#Dan Motz

[disneytva]

When Scratch needs a breather from Molly’s endless enhappifying, he decides to call The Haunted Mansion and see if there’s room for one more happy haunty ghost! 👻

[mmepastel]

Je prépare sérieusement le festival annuel Lettres d’Automne où l’invitée phare est Maylis de Kérangal. Joy Sorman sera aussi présente notamment pour ce livre qu’elles ont écrit à quatre mains : Seyvoz.

C’est un récit assez troublant, autour d’une vraie histoire : celle du barrage de Tignes, immense, construit dans les années 50, et qui a provoqué l’engloutissement de tout un village.

On a demandé aux habitants de se sacrifier pour la patrie ; forcément, c’était une pilule un peu dure à avaler. Il y a eu des manifestations, des sabotages, une résistance très forte au projet. Pour la construction, des ouvriers sont venus d’un peu partout, et il y a eu des morts lors de ce chantier pharaonique dangereux.

Alors quand les autrices s’emparent de l’histoire, et font venir Tomi Motz (l’ingénieur de la fiction) sur les lieux, elles lui réservent un drôle de tour… en effet, elles ont eu la bonne idée de transmettre les traumatismes du passé par le biais de troubles qui emmènent l’histoire aux lisières du fantastique. Comme c’est un barrage pour produire de l’électricité, les anomalies ressemblent à des larsens, des brouillages, à un grésillement, perturbent Tomi, le troublent, le mettent au sol, comme si les morts du passé revenaient, comme si le village englouti luttait contre l’oubli, contre la modernité, comme s’il venait la perturber.

Ça fonctionne.

[coolchevistianofficialsite]

So what would you love to see for Disney TVA's 40th next year? asking this in terms of celebration from Disney themselves

I would love to see more greenlights for new shows many from BCG crew members, in terms of reboots i think there should be official PRs for the TaleSpin and Recess reboots but specially would love to see series greenlight order for C.H. Greenblatt - Disney Channel series, i think he really deserves to find sucess at Disney.

Speaking of D23 Expo, would love to see Disney Legends Awards giving awards to Tad Stones, Bob Schooley, Mark McCorkle, Rob LaDuca, Bob Roth , Bill Motz, Paul Germain, Joe Ansolabehere, Dan Povenmire, Jeff Swampy Marsh, Jose Zelaya, Bobs Gannaway, Craig Gerber,Mark Seidenberg, Paul Rudish and Noah Z. Jones for their contributions on the studio over it's 40 years.

Would love to see something akin to Once Upon a Studio, my perfect idea would be Mickey and the entire characters of the studio getting ready to welcome to StuGo, Sam Witch, North Woods, Dog & Frog, Fantasy Sports, Neon Galaxy, InterCats, Rhona, Witchverse, Dusty Dupree, Cookies & Milk, North Woods, Tiny Trailblazers casts on a big party for the 100 series and next 100 shows.

Finally would love to see Very Important House getting revived this time for Disney Channel as next year is also the 10th anniversary of the pilot getting picked up for Disney XD

Finally something like Wish did with it's end credits with each show created at Disney TVA on the credits of The School Of Sensitive Souls.

[ptbf2002]

My Top 30 Favorite Disney Animated Movies

30. Tangled

29. Zootopia

28. The Lion King 2: Simba's Pride

27. The Lion King 1½ (The Lion King 3: Hakuna Matata)

26. The Proud Family Movie

25. Lilo And Stitch

24. Stitch! The Movie

23. DuckTales the Movie: Treasure of the Lost Lamp

22. A Goofy Movie

21. Jungle Book

20. Jungle Book 2

19. Return to Never Land

18. The Tigger Movie

17. Pooh's Heffalump Movie

16. Winnie the Pooh: Springtime with Roo

15. Piglet's Big Movie

14. Lilo & Stitch 2: Stitch Has a Glitch

13. The Little Mermaid: Ariel's Beginning

12. Cars

11. Cars 2

10. Cars 3

9. WALL-E

8. Luca

7. Recess: School's Out

6. Wreck-It Ralph

5. Ralph Breaks The Internet

4. Kronk's New Groove

3. Mickey's Magical Christmas: Snowed in at the House of Mouse

2. Mickey, Donald, Goofy: The Three Musketeers

And 1. Mickey's Once Upon a Christmas

Original Template: https://www.deviantart.com/princessflamefigher/art/My-Top-30-Favorite-Meme-763485673

Tangled Belongs To Jacob Grimm, Wilhelm Grimm, Dan Fogelman, Walt Disney Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Zootopia Belongs To Byron Howard, Rich Moore, Jared Bush, Jim Reardon, Josie Trinidad, Phil Johnston, Jennifer Lee, Walt Disney Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Lion King 2: Simba's Pride Belongs To Flip Kobler, Cindy Marcus, Jenny Wingfield, Linda Voorhees, Gregory Poirier, Bill Motz, Bob Roth, Mark McCorkle, Robert Schooley, Jonathan Cuba, Toon City Animation, Inc. Disney Animation Australia Pty. Ltd. Disney Animation Canada, Inc. Disney Television Animation, DisneyToon Studios, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

The Lion King 1½ (The Lion King 3: Hakuna Matata) Belongs To Tom Rogers, Disney Animation Australia Pty. Ltd. DisneyToon Studios, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

The Proud Family Movie Belongs To Bruce W. Smith, Calvin Brown, Jr. Ralph Farquhar, John Patrick White, Stiles White, Dong Yang Animation Co., Ltd. Koko Enterprises Ltd. Prana Studios, Squeeze Productions, Hyperion Pictures, Jambalaya Studio, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Lilo & Stitch Belongs To Chris Sanders, Dean DeBlois, Wang Film Productions Co., Ltd. Walt Disney Feature Animation Florida, Walt Disney Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Stitch! The Movie Belongs To Bobs Gannaway, Jess Winfield, Main Stream Studio Co. Ltd. Rough Draft Korea Co. Ltd. Starburst Animation Co. Ltd. Disney Television Animation, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

DuckTales the Movie: Treasure of the Lost Lamp Belongs To Carl Barks, Jymn Magon, Tedd Anasti, Patsy Cameron, Alan Burnett, Disney Animation France S.A. Disney Television Animation, DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

A Goofy Movie Belongs To Art Babbitt, Frank Webb, Robert Taylor, Michael Peraza Jr. Jymn Magon, Chris Matheson, Brian Pimental, Phoenix Animation, Pixibox Digital Ink & Paint, Disney Animation France S.A. Disney Animation Australia Pty. Ltd. Disney Television Animation, DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Jungle Book Belongs To Larry Clemmons, Ralph Wright, Ken Anderson, Vance Gerry, Floyd Norman, Bill Peet, Walt Disney Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Jungle Book 2 Belongs To Karl Geurs, Carter Crocker, Evan Spiliotopoulos, David Reynolds, Roger S.H. Schulman, Tom Rogers, Spaff Animation, Toon City Animation, Inc. Disney Animation France S.A. DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Return to Never Land Belongs To J.M. Barrie, Temple Mathews, Cornerstone Animation Inc. Disney Animation Japan Inc. Disney Animation Australia Pty. Ltd. Disney Animation Canada, Inc. Disney Television Animation, DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Tigger Movie Belongs To A. A. Milne Jun Falkenstein, Eddie Guzelian, Disney Animation Japan Inc. Disney Television Animation, DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Pooh's Heffalump Movie Belongs To A. A. Milne, Brian Hohlfeld, Evan Spiliotopoulos, T2 Studio, Jade Animation Company Ltd. Nakamura Production, Munich Animation, Disney Animation Japan Inc. Disney Television Animation, DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Winnie the Pooh: Springtime with Roo Belongs To A.A. Milne E.H. Shepard Charles Dickens, Tom Rogers, Toon City Animation, Inc. DisneyToon Studios, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

Piglet's Big Movie Belongs To A.A. Milne, Brian Hohlfeld, Gullwing Co., Ltd, Studio Fuga, T2 Studio, Disney Animation Japan Inc. DisneyToon Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Lilo & Stitch 2: Stitch Has a Glitch Belongs To Tony Leondis, Michael LaBash, Eddie Guzelian, Alexa Junge, Disney Animation Australia Pty. Ltd. Australis Productions. A. Film Production A/S, DisneyToon Studios, Walt Disney Pictures, Walt Disney Studios Motion Pictures, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

The Little Mermaid: Ariel's Beginning Belongs To Hans Christian Andersen, John Musker, Ron Clements, Jamie Mitchell, Jule Selbo, Jenny Wingfield, Robert Reece, Evan Spiliotopoulos, Toon City Animation, Inc. DisneyToon Studios, Walt Disney Pictures, Walt Disney Studios Motion Pictures, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

Cars (film) Belongs To Dan Fogelman, John Lasseter, Joe Ranft, Kiel Murray, Phil Lorin, Jorgen Klubien, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Cars 2 Belongs To Ben Queen, John Lasseter, Brad Lewis, Dan Fogelman, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Cars 3 Belongs To Kiel Murray, Bob Peterson, Mike Rich, Brian Fee, Ben Queen, Eyal Podell, Jonathan E. Stewart, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

WALL-E Belongs To Andrew Stanton, Jim Reardon, Pete Docter, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Luca (2021) Belongs To Enrico Casarosa, Jesse Andrews, Mike Jones, Simon Stephenson, Michael Jones, PIXAR Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Recess: School's Out Belongs To Joe Ansolabehere, Paul Germain, Jonathan Greenberg, Sunwoo & Company Co., Ltd. Paul & Joe Productions, Disney Television Animation, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Wreck-It Ralph Belongs To Rich Moore, Phil Johnston, Jim Reardon, Jennifer Lee, Walt Disney Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Ralph Breaks the Internet Belongs To Rich Moore, Phil Johnston, Jim Reardon, Pamela Ribon, Josie Trinidad, Walt Disney Animation Studios, Walt Disney Pictures, The Walt Disney Studios, Buena Vista Pictures Distribution, Inc. Walt Disney Studios Motion Pictures, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Kronk's New Groove Belongs To Roger Allers, Matthew Jacobs, David Reynolds, Chris Williams, Mark Dindal, Tom Rogers, Anthony Leondis, Michael LaBash, Yowza! Animation, Toon City Animation, Inc. DisneyToon Studios, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

Mickey's Magical Christmas: Snowed in at the House of Mouse Belongs To Walt Disney, Ub Iwerks, Roberts Gannaway, Tony Craig, Thomas Hart, Toon City Animation, Inc. Disney Television Animation, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

Mickey, Donald, Goofy: The Three Musketeers Belongs To Walt Disney, Ub Iwerks, Dick Lundy, Alexandre Dumas, Art Babbit, Frank Webb, Pinto Colvig, Tom Palmer, Art Babbitt, Evan Spiliotopoulos, David M. Evans, Toon City Animation, Inc. Disney Animation Australia Pty. Ltd. DisneyToon Studios, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

Mickey's Once Upon a Christmas Belongs To Walt Disney, Ub Iwerks, Dick Lundy, Art Babbitt, Frank Webb, Charlie Cohen, Thomas Hart, Scott Gorden, Tom Nance, Carter Crocker, Richard Cray, Temple Mathews, Eddie Guzelian, Toon City Animation, Inc. Animation Studio Basara Co., Ltd. Disney Animation Japan Inc. Disney Animation Canada, Inc. Disney Television Animation, DisneyToon Studios, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, The Walt Disney Studios, Disney Media and Entertainment Distribution, Disney Platform Distribution, Inc. Disney Entertainment, Disney Enterprises Inc. And The Walt Disney Company

[shalomelohim]

Yaniv Ben Mashiach - Bore Olam / Creador del Universo / Creator of the Universe / Créateur de l’Univers (Hebrew - Spanish - English subtitles) 

! Quoiqu’on vive, toujours rendre grâce à Dieu comme l’a fait Job 1:21 !

“ L'Eternel a donné, et l'Eternel a repris ; que le nom de l'Eternel soit béni ! “

“ Offre pour sacrifice à Dieu des actions de grâces, Et accomplis tes voeux envers le Très-Haut. Et invoque-moi au jour de la détresse; Je te délivrerai, et tu me glorifieras.  [...] Celui qui offre pour sacrifice des actions de grâces me glorifie, Et à celui qui veille sur sa voie Je ferai voir le salut de Dieu. “ (Psaume 50:14-15 ; 23)

“ Je rends à mon Dieu de continuelles actions de grâces à votre sujet, pour la grâce de Dieu qui vous a été accordée en Jésus-Christ. Car en lui vous avez été comblés de toutes les richesses qui concernent la parole et la connaissance,  le témoignage de Christ ayant été solidement établi parmi vous, de sorte qu'il ne vous manque aucun don, dans l'attente où vous êtes de la manifestation de notre Seigneur Jésus-Christ. Il vous affermira aussi jusqu'à la fin, pour que vous soyez irréprochables au jour de notre Seigneur Jésus-Christ. Dieu est fidèle, lui qui vous a appelés à la communion de son Fils, Jésus-Christ notre Seigneur. “ (1 Corinthiens 1:4-9)

♥ ♥ ♥

Shuv Ole HaYom Vuelve a Pasar El Dia The day goes by again La journée passe à nouveau

Mitgashem Jalom Llueven los Sueños Dreams are pouring down Les rêves affluent

Misaviv Olam, Yafe Poreaj A mi alrededor florece el mundo, maravillosamente The World blooms wonderfully around me Le monde s’épanouit merveilleusement autour de moi

Ahava Gedola Sholeaj Enviando un Inmenso Amor Sending great love Envoyer beaucoup d’amour

Va'Ani Tzojek, V'Libi Shotek Y Yo me sonrió, Y mi corazón se calla And I smile, and my heart is silence Et je souris, et mon cœur est silencieux

Lo Motze Mila Shemetaeret No encuentro palabra que pueda explicar I can't' find words that can explain Je n’arrive pas à trouver les mots qui peuvent expliquer

Et Ha'argasha, hargasha  Haneederet Este sentimiento, sentimiento maravilloso This feeling, wonderful feeling Ce sentiment, ce sentiment merveilleux

Ata Eli, She Yoshev Tamid Lemaala Tu eres mi D-os, que reside siempre en la inmensidad de los cielos You are my Elohay, that resides always in the heavens

Ata Eli, Shemeir Li Et Halayla Tu eres mi D-os, Quien ilumina mi Oscuridad You Are my Elohay that lights my darkness Tu es mon Dieu, qui réside toujours dans les cieux

Bizjutja Shalva Ani Yodea Por Ti sé lo que es La Tranquilidad Because of You I know tranquility Grâce à Toi, je connais la tranquillité

Bizjutja Kol Rega, Ha Osher bi noguea Por Ti, cada momento, La felicidad es la que me guía Because of You, every moment, happiness guides me Grâce à Toi, à chaque instant, le bonheur me guide

Bore Olam, Mode al Hakayam Creador del Universo, Te agradezco por la existencia Creator of the Universe, I thank you for existence Créateur de l’Univers, je te remercie d’exister

Gam im Lifamin Kasha HaDerej También cuando a veces es difícil el camino Also, when the path is difficult Aussi, lorsque le chemin est difficile

Shuv Nafshi Toda Omeret Vuelve mi alma a agradecerte My soul, again gives You thanks Mon âme, Te rend encore des remerciements

Bore Olam, Mode al Hakayam Creador del Universo, Te agradezco por la existencia Creator of the Universe, I thank you for existence Créateur de l’Univers, je te remercie d’exister

Ve im Lifamin Kasha HaDerej Y si a veces es difícil el camino And  if the path is difficult Et si le chemin est difficile

Shuv Nafshi Toda Omeret, Bore Olam Vuelve mi alma a agradecerte, Creador del Universo My soul, again gives You thanks Mon âme, Te rend encore des remerciements

Ma Sheyesh Balev, Gam in ze Koev Lo que hay en el corazón, también si es doloroso What is in the heart, if it is also painful Qu’y a-t-il dans le cœur, si c’est aussi douloureux

Rak Ata Eli, HaTov Yodea Solamente Tu D-os mío, lo bueno conoces Only You my Elohay knows good Seulement toi mon Dieu sait bien

V'Oti Tamid Shomea Y a mí siempre me oyes And You always listen to me Et tu m’écoutes toujours

Ani Adam, Lo Mamash Mushlam Soy un hombre, verdaderamente no integro I am a man, really not wholesome Je suis un homme, vraiment pas sain

V'nafshi Bein Tov, vera nodedet Y mi alma esta solitaria entre el bien y el mal And my soul is lonely between good and bad Et mon âme est seule entre le bien et le mal

Ve'et Hashvilim Leor Lomedet Y los senderos de la luz aprende And the ways of light is learning Et les voies de la lumière apprennent

Ata Eli, She Yoshev Tamid Lemaala Tu eres mi D-os, que reside siempre en la inmensidad de los cielos You are my Elohay, that resides always in the heavens Tu es mon Dieu, qui réside toujours dans les cieux

Ata Eli, Shemeir Li Yom Halayla Tu eres mi D-os, Quien me ilumina en el dia y la noche You Are my Elohay, Who always lit up my day and night Tu es mon Dieu, qui a toujours illuminé mon jour et ma nuit

Bizjutja Shalva Ani Yodea Por Ti sé lo que es La Tranquilidad Because of You I know tranquility Grâce à Toi, je connais la tranquillité

Bizjutja Kol Rega, Ha Osher bi noguea Por Ti, cada momento, La felicidad es la que me guía Because of You, every moment, happiness guides me Grâce à Toi, à chaque instant, le bonheur me guide

Leja Bore Olam Por Ti Creador del Universo Because of You, Creator of the Universe Grâce à toi, Créateur de l’Univers

Mode al Hakayam Te agradezco por la existencia Thank you for the existence Je vous remercie pour l’existence

Gam im Lifamin Kasha HaDerej También si a veces es difícil el camino Also if sometimes the road is difficult Aussi si parfois la route est difficile

Shuv Nafshi Toda Omeret, Bore Olam Vuelve mi alma a agradecerte, Creador del Universo My soul returns to thank you, Creator of the Universe Mon âme revient pour te remercier, Créateur de l’Univers

Bore Olam, Mode al Hakayam Creador del Universo, Te agradezco por la existencia Creator of the Universe, I thank You for existence Créateur de l’Univers, je Te remercie pour l’existence

Ve im Lifamin Kasha HaDerej Y si a veces es difícil el camino And if sometimes the road is difficult Et si parfois la route est difficile

Shuv Nafshi Toda Omeret, Bore Olam Vuelve mi alma a agradecerte, Creador del Universo My soul returns to thank you, Creator of the Universe Mon âme revient pour te remercier, Créateur de l’Univers

Tamid Ze Matjil Veze nigmar Siempre este empieza y termina Always this begins and ends Toujours cela commence et se termine

Bore Olam Creador del Universo Creator of the Universe Créateur de l’Univers

Toda Raba, V'shalom Alejeim Muchas gracias, y la paz sea con ustedes Thanks a lot, and the peace be with you Merci beaucoup, et la paix soit sur vous

♥ ♥ ♥

“ Louez l’Eternel ! Louez l’Eternel du haut du ciel ! Louez-le dans les hauteurs ! Louez-le, vous tous ses anges ! Louez-le, vous toutes ses armées ! Louez-le, soleil et lune ! Louez-le, vous toutes étoiles lumineuses ! Louez-le, cieux des cieux et vous, les eaux qui êtes au-dessus du ciel !

Qu’ils louent le nom de l’Eternel car il a donné ses ordres et ils ont été créés ! Il les a établis pour toujours et à perpétuité ; Il a donné des lois et il ne les violera pas.

Louez l’Eternel depuis la terre, vous, Monstres marins et vous tous océans, Foudre et grêle, neige et brouillards, Vents de tempête qui exécutez ses ordres, Montagnes et toutes les collines, arbres fruitiers et tous les cèdres, Animaux sauvages et tout le bétail, reptiles et oiseaux ailés, Rois du monde et tous les peuples, princes et tous les juges de la terre, Jeunes gens et jeunes filles, vieillards et enfants !

Qu’ils louent le nom de l’Eternel car Son Nom seul est élevé, Sa majesté domine la terre et le ciel.

Il a relevé la force de Son Peuple, C’est un sujet de louange pour tous ses fidèles, Pour les israélites, pour le peuple qui est près de lui.

Louez l’Eternel ! “ (Psaume 148 - Louange universelle de la création)

Halleluyah La Olam de Gali Atari and Milk and Honey (Paroles en Hébreu et Anglais)

Ce groupe a gagné l’Eurovision avec cette chanson en 1979.

♥ ♥ ♥

Halleluyah

Halleluyah, rêve encore Halleluyah, imagine encore La colombe va se poser Et pour toujours sur l’olivier Où les champs de batailles seront des champs de blé

Halleluyah, des millions D’Halleluyah pour une chanson Halleluyah, donne un peu de toi, toi Alors ce beau jour viendra, Halleluyah

Halleluyah, pour demain Halleluyah, la main dans la main Une ronde va faire le tour Le tour du monde en un seul jour Quand nos voix s’uniront dans un seul mot d’amour

Halleluyah,

Cherche encore Halleluyah, le bonheur d’abord Halleluyah, alors n’oublies pas, toi Chanter, c’est prier deux fois, Halleluyah

Halleluyah, des millions D’Halleluyah pour une chanson Halleluyah, donne une peu de toi, toi Alors ce beau jour viendra, Halleluyah

Halleluyah, souris-moi Halleluyah, et chante avec moi Halleluyah, et chante avec moi, toi Chanter, c’est prier deux fois, Halleluyah

Halleluyah, et chante avec moi, toi Chanter, c’est prier deux fois, Halleluyah

[rausule]

Moira Protestantse poësie van mondelinge tradisie.: In onderwerp, die teks wat hier gerapporteer word, is 'n teks wat in vulgêre Latyn geskryf is: catarrh

A in Paris, Bibl. nat., franç. 1745.

B in London, Br. Mus., Harl. 7403 Bl. 1r, beginnt erst mit V. 1375.

[BI. CV]

fehlt.

Sens e razos d'una escriptura *qu'ay atrobada *sancta e pura m'a mes e motz gran pessamen, cossi la puesca solamen

5 de Lati en Romans tornar. Car qui vol bona obra far, quove que sia si bastida, que, cant sera tota complida, re no y aja malestan,

10 que torne ad anta ni a dan. Tot yssamen vuelh yeu bastir segon mo sen ni mon albir una obra bona e covinen e nom de dieu omnipoten, 15 e metray *y .IIII. columpnas, autas e fortz, belas e bonas: la premieyra de las prophetas, que porto guerentias certas; la segunda d'avangelistas, 20 que nom podo fondre legistas; la tersa de pozisios

que mostro motz belas razos;

1. d'una] e diuina. 2. Hs. qezay; bona sca. 17. premieyras (s punctiert). ”

“21. ? d'espozisios Bartsch.

la quarta faray de mo sen, car tornaray be veramen 25 lo Lati em plana paraula, hon non aura bafa ni faula.

Aquesta escriptura *dis

veramen, cossi fon aucits

sus en la cros Jhesu Crist dieus, 30 hon rezemet trastotz los cieus, ni fon el sepulcre pauzatz e pueys fo vieus resussitatz, con tornet el cel veramen

ni co venra al jutzgamen.

35 Totz aquo dis que sans Johans ni sans Mathieus nils autres sans, [Bl. CV'] e ganre may, que *ieus diray tot per horde si com deuray. El tems que dieus mori per nos, 40 si con dizem, sus en la cros, fon adoncs ganre fagz e digz, que nos non *atrobam escrigz, nins ho retrazo li avangeli ni cell que nos fes lo sauteri. 45 E per so car ieu *ay trobada una escriptura que es celada e rescosta a motas gens, et ieu diray vos totz lo cens per bona rima e Romans

50 e nom de dieu e *dels sieus sans.”

. Dr De Beer

[rndyounghowze]

Award Show Nominations 2022

“Billy Bard” For Digital Shakespeare Production Of The Year

Breakneck Comedy of Errors by Timothy Mooney Repertory Company

WTF Othello by Mfoniso Udofia and Women’s Theatre Festival

Othello by American Shakespeare Festival

“Mind-Blowing Comedy” For Comedic Writing Of The Year

Fabulous King James Bible by New Generation Theatrical

Zoom Comedy of Errors by Brawling Bard

Rejection Hearts and Other Lovely Things by Punchline Loading

“Mind-Blowing Drama” For Dramatic Writing Of The Year

Theatre A Love Story by Caridad Svich at Know Theatre of Cincinnati

“America V 2.1: The Sad Demise And Eventual Extinction Of The American Negro” by Stacey Rose at Definition Theatre

“Signs of Life”: a musical with book by Peter Ullian, Lyrics by Len Schiff, and Music by Joel Derfner at Yiddishkayt Initiative

Freedom Summer by Cynthia Grace Robinson at North Carolina Black Repertory Company

“Making It Up As I Go Along” For Improv of the Year

Trudy Carmichael Presents the Improvised One-Woman Show! Created and Performed by Robin Rothman at Pittsburgh Fringe

The Professionals: Mockumentaries On Demand directed by Diana Brown

Bingewatch by Diana Brown and Dan Wilson

Glamour Puss by Nanette Deasy and Graceann Dorse

Tilted Frame by Combined Artforms

“Show Up” For Theatre Mentor of The Year

TBA

“Despot of Decency” For Theatre Activist Of The Year

TBA

Show Of The Year

Unintentional Significance by Sean P Mette at Cincinnati Fringe

What the Fuck Just Happened? By Mike Daisey at Frigid NYC

Tribe Called Tubman by Idris Goodwin

“The Catastrophist” by Lauren M Gunderson at Marin Theatre Company and Roundhouse Theatre

Creative Of The Year

TBA

“More Than Merely Players“ For Dramatic Performers Of The Year

Roberto Francisco in “A Love Song” by Os Satyros at Hollywood Fringe

Kamal Angelo Bolden in "RideShare" by Reginald Edmund at Writers Theatre

Jada Suzanne Dixon in "Tribe Called Tubman" by Idris Goodwin

Nikyla Boxley and Mariah Guillmette in "Freedom Summer" by Cynthia Grace Robinson

“Fools These Mortals Be” For Comedic Performers Of The Year

Heba Toulan in "Zoom Christmas Carol" by Zoom Shakespeare

Maulik Pancholy in "Fully Committed" by Becky Mode at George Street Playhouse

Andrèa Burns in "Bad Dates" by Theresa Rebeck at George Street Playhouse

Director Of The Year

Bridget Leak in “You Will Live Under The Sea” by Queen City Flash at Cincinnati Fringe

Simeilia Hodge-Dallaway in “Ride Share” by Reginald Edmund at Writer’s Theatre

Michole Biancosino in “Planet of the Grapes” by Peter Michael Marino

“Chewie Award” For Team Behind A Solo Performance

“On The Beauty of Loss” by Jared Mezzocchi chi at Vineyard Theatre

“Planet of the Grapes” by Peter Michael Marino

“Betsey Carmichael Live At The Bingo Palace” by Betsey Carmichael at Cincinnati Fringe

“All By Myself Award” For Solo Performance Of The Year

“Prime Of Miss Jenn Joplin” by Jennifer Joplin at Cincinnati Fringe

“Rosegold” by Donna Yarborough at Pittsburgh Fringe

“Rewind-a-Buddy” By J Merrill Motz/Paper Soul at Cincinnati Fringe

“Campfire Award” For Storyteller Of The Year

Martin Dockery for “Right Now Year Two”

David Lawson for “Are You A Robot” at Frigid New York

Mike Daisy for “What the Fuck Just Happened?” at Frigid New York

“BIPOC HERO” For The BIPOC Creative Team Of The Year

TBA

“Worldwide Award” For Collaborative Work Of The Year

“Toshanisha” by Bold Theatre Kenya and Os Satyros

“Now Now Now” by Tom Cavanaugh at Pittsburgh Fringe

“Period Piece” by Susan Cinoman

“On The Fringes” Fringe of the Year

Pittsburgh

Toronto

Cincinnati

“Weird and Worth It” For Experimental Production Of The Year

Light at the End of A World by Know Theatre of Cincinnati

“Jackson C Frank Listening Party” by Michael Aguirre at 59E59

Recovery: Cold Case by Phoenix Tears Productions

“Practical Game Changer” For Practical Effects Of The Year

“Planet of the Grapes” by Peter Michael Marino

“Continuum” by Solasta Theatre Lab and Performance Gallery at Cincinnati Fringe

“Unintentional Significance” by Sean P. Mette at Cincinnati Fringe

“You Will Live Under The Sea” by Queen City Flash at Cincinnati Fringe

“Digital Game Changer” For Digital Effects Of The Year

“On The Beauty Of Loss” by Jared Mezzocchi at the Vineyard Theatre

“Kaleidoscope Bonehouse” by Cookie Tongue at Pittsburgh Fringe

“Theatre A Love Story” by Know Theatre of Cincinnati

“Reach Out“ For Immersive Production Of The Year

“Speakeasy on Demand” by Kaleidoscope Entertainment

“A Light at the End of A World” at Know Theatre of Cincinnati

Recovery: Cold Case by Phoenix Tears Productions

“Grace Notes” For Musical Production Of The Year

“F7th Grade” by Jill Sobule at City Theatre Company

“Doggotainment” by Killy Dwyer at The Vino Theatre

“Ease of A Murder” By Gwendolyn Fitz at Pittsburgh Fringe

“Close (But Not Too Close)” by Project Y Theatre Co

“Nope” For Solo Horror Of The Year

“Brig” by J Merrill Motz/Paper Soul

“Rosegold” By Donna Kay Yarborough at Pittsburgh Fringe

“One Easy Lie” by Martin Dockery at Cincinnati Fringe

“Magician” For Press Contact Of The Year

TBA “Tech Coven” For Tech Team Of The Year

WTF Fringe

“The Catastrophist” by Lauren M Gunderson at Marin Theatre Company and Roundhouse Theatre

“Theatre: A Love Story” by Caridad Svich at Know Theatre of Cincinnati

“Extensions“ For Movement Artist Of The Year

“Tango In The Dark” by Pointe Tango

“Current” by Pones at Cincinnati Fringe

“Of Lungs and Leaves” by Sue Abramson and Mita Ghosal at Pittsburgh Fringe

“You Oughta Be In Pictures” For Film Of The Year

“Needs” by Amanda Levesque and Tom Kilby at Pittsburgh Fringe

“Of Lungs and Leaves” by Sue Abramson and Mita Ghosal at Pittsburgh Fringe

“Current” by Pones at Cincinnati Fringe

“Long Zoomie” For Long-Form Zoom Play Of The Year

“Continuum” by Solasta Theatre Lab and Performance Gallery at Cincinnati Fringe

“Zoom Comedy of Errors” by Brawling Bard at Pittsburgh Fringe

Recovery: Cold Case by Phoenix Tears Productions

“Recommended For You” by Torey Parker at WTF Festival

“Deep End“ For Hybrid Production of The Year

“What the Fuck Just Happened?” By Mike Daisey at Frigid New York

"Kristina Wong, Sweatshop Overlord" by Kristina Wong at New York Theater Workshop

“No Pants In Tucson” by The Anthropologists

“Can You Hear Me Now” Audio Production of the Year

“A Lesson in Swimming” by Michael Shutt

“Iron Heel” by Edward Einhorn at Untitled Theatre Company

“Bite Sized Broadway” by Indie Works Theatre

[thecomicsnexus]

Chapter I

WATCHMEN #1 SEPTEMBER 1986 BY ALAN MOORE, DAVE GIBBONS AND JOHN HIGGINS

SYNOPSIS (FROM DC DATABASE)

NYPD Detectives Steve Fine and Joe Bourquin investigate the murder of Edward Blake, who was thrown out from his apartment home and fell many stories down to his death. The detectives conclude that Blake's assailant(s) were rather strong to subduing Blake given the latter's large and stronger physique, and the sturdiness of the glass that Blake was thrown out. The detectives decide to cover up the investigation in order to avoid interference from the vigilante Rorschach.

That night, however, Rorschach enters Blake's apartment and search the rooms until finding a compartment containing weapons, a leather costume, and a picture of the Minutemen. Rorschach realizes that Edward Blake was the American government-sponsored costumed adventurer known as the Comedian.

Meanwhile, Dan Dreiberg is visiting Hollis Mason at the latter's home where they discuss about their time as the Nite Owl. After their time is over, Dan returns to his apartment to find his door broken in, and finding Rorschach awaiting him and helping himself to a can of cold beans. Rorschach informs news of the Comedian's death to Dan, who then propose having their discussion in his workshop in the basement, where it serves as storage for Dan's Nite Owl equipment. Rorschach informs him of his investigation into Edward Blake's death. Dan suggest that given Blake's services and history, his murder could have been a political killing in response to his actions in toppling Marxist Republics in South America. But Rorschach propose another theory that someone is attempting to eliminate costumed heroes. Dan is skeptical of his idea, but Rorschach points out that the Comedian had made a lot of enemies for the past forty years. Rorschach soon leaves but not before giving The Comedian's blood-stained smiley face badge that he found to Dan.

Rorschach later takes his investigation to a seedy bar called Happy Harry's, where the owner and patrons very fearfully known him well. He talks to Harry in needing information to Blake's death, which Harry honestly doesn't know. When one man named Steve mocks Rorschach, who then start breaking the man's two fingers and again demanding everyone for knowing about Blake's murder while continuing to torturing Steve. But no one knows, so Rorschach releases Steve and leaves.

Rorschach visit Adrian Veidt, a retired hero formerly known as Ozymandias and current billionaire, at his office. Veidt shares the same suggestion that Blake's murder was a political killing, perhaps committed by the Soviets. Rorschach considered it otherwise, as the Soviets never dared to antagonize America because of having their possession of the superhuman operative Dr. Manhattan since 1965, and stick to his masked killer theory. Though Veidt further explains that the Comedian had many political enemies other than the Soviets, claiming that Blake's reputation made him "practically a Nazi." Rorschach defends Blake from Veidt's remark, stating that Blake stood up for his country, never allowed anyone to retire him, and not even selling his image - unlike Veidt. The billionaire remains unaffected by Rorschach's words, as he discuss that he chose to retire prior to the passing of the Police Strike and Keene Act that outlawed unsanctioned vigilantes.

Rorschach then goes to warn Doctor Manhattan and Laurie Juspeczyk at Rockefeller Military Research Center. The couple were already informed of Blake's murder by their government superiors in which Manhattan recalls the C.I.A. suspects the Libyans were responsible. Manhattan remains unconcerned when Rorschach propose his masked killer theory, explaining that he sees life and death as "unquantifiable abstracts." Laurie is very unsympathetic of Blake, calling him a monster and that he had tried to rape her mother when they were both in the Minutemen. Her statements on Blake ends up in an argument with Rorschach, who defends Blake's behavior. Due to upsetting Laurie, Manhattan teleports Rorschach outside of the facility.

Laurie decide to calling Dan Dreiberg out for dinner at Rafael's. Manhattan politely decline to join as he is occupied on finishing his research that would validate supersymmetrical theory. Laurie discuss with Dan about regretting her old life as the second Silk Spectre and her relationship with Jon, which she mentions that the government kept her at Rockefeller is to keep Jon relaxed and happy. Though Laurie and Dan enjoys recalling the story of an old villain that only pretended to be a super-villain to get beaten up, laughing at their times as costumed heroes.

UNDER THE HOOD

Chapter I Hollis Mason starts his book by recalling his decision to write a book by turning to a writer named Denise, who had written forty-two stories but never published them, for advice. Denise told him to start with the saddest thing he could think of to get sympathy, "after that, believe me, it's a walk." Hollis dedicates his book, Under the Hood to Denise.

Hollis's story began when his father brought his family to New York City from his grandfather's farm in Montana. In 1928, Hollis' father worked in Vernon's Auto Repairs off of Seventh Avenue and made enough income to support the family. In hindsight, Hollis realized his father's dedication to his job in repairing cars means to him. Hollis made occasional trips to the auto repair shop with his father and met the employer, Moe Vernon who was a opera buff and has a peculiar sense of humor.

One day in 1933, after Hollis' seventeenth birthday, he was with his father at the repair shop when Joe Vernon received a letter from his wife Beatrice and learned that for two years she has been sleeping with Vernon's senior and trusted mechanic, Fred Motz, and she has withdrew all the money from their joint bank number and left with Motz for Tijuana. Vernon became emotionally devastated, in which he had his gramophone playing "The Ride of the Valkyries" at maximum volume until he emerged wearing his gag breast harness to tell his employees that his wife committed adultery. His staff misinterpreted this gesture and laughed uproariously at what seemed an inspired bit of humor. But eventually everyone realized of their mistake and one of them went to apologized Vernon, who then claimed that he is fine.

After the employees left that night, Vernon committed suicide by inhaling carbon monoxide fumes. Vernon's brother took over his business and later re-employed Fred Motz. Since then, Hollis considered "The Ride of the Valkyries" the saddest thing he could think of due to Vernon's death.

Chapter II By 1939, at the age of twenty-three, Hollis had taken a job on the New York City police force and tried to examine what could lead him to that career choice, his first notion being his grandfather, who introduce a certain set of moral values and conditions upon Hollis. Throughout his career, Hollis became disgusted with the types of people that he dealt ranging from pimps, pornographers, protection artists, pedophiles, and rapists. Because of this, Hollis upset his parents by loudly wishing he was back in Montana.

In the autumn of the same year, Hollis learned of a news story concerning of an attempted assault and robbery in Queens. A young man and his girlfriend were walking home from a movie theater when they are set upon by a gang of three armed men. They stole the couple of their belongings before beating up the young man while threatening to assault his girlfriend. At this point, a masked figure attacked the criminals with such severity that they required their hospitalization, and that one man lost the use of his legs due to a spinal injury. The witnesses' recounting was confused and contradictory.

A week later, the same masked figure appear again in stopping a stick-up robbery at a supermarket. The robbers surrendered immediately when one of them was brutally beaten by the vigilante. Eyewitnesses described the vigilante as a 'tall man, built like a wrestler, who wore a black hood and cape and also wore a noose around his neck.' The news press dubbed the masked adventurer in their headlines as 'Hooded Justice.' Hollis became fascinated by the Hooded Justice and decided to be 'the second.' He has found his vocation.

REVIEW

I don’t know how many times I read Watchmen. But every time I read it it’s a different experience. Many people will tell you the same.

This story is so big, it’s universe is so well thought, maybe too much for a 12-issues maxi-series. But that is one of its beauties. This time I am reading this next to the Annotated edition. Just in case you never heard of this... Watchmen has been analyzed... probably more than any other comic-book (perhaps a bit less than Superman or Batman, but you can find books and websites about it). For me to analyze Watchmen after more than 30 years of it, it’s pointless. So I won’t. I will bring up some entertaining facts about it though.

This is a story so detailed, that there is something in every panel. Most of the time it’s foreshadowing, other times it’s hints to the backstory of this world, other times it’s just allusions to what’s happening or to the character we are seeing. It may sound a bit scary for new readers so let me assure you, you can read this story without looking too much into it, and you will enjoy it. It is not one of those purely artsy stories that you “get” once you analyze it. This story can be enjoyed even if you don’t want to go deep into it. I would say that if you don’t care about the “bonus” material at the end of these issues, or the comic within the comic later on... you will get a full story anyway. You will always have time to read those things on a later read (and you should read it again).

But know this... this comic-book changes every time you read it, so that bonus material will not be the same experience as when you read the story for the first time. This is a “whodunnit” in essence (of course it isn’t really, but it is a murder mystery), and those stories are different the first time you read them. So perhaps you shouldn’t skip those things on your first read.

What you will find out pretty quickly is that this is an alternative New York, 1985, where Nixon is still president (and going for re-election), the Vietnam War was won by the Americans, and there is only one super-hero in the world, Doctor Manhattan. This made the cold war change in favor of the United States, as the soviets didn’t have one.

In this world, because of real vigilantes fooling around, super-hero comics never really prospered. Pirate comic-books did.

As you also may already know, DC bought the Charlton heroes after that company closed down. Characters like Peacemaker, Blue Beetle, The Question, Nightshade, Thunderbolt and Captain Atom were supposed to appear in this book. Last minute editorial changes made it impossible and Moore had to create “similar” characters. You will notice that most of them are almost the same (like the Original Nite-Owl, who was also a cop like the original Blue Beetle, and Rorschach is more like Mr. A, another Ditko creation that was... let’s say extreme in his methods). This worked out for the best.

Moore is known for his detailed scripts, but a big part of the greatness of this book goes to Gibbons. He was the perfect match for this story. Moore “suggests” things to the artist in the script, but in the end, it’s up to the artist to do it right. And it really works (you can check the original scripts against the results).

Some people think Watchmen is a Vertigo book. It was reprinted by Vertigo once that imprint was created, but there was no Vertigo in the eighties, so this was always a “mainstream” DC book. I suppose it will go out as DC Black Label now.

To be continued...

[boriscifuentesc]

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[brony2much]

Please Help Me Get Out.

Hello, everyone.  I don’t normally make posts like this, but I always do share the ones I come across.  So, even if you cannot help me personally, PLEASE boost this post by sharing it!

I am trying to get out of a really bad situation at home and I need to get rid of my old stuff.  This stuff is all listed on my mom’s eBay account along with all of her items up for sale.  IF YOU MAKE AN ORDER, PLEASE DO NOT PUT ANY WEIRD MESSAGES WITH YOUR ORDER ABOUT ME GETTING OUT OF MY HOUSE. My mother monitors the eBay account religiously and does not know I am leaving and I’d like to keep it that way, please.  If you just wanna look at the account, then here’s the link:

https://www.ebay.com/usr/musicsinger_0

If you want a detailed list of what ONLY I am selling so that your money goes to me and not to my mother, then here’s the list.

MLP:FiM merch - all pony-related stuff

 Magicloth merch - all Magicloth paper doll-related stuff 

Barbie and Kelly merch - all Barbie-related and Kelly-related stuff 

Madeline merch - all Madeline-related stuff 

On the Way of the Cross in the King's Service by Simion Motz 

Hallow Terrace by Tony Graff (2013, Paperback) 

Dan Dee Carolyn Music Box Porcelain Doll 

Precious Moments Growing in Grace Figurine 

St. Nicholas Square Mouse King Nutcracker 

Naruto Shippuden Collection Black T-shirt - Medium 

Douglas the Cuddle Toy Pat the Black and White Cat (Retired Plush No Longer Made)

American Girl Angelina Ballerina Theater Stage with Dolls and Accessories 

Wii Sports Console

Also, as a final note pertaining to the items I am selling, everything is discounted from the prices I had up before.  All the items I am selling have up been up and active for anywhere from two weeks to over three months.  Today I went in and edited all the prices down, so they are cheaper than they used to be.

Thanks to anyone who shares this or actually buys things. I really appreciate it.

[disneytva]

Bootlegging comes around the corner with DARRYL MCGEE's THEME SONG TAKEOVER slated for this Saturday only on Disney Channel, Disney NOW and Youtube.

[tag121]

7 MINUTEN

Noch 7 Minuten. Ungewöhnlich für diese Zeit. Freitag kurz vor 4. Feierabend. Der Bahnsteig der U6 füllt sich langsam. Ich hole mein Smartphone raus und checke die neuesten Nachrichten. USA verhängen Einreisestopp für Europäer. Österreich schließt alle Grenzen. Das öffentliche Leben in Italien kommt völlig zum Erliegen. Die Kanzlerin ist gewillt Alles zu tun. Universitäten, Schulen und Kitas schließen auf unbestimmte Zeit. Das ist die größte Krise der Berliner Kulturszene seit der Nachkriegszeit. Angst vor neuen Finanzkrise. Regierung sagt Unternehmen unbegrenzte Kredite zu.

Selbst der Mont Everest macht Dicht. Gutscheine für Bahntickets. Die AFD bleibt was sie ist. Ostdeutsche trinken mehr Alkohol, aber essen gesünder.

Ich stecke das Telefon wieder in meine Hosentasche und mache kurz die Augen zu. Ich höre, wie sich neben mir eine Gruppe Personen streitet und sich fragt, wer uns das jetzt alles eingebrockt hat. Es ist die Rede von dieser einen Sekte, von den Chinesen und das in der Schweiz alle schon so weit sind. Noch 3 Minuten. Ich schaue mich um und zähle die  Leute mit Mundschutz. Es sind ganze drei. Zwei herkömmliche und eine fancy Variante in Camouflage-Look. Sollte ich auch Eine tragen? Bin ich zu unvorsichitg? Hab ich es schon und wenn ja, wie viele Leute haben es jetzt von mir und wo habe ich es überhaut her? Das macht keinen Sinn. Vor zwei Tagen war doch alles noch im Lot und nun  beginnt hier die ganze Welt durchzudrehen und ich gleich mit. Vielleicht auch berechtigt. Stündlich gibt es einen aktuellen Lagebericht mit neuen Verboten, Empfehlungen und Infos. Die Meinungen was richtig ist und was zu überdreht gehen dabei sehr weit auseinander. Muss ich jetzt zu Hause bleiben und kann ich noch Freunde treffen? Gefährde ich meine Eltern, wenn ich sie auf dem Dorf besuche? Ich hab keinen Plan. Und U-Bahn fahren in einer Millionen-Stadt. Das ist doch „come-on-virus-where-are-u-modus“ oder?

Das Rauschen im Tunnel wird langsam lauter und die Bahn fährt ein. Links und rechts neben mir öffnen sich Türen und ein paar Menschen steigen aus. Die Tür vor mir bleibt zu. Um mich herum warten mehrere Leute darauf, dass jemand diesen keimverseuchten, leuchtenden Led-Knopf-Tür-Öffner drückt. Doch es drückt keiner. In meiner jugendlichen Leichtsinnigkeit presse ich meinen nackten Daumen auf den Knopf und die Leute huschen mit dem Türschließton schnell ins innere der Bahn. Ich erhasche noch einen Sitzplatz auf dem Vierer und kämpfe mich über die Beine der anderen Leute. Niemand bewegt sich nur ein Stück. Eingeengt hole ich mein Buch aus der Tasche und versuche zu lesen. Die Frau neben mir schläft und die gegenüber telefoniert lautstark mit einem Freund und kotzt sich über ihren Chef aus. Hinter mir beginnt eine Obdachlose mit ihrer Ansprache und versucht die Motz zu verkaufen und bittet um Spenden und Essen. Die meisten Leute, schauen auf ihre Smartphones, geben keine Beachtung oder drehen sich weg. Sie beginnt sich durch die Leute zu drängeln und entschuldigt sich dabei ständig. An der nächsten Station steigt sie aus und verabschiedet sich mit den Worten „Das sieht heute schlecht aus mit dem Geburtstagsfleisch Tuffi.“ und zieht ihren Hund hinter sich her. Manche halten sich ein Tuch über den Mund und andere versuchen so nah wie möglich am Ausgang zu stehen. Dann passierts. Links von mir auf dem anderen Vierersitz beginnt ein älterer Herr zu husten. Nur kurz. Nichtmal laut. Aber es reicht aus, mehrere irritierte Blicke aus seiner näherern Umgebung zu bekommen. Paranoia oder voll ok?

Ich starre in mein Buch aber lese nicht. Ich denke darüber nach, ob die Prepper jetzt endlich gewonnen haben und mit Tonnen voller Desinfektionssprays und Toilettenpapier bei sich zu Hause sitzen, warten bis alles vorbei ist und sich ins Fäustchen lachen? Sie habens schon immer gewusst und damals haben alle gelacht. Na wer lacht jetzt? Wieviele Familien, Reichsbürger, Halbfaschos und Tag-Xlern sitzen wohl schon in ihren selbstgebauten Bunkern, auf ihren hermetisch abgeriegelten Bauernhöfen und fressen Dosenfleisch? Ich sehe die Genugtuung in ihren Augen. Jetzt ist es bald soweit. Die Regierung wird Notstandsgesetz verhängen und dan kommen wir voll ausgerüstet aus unseren Nestern und und........... Ich drehe langsam durch und beschließe für mich selbst, den Ernst der Lage noch nicht erkannt zu haben, aber trotzdem erstmal nicht anders handeln konnte. Was sollte ich auch tun? Meidung sozialer Kontakte? Ok. Ich räume einfach mal auf und konzentriere mich auf das, für was sonst zu wenig Zeit bleibt. Gut.

Aber sollte ich jetzt zum Arzt gehen, weil mein Vorarbeiter meinte, nachdem er mir 3 mal ins Gesicht gehustet hatte, das er es wohl hat? Aber er musste danach auch niesen. Also vielleicht doch nicht.

Aber insgesamt meinte er, dass „das der Preis der Globalisierung sei und die Rache der Indianer, weil wir Europäer sie damals so mit unseren Krankheiten dahingerafft haben.“ Abgefahrene Theorie und ganz schöner Schwachsinn. Dabei fallen mir auch gleich die ganzen Verschwörungstheoretiker*innen ein und ganz genau wissen von wem der Virus geschaffen wurde und zu welchen weltumspannenden Zweck. Mir wird kalt und ich will nach Hause. Noch eine Station. Alles nochmal durchgehen und behutsam handeln. Durchatmen. Solidarisch sein.

Die Türen gehen auf und ich bin raus. Das Signal ertönt und ein Mann mit Bomberjacke, roten Bäckchen und einer Bierflasche in der Hand streckt seine noch freie Hand in die schließende Tür. Der Arm wird von den Türen umschlossen und der Mann versucht mit der Bierflasche die Türen auseinander zu schieben. Das klappt nicht so gut. Aus der Lautsprecheranlage schreit ein Mann „Nimm die Pfoten aus der Tür raus, du Vollidiot!“ Daraufhin quetscht er seinen Körper in den kleinen Spalt und presst die Türen mit aller Kraft auseinander, bis er im Inneren steht und die Tür hinter ihm schließt.

ahoiahoi

text von kaier

[coolchevistianofficialsite]

So, you notice how the Disney Channel/XD original animated series by DTVA are now being created by the older generation? Given how the majority of the 2010s DTVA non-preschool shows were created by those born between 1971 and 1990, the 2020s shows are having the older generation get a try with Bill Motz and Bob Roth (1964, 1966) for Molly McGee, Dan Povenmire (1963) with Hamster & Gretel, and Lawrence Fushburne/Helen Sugland (1950s) for Moon Girl.

You should add Big City Greens too with Natasha Kline with Primos, Cheyenne Curtis with her pilot, Monica Ray with her overall development deal and trying to get Magic Children Doing Things from Nickelodeon and also Devin Bunje & Nick Stanton who worked on many 2000s Disney Channel Animated Shows

[ptbf2002]

My Top Favorite Disney Television Animation Characters

10. Kick Buttowski (Kick Buttowski: Suburban Daredevil)

9. Kim Possible (Kim Possible)

8. Stitch (Lilo & Stitch: The Series)

7. Molly McGee (The Ghost and Molly McGee)

6. Star Butterfly (Star vs. the Forces of Evil)

5. Dipper Pines (Gravity Falls)

4. Anne Boonchuy (Amphibia)

3. Todd And Riley Daring (The Replacements)

2. Phineas Flynn (Phineas and Ferb)

And 1. Mickey Mouse (Mickey Mouse 2013)

Original Template: https://www.deviantart.com/cartoonfan2002/art/Top-10-Disney-Television-Characters-Template-1036551581

Kick Buttowski: Suburban Daredevil Belongs To Sandro Corsaro, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Kim Possible Belongs To Mark McCorkle, Bob Schooley, Rough Draft Korea Co, Ltd. Toon Boom Animation Inc. Starburst Animation Studios Co., Ltd. Toon City Animation, Inc. Disney Television Animation, Disney Channel, ABC, Toon Disney, Disney XD, Freeform, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Lilo & Stitch: The Series Belongs To Chris Sanders, Dean DeBlois, Disney Animation Japan Inc. Wang Film Productions Co., Ltd. Toon City Animation, Inc. Disney Television Animation, ABC, Disney Channel, Toon Disney, Disney Junior, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Curse of Molly McGee/The Ghost and Molly McGee Belongs To Bill Motz, Bob Roth, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks, Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Gravity Falls Belongs To Alex Hirsch, Digital eMation, Inc. Rough Draft Korea Co., Ltd. Yearim Productions Co., Ltd. Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Replacements Belongs To Dan Santat, Toon City Animation, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. Synergy Animation, Disney Television Animation, Toon Disney, Disney Channel, Disney Media and Entertainment Distribution, Disney Branded Television, Disney General Entertainment Content, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Phineas and Ferb Belongs To Dan Povenmire, Jeff "Swampy" Marsh, Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. SynergySP Co., Ltd. Hong Ying Animation Co., Ltd. Elliott Animation Inc. Hosem Animation Studio, Disney Television Animation, Disney Channel, Toon Disney, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Mickey Mouse (2013) Belongs To Walt Disney, Ub Iwerks, Paul Rudish, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

[the-fabled-yarnspinner-blog]

#actorshoutout to our #leadingman Jeremy Motz (Rhymes with Boats) who will be taking on the titular role of #supernatural exterminator, Dan Helsing: Demon Warrior. Check the link in my bio to learn more about this #horrorcomedy film in the works!

[rndyounghowze]

And The Nominees Are… (Part 2/2)

#younghowzetheatreawards

By Ricky and Dana Young-Howze

Mays Landing, NJ

Venmo: @rndyounghowze

The nominations for the first ever Young-Howze Theatre Awards are finally here! We have been working hard since March of 2020 reviewing over a hundred and forty digital productions. We have been poring over them all since January to bring you these categories and the shows vying for them.

Let’s remind everyone what our criteria were: Because of the pandemic this year every show that we have reviewed was nominated for at least one category. We picked winners by a very specific set of criteria: What was this show attempting to do? Was it successful? Was it the most successful of all the shows that tried to do this? We apologize to anyone who thought that we would be announcing winners today. We decided that we wanted to save all of the spoilers for the live show on February 21st at 8PM EST. Please remember that even if you only get one nomination it is because we wanted to honor everyone who worked hard this year (every theatre artist who did a show this year deserves a medal). However we understand that specific nominations are useful for theatre creators in their resumes, grant applications etc.

All Nominees should receive a nomination email from us. If you haven’t gotten an email by Monday 11:59pm PST email is at rndyounghowze@gmail.com

Congratulations everyone! We are so proud of your accomplishments and amazing work. We’ve already seen shows this year that are award worthy. You all exceeded our expectations. Without further ado...

Solo Performance

“Chewie Award” For Team Behind A Solo Performance

“Blood/Sugar” by Diana Wyenn in Los Angeles, CA

“Kristina Wong For Public Office” by Kristina Wong in Los Angeles, CA

“Disenchanted: A Cabaret of Twisted Fairy Tales” by Eliane Morel at Melbourne Fringe

“All By Myself Award” For Solo Performance Of The Year

“The Bassoonist” by Sean P. Mette and Autumn Kaleidoscope at Cincinnati Fringe Cincinnati, OH

“Kristina Wong For Public Office” by Kristina Wong in Los Angeles, CA

“Sarah Palin: Rogue None” by Amanda Nicastro in NYC, NY

“What Would John Hughes Do?” by Telia Nevile at Melbourne Fringe

“Campfire Award” For Storyteller Of The Year

“Right Now” By Martin Dockery at Minnesota Fringe Minneapolis, Minnesota

“Life Underground” by Brad Lawrence at FRIGID NY in NYC, NY

“Pumpkin Pie Show” by Pumpkin Pie Show at FRIGID NY in NYC, NY

“UnterClub” by Juan Sebastian Peralta in Uruguay

“Full of Woe” by Genevieve Yosco and Sour Grapes Productions at FRIGID NY in NYC, NY

Seasons, Series and Festivals

“BIPOC HERO” For The BIPOC Creative Team Of The Year

TBA

“Worldwide Award” For Collaborative Work Of The Year

“The Art of Facing Fear Brazil” By Os Satyros in São Paulo, Brazil “The Art of Facing Fear US” Os Satyros and Company of Angels and Rob Lecrone, in co-production with Os Satyros and Darling Desperados. “The Art of Facing Fear Africa/Europe” Os Satyros and Cie Kaddu, Crown Troupe of Africa, Darling Desperados, Oddmanout Theatre Company, Portuguese Cultural Center of Mindelo, Tell-a-Tale, The Kwasha! Theatre Company, The Market Theatre Laboratory, Village Gossip Productions

“Macbeth #6” Os Satyros São Paulo, Brazil and the Center for Interdisciplinary Performance Art - Royal Birmingham Conservatoire

Enough Plays to End Gun Violence at Mile Square Theatre in Hoboken, NJ

“Down the Stream” For Digital Season of The Year

Frigid NY in NYC, NY

Combined Artform in Los Angeles, CA

“There’s No I in Theatre” For Non-Profit Theatre of The Year

Elm Street Cultural Arts Village in Woodstock, GA

Sour Grapes Productions in NYC, NY

Opal Theatre in Boise, Idaho

Know Theatre of Cincinnati in Cincinnati, OH

Mill Mountain Theatre in Roanoke, VA

“Deja Vu Award” Recurring Streaming Series Of The Year

“Tilted Frame” by Combined Artform in Los Angeles, CA

“Bingewatch and Friends” by Diana Brown and Dan Wilson in San Francisco, CA

“Reparations Show” by Kevin R Free at Frigid NY in NYC, NY

“Monologues For Us By Us” By Cincinnati Black Theatre Artists Collective in Cincinnati, Ohio

“Bard Brunch” by Sour Grapes Productions in NYC, NY

“On The Fringes” Fringe of the Year

Minnesota Fringe

Halifax Fringe

Melbourne Fringe

Montreal Fringe

Cincinnati Fringe

“The Shortie“ Short Form Festival Of The Year

“48 Hours in Harlem” By Harlem 9 in Harlem, NY

“Overnight Sensations” by Hollins Playwrights Lab in Roanoke, VA

Estrogenius Festival by FRIGID NY in NYC, NY

Fire This Time Festival at FRIGID NY in NYC, NY

Single Shows

“Weird and Worth It” For Experimental Production Of The Year

“Paul And Erika’s House Show” By Theatre Mobile at Cincinnati Fringe

“Hivemind” by Solasta Theatre at Cincinnati Fringe

“#TXT Show” by Brian Feldman at Minnesota Fringe and Melbourne Fringe

“Butterfly Effect” by Unnatural Disasters at Halifax Fringe

“New Normal” by Os Satyros in São Paulo, Brazil

“One Man Nutcracker” by Chris Davis in Philadelphia, PA

“Cabaret De Profundis” By Buntport Theatre in Denver, CO

“So Nice We Saw It Twice” Touring Show Of The Year

“Desperately Seeking The Exit” by Peter Michael Marino and PM2 at Cincinnati Fringe And Queerly Festival and Show Up, Kids! In NYC!

“Paul and Erika’s House Show” by Theatre Mobile at Cincinnati Fringe and Minnesota Fringe

“Love and Other Lures” by Dr. Dour and Peach at Cincinnati Fringe and Minnesota Fringe

“Killjoy, Ohio” by Queen City Flash at Cincinnati Fringe and Minnesota Fringe

“TXT Show By Brian Feldman at Minnesota Fringe and Melbourne Fringe

“Kristina Wong For Public Office” by Kristina Wong in Koreatown and Kirk Douglas Theatre in Los Angeles, CA

“Before Times” For Pre-Pandemic Recording Of The Year

“Petunia and Chicken” by Animal Engine at Cincinnati Fringe Cincinnati, OH

“Unrepentant Necrophile” by The ColdHarts at Cincinnati Fringe Cincinnati, OH

“Knife Slingin’” By Motz at Cincinnati Fringe Cincinnati, OH

“Occupy This!” By Rev Nuge at Cincinnati Fringe Cincinnati, OH

“Stow You Baggage” By Alexx Rouse at Cincinnati Fringe Cincinnati, OH

“Butcher Holler” by Ad Hoc Economy at Cincinnati Fringe Cincinnati, OH

“Lady Macbeth and Her Pal Megan” by Megan Gogerty at Cincinnati Fringe Festival Cincinnati, OH

“Dammit, Jim!” by Polly Esther in Toronto, CA

“A Night With The Dead” by Martha Preve and Something From Abroad at Hartford Fringe in FRIGID NY in NYC, NY

“A Christmas Carol In Harlem” by Classical Theatre of Harlem in NYC, NY

“Forbidden City” by Martin Dockery at Cincinnati Fringe Cincinnati, OH

“Practical Game Changer” For Practical Effects Of The Year

“Killjoy, Ohio” by Queen City Flash at Cincinnati Fringe Cincinnati, OH

“Zoo Motel” By Thaddeus Phillips in Columbia, South America

“A Light Touch” by Mind of a Snail at Minnesota Fringe Minneapolis, Minnesota

“Digital Game Changer” For Digital Effects Of The Year

“M-O-U-S-E” by Rory Sheridan at the Cincinnati Fringe Cincinnati, OH

“King Lear” by SF Shakes in San Francisco, CA

“War Of The Worlds” by Ben Hernandez at Cal State in Los Angeles, CA

“Claws Out! A Holiday Drag Musical” by City Theatre in Pittsburgh, PA

“18+ Allowed” For Adult Variety Of The Year

“Disenchanted: A Cabaret of Twisted Fairy Tales” by Eliane Morel at Melbourne Fringe

“Creepy Boys” by Scantily Glad at Melbourne Fringe

Red Mill Revue at Melbourne Fringe

Queers On The Fringe at Melbourne Fringe

“Reach Out“ For Immersive Production Of The Year

“Feast” by Megan Gogerty at Know Theatre of Cincinnati in Cincinnati, OH

“In Lak’Ech” by No Peeking Theatre in Jersey City, NJ

“Twelfth Night”” by Food of Love Productions in NYC, NY

“Grace Notes” For Musical Production Of The Year

“Dream &” By Sarah Willis and The Queer Feminists Next Door at Cincinnati Fringe Cincinnati, OH

“Colony” by Psophonia and Aura at Cincinnati Fringe Cincinnati, OH

“TV Tunes” by Leslie Vincent at Minnesota Fringe Minneapolis, Minnesota

“The In-Between Years” By The Champagne Drops in Minneapolis, Minnesota

“Love and Other Lures” By Dr. Dour and Peach at Cincinnati Fringe Cincinnati, OH

“Hollow” by David Kent at Edinburgh Fringe

“One Vote Won” by Nashville Opera in Nashville, TN

“Meet Me In St. Louis” By Irish Rep in NYC, NY

“Power” For Fifth-Wall Breaking Show Of The Year

“Matriarch” by Sandy Greenwood at Melbourne Fringe

Chanukahmunication by the Feldman Dynamic in Washington, DC

“Proof Of Love” By Chisa Hutchinson and BLBW in Chicago, IL

Individuals

“Magician” For Press Contact Of The Year

Emily Godfrey For FRIGID NY in NYC, NY

Liz Carman For Know Theatre of Cincinnati in Cincinnati, OH

“Tech Witch” For Tech Person Of The Year

David Svengalis for “Tilted Frame” by Combined Artform in Los Angeles, CA

Henry Bateman for Know Theatre of Cincinnati in Cincinnati, OH

“Extensions“ For Movement Artist Of The Year

“Proximity” by Pones at Cincinnati Fringe Cincinnati, OH

“Definition of Man” by DConstruction Arts at Halifax Fringe

Marina Calendar For Tree She at Estrogenius Festival NYC, NY

Nick Daniels For “Folk Dances of A Nucleic Village” at Pittsburgh Fringe Pittsburgh, PA

“You Oughta Be In Pictures” For Film Of The Year

“Proximity” by Pones at Cincinnati Fringe

“Opinions Of Men” by Ben Dudley at Cincinnati Fringe Cincinnati, OH

“Macbeth” by Gorilla Repertory Theatre in NYC, NY

“Black Emperor of Broadway” by Vision Films Inc and Egeli Productions in Provincetown, MA

“Concord Floral” by Jordan Tamanelli at Colorado State University in Fort Collins, Colorado

Zoom

“Pioneer” For Innovative Achievement Of The Year

Waiting for the Host” by Mark Palmieri in NYC, NY

“Desperately Seeking the Exit” by Peter Michael Marino in NYC, NY

“Long Zoomie” For Long-Form Zoom Play Of The Year

“3 Way Lovve” by Marcus Ma’at Atkins at Minnesota Fringe Minneapolis, Minnesota

“Im Ur Hamlet” By Genevieve Yosco and Sour Grapes Productions in NYC, NY

“Rideshare” by Reginald Edmund and BLBW in Chicago, Illinois

“Disrobed” by Steven Vlasak and Troy Peterson at Hollywood Fringe Hollywood, CA

“Sons of Liberty” by Cris Eli Blak in Louisville, KY

“Call For The Wailing Women” by Katrina D. RiChard and BLBW in Chicago, IL

“Jump!” By Charly Evon Simpson at TSU in Nashville, TN

“Short Zoomie” For Short-Form Zoom Play Of The Year

“Soup” by Rachel Carnez at Project Y Theatre in NYC, NY

“Missing Ingredient” by Colleen O’Doherty at Project Y Theatre in NYC, NY

“Pas De Deux” by Kevin Ferguson at Missouri S&T in St. Louis, Missouri

“Scaramouche and Pinochle” by Mike Moran Missouri S&T in St. Louis, Missouri

Screen Manager Of The Year

TBA

Stream Yard

“Duck“ For Streamyard Production Of The Year

“Infemous” by Infemous at the Queerly Festival and Montreal Fringe Festival

“Romeo and Juliet Virtually” By Miles Beyond Entertainment in Los Angeles, CA

“Day of the Dead Variety Show” by Something From Abroad at FRIGID NY in NYC, NY

“Latina Christmas Special Special” by Latina Christmas Special in Los Angeles, CA

Staged Production

“The Globe“ For Staged Production of The Year

“Quit While You’re Ahead” By Alexx Rouse and A-Z Productions at Cincinnati Fringe Cincinnati, OH

“Dreary Dearie” By Caitlyn Waltermire at Cincinnati Fringe Cincinnati, OH

“Hellish Reunion” by The Feral Theatre Company at Minnesota Fringe Minneapolis, Minnesota

“Polka Dots: The Cool Kids Musical” by Melvin Tunstall III at Mill Mountain Theatre in Roanoke, VA

“Titus Andronicus” by Shakespeare by the Sea in San Pedro, CA

“She Kills Monsters” by Qui Nguyen at Elm Street Arts Cultural Village in Woodstock, GA

Please Be Sure To Tune In To The Live Show on either our YouTube Channel, FRIGID NY’s YouTube, or you can go to Combined Artform’s Channel. Also follow their Facebook pages for live updates. Our social media will be taken over before and during the show by Saturday Lawson of Punchline Loading and Genevieve Yosco of Sour Grapes Productions! We can’t wait to see you there!

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