I wanna hold your hand I want you, babe

This is no mistake. This is not in the live version only. This is part of the actual lyrics. As is.

We have him giving us hints in the staging, the choreo, the set connecting with Serendipity.

The you are me I am you in the MV choreo

And prey tell, who took ownership of that one, eh?

We have the bubbles.

And specifically JM in a bubble.

Wait, what am I seeing there?

JM in a bubble with sunflowers?

Sun-flowers?

I guess we're in the business of recreating moments then.

Not quite enough, right?

So we have JM literally using Golden hour lighting in his MV. All while the sunflowers (you know, those that grow towards the sun, and usually don't tend to open up and flourish as the sun is going down) are blooming.

Oh, and who are they directed towards if not the recipient of JM's confession? You know, the sun part of the sun and moon duo. Get with it people. You should be reciting this off by heart by now.

Oh, @andy-wm you asked and I will reply. You are not crazy AT ALL. I will say it one more time and clearly:

The sunflowers, that represent the sun as in themselves, are blooming facing towards the camera, in the direction of JM's love confession, all while doing so when the sun is actually supposedly setting, it being Golden hour.

And if it's Golden hour we are talking about, how can we forget this?

Just JK telling us JM is the love of his life during Golden Hour .

See full clip here:

And now we have JM doing just the same.

Who would have thought?

So, basically the flowers are blooming facing (because of) the individual that JM is confessing his love to - you know, the sun to his moon.

Same moon that was doing this:

Every night You spin me up high The moon with you in its arms Let me have a taste Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') It's gon' be a good night (Oh, I'm fallin') Forever you and I

And if we are already drawing the lines between SGMB and Like crazy, then how about this perhaps connecting line:

We know how personal Face was to JM. We know that every single song is him through and through. We know Like crazy is about him struggling during the pandemic.

We saw his breakdown during the MOTS ONE live streamed concert.

This was October 2020, around 6 months into the pandemic. The uncertainty. This is their first performance and from there until Muster another 9 months go by. We know from Festa 2022 that the pandemic screwed up all of their plans. the uncertainty, working on and releasing Be and then Butter and PTD everything leading up to the PTD online concert, a year after MOTS ON:E. For those that performing is their life, standing in front of an audience and giving it their all, it's a hard pill to swallow. The unknown, if they will ever get back to perform on stage in front of a live audience, when this is who they are, their essence, it can be unbearable. JM wasn't the only performer to go through this. It's just that he shared this with us.

And JK was there by his side.

And all he wanted was to make it better.

Just like he did during the concert itself.

So yeah, I do believe it's JK referenced in that song.

And Yeah, like everything JM does, this song too, and it's MV, are layered.

And SMF pt. 2 is him breaking free, flying away like a butterfly and moving on to SGMB. Now he can say what he feels out loud for EVERYONE TO HEAR. And he's telling that someone that was worried about him, that one that stood by JM's side and perhaps JM felt like he was trying to save him, that it's ok, there is nothing to worry about anymore. And unlike in Like crazy, where JM doesn't want to be woken up from that dream, and he is fighting that person that wants to save him, at this point he's eager to wake up and live each day a new with that person he loves blossoming by his side.

Same person he wrote the Letter to?

Yep. Same person.

I do believe that they are all one. Same person by his side in Like crazy, giving him a good ride, in his arms, trying to save JM. Same person he wrote his love letter to. And same person he's telling that he loves in SGMB.

And then there are these lines to consider:

All the things we couldn't say before And your hidden feelings too

Is JM confessing to that person, to us and for that person too? Telling us the feelings are mutual. Hidden until now, from us, and now out in the open.

And yes, although SGMB is JM confessing his love to that person (cough JK cough), he's already done that in a song, right? So what now?

Layering peeps.

JM is telling that person, but more so, I do believe, telling us.

Remember how Letter was hidden? Yes, we got to hear it, but it was hidden on JM's album. Like a secret that isn't to be shared with everyone. Like something that needs to be hidden. And here comes the layering again - it's hidden cause it's a private letter to the one he loves, but also hidden because it's something that cannot be revealed publicly, because he's an idol and 'not allowed' to have such a personal relationship and because the relationship itself is 'not allowed', being with another man.

And now we have SGMB. Not only is the song not hidden away, but it's out there in the open. Loud and proud. The first single released from Muse. How louder or more public can it get than that?

Ok, so feels like a good place to talk about the song's choice of name and its lyrics for a sec.

Much has been said already about the Smeraldo flower, it's meaning and The Truth Untold.

And now we have this:

"The longing to confess and find love on behalf of those unable to articulate their feelings..."

Let's talk about this sentence for a second.

One of the things we get from the MV is cupid or matchmaker JM. Not only is he telling his person how he feels, he is also helping those around him express their love. So, as usual we have a layered message, oh so like JM to do in his well thought out messages. JM 'confessing' to his love, but also to us about his love (first 2 layers) and another layer of JM helping us, his audience, to express our feelings to whomever we wish to and are struggling to do so. Oh and another layer to it all is the one surrounding all three, the one that connects to the Smeraldo flower and it's part in The Truth Untold - that part of allowing to show your true colours, your true feeling, and not be rejected for them, not necessarily by the person you love, but by those that surround you and will not accept your true self or your love for each other.

The connecting lines between the two songs.

And we know who this song meant so much to as well.

"But I still want you"...

So most definitley not a coincidence JM choosing the Smeraldo flower nor calling his band The Smeraldo Garden Marching Band, having them be the ones to deliver this oh so loud and proud message to us all.

One last thing before I leave you for now.

Let's talk for a sec about the new JM dance challenge?

We got cutie sexy lovely JM in this one.

And again, thanks @andy-wm for your lovely post.

Once again, if it wasn't clear already, the one he's paired up with is Loco, sitting there on the sofa, not even dancing with him, just there all googly eyed at JM, struggling to keep a straight face. And the end, omg, that end.

No Loco. That performance was not for you. And fyi, there is only one person JM is accepting flowers from ...

You know...

That one and the same person he was rushing home to pack for their trip to Japan the next day.

Same person he chose to enlist together with less than a month later.

[limnsaber]

Stammi Vicino and the events of Yuri!!! On Ice are still mind boggling to me. Where’s that post about scarcely-fathomable level of romance.

Stammi Vicino is the first skating sequence in YOI. It is the first full skating routine we are presented with and it’s the choreography we see in the very first moments of the show. Lyrically, Stammi Vicino is about a man calling out for someone to hear him, speaking of intense loneliness and decrying love. The lyrics were written by the creator of YOI, Kubo Mitsurou, and translated into Italian for the composition.

In the first episode of the show, both Yuuri and Victor skate this routine individually. Victor skates it for Worlds, and Yuuri skates it because he wants to get his love for skating back.

Unbeknownst to him, Yuuri’s performance was recorded and uploaded to YouTube, and Victor comes into his life from there (directly because of Yuuri’s SV performance).

Victor sees Yuuri’s performance and comes to meet Yuuri, and that’s the inciting incident of the show. Both of their routines were a calling out into the darkness, and they were answered. (That’s love!) Through the show, we learn that both Victor and Yuuri were in bad places at the time of the routine of the first episode, and we see them grow wonderfully together in their relationship and as people through the series.

Stammi Vicino is also known as Hanarezu Ni Soba Ni Ite in Japanese, or Stay Close to Me. This line is said by both characters throughout the show, perhaps most significantly by Yuuri in their argument in the parking garage in EP 7 (a major turning point for their relationship).

The first time Yuuri sees Victor in the flashback, we get notes of Stammi Vicino underneath the dialogue.

This song is perhaps the musical foundation for the entire show! Every aspect of Victor and Yuuri’s relationship is writ in, from calling out into the darkness to finally coming together— represented in the closing routine of the show, Stammi Vicino: Duetto.

Yuuri skates Stammi Vicino once more as the show’s final episode closes, and this time Victor joins him for a pair skate. The final episode is one where they’ve finally fully come together — they agree on their future and on their future together. It’s a beautiful bookend to the story, and represents, as the skating routines always do, their characters and their relationship.

In Duetto, the verses about condemning love are gone and the piece has two singers instead of one. Verses in both the aria and duetto say “your hands, your legs / my hands, my legs / our heartbeats / are blending together,” referencing — and they were crazy for this honestly — Plato’s theory of soulmates. At the end of the piece, the singers “leave together”.

The creator, Kubo Mitsurou, has stated in the past very explicitly and publicly that Victor and Yuuri are soulmates. Canonically! The first time Yuuri sees Victor in the flashback, we get notes of Stammi Vicino underneath the dialogue. Stammi Vicino is the musical thread of Victor and Yuuri’s relationship.

They’re engaged!! To be married!!! They’re canonically soulmates!!!

The music in YOI is deeply intertwined with the storytelling. Each routine is uniquely representative of a character, who they are as person, and their journey. The relationship between Victor and Yuuri is the core of this show, and Stammi Vicino is perhaps the most important piece representative of their relationship.

Stammi Vicino, the aria and duetto, represent a story about loneliness and calling out for love and that call being answered. That’s the thesis of Yuri on Ice.

“There’s a place you just can’t reach unless you have a dream too big to bear alone. We call everything on the ice ‘love.’”

[kimberleyjean]

The Ineffable Detective Agency Presents: What do you mean there are TWO Edens??

Do you remember how we were shown those two different shots of the Eden walls in S1? One is the zoom in, the other a zoom out and they bookend the scene. Here they are back to back...

I've not seen anyone mention it before but these are DIFFERENT WALLS. Yes, you heard me correctly. We have been shown two totally different Edens. Let's talk about it shall we?

The devil's in the detail...

Try to think back and remember - how many spikes jut out from the walls of Eden? I’ll make it easy - is it 7 or 10?

Did you guess 7? Well, congratulations, you’re half correct! 

Did you guess 10? Well, congratulations, you’re also half correct!

That’s right - we see TWO versions of Eden in that sequence.

Here’s the Eden we’re shown first, as the camera sweeps in over the vast sands, and God narrates over the top. Look carefully at the design of the walls here, particularly those spikes. There are supports which have three spikes coming out of them. Take a look at the portions in between...

10 spikes!

And then at the end of this sequence, here are Crowley and Azriaphale, standing on the wall, looking out over the departing Adam, Eve and Flaming Sword. 

So, now we have 7 spikes! It’s not the only change, either. Take a look at the shape, size, colour and weathering of these walls.

So, what’s happened here? The only conclusion I have is that the Good Omens team have purposefully used two different digital assets when creating the VFX for Eden. The reason it flew under everyone’s radar is because these two shots are separated by roughly 4 minutes in total!

But you know what? I think the Good Omens team have been trying to drop hints all along. Check out this post from a fan who attended an event and was told about multiple Edens by Michael Ralph. What else have they been dropping hints about? Lots, I suspect.

With thanks to all the detectives @embracing-the-ineffable, @theastrophysicistnextdoor, @noneorother, @somehow-a-human, @komorezuki, @maufungi, @lookingatacupoftea, @havemyheartaziraphale, @251-dmr, @dunkthebiscuit, and @ghstptats <3

[jmgangel]

What I say: I’m fine.

What I mean: Raven Queen should have been the one to wake up Apple White in Dragon Games. Although Apple’s prince being Darling was a good twist and did it’s job at shaking Daring’s faith in his story, it didn’t fit as well as it could have when considering the events of Dragon Games, and the story as a whole. Ever After High is about Raven and Apple, and their opposing ideologies conflicting with their deep love for each other. This is mirrored (haha pun) by the narrators, who are a married couple. Raven being Apple’s true love would have been an excellent bookend (haha pun take 2) to their relationship. This is furthered by Apple and Raven being the ones to defeat the evil Queen. Additionally—

[mustafinaandhergirls]

Might just be me being a biased stan here but kinda love that Simone's career as the Greatest Of All Time was somewhat bookended by two names definitely on the list of All Time Greats the sport has seen - Aliya Mustafina for the early years & Rebeca Andrade at the end.

The Holy Trinity of Gymnasts of the 21st Century so far, the three to have a world or Olympic medal on every event, that have a full set of Olympic medals, history makers and icons of the sport.

Just the best 👑