#DJ Zinc Remix

[faunusrights]

Back again! I want the top tier shit please and thank you

I listen to neurofunk and mid 2000s darkstep mainly but I listen to. liquid funk/DnB? to study

okay so i would start with the 90s: thankfully, i have a handy-dandy public youtube playlist with lots of songs on it so i'll give you the short list!

The Invisible Man -- Bell Tune Essence of Aura -- So This is Love (Omni Trio Remix) (you may know this one from a meme) Fugees -- Ready or Not (DJ Zinc Remix) Goldtrix -- It's Love [Trippin'] (OKAY YEAH THIS IS 2001 BUT WHATEVER) LTJ Bukem -- Atlantis (though he is a fucking STAPLE of the genre) Mental Power -- Dream Sequence (Back 2 Basics Remix)

As for later stuff, I'm a huge fan of Black Sun Empire and their albums Driving Insane and Cruel and Unusual, as well as a bunch of Concord Dawn's stuff like Say Your Words and Man For All Seasons! We already covered Calyx, so I shan't go on.

Other stuff that's been kicking around my playlist lately is the Rave Yard Remix of Crystal Water's classic Gypsy Woman, Nu:Logic's Morning Light, some classic Chase and Status with Hurt You, and Clare Maguire's Ain't Nobody (Breakage Remix). Dubstep-wise (or, as the youths now call it, future garage), I just covered Niels Binias, Vacant, Sorrow, and Burial all at once. Can't pick just one song for any of them, sorry! Oh, and also add Volor Flex -- Elegiac to that list too!

Okay, there's sososososo many more I could link here and I WILL resist but almost all these tracks are on my playlist and I highly recommend you let YouTube autoplay take the wheel; honestly, the algorithm is off the shits with reccs sometimes, and I've found artists I never, ever would have listened to had YouTube not had a say in it. So go forth!!!!!!!!!! and listen,

[kd-bzh]

Dj Set Jungle Drum & Bass

Aphrodite, Micky Finn, The Sauce & Fox, Pendulum & Dj Fresh, TI & D*Minds mixed by KD

Jungle Brothers - Aphrodite Remix

Rock The Funky Beats (Natural Born chillers) - Urban Takeover remix

Stalker (Original Mix) - Aphrodite

London Massive - Aphrodite

Acid Junky - Aphrodite

Acid To the Sound - Aphrodite

Heat Haze - Aphrodite

Let It Roll - Aphrodite

Bad Ass - Urban Takeover

Calcutta - Aphrodite

Golden Brown - Urban Takeover

Everything Boss - The Sauce & Fox

Honey (Moby) - Urban Takeover Remix

Drop Top Caddy - Urban Takeover

Cross Channel - Aphrodite

Tarântula - Pendulum & Dj Fresh feat. MC Spyda & Tenor Fly

King Of The Beats - Aphrodite

The Wobble - Aphrodite

The Rockafeller Skank (Fatboy Slim) - Aphrodite Remix

Nations (Dub War) - Aphrodite Remix

Super Sharp Shooter (Dj Zinc) - TI & D*Minds Remix (Run In The Jungle)

Style From The Dark Side ‘99 - Aphrodite

Joué à la soirée Blavet Connection Noz #9 le 21 Juillet 2023

91 BPM

Play on Pioneer PLX-1000 with Xone:92 and Serato.

Human Traffic stage - Junglist Movement - Jungle Massive -

[djchorlocontrolection]

Dj Zinc - Super Sharp Shooter (Sniper Remix) 2000

[room4creation]

the mix starts with kelela remix , there’s a bit of dj zinc somehow and t2 heartbroken (I have played this song in the last 4 of my sets) and ends on jungle breaks music

[fred-the-curator]

I just listened to this little gem and it deserves to be shared with other ears DJ Zinc Ft Alicai Harley - Bubble (Sully Remix) Uploaded by BINGO via SoundCloud https://ift.tt/OsNbp6y Make the community vibrate: a like, a share, or even a comment can transform our cultural mosaic together. 🔊❤️

[nco05]

Thanks for the tag @livelaughlovepedri

Songs that are on repeat

From my Hip-Hop (& co) playlist:

From my Electronic Dance Music Playlist:

[arcturiusmusic]

Photography: © Lightning Core - Armando Pinas

Setlist:

Buunshin - CANCELLED

Noisia - Anomaly (Annix Remix)

Skantia - Spearnet

T>I - Fine Balance

DJ QT - 4 Da Streets

Kings Of The Rollers - You Got Me (S.P.Y Remix)

DJ Zinc - Super Sharp Shooter (T>I & D*Minds Run in the Jungle Remix)

DJ Fresh, Buunshin - Dancing In The Dark (Extended Mix)

Diagnostix - Boomer Chat

Diagnostix - Bare Fken Snares

Spirit - Murderer

Kumarachi - Acetate

Top Cat - Ruffest Gunark (Taxman Remix)

Acuna, Speaker Louis - Outta Control

DJ SS, Streetz of Rage - Electricity

DJ SS, Azpect - Feeling Blessed

DJ SS, Azpect - Feeling Blessed (DJ SS Remix)

Deep Notion - Dreamer

Mr. Frenkie - Bass Symptom

Deep Notion - Without You

Deep Notion, Ben Snow - Fire

Buunshin - No Match

Acuna, L-Side - Heavy Drop

Dimension - UK

Taiwan MC - Gwaan Gyal (Diagnostix Remix)

Conrad Subs & DJ Hybrid - Days Of Rave

Diagnostix - Rig Poppa

Conrad Subs & Toddla - Dubbla

Gray - One Spliff

T>I - All I Do

Teej, Disrupta - Duppy (ft. Riko) (DJ Hybrid Remix)

Critical Impact, DJ SS - Undercover

Epicentre & Kumarachi - Murda

L-Side, MC Fats - High Times

L-Side, MC GQ - Zaga Dan

Shy FX, Breakage - Michael Knight (DJ Master)

D*Minds - Riddem

Tweakz - Pleasure

Tweakz - 7AM

Unknown Artist - Observer [Fokuz Recordings]

[tigermendoza]

DJextreme - Original Mix Tape [July 1995] by Hardscore https://www.hardscore.com/?p=9113 01 Aphrodite – Solaris – Aphrodite 02 Hot Steppers – Vol 1 – Hot Steppers 03 DJ Krust – Set Speed – V Recordings 04 Droppin’ Science Vol.6 – Easy Pt.1 – Droppin’ Science 05 DJ SS – Niceness – Breakdown 06 DJ Zinc & Steve B – Ripple (Drum & Bass Inst) – Renk 07 Higher Sense – Bizarre – Moving Shadow 08 Kim Mazelle – Genius (Dillinja Remix) – Jetstar 09 Roni Size – Step Up – V Recordings 10 Dream Team – To Suit The People – Suburban Base 11 Deadly D – Listen Dis – Flex 12 Bagga Worries & Jooxie Nice – Legalise (Remarc Mix) – Labello Blanco 13 Aphrodite – Basslights (Addict Mix) – Aphrodite 15 Roni Size – Daylight – Full Cycle 16 DJ Hype – Doomed To Fail – Breakdown 17 Jaco – All The Ladies – Unity 18 Sound Station – Sound Station – Suburban Base 19 Lemon D – Feel It – Conqueror 20 Kim Mazelle – Missing You (Noodles & Wonder Remix) – Jetstar

[ontherisedjacademy]

OTR's Latest: Fresh Music, Hot News, Sick Mix, and Trending Social!

Trying out something new with our latest blog- one new music release, one new mix, a good article and a social media account to check out! DJ Zinc- Super Sharp Shooter (T>1 & D-Minds Remix) https://www.junodownload.com/products/dj-zinc-super-sharp-shooter-explicit-t/6010170-02/ The S..The U…The P, The E, The R! DJ Zinc’s all time classic DnB track gets a fresh rerub, how can you not add it to…

[paskvilnet]

DJ Zinc, 8.3.2003, Praha, Roxy

Slovo Bush v nás může vyvolávat velmi ambivalentní pocity, ale pro junglisty u nás je to v první řadě svátek. Březnový večírek do Roxy zavál jednu opravdovou legendu, pro některé fanoušky dokonce jednu z nejžádanějších. Zinc je mezi junglovými producenty skutečný pojem - ať už sólo nebo coby jedna třetina formace Ganja Kru, případně reprezentant známého labelu True Playaz. Navíc jeho jméno platí jako spolehlivý kredit i na breakbeat-garage scéně. Po celých šesti letech se uvolil k interview a my si skutečně považujeme za čest, že právě pro Paskvil.

Doslechli jsme se, že neposkytuješ rozhovory dvakrát rád. Proč? Nemáš v lásce média a novináře?

Mám pár špatných zkušeností a taky obvykle nemám moc co říct.

Jak�� to bylo v začátcích? Jsi na scéně už pěkně dlouho... Jak ses dostal k hudbě?

V roce 1989 jsem začal kupovat desky, v devadesátém prvním jsem se dostal do pirátského rádia a o rok později už jsem skládal hudbu a začal i víc hrát po klubech. To pokračovalo až do poloviny minulé dekády. Můj první ryze vlastní track „Super Sharp Shooter“ byl docela úspěšný, vyšel i s remixem a vlastně díky němu jsem mohl odejít z práce, věnovat se naplno muzice a djingu a tak se to má až dodnes.

Co jsi vlastně tehdy dělal?

Bylo to několik zaměstnání... v kanclu, pracoval jsem pro investiční společnost. Prostě nesmysl.

Zpočátku jsi spolupracoval se Swiftem, ale pak to skončilo...

Dělal jsem s chlapíkem jménem Swift, ale to nebyl ten známý DJ. Mimochodem tuším, že existují celkem tři Swiftové. Drum´n´bass ho ale omrzel a vrhnul se na garage. To bylo v roce 1995 a já dál pokračoval sám.

Vzpomínáš na své první setkání s Pascalem a Hypem?

Hypea jsem už delší dobu vídal v klubech, tak u něj nevím - zato si pamatuju seznámení s Pascalem. Potřeboval jsem smíchat jednu věc, přišel jsem k němu domů a on za celou dobu promluvil snad tři slova ... jo, fajn, v poho ... není zrovna ukecanej.

Už dlouho jsme nenarazili na nic nového od Ganja Kru. Ja tahle vaše parta ještě funkční?

Naposledy jsme spolu na něčem pracovali v devadesátém devátém. Nevím, na mě to moc nestojí... o tom spíš rozhoduje Hype.

Kdo vlastně šéfuje vydavatelství True Playaz? Hype?

Ne, majiteli jsme všichni tři – já, Hype a Pascal a společně se i podílíme na chodu vydavatelství. Ačkoliv Pascal asi nejvíc - stará se o webové stránky a formální fungování.

Pascal si založil značku Frontline Records. Tebe samotného neláká vlastní label?

Ale já mám svůj vlastní label. Založil jsem ho v roce 2000 a jmenuje se Bingo.

Kterou ze svých skladeb považuješ za nejdůležitější a která je tvá nejoblíbenější?

Za nejzásadnější považuju „Super Sharp Shooter“. A tehdy jsem remixoval pro Fugees „Ready Or Not“, což byla taky celkem populární deska. Takže asi tyhle dvě skladby pro mě byly nejdůležitější. A vlastně ještě „138 Trek“ z roku 1999 nebo 2000, což byla věc ve stylu breakbeat garage, která mi otevřela nejedny dveře. A pokud jde o oblíbenou skladbu, tak mě žádná nenapadá.

Jak to vlastně bylo s tím bootlegem „Ready Or Not“ od Fugees? Spousta lidí byla přesvědčena, že to byla Hypeova práce, jiní zase tvrdili, že to je Zincův remix. Kdo má pravdu?

Autorem jsem já, ale měl jsem trochu problém s basovou linkou a Hype mi poradil. Deska vyšla bez kreditů na středovce, takže proto asi lidi soudili, že to dělal Hype.

A myslíš, že Fugees ten remix slyšeli?

Jo slyšeli. Lidem z jejich nahrávací společnosti se to líbilo a chtěli to vydat. Ale kapela z toho nějak nejásala, tak z toho sešlo.

Můžou technologie typu mixovacích CD a final scratche vytlačit vinyl?

Nevím. Já osobně hraju z vinylů, z acetátů. Hlavním důvodem je to, že když se mi sejdou cédéčka od různých producentů, tak každé je jinak smíchané a hraje odlišně, jedno má víc výšek, druhé míň... Takže je posílám do masterovacího studia – většinou Masterpiece, Metropolis nebo Exchange, kde nahrávky zmastrují, srovnají a přenesou na acetát. U CD se často stává, že jedno hraje daleko víc nahlas než to další, zatímco vinyly a acetáty znějí vcelku srovnatelně. Ale jestli ostatní přejdou z vinylů na jinou techniku, tak se asi přizpůsobím.

Rozhovor napověděl, že „super ostrý střelec“ je spíš introvertního založení a k id zdravici svolil jen s viditelným sebezapřením. Dozvěděli jsme se také, že letos vyjde jeho první skutečně dlouhohrající deska, kde najdeme jen dvě junglovky a že preferuje plynulejší sety před častými rewindy, což vzápětí prokázal. Ten, kdo očekával něco ze „staré školy“ byl asi zklamán – Zinc v Praze „sypal“ vesměs hutné, čerstvé kousky. Na tradičně skvělé atmosféře se podepsali také naši jezdci – „navrátilec“ Ghonzales, který si s Elen na úvod vystřihl „obíhačku“ i ostravský Inspiral X62, který v roli zakončovače ani nemusel tlačit na pilu, jelikož ta jeho měla motor. Nesmíme ale zapomenout ani na vizuální stránku – spojení mistrů světel z HPNVSN a projekcí od Phase je jednoduše bezkonkurenční. Nebojme se superlativ - Bush je bezesporu jedna z nejlepších klubových nocí u nás. A to nás čeká další drum´n´bassová vrcholná kvalita: v dubnu Marcus Intalex a v květnu Doc Scott!

[anitosoul]

tripreport.019: Fluidity

liquid 💧

Key Inspirations

MoMA Ready’s Set at Nowadays Nonstop (DJ set)

Snail Mail – Valentine (Music album)

Floating through music (activity)

Don Miguel Ruiz – The Four Agreements (Book)

Talking (Activity)

Y2K Retro Bubble Look (Aesthetic)

Dissociating (Acitivity)

MoMA PS1 Greater New York (Art exhibit)

Floating Points (Music artist)

Mobb Deep (Music artist)

Mixing in the woods (Activity)

The Pattern (App)

Coco & Clair Clair` (Music artist)

St. Vitus (Venue)

Opening DJ sets (Activity)

Forgiveness (Activity)

Coming home (Activity)

Fluidity Tracklist A-Side

Coco & Clair Clair – Pretty

DJ Swisha, Jessy Lanza – All the Time

piri – Soft Spot

Turnstile, Mall Grab – Yes I Need My Generator (Mall Grab Remix)

DJ Sabrina the Teenage DJ – Down With Love

Special Request – Amnesia

The Manuel Azevedo Quartet – Futebol de Bar

Octo Octa, DJ Q – It’s You (Octo Octa’s Slammin’ With U Mix)

DJ Q – Optimum Thinking

Nikki Nair – Power Tool

Planet 1999, A.G. Cook, Baseck – Party (A.G. Cook & Baseck Remix)

FJAAK – Identity

Jamie xx – Idontknow

DJ Rashad – In Da Club Before Eleven O’Clock

Mobb Deep, DJ Zinc – Shook Ones (Remix)

Skrillex, Noisia, josh pan, Dylan Brady – Supersonic (My Existence)

MoMA Ready, Sasha, Sean Paul – I’m Still In Love (Rework)

Samurai Breaks – Pump Up the Volume

Overmono – So U Kno

Alec Empire – Let the Sun Shine

Fluidity Tracklist B-Side

MoMA Ready, Mina Thomas, Yunie Mojica – Simple As A Song

Oakwite – Whisper

Wet, Blood Orange – Bound

Snail Mail – Forever (Sailing)

LIKE ANIMALS – Function

Floating Points, Mayfield Depot – Bias (Mayfield Depot Mix)

Coco Bryce – Lovin U

LONER – New to Me

Lenzman, Artificial Intelligence – Drowning

nCamargo – Side By Side

The Caracal Project – Expresso

FD – Ice Cream

Alicia Keys, Lenzman – Unthinkable (Lenzman Remix)

James Blake, Submorphics – Modern Soul (Submorphics Remix)

Drake, Mutt – Best I Ever Had (Mutt Bootleg)

PinkPantheress – Break It Off

Adam F – Circles

Austra, Avalon Emerson – Anywayz (Avalon Emerson’s 14th Life Version)

November’s mix is somewhat of a combination between September and October. Each of those months was one end of an extreme for me: In September I used music as an internal tool, a guiding force to process my feelings, and in October I used music as an external driver, a vehicle to express myself to others and communicate with the world around me. This month, the intensity finally seemed to settle, but it was met with a reckoning of the self-importance I was giving to myself and what I was doing. (I also recognize the irony of talking about this in a personal blog about my life experiences.) 

The themes of this month’s mix were inspired heavily by the MoMA Ready liquid DnB set I mentioned in October. At that point my friends had gone home so I was there by myself, and I had nothing else to do except reflect on my life. I thought about all of it: my relationship to music, the ways I’ve grown since moving to NYC, the effects of the pandemic, the dynamics of my personal relationships, my professional trajectory, dealing with loss. I was cradled by the music, finally processing all of the change. 

Later that month, I had some close friends stay with me. This was a sobering experience, as I realized that for as much processing I was doing on the dance floor, I had barely processed anything using language. At the same time, I realized how much I was making everything about myself and forcing situations to be the way I had built them up in my mind. I imposed my expectations and problems without regard for those around me, hurting people in the process. I fell back into patterns of depression and anxiety and guilt, blaming myself for it all.

I was still using music as a motivator, and I had some additional chances to perform live. We hosted another PQ party that coincided with some friends being in town. It was a great experience getting to perform for them for the first time, and just as importantly I got the experience of having a set that didn’t go as I planned. I made some pretty big mistakes and felt that the energy was off, but it was a learning opportunity. Getting feedback from the friends who were there was invaluable. I learned that I needed to ease into some of the less accessible sounds and build up to them, familiarizing the audience. A few days later Four Tet and Floating Points did a surprise set at Nowadays and I spontaneously decided to go–I got to do even more “field research,” learning how to get a crowd warmed up for higher intensity tracks. They played “Supersonic (My Existence),” a Skrillex/Noisia/Dylan Brady song which I honestly wasn’t expecting given Four Tet and Floating Points’ more low-key sounds. I could tangibly feel the importance of narrative-building and energy flow in their set. 

That week, a friend of mine recommended me for an event with Girl Gang NYC, providing more experience playing live. It was challenging but exciting given I had no idea what the vibe of the crowd was going to be, but I took what I learned from the PQ party and incorporated it into my set. I played some hits, some throwbacks, and blended them into some of the drum and bass tracks later on–people loved it!

I knew I was going home later that month for Thanksgiving, so I decided to reach out to St. Vitus, the main dance club in my hometown of Tulsa, about doing a set. I was given the opportunity to perform and I was extremely grateful; it was my first club set and it happened so quickly after I started getting into DJing. I had to give it my all, so I crafted my set around a lot of the music I played in October as well as the tracks I was discovering throughout November. 

I was so nervous at the beginning; I had an opening set on Thanksgiving eve, so it was pretty empty at first. I was worried that only a few people would show up. About half an hour in, some of my friends arrived and others slowly started trickling in. About an hour into the set, a big wave of people suddenly showed up, a lot of them classmates from high school who I didn’t even know were planning on coming. It got pretty packed and I started transitioning into what I knew best: pumping it up to 150+ bpm and blasting some jungle and DnB. The crowd was vibing so hard, I couldn’t believe it. I was feeding off their energy, dropping into deeper and deeper cuts. I played “Supersonic (My Existence)” and the crowd went ballistic just like they did at Four Tet. It was amazing.

Despite the external validation and momentum I was gaining, I was still struggling a lot mentally and interpersonally. At home I was wallowing, ruminating on regret. I spent most of my time in bed, and I got sick shortly after Thanksgiving which didn’t help. One of the main reasons I wanted to go home was to go out to the cabin and spend some extended time there to recharge, but getting sick was another unexpected curveball that I had to accept. 

It wasn’t until someone important to me gave me the book The Four Agreements that I started to reframe my thinking. The weekend after Thanksgiving I was finally able to go back out to the cabin. It was a nice, sunny day. I set up a hammock and read it as the sun set. It was the perfect setting for taking in the book’s philosophy. For those who don’t know, The Four Agreements is a self-help-y book written by a Mexican physician who became overwhelmed with the stressors of modern life and turned towards teachings from his parents who are indigenous healers. I appreciated that the book isn’t fully prescriptive, but presented as tenets of ancient knowledge; it resonated with me much more deeply. The Four Agreements are:

Be Impeccable with your word.

Don’t take anything personally.

Don’t make assumptions.

Always do your best.

I realized how much I was struggling, especially with the second and third agreements. Since reading the book (and going to regular therapy), it’s been a lot easier for me to reframe my thoughts and accept things the way they are. 

That night out at the cabin, I set up my controller and mixed on the front porch. It was a nice night; not too cold with a slight drizzle. We had Christmas lights up which provided a soft glow. I played my own emo liquid DnB set, mixing in indie tracks like new Snail Mail and Wet with the liquid DnB I started the month off with. I was accepting life for what it is, and accepting the change, loss, and differences in expectations that come with it. It was healing; the book, the music, the cabin, the outdoors, it was all medicine; there was a fluidity to it all that provided a respite from the erratic roller coaster energy that seemed to dictate the entirety of 2021 up until that point. That flow, the ease of it all, was exactly what I had been seeking.

[swl2ton]

dj zinc - Super Sharp Shooter (Chris Gialanze Remix) via YouTube https://youtu.be/a0B79SGiiGM

[karlkaos]

Wookie - Back Up Back Up Back Up (DJ Zinc Remix)

[moonassociates]

Uncle flex ashanti baby

I Think U Like It (Speed Garage Mix) Wideboys ft Errol Reid I Think U Like It (Original) Wideboys ft Errol Reid I Think U Like It (4x4 Funki) Wideboys ft Errol Reid I'm Yours (Vocal Mix) Wideboys ft Robbie Craig & Shola Ama Hooligan (Vocal Mix) Wideboys ft Rose Windross & MC Creed Hooligan (Dub Vocal Mix) Wideboys ft Rose Windross & MC Creed The Freak (4x4 Club Mix) Wideboys vs Luck & Neat The Freak (2x2 Twisted Mix) Wideboys vs Luck & Neat My Favourite Girl (Sunship Vocal Mix) Y-Tribeīack Up Back Up Back Up (A) Wookie feat Lainīack Up Back Up Back Up (DJ Zinc Mix) Wookie feat Lainĭestination Weekend Wideboys vs Norris Da Boss My Favourite Girl (Sunship Dub Mix) Y-Tribe My Favourite Girl (Original DHL Mix) Y-Tribe You Make Me Go Ohh - Kristine Blond DnD MixĮnough Is Enough (Dubaholics Dub Mix) Y-TribeĮnough Is Enough (Dubaholics Vocal Mix) Y-TribeĮnough Is Enough (Duncan Powell 4x4 Dub Mix) Y-Tribe Ive Got To Run (DJ Ozzy Remix) Ze Express Neighbourhood (Steve Gurley Vocal Mix) Zed Biasīring Me Down (Matt 'Jam' Lamont 2002 Mix) Zack Tomsīring Me Down (Stanton Warriors Dub Mix) Zack Tomsīring Me Down (Stanton Warriors Vocal Mix) Zack TomsĬatch (Renni Pilgrim Vocal Mix) Young OffendazĬatch (Young Offendaz Street Mix) Young Offendaz Neighbourhood (Digital Soul Mix) Zed Bias

Jigga Up (Ring The Alarm) Zed Bias ft Juiceman & Simba Right heres a few ive just copy n pasted from a playlist in iTunes, got a load more but theyre not all organised together so cba to go through all my tunes fishing for odd ones here n there!ĭown (Original Mix) Zed Bias & Mike 'Ruff Cut'