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nerdygaymormon · 1 year

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What was conversion therapy like? Can you describe it?

The retreat I attended was aimed at LDS men and incorporated some of our spiritual teachings along with practices from places like Journey Into Manhood and other gay conversion camps, which operate on the premise that for a gay man to change his sexual orientation, he needs to fill his need for male attention with non-sexual bonding that is intimate and affectionate. They attempt to do this with the use of psychodrama, visualizations, role-playing, and team-building exercises.

These types of retreats do not promise a rapid shift from being gay to straight, but claim they provide a foundation so men can work on making the change over time.

In 2019, Journey Into Manhood co-founder David Matheson (who is Mormon) and sometimes described as the “intellectual godfather” of “ex-gay therapy," announced that he was divorcing his wife and dating men. He’s not the only one. Many prominent leaders of gay-conversion organizations have left the ex-gay movement, including:

Michael Bussee, one of the founders of the well-known ex-gay group Exodus International

John Paulk, the poster-child for ex-gay group Love Won Out

John Smid, former director of the ex-gay group Love in Action

Tim Rymel, former outreach director at Love In Action

Bill Prickett, founder & Executive Director of Coming Back

Despite decades of living and teaching their methods, all these men eventually had to accept that they weren't "converted" and recognized the stress and problems trying to deny and change their orientation had wrought in their lives, not to mention in the lives of all the people who'd come to them for help to change.

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At the retreat I attended, many of the men knew each other from other retreats they’d attended, including Journey Into Manhood. They also were familiar with the different kinds of activities we engaged in.

The man in charge of the retreat was considered an expert in the conversion of gay men to being straight.

The retreat was held at a state park which had a few bunkhouses, another building with toilets & shower facilities, and a lodge with the kitchen, dining facilities, and space to meet. It was pretty secluded, there was no cell service, we were cut off from the outside world.

Once everyone was checked in and assigned a bed in the bunkhouses, we gathered together. We were told that nothing we do at this retreat is mandatory, but to please trust the process and participate in all activities because they're each important.

The first activity was to climb up a ladder & do a trust fall. I'm a large person, I was not confident it was a good idea to expect this group of people to catch me. Also, I have a social anxiety disorder, which the retreat leaders were made aware of, and my anxiety was spiking.

When it was my turn, I declined to climb the ladder and fall backwards. Rather than say that it's my choice and no activity is mandatory, the "expert" leader badgered me, trying to get me to do it. Of course this only brought more attention to me, which did nothing to help calm my social anxiety, and nor did being shamed and peer pressured.

When it became clear I wasn't going to do it, he said it was either this or an even worse activity. I chose the unknown activity

The leader called all the men over and they formed a tight circle around me. I was told to cross my arms and keep them against my chest, keep my body stiff and lean back, the men were going to support me.

With only my heels touching the ground, the men were told to push me around the circle. I was to keep stiff and they'd catch me and push me off to some other men in a different part of the circle.

I did not like feeling out of control & I stopped it.

The leader then said I had to do this or the trust fall. If I didn't want to do this, let's go do the other. I refused to do either.

I think that marked me as a trouble maker.

—————————

With the trust fall activity completed, we went inside the lodge where we were to play getting-to-know-you games.

First we made a wide, loose circle and went around and each said our name. Then a ball was introduced and the person holding the ball says his name, then the name of another person, and throws the ball to them. This repeats over and over to help us learn everyone's name.

For the next game they put two lines of tape on the floor, one line represented the answer ‘yes’ and the other ‘no.’ They'd ask a question and we were to go stand on the line that matched our answer.

It started off easy, with questions like have we ever done this, or done that? The questions got increasingly personal and then turned sexual.

Have you looked at porn in the past 6 months? Have you masturbated in the past year? Are you circumcised?

The next game is where we line up in order without speaking. For example, line up shortest to tallest, or line up youngest to oldest, or from who traveled the shortest distance to the furthest distance. Again, these became more personal and then sexual, such as "line up according to your shoe size (wink wink, nudge nudge) without talking."

Damn, why so many questions about our junk?

—————————

The rest of the day we alternated between sitting together and listening to someone teach us about this principle or that idea, and that would be followed by an activity.

I liked some of the activities, such as looking into another man's eyes for 5 minutes. Everyone giving a compliment to the man standing in the center of the circle.

One of the activities was to introduce ourselves in 2 minutes. Several people said they have same-sex attraction. When it came to me, I said that ‘I'm gay.’ Well, that again seems to again have marked me as a trouble maker.

At lunch, one of the participants lectured me about using the word 'gay' to describe myself. “We have unwanted same sex attraction and by using the word 'gay,' it shows you've accepted this as part of who you are and don't want to change. By saying 'I'm gay,' it makes everyone else feel judged, like you think lesser of them because they can't accept themselves, but this is why we're here, to change.”

I swear, there are so many unwritten rules and expectations about this retreat that everyone else knew but me.

—————————

Something nice was when it was time to enter or leave the lodge, one of the staff would stand at the door and touch us with scented oil and say a short blessing on us before we walked through the door.

The other thing we did every morning and evening was ‘check in.’ That is we went around the room and each man had to say what he was feeling, no explanation, just what you're feeling, and then the group would answer, "I hear you."

—————————

We learned about love languages & took a test to discover our love language. Then we paired up & had to 'speak' that man's language. My person liked touch, so we cuddled. I basically gave him a massage, rubbing his neck, arms, etc. A very intimate thing to do with a stranger.

—————————

We acted out the story of the prodigal son from the Bible. Supposedly it shows men go on journey to learn what they want--friendship & connection with other men. I didn't really get how that story fit with this idea.

People volunteered to play the different roles, except me, I was assigned to be the mom/wife. I think I was purposely assigned the only female character in a play about men connecting with men because I'm the troublemaker

—————————

A couple times we sat alone in nature, or looking out the window. We were supposed to be writing certain things or answering particular questions. Instead I sketched pictures of the scenery.

When we were supposed to share some of our answers, or to use what we'd written for another activity, then I was kinda lost.

Honestly, the instructions weren't always clear, but everyone else was busy writing, they seemed to know what to do based on doing similar activities at other retreats. I didn't really know what they wanted from me

—————————

The worst was 'guts work' or 'carpet work.' These terms were interchangeable and it seemed each man used the term he was familiar with from other retreats. No one could explain to me why it was called this.

The principle behind this 'work' is that we have feelings and we need to honor those feelings by fully expressing them. This differs from actual therapy with a psychologist where we talk about feelings, what feelings can tell us, limitations of emotions, and good & bad ways to deal with those feelings.

For this activity, we were split into small groups of about 5 or 6 participants and 2 or 3 staff members.

The first participant from my group expressed being upset his retirement isn't what he hoped because his wife had an accident & now has mobility issues. He suggests to her different activities and she most always declines, saying she's in some pain or that wouldn't be a comfortable experience for her. He became very angry as he described this.

The staff had a box full of what seemed like random items. They pulled out a towel from the box and rolled it up. Then gave it to this man and told him to pretend it was the neck of his disabled wife, and to use it to express his anger and frustration.

He put his hands around that rolled-up towel & pretended to wring the neck of his wife while yelling “This f*cking b*tch ruined my life!” This was him ‘honoring’ his feelings?

Needless to say, I was shocked and stunned.

The next man said he experiences SSA (same-sex attraction). He has been on so many first dates over the past 15 years trying to find a woman that he can be attracted to & feels discouraged, maybe he’ll never find her. He felt like a failure and less of a man because he couldn't be attracted to women.

The staff had us form two lines, holding hands with the person across from us. Including the staff, there were four or five pairs of us and he was to push his way through our arms towards his goal of being man enough to be with a woman.

As he pushed through us, we were to yell things like ‘he's a p*ssy,’ ‘sissy,’ ‘coward,’ ‘he can't do it,’ ‘he doesn't deserve her,’ ‘he's not manly enough,’ ‘no woman would want him.’ Basically we were to taunt him and question his masculinity.

He pushed his way forward through our arms as we jeered, and this showed that he's manly enough & does desire women. I don't get how this was "honoring his feelings," but he felt very good at making his way through the gauntlet.

At that point I walked out. I was done. I headed for my bunk.

The staff came after me and said I must return. I had to be part of the group activity. This was crucial. All the other men were counting on me.

Reluctantly I returned with them and walked in to find a man with a baseball bat bashing a punching bag shaped like a body while yelling, "I hate you!"

How is this helpful?

I told the staffer I was not participating in this. How is acting out violence against people we love a good thing? He grabbed a chair, set it outside the door to the cabin, and I was told to sit & think about what I'd said and how it impacted the other men by demeaning the work they were doing. And that they'd get me when it was my turn after everyone else was finished with their carpet work.

There was paper and a pen, and as I sat there I wrote a love letter to me from our Heavenly Parents. It was actually a lovely moment for me.

When they came to retrieve me, I showed them the letter and said “This is my carpet work, I completed it. I refuse to do any violence.” They had me sit up front as they read the letter I'd written, which I didn’t like, I didn’t mean for that to be shared with everyone.

—————————

That night we were taken from the lodge one by one, blindfolded, and a staffer directed us where to walk. We wound up in a cabin alone with only the person who guided us. We took off our blindfold to find ourselves looking at a sheet of fabric.

The guide read a script of what the fabric represented. When ready to remove it from my life I was to flip the fabric over, revealing another piece of fabric, which the guide then read the meaning of.

There was something I didn't agree with, I didn't want to remove it from my life. I explained why I didn't want to flip the fabric. It's a set script, the staffer didn't know how to respond, so he kept reading the same question over and over until I flipped the fabric. At that point I went through motions to get this over with. The final fabric flip revealed a mirror where you see the new you. It's meant to be an emotional moment, looking at yourself, into your eyes, and realizing you have been transformed.

I was told to take as long as I wanted to view my new self. I didn't have a desire to do any gazing at myself in the mirror, and I was quite over this activity, I turned to the guide and said, "I'm done, let's get out of here."

———————

At the end of the 3rd day when the retreat ended, I was more than ready to get out of there. Everyone was to stay and cleanup and then head into town for a final meal together. I excused myself with the explanation I'd come from out of state and had a long drive home and needed to get going.

————————————————————-

Some of it is hokey, some of it horrifying, some of it was okay and even enjoyable. While "voluntary," it felt like being trapped with people I needed to mollify in order to avoid more abuse.

I didn't need more shame, I didn't need to be yelled at, I didn't need more stress or trauma. I already was having a hard time because of my social anxiety.

It was a strange mixture of moments of homo-romanticism (idk if that’s a real word) followed by toxic masculinity. Maybe the idea is by associating them together it would make future homo-romantic feelings bring on stress, terrible feelings & unpleasant memories. If that’s the case, it’s a flawed theory. And how gross that they mixed in things from church with all this.

I’m a grown adult and this was just a 3-day retreat. I can imagine the stress is even greater on minors who are there knowing their parents want, and expect, them to change. What if my parents were paying for me to meet with this "expert" on a regular basis and then being isolated out there in that setting where I don't have control over when I wake up or go to bed or eat, totally at the mercy of these people with no way to contact the outside world for help? I'd feel trapped with the only escape being to pretend to make "progress" or to end my life.

Also, the staffers didn't seemed trained to deal with the trauma and high emotions they were having the participants experience.

It's stressful to be in that situation with all the pressure to say I'm making progress on changing my orientation. Considering studies show a person can't change their orientation, it's no wonder that conversion therapy can lead to depression, anxiety, drug use, homelessness, and suicide. Are parents okay with those results?

————————————————————-

If you’ve ever had therapy with a licensed psychologist, this will all seem shocking. I can’t imagine my therapist would approve of any of what I experienced at that retreat.

————————————————————-

I have 2 friends who continue to participate in retreats like this. They like it because they connect and bond closely with the other men in attendance.

I think what they are experiencing is shared trauma bonding.

There's other ways to connect emotionally with people without these extreme & manipulative measures. In fact, learning to connect with others without this artificial experience would be far more beneficial to people as they can use that throughout their life.

#david gets personal #cw violence #cw homophobia #cw conversion therapy #cw suicide mention #long post

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durgapolashi · 6 years

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Artforum’s new Editor-in-Chief: David Velasco.

#artforum #david velasco #Sarah Nicole Prickett #ssense

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jacobwren · 6 years

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The art world is the only unregulated market that’s also legal. It’s a great place to hide money. It’s a great place to pretend you’re somebody without having any particular gifts, which means that for people with talent, it’s disheartening a lot of the time. Those who don’t have connections come in thinking they have to play all these games to participate. I’ve often wondered what I’m doing in one of the world’s least meritocratic industries. I’m constantly running into people and wondering how they got where they are, and I’m almost never made happier by the answer.

David Velasco

#david velasco #artforum #sarah nicole prickett

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etimaetteumoh · 7 years

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Among the menagerie of pet theories I’ve kept from my childhood, a sentimental favorite is that dreams are just pieces of the day, unprocessed or left on the cutting-room floor, swept up and viewed in a kaleidoscope. Maybe the order is deranged, fragmentary, and synesthetic, but there can be nothing in my dream that wasn’t already in my head. As for dreams being illogical or strange, it’s simply a matter of being free from the unreasonable expectation that life, and the things in it, will make sense. The other day I bought in-ear headphones decorated with little skulls, and found that both headphones were marked R, requiring me to have two right ears. “Weird,” I thought. But in a dream, I would have thought nothing.

Sarah Nicole Prickett on parts 3 & 4 of Twin Peaks: The Return

#text #sarah nicole prickett #twin peaks #twin peaks the return #david lynch #dreams

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silverscreenting · 6 years

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“Remembering one’s self is a difficulty. His structural opus Mulholland Drive, starring Naomi Watts and Laura Elena Harring, is an extraordinary conflict of memories, told in twisted ternary form. Each woman’s version of the story starts with the other woman in the backseat of a limousine, saying the line: “What are we doing? We don’t stop here.” These are the first and third acts, separated by a second where the stories line up and it’s love, the two falling silent—of course, at a nightclub called Silencio. Rebekah Del Rio sings Roy Orbison’s “Crying” in Spanish, a language the blonde does not understand and the brunette in a blonde wig does, and the two, holding hands, perform an accompaniment in tears. “Crying often takes the place of speech,” says Dennis Lim in his great book on Lynch. “A language of the body, it insists that words are not enough.” The lovers exaggerate what they do not have to say, that the beginning is the end. Hereafter they will remember things differently.

Betty’s story stars herself as a natural, promising actress, uncorrupted as a Canadian can be. She finds a perfect object for a coup de foudre: a woman who has lost her memory and her identification, both in a limousine accident on Mulholland Drive, and who names herself Rita, after Hayworth. Betty connotes Grable, Hayworth’s rival. She watches auditions for The Sylvia North Story and knows she could outdo Camilla Rhodes (Melissa George, who like Watts is blonde and Australian), but when the director, Adam Kesher (Justin Theroux), turns by chance to see her and is enraptured, she flees like it’s midnight. Adam sighs and pretends to choose Camilla: “This is the girl,” he tells the shadowy producers, who likewise pretend. Betty, a victim in her own narrative, is hindered by a conspiratorial system and driven by pure, requited, yet ultimately self-destructive love. She finds a mysterious blue key and gives it to Rita. She starts losing the plot.

In Rita’s story she is Camilla, and Camilla (like Harring, like Del Rio) is a Mexican-American femme fatale. No accidents here: She is chosen by an older director to be Sylvia North in the fateful biopic, and by the young one, Adam, to star in a cult film and be his girlfriend. Betty, barely a rival, becomes “a friend” in the euphemistic parlance of backstage lesbianism, and when she gets out of the limo to join Adam and Camilla at a dinner, she plays third wheel. Betty is not even Betty. She’s Diane in the daytime in a wifebeater, the dark roots showing in her hair, strung out and desperate, getting her nom de guerre off a waitress’s nametag. This story ends with Diane alone, dying—a probable suicide. Rita’s fairy-tale ending (“Camilla and I... are going to be…,” says Adam, but then the scene falls apart) is no match for a Carmenesque gesture. But because her story is an on-the-record version of events, a tale told anecdotally, less as narrative and not as romance, it is seen as “realer” or “truer.” Most reviewers of Mulholland Drive think the mystery was in fact a dream, the love story a delusion, on the part of Diane, and take Rita’s real name to be Camilla.

But there is no Camilla. “The girl is still missing,” say the producers. “Camilla is still missing,” says Don Antonio, the Pantalone, in Renoir’s The Golden Coach (1953), a romantic comedy about the Columbine in a commedia dell’arte troupe, played by Camilla (Anna Magnani), and her three simultaneous lovers. Unhappy after losing all three, she wants to quit acting. The Pantalone, played by a man named Don Antonio says she might as well quit living:

Your only way to find happiness is on any stage … during those two little hours when you become another person, your true self.

Or, in another translation of the speech, said by Truffaut to be Renoir’s artistic statement:

You will find your happiness only on stage each night for the two hours in which you ply your craft as an actress, that is, when you forget yourself. Through the characters that you will incarnate, you will perhaps find the real Camilla.

In Mulholland Drive, Camilla is metonymic with “the girl,” the girl metonymic with the part. Whoever is Camilla is the it-girl, the director’s girlfriend, the girl of the hour, and anyone could be her in theory, only one at a time. When the two women go to the address listed under Diane Selwyn, Betty is confident it will turn out to be Rita’s place. They arrive to find that a neighbor and Diane have swapped apartments, and to see a corpse on the bed, also changeable, brunette and then blonde. The agonistic she-said she-said is presented in a vertiginous feat of editing, as quick and sure-handed as the riffle shuffle of a blackjack dealer.”

This fantastic little bit on Mulholland Drive in Sarah Nicole Prickett’s sprawling essay on the two-part finale of Twin Peaks: The Return for Artforum: “Point of No Return”

#reads #sarah nicole prickett #mulholland drive #twin peaks #twin peaks the return #david lynch #artforum #cherishable movies

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black-widow-fr · 3 years

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Le film est une œuvre d’art sous la forme d’une série d’images en direct qui sont tournées pour produire une illusion d’images en mouvement qui sont présentées comme une forme de divertissement. L’illusion d’une série d’images produit un mouvement continu sous forme de vidéo. Le film est souvent appelé film ou image animée. Le film est une forme d’art moderne et populaire créée à des fins commerciales et de divertissement. Le cinéma est devenu une industrie populaire dans le monde entier, où les longs métrages sont toujours attendus par les cinémas.

Les films sont réalisés de film manières principales. La première consiste à utiliser des techniques de prise de vue et d’enregistrement à l’aide de caméras argentiques. Cette méthode se fait en photographiant des images ou des objets. Le second utilise des techniques d’animation traditionnelles. Cette méthode est effectuée grâce à des techniques d’animation graphique ou CGI. Les film peuvent également être combinés avec d’autres techniques et effets visuels. Le tournage prend généralement un temps relativement long. Cela nécessite également un pupitre de travail chacun, à partir du réalisateur, producteur, monteur, garde-robe, effets visuels et autres.

Définition et définition de film / film

Alors que les acteurs qui jouent un rôle dans le film sont appelés acteurs (hommes) ou actrices (femmes). Il y a aussi le terme figurants qui sont utilisés comme personnages de soutien avec peu de rôles dans le film. C’est différent des principaux acteurs qui ont des rôles de plus en plus nombreux. Être acteur et actrice doit être exigé pour avoir un bon talent d’acteur, ce qui est conforme au thème du film dans lequel il joue. Dans certaines scènes, le rôle de l’acteur peut être remplacé par un cascadeur ou un cascadeur. L’existence d’un cascadeur est importante pour remplacer les acteurs réalisant des scènes difficiles et extrêmes, que l’on retrouve généralement dans les films d’action et d’action.

Les films peuvent également être utilisés pour transmettre certains messages du cinéaste. Certaines industries utilisent également le film pour transmettre et représenter leurs symboles et leur culture. Le cinéma est aussi une forme d’expression, de pensées, d’idées, de concepts, de sentiments et d’humeurs d’un être humain visualisé dans un film. Le film lui-même est principalement une fiction, bien que certains soient basés sur des faits réels ou sur une histoire vraie. Il y a aussi des documentaires avec des images originales et réelles, ou des films biographiques qui racontent l’histoire d’un personnage. Il existe de nombreux autres films de genre populaires, allant des films d’action, films d’horreur, films d’humour, films romantiques, films fantastiques, films à suspense, films dramatiques, films de science-fiction, films policiers, documentaires et autres. C’est un peu d’informations sur la définition d’un film ou d’un film. Les informations ont été citées à partir de diverses sources et références. J’espère que cela peut être utile.

❍❍❍ TV MOVIE ❍❍❍

The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers.

The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.

The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

❍❍❍ Formats and Genres ❍❍❍

See also: List of genres § Film and television formats and genres

Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]

A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story L'Attaque des Titans Saison 4 Épisode 7ning over its intended five-season Black Widow.[citation needed]

In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

❍❍❍ Thank’s For All And Happy Watching❍❍❍

Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie.

Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings!

Thanks for watching The Video Today.

I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited.

Sprinkle cheerful smile so that the world back in a variety of colors.

Thanks u for visiting, I hope u enjoy with this Movie

Have a Nice Day and Happy Watching :)

#Black Widow 2021 streaming VF film en entier gratuit #Black Widow [2021] Fuld norsk film

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rhinocerosproject · 5 years

Text

Sewing Circle Participants

Thank you to everyone who participated in sewing the rhinoceros! We could never have finished it without you. You are forever in our hearts.

Deanna Cruise back

Juliana Pennington shoulder

Yue Yang Caigla Zou back

Yuen (Jessica) Chen back

Kelly White shoulder

Athena Johns leg

Antoinette Barton head

Erica Lipshultz rump

Marc Fletcher back left foot

Siobhan Cassidy front right leg

Elisa Li head

Harry Yu head

Beth Thomas snout

Erica Barajas forehead

Vivian Romney shoulder

Zoe Walker head

Amy Khalmann rear flank

Alina Hayes feet

Janice Wood rear flank

Barb Bakun head

Andi Wong rear flank

Sarah Stein back, thigh

Chloe Marrinstein head, foot, outline, da booty

Sadie Marrinstein thigh

Amanda H. Johnson head, foot, outline

Kaila Wood head, foot, outline

Leah Johnson head, foot, outline

Ani Mukerji back leg

Inka Mukerji back leg

Winnie Ding rear flank

Jennifer White back feet

August White back feet

Neve Schmitt head

Michelle Schmitt head

Sigrid foot

Leah Anderson foot

Mary Kenny rump

Isle Oritt rump

Olga back leg

Dustin rhinobum!

Linnea Furlog head

Pam Deluco rear leg, haunch, elbow, letters

Jeff Thomas back

Bryan Barkley rear

Mary Wheeler back top flank

Teri Gardiner tail hair, rump, belly, ridge of back

Robin Hill rump

Darcy Padilla stomach

Emily Clark-Krasner rear

Yuen Chen leg

Jodi Connelly back

Noah Greene belly

Ryan Meyer belly and back

Arielle Rebek belly

Muzi LaRowe eyes

T. Blackmon bottom

Bettina Pauley tail

Allyson Feeney rump

Mark Baugh-Sasaki back foot

Dox Lorax haunch

Kelli Rae rump

Cesar Rubio unknown

Ho Yan Nip unknown

Frank Merritt all over, circles, edges, hindquarters, shoulder, rump, dark purple bottom edge of shoulder armor, behind the ear

Kim Miskowicz rump, right foot, rear/rump

Julia Langer buttocks

Jonathan Coignard buttocks

Suzanne Gore haunch

Kelly Wang from hip to buttock

Steve Rasmussen rear leg

Bob Rocco rump

Odysseus Wolken upper rump

Juliette Langley lower rump

Fehim Haelzic crown/forehead

Leyla Haelzic crown/forehead

Tanja Gels head

Lisa Ekstrom from right leg, forehead

Eva Walker front leg

Sara Wright eye

Karrie Hovey shoulder

M. Dym a wrinkle on the head

Amy M. Ho front foot, forehead

Dave Lyons just below eye

Mel Day forehead

Heather Peters ear

Helen Hiebert butt

Alyssa Casey neck, horn

Vanessa Gingold rump

Mary V. Marsh front right toe, ear

Antonio Guerra letra C

Jenny Phillips hands

Ingrid Rojas Contreras hoof

Maia Wachtel lines on the back

Roli Douglas the top line

Noga Wizansky rump

Suzanne Forester border line

Cindy Steiler face

Alexa Boromo behind

Amber Hoy back

Melody Dalton back

Cheyenne Dalton rear feet

Elizabeth Boyne ear

Teddy Midler front foot

Drew Cameron face

Cathy DeForest front left hoof

Leah Korican face

Mayumi Hamanaka r - text

Dana Zed shoulder

Erin Sheanin knee

Alisha Funkhouser front foot

Debbie Walker unknown

Nancy Marriner tail

Summer Om face

Eraden Wordal Chesh face

Isle Oritt knee

Mary Grace Tate toe

Sophia Auen face

April Marriner tail

Charlotte Semmes snout

Andre Chevonier foot

Jane Cassidy foot

Kellen Rhoda foot

Meiasha Gray border

Samantha Bankston back foot

Winship Varnes hindquarters

Miranda McFarland belly

Susan Paigen nose

Kevin Holmes ear

Jackie Wallowheng plants

Beta Heist Morello edge

Elaine Todd nose and edge near nose

Lori Chambers back foot

Mickie McCormic foot scales

Jeremy Logan ear hair

Brook Craddock mythical horn!

Morning Hullinger toe jam back foot, shoulder flank, final inner

C.C. Chaya scales

Lolli Jacobsen back

Sarah Crews rump

Connie Burket ears

Debbie Divine rear leg

Martha Rhea hindquarters

Donna Sandberg along the top of the back shoulder and letter H

Pam Morgan back

Ruth Cathcard Rake front leg and letter R

Gretchen Boyum front leg, front foot

Rachel Butler front leg

Lucy Butler front leg

Bill North butt, ground, back right foot

Caroline Stoll head

April Engstrom back right leg/hip

Connie Wilson close to face

Gloria Gonzalez hind foot

Judy Nease chin

Alleigh Weems horn

Lyndsi Weems back foot

Karla Prickett rump

Jennifer Baker back

Kent Manske spots

Susan Tuoley back foot and butt

Susan Paigen nose

Christina Steinbrecher pfrandt (lower leg)

Yeqi Song legs

Yuan Luo legs

Jenny Chin (Kuan-Jen) legs

Jingying Liang back leg

Jianguyin Reng back leg

Beth Abdallah back flank

Rebecca Redman back leg

Michael Seidel kidney lining

Rita Hsing head

Sandy Lee back

Chelsea Herman back

Marie Kidd right front foot

David Kidd right front foot

Amy Whitcomb rump

Bob Carpenter nose

Barbara Carpenter nose

Cynthia Beecher ear

Leteb Beecher ear

Susan Sweet ear

CK Itamura hamhock

Dionne Thornton front left foot, butt edge

Robert Wuilfe da booty

Gina Ching front foot

Jordan Juel front foot

Anne Ingraham front foot

Michelle Waters butt

Elizabeth Addison foot

Lydia Nakashima Dagarod shoulder

Linda Joy Kettwinkel snout

Peggy George butt

Maryly Snow scales

Zelisa back end

Scott Partch back end

Chin Cox head

Hada Marshall Booth head

Eduardo Arenas leg

Luna Gomez head

Sauita Patel gog (back)

Brian Lease back leg

Islonia Hasbrim frente

Guadalupe Portillo espalda

Queen Krubally back

Bridget McCraken back

Margaret Coston back

Kathleen Murphy belly

Julie Grigoryan ear

Joyce Subel border

Yatit Maidorh head

Omer head

Alon head

Rooek head

Eli head

Posja Mahushwai neckline

Talia nose

Ella ear

Jonathan nose

Nancy Brunn back

Sabina Brunn ears

Judith Fast back

Lindsey Stoll hoof

Emily Marks head

Victor Vargas chin

Britt-Marie Alon horn

Al Bloch horn

Alyssa Flores horn

John Hoffmeyer border

Madison Cockrum head

Anthony Murillo border

Sheri Simons front legs

Emily Matherson face

Hana Jones hoof (back foot)

Angela Kirchebel bottom left corner border,

small area of right foot, scales

Adele Etcheverry Sheets upper border rear and rear of Rhino

Leslie Jurado back leg, hoof scales

Jaime Muñoz shoulder

Aiden Ginn back leg

Sheecid Lopez border and back leg

Sophy Hock shoulder

Nancy Scott Patton rump

Hana Beaty shoulder, back leg

Eric D’Alessandro lower jaw

Betsy Copeland leg and hoof

Kylie McCloskey horn

Dellanira Carrillo butt

Jose Llamos hoof (back foot)

Timothy Clancy forehead

Kobley Benjamin Mona shoulder

Alicia Ramirez foot

Kim Green upper thigh/butt

Francesca Figone left back

Josette Stokes shoulder

Mercedes Yatta foot

Luis Medina booty

Shane Geoge face (under eye)

Ellen Baird foot

Daria Booth shoulder

Adria Davis backside

Johnny Bruno back foot

Brianna Warren leg

Adrienne Glatz forehead

Mallory Frucha bum

Kelly Weber front and back legs

Carissa Duggan booty

Jasmin Gonzalez foot

Francis Newsom rear end

Shari Maxson Hopper shoulder

Veronica Brenck butt

Marie Fox rump, front foot, back foot

Chloe Taylor root

Marissa Winslow rump/tail

Shai Porath head

Linda Bea Miller tummy

Tom Seoul rump

Kathleen Ritchie unknown

Sue Bottom front leg

Lisa Chu forehead

Anne Ingraham hind foot

Chris Voisard rump

Jane McLaughlin front foot

Malinda Thompson rear leg

Mallory Nomura Saul tusk and back

Judy Shintani tummy and rump

Kevin Austin top of nose, bottom of horn

Claudia Molley top of head, behind ear

Kate Oltmann butt

Amanda Bosma wrinkle on face

Xittaly Vasquez back leg

Emily Murray torso wrinkle

Julia Albo border

Miriam Hassman neck/face

Ryan Patton back left leg

Alexa Weber chin and left front leg

Jiovanny Soto forehead

Jenny Harp lower back

Steven Garen nose/head

Tallulah Terryl leg

Johanna Arnold back

Sean Olson muzzle

Emma Spertus back

Chris Challans loin, belly

Susan Kanowith-Klein rump

Christina Aumann eyelashes and forehead

Ruth Souza misc dorsal area

Phuong Pham booty

Laurie Crogan shoulder-scales

Lorna Turner armpit

Eva Hausam chin wavy lines

David Reiman shoulder

Lanqin Wang forehead

Camryn Travis belly

Jennifer Munnings eye/cheek

Brooke Sommers belly

Katie Gallagher ribs

Sariah Gonzalez forehead

Anthony Isenhour shoulder

Berenika Boberska the bottom!

Taylor Hoogsteden hip

Carmina Ellison sideburns

Nicole McHale shoulder blade

Preeva Tramiel back leg

Jessica Bernhardt front leg

Milldrid Thompson ear

Sharon Robinson front leg

Timiza Wagner back leg

Bobbie Jeffery rear of body

Joanne Landers ear

Sylvia Stanger front leg

Paula Landers back leg

Charlotte Jacobs front leg

Mavis Brown front shoulder

Cheryl Batrato haunch

Kathy Goldmaker shoulder

Liz Matthews back leg above the foot

Sailee Pawar back leg

Andrea Fleiner belly

Marina Taniform leg

Andres Taniform leg

Rose Nguyen ribs

Marco Chavez ribs

Lily May Larson cheek

Rachel Williamson back leg

Cheryl Zuur above the eye

Kathy Willis hindquarters

Martha White hindquarter

Artemis Koren head

Anika Sykora tummy

Irene Floyd hindquarter

Ming Zhou head

Max Koren front leg

Dinah Irino ear

Maya leg

Morgan Carter head

Ava Kasim the hinney

Isabella Anderson back

Ian Kussi-Gillu shoulder

Viyada Satyapan upper front back

Mahvash Salehpour back hip

Christina Bayley back foot

Pam Schwartz left leg

Lynn Koolish back leg

Sandra Duncan front hoof

Emily Rosenberg right leg

Gina Dixon back leg

Tamara Sommerfield neck

Diana R. Reton rear leg

Candace Kling shoulder

Cindy Jacomette head

Nicki Hitz Edison front leg

Toru Sueto front left leg

Jeanne Sueto under eye, along lower jaw

Linda Goss rear hip

Kim Meuli Brown back ribs

Michael Chin chin

Kasla Melton right back leg (pierna derecha)

Vanessa Herrera right back thing

Wendy Brown back leg

Jack Fleig front leg

Amanda Fleig front leg

Shobitha belly

Sasha back

Marilyn rear haunch

Caden Jo Hartdegen head/neck

Yolanda Araujo unknown

Meredith Payn unknown

Tiffany Hartdeger unknown

Richard cheek

Hanna Peacock shoulder

Juan Manuel Gutierrez rear hip

Paola Valencia head

Jesus Castillo head

Diego Barregan shoulder

Hernandez Irvin belly

Cindy Simmons cheek

Ginna Sierra upper leg

Carole Walters-Cook face

Angela Etsey back leg and thigh

Victor Navarro IV V neck

Elizabeth Finkler ear

Jennifer Lu lower tummy

Kylee Dougherty neck

Jada Wong stomach

Kerwin Azores back knee

Hugo Jimenez head

Becca Wong neck

Breanna Estrada unknown

Candaces Perrault shoulder

Kevin Liu belly and front of leg plates

Michael Huang Mil back leg

Natalie Diazza chin hairs

Eliza Villa dorsal neck

Steve Dellicalpini in that neck tho!

Michelle van Eyken right flank

Leslie McLaughlin shoulder circles

Angela Acosta front leg

Allison Acosta front shoulder circle

Rebecca Bui upper back leg

Barbara Post back foot

Irene Caravajal back leg

Gabrielle Koizumi neck

Clayton Bavor front leg

Ava Eui front leg

Judy Diamond upper shoulder

Mhanna Kutras front leg

Liam neck

Leona neck

Leana Olliffe stomach

Patti Samuelson right leg

A. Manley neck plates

Donna King right shoulder

Becky Leech right hindquarters

Raymond Mueller front left leg

Timmy shoulder

Asher Fleig front leg

Julia back leg

Nicole B chest

L. Hum hind leg

Alice Schwegman shoulder

Gail Blackmarr unknown

Christina Truong neck

June Dao scale

Ellie Reese a rear leg

Susan L. Goranson left rear leg

Marci Ariagno breast shield

Maya unknown

Diane Mestu head

Claudia Havah back leg

Mickey Guffin right upper hind leg

Annalise Sailen unknown

Jennifer Schaeffer front right leg

Mia rear leg

Joe Ranish right shoulder

Ann Ranish rear leg

Anthony left leg

Leslie Nobler neck

Anne Trickey back leg

Maris Kaplan neck fold and front shoulder

Paula Bohan neck fold

James Brooks neck

Amanda Briggs back right foot

Andrew Briggs back right foot

Miriam Briggs back right foot

Willow Yamaden cheek

Sarah Bartman neck

Bridget McMahon flank

Amy Brown jowl

Vanessa Dion Fletcher jowl

Denera Gains unknown

Justin Gains unknown

Kurt Salinas stomach/inner thigh

Randall Harrison upper mid bicep

Ivy Moya back foot

Pam Lonero breast plate

Molly Olsen Roush shoulder/neck area

Brook Olsen Roush shoulder/neck area

Susie Miller Roush shoulder/neck area

Reyhon Ertekin unknown

Torres Leck shoulder

Anna Banancks shoulder

Emily van Engel front leg

Silvia Eckert cheek

Davis Watson breastplate

Debachree Ghosh breastplate

Jessica Jane Jennings cheek

Kimberly Ann Piper shoulder

Alisa Murray cheek

Jennifer Hill breastplate

Susan Ady cheek

Chris Washburn neck

Janet Ady flank

Louise Horkey border

Nupur Kamat front shoulder

Tamela Holmes ear

Tameyah Holmes cheek

Ruth Tabancay upper leg

Teddy Midler shoulder

Jerry Majors Patterson cheek area

Susan Afell eye area

Elaine Todd neck

Senator Jordan cheek

Meadow unknown

Lori Chambers neck

Josephine Tumova neck

Fynn Tuma chest

Diana Dominguez chest

Jason Godeke neck

Cristina Mathews belly and front right leg

Jody Alexander neck, chest

Elaine Todd belly circles

Raquel Marquez belly

Josslyn Robles chest

Rhea Rynearson shoulder

Valerie Frey shoulder

Aidan Parker shoulder, right shoulder

A. Parker right shoulder

Seraphine Ries belly

Lid. C. belly

Jamelie whiskers

Carolyn Schneider upper shoulder

Josh Morsell lower front shoulder

Lia V. Wilson middle breast

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vmheadquarters · 5 years

Link

The fourth season of Veronica Mars is binge-worthy as Kristen Bell comes back to the titular role of the rebooted television drama.

Bringing back Veronica Mars without the whole gang is seemingly impossible. No matter how long it is between seasons or films, everyone is quickly able to get back into the groove. It’s been a little over five years since Veronica (Kristen Bell) returned to Neptune to defend Logan Echolls (Jason Dohring) in the 2014 film. Presently, Veronica is working along side her father, Keith (Enrico Colatani), at Mars Investigations. It would not be the same series without their working relationship or Veronica’s wit. Her wittiness is one of the great strengths of her character.

What drives the fourth season is the Sea Sprite hotel bombing. Sul Ross (Brad Morris) owns the Neptune establishment. After the bombing, his daughter, Matty (Izabela Vidovic), decides to take matters into her own hands. Nobody could blame her after what she just witnessed. In viewing her from afar, there’s certainly something that Veronica sees in her. It makes perfect sense for Veronica to take Matty as her protege. In a perfect world, Matty would not have to do this. However, this is what happens when your livelihood gets attacked.

Matty isn’t the only new person getting a welcome into the Neptune family. Veronica quickly befriends Quack’s owner Nicole (Kirby Howell-Baptiste). When many victims spend time at Quack’s, Veronica has every reason to be suspicious. Then we have Cho’s Pizza delivery guy Penn Epner (Patton Oswalt). If there’s somebody that you want to be spreading conspiracy theories on the news, he is certainly your guy. Penn is a character for sure and a charming addition to the cast. We also have Clyde Prickett (J.K. Simmons), a new associate of Richard Casablancas (David Starzyk).

Here’s the thing about Veronica Mars. It does not even matter how long the series has been off the air. Watching this series is like going to a family reunion because you get to see your friends again. It’s disappointing that a few of them do not get as much screen time. Dick Casablancas (Ryan Hansen) is a working actor so he feels like an afterthought. We get more time to hang out with his father! Regardless, it’s always nice to hang out with friends like Leo D’Amato (Max Greenfield) and Logan Echolls.

Making the series for Hulu means that we no longer have to worry about commercial breaks. The series is no longer limited to some 42 minutes so they’re able to extend episodes, sometimes over 50 minutes. When you know that a series will air on a streaming provider, it helps to improve in how they write the season. It’s a solid season as a result.

The other thing about having an eight-episode order is that the crew can work their mystery magic in a shorter time span. During the series’ prior run, the mystery could extend an entire full-length season. This isn’t the case here as it’s eight episodes long. This run works to the benefit of Veronica Mars. Whether or not this is hit for the witty PI, Marshmallows should come away from Veronica Marswith a feeling of satisfaction.

Season 4 of Veronica Mars will stream exclusively on Hulu starting on July 26, 2019. Grade: 4/5

#veronica mars #veronica mars hulu revival #vm spoilers

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spokenrealms · 8 months

Text

The Dead Secret

The Dead Secret by Wilkie Collins presented by The Online Stage. Rosamond Frankland has married the love of her life, Leonard, who is blind. They have bought Porthgenna Tower, the manor where Rosamond grew up and where her mother died 20 years earlier. What they don’t know is the dark secret that hovers over her family, that house, and the stories about a woman’s ghost that haunts the north…

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#Alan Weyman #Amanda Friday #David Prickett #David Stifel #Jeff Moon #John Burlinson #Rob Goll

0 notes

fightsbck · 5 years

Text

* HARLEY’S GENERAL TIMELINE .

some are based highly on my previous headcanons i’ve gathered for the two years i’ve developed him, and some are either improved and/or altered to further match how i’ve seen him. i try to make it as close to the mcu timeline as best as i could based on this, but eh. mistakes are bound to happen. feel free to correct me if you spot ‘em.

AGE ZERO, YEAR 2001 — Harley David Keener was born to the Keener couple at the wake of dawn on a cold November 11. Aside from his initial cry at birth, Harley remains a dormant newborn, slumbering till the evening until hunger forces his family to finally realise how loud of a crier he truly was.

AGE THREE, YEAR 2004 — Harley was cherished and spoilt by his then young mother of only twenty-four years of age. Dad started retreating more to his garage. Harley think it’s because Mom and Dad kept arguing so much lately. The one time Harley entered it without his permission, Dad got so mad and yelled at Harley for hours and Mom hugged Harley so tight because Dad was so scary, and Dad didn’t come home for four days afterwards. Harley never go to the garage without permission ever again.

AGE FIVE, YEAR 2006 — Dad told Harley that he can’t be so dependent on Mom anymore even though Harley wasn’t sure what dependent really means. He’s got a little sister now, you know. Her name is Aprilia Hope. She’s small and her cheeks are so pink and she looks a lot like Mom and Harley and her share the same blue eyes! This is the year Dad said he was gonna go out to get scratchers. Dad never came back.

AGE EIGHT, YEAR 2009 — Mom said Dad’s never gonna come back, no matter how many times Harley cleaned the garage or re-organised all of Dad’s tools or keep all of his Genius Science Quiz Under 12 Award clean in between the clear folders that he had to sweep Mrs. Lehmbeck’s dirty yard for to afford it. He starts tweaking with more old machines when Mr. Siever wanted to throw a lot of his old junks out. Mr Siever is very old and mean. Harley heard from Steven Strickland from English class that serving in the war was what made him so grumpy! But if it wasn’t for the old radio Mr Siever tells him which can still be fixed if Harley wants to try his hands at it, he wouldn’t have known otherwise that he would’ve loved it: building stuff.

AGE TEN, YEAR 2011 — Harley can’t believe E.J. is still picking on him even though he’s already well in middle school now. It’s hard finding friends in a small town who knows everything, and looks like they won’t ever forget, about your past. Harley doesn’t like how some people look when they talk about Mom. Speaking of, Mom looks more weary lately. The diner isn’t always full, but working in general, as Harley understands, can suck. He starts looking after Aprilia more for Mom’s sake. Maybe he should get a job too, so Mom could relax? No. Scratch that. When Harley told Mom this, she got extremely mad. Then she cried. And Harley lets Mom hug him for a very long amount of time.

AGE ELEVEN, YEAR 2012, EVENTS OF IRON MAN 3 — The attack on New York happens. A few months later, Tony Stark was pronounced dead. He isn’t. He’s in Harley’s garage; bruised and suit falling apart, but alive. Real. Harley’s whole life changed. Harley knew he always wanted to get out of the small, suffocating town; now, he finally has somewhere to go to. New York. For New Year’s that year, Harley prints out brochures of university and hangs them in the improved garage. Dad’s shadow that Harley keeps seeking? Vanishes.

AGE THIRTEEN, YEAR 2014 — Tony’s presence in his life makes him slack off. Thought he was better than everyone else in school. He spent more time in the garage, building machines after machines, skipping classes after classes. Gets more isolated from his peers; gets disappointed looks by his teacher when his performance and participation in school lowers. He gets frustrated when Mom can’t seem to afford to submit him to competitions that could potentially lead to early scholarships. Harley got into his first fist-fight with EJ. He carries a black eye and and a bruised jaw for weeks.

AGE FOURTEEN, YEAR 2015, EVENTS OF AGE OF ULTRON — The Avengers are on the news, along with a flying city. Harley tries to contact Tony through JARVIS. Nobody answers. For the first time, Harley felt true despair. True emptiness. School got worse. Money gets tighter. When Mom suggests pawning some of the things Tony gave them, Harley fought her. Hard. But he knows he won’t win. In the end, he sorts everything out with Mom, and Aprilia holds him tight when he breaks down later with his breath staining of cheap beers he stole from Ronnie, the eccentric chef who works at the diner with Mom.

AGE FIFTEEN, YEAR 2016, EVENTS OF CIVIL WAR — Harley gets more serious with his school career. He wants to go to New York, and while he had Tony backing him up before, he knows better now that he couldn’t rely on the billionaire forever. Harley frequently goes and meet the school’s counsellor, talks more with the teachers. He reaches out and begins taking miscellaneous jobs around town in hoping it’ll fund his future. Gets invited to a party this year. Didn’t know anyone, so he didn’t really enjoy it. Though he got his first kiss here. With shy Emily Prickett who has triplets as younger brothers. Whenever he sees Tony on the news, he wants to ask the old man how’s he doing. But Harley can’t; doesn’t ultimately knows how.

AGE SEVENTEEN, YEAR 2018, EVENTS OF INFINITY WAR — His dream is getting steadier, taking its proper shape. Harley is applying to so much scholarship via online, cleaning up his portfolio profusely. One day, his telephone blares with news of an alien invasion in major city along with everyone else’s. They’ve spotted Iron Man battling and then, nothing. When Harley comes home, Aprilia starts disappearing. Harley discovers Mom had too. The world is quiet.

tba once source material confirms.

#god this!!!!! was so long!!!!!#but lsdjkldkhkash catch his fighty nerdy ass #harley.#harley; interaction.#harley; timeline.#anyway i tried 2 make it as general as possible #so it could be applied to any verse or AUs #but fact remains that hes a smol boy from a smol town #just Trying His Best™#he’s also scared of ppl his age lmaooo

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