#Dreampop Flash

[jamieroxxartist]

Tuesday, Aug 20, 2024. Episode #1413 of 🎨#JamieRoxx’s www.PopRoxxRadio.com 🎙️#TalkShow and 🎧#Podcast w/ Featured Guests:

Beautiful Machines ​​( #Synthwave, #Synthpop, #Dreampop, #Electropop )

​Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes Beautiful Machines (Synthwave, Synthpop, Dreampop, Electropop) to the Show! ● WEB: beautifulmachines.space ● FFM: ffm.bio/beautifulmachines ● IG: @beautifulmachinesmusic ● TK: @beautifulmachinesmusic ● FB: @BeautifulMachines ● YT: @BeautifulMachines

✨🌌 New Release Alert! 🌌✨

Step into the future with "#Angelica" – an epic synthwave masterpiece dropping on August 2nd. With an extensive synth solo and a narrative that explores AI and consciousness, this track is not just music; it's an experience.

Like something from a Ridley Scott movie, with lush moody vocals, epic guitar sounds, and big analog synthesizers, Beautiful Machines blends cinematic synthwave, postrock and synth-pop for a visual and sound reminiscent of M83 meets Blade Runner or Depeche Mode meets Stranger Things. With echoes of retro-futurism and flashes of AI-integrated art, the group is painting a picture of an era that does not yet exist.

After receiving an Independent Music Award for their debut album, the band’s follow up release Real Love caught the attention of Nylon saying "The band has a truly magnanimous sound that is as much a nod to the past as it is a reflection of the musical ingenuity of today." Recent release 2022 Control featured the band working alongside producer Ade Fenton (Gary Numan), was spun on BBC Radio 6, subsequently remixed by The New Division and had a video premiere in Clash Magazine describing the band “Gazing into the future, the group’s synth-enabled alt-pop is like mainlining a William Gibson novel, absorbing new ideas at every turn.”

Beautiful Machines supported OMD on tour in Germany 2022, performed at Infest 2022 in the UK, and headlined Rock the Planet 2022 a Space Party in Paris. The band has previously toured from North and Central America to Europe and Asia, with some notable performances at Northern Nights Music Festival, Island Life Festival, SXSW, UMS Festival, Boom Festival, Burning Man, and recently supporting Kraftwerk’s Wolfgang Flür. Each show is an unexpectedly emotional and curated multimedia experience. Beautiful Machines is Conrad Schuman (vocals, guitar, synths) and Stefanie Ku (Synths, backing vocals), and joined for live performances by Ralf Schumacher (electronic drums).

[friedrichushigome118]

• HISTORIA:

☞ Concebido por el maravilloso ingenio de su autor para fusionar el romanticismo nórdico y la experimentación vanguardista con una intachable singularidad, surge en 2012 el proyecto de música post-industrial Cɾσαƚιαɳ Aɱσɾ (liderado por el artista danés Loke Rahbek), lanzando en dicho año su primer EP titulado Mermaids of Jadransko, seguido por el estreno de su sencillo Mercure, mismo que posee las canciones January is August y Club 406 (contando con la participación de Kristy Long). El 15 de marzo de 2013, Cɾσαƚιαɳ Aɱσɾ debuta con su primer álbum de estudio, bautizado simplemente The World; siendo publicado a través del sello danés Posh Isolation, del cual, se mantiene activo desde 2009 publicando el material discográfico de diferentes artistas de música Ambient, Lo-fi, Dreampop, Avant-garde y Post-Industrial. Estos son algunos artistas/grupos que han publicado sus obras a través de ese sello: Schacke, Vanessa Amara, Age Coin, Boli Group, CTM, Argot, Norin, etcétera.

☞ ¡Ahora, volviendo al tema original!: El 5 de mayo de 2013, el proyecto Cɾσαƚιαɳ Aɱσɾ lanza su segundo álbum de estudio titulado Pomegranate, que cuenta con la participación especial del colectivo sueco-danés de synth-pop y post-punk Lust for Youth (integrado por el artista versátil sueco Hannes Norrvide y el productor y guitarrista danés Malthe Fischer). El 10 de Enero de 2014, lanza su tercer álbum de estudio titulado Genitalia Garden, cuyo tema de introducción titulado IPhone Flashes Lead The Way To The Underground Clubs, cuenta con la participación de la artista experimental Rose Alliance; mientras que el 18 de Septiembre de 2014, el colectivo sueco-danés Lust for Youth se vuelve a juntar con Cɾσαƚιαɳ Aɱσɾ para crear el sencillo Sister, conformado por las canciones Sister - Club Mix y Strike Gently. Después de eso, el proyecto se mantuvo en reposo hasta 2016, ya que el 30 de Septiembre de ese mismo año, Cɾσαƚιαɳ Aɱσɾ publicaría su cuarto álbum de estudio llamado Loves Means Taking Action, en conjunto a un nuevo EP y un remix lanzados en 2017, siendo el primero Finding People y el último Finding People - White Armor Remix.

Y ahí no acaba la carrera musical del proyecto Cɾσαƚιαɳ Aɱσɾ, ya que continúa a través de los siguientes álbumes: Isa (2019), Body of Lila (2020), All in The Same Breath (2020), Body of Content (2021), Remember Rainbow Bridge (2022) y Two Autumns / Spring Snow (2023).

• CREADOR:

☞ Loke Rahbek (nacido el 22 de Junio de 1989) es un influyente artista danés de vanguardia proveniente de Copenhague, quien es reconocido notablemente por sus obras oníricas envueltas por la gracia oculta y el enigma fulgurante de la existencia mediante una visión cosmopolita perenne, exponiendo una peculiar estética musical a través de géneros como Ambient, Post-Industrial, Minimal Synth y Lo-fi.

☞ Además, Loke es el cofundador del sello danés Posh Isolation, donde publica todo su material discográfico (no solo de Cɾσαƚιαɳ Aɱσɾ: “su proyecto musical más romántico”), incluido su participación dentro de numerosos proyectos de culto como Damien Dubrovnik, Lust for Youth, Vår y el quinteto electrónico Body Sculptures.

→Enlaces Externos

https://www.discogs.com/es/artist/2488562-Croatian-Amor

https://poshisolation.bandcamp.com/

[lainscreentime]

thinking about my dearie friend who said she only has cute tattoos and no edgy ones even tho she’s kinda gothy herself <3 i thought i had to have HARD tattoos to balance but tbh my disposition is naturally inclined to be cutesy, and that’s cool…. so many femmes have HARD tattoos to feel different but it’s not even that different it’s just another way to emulate homogenous berlin style yanno…

i’ve been having fun picking n chewsing flash designs from manic pixie tattoo artists in my city, and i even plan on drawing my own ornamental chest piece on procreate hehe <3 crazy how a few months ago i wanted to make dreampop music and now this.

i feel very inspired by odd occurring things in nature that are cute and beautiful like this tree trunk

[pappapol]

time to read

[laurynchristin]

Flash- Cigarettes After Sex

I'm a flash, you were blinded by the love I had

[omegaplus]

# 2,462

Hot Flash Heat Wave “Glo Ride” (2018)

Part of our June vision. It looks, sounds, and feels like three colors worth of ice cream slowly dripping and sliding off the surface of pre-dusk dream-wave sunbands. The subtle wisk of hollow percussion, powdery rhythms, high-resolution chillwave hues, and golden bassline reflections add up to a pleasing buttery outing. It’s another candy-coated day on the California coast, San Francisco to be exact; where all four members met in high-school, took up on other bands, and came back to regroup for 2015′s Neapolitan.

[thisisnotaphotothisisareallife]

[digdugdiy]

this is my trusty weller

it flashes the message when u turn it on.

my first & only soldering iron. i think i paid ~$40 for it 7 or so years ago but i think it’s from like the 80s or 90s…?

it paid for itself almost immediately when i fixed the RCA jacks on my SP303

it’s also a good reminder that u don’t need the newest fanciest or most expensive to get down. whatever your creative pursuit is. use the tools u have use what works for you tune out the capitalist noise

.

.

.

#heady #kush #lofi #vibes #vaporwave #aesthetic #pedalgram #effectspedals #synthesizers #boombap #synthwave #bedroommusic #chillwave #sp404 #sp303 #op1 #stompbox #dreampop #shoegaze #lofihiphop #fxpedals #retrowave #chillvibes #ambient #pedalboard #opz #pedalsandeffects #stompboxes #lofibeats #tapeloops

[thesunlounge]

Reviews 351: MAÂT

At the end of 2019, Growing Bin Records tossed a special surprise into one of my mailorder packages, which took the form of an unmarked and incorrectly sequenced test pressing of an upcoming release. Even without any context to anchor myself to, I dove over and over again into the entrancing landscapes of world music infused post-rock, cinematic sunset disco, solar stoner blues, seaside psych folk, balearic dub pop, organic studio jazz, and new age fusion contained therein, all the while feeling as if I had some secret sonic treasure completely to myself. And after spending a few weeks in blissful ignorance, having no clue where or when in the world this music was created, its source was finally revealed as the trio of Adrien Colle, Tim Karbon, and Maxime Castanet, otherwise known as MAÂT. Far from spoiling the magic though, knowing the authors of Solar Mantra only enhanced the experience, as did the loose ideological framework provided by the song titles and Alan Briand’s enigmatic artwork, for now, I had conceptual signposts to guide my imagination as it continued exploring the trio’s exotic environments, where rainforest rhythms anchor skeletal stoner blues riffs as smoke-shrouded vocals croon towards the sunset; where bass synths filter between fusion walks and subsonic growls while idiophones of every color splash and sparkle; where pastoral prog guitars jangle over the heavenly drone of an electric organ; where chanted harmonies flow into mantric incantations above spiritual synth cascades, swelling cymbal shimmer, and ambient funk basslines; and where heady angel voices melt down over soul-affirming expanses of dub-kissed dreampop psychedelia. I was also thrilled to discover that MAÂT dedicated the album to Don Cherry’s, Naná Vasconcelos’, and Collin Walcott’s work in Codona, a favorite group of mine who here provide less of a direct sonic inspiration and more so a spiritual one, as Solar Mantra sees another trio of gifted and sympathetic collaborators pushing each other to the limits of individual creativity in the search for sonic transcendence.

MAÂT - Solar Mantra (Growing Bin Records, 2020) In “The Walk,” echo-soaked toms, tambourines, and chain off snares gallop through the void while claps crack, four four kicks beat beneath dreamspace vibraphones, and desperate smears of singing fade into focus. Then everything cuts away, leaving space for ceremonial organs and fat acid basslines to ambulate beneath a pair of voices seeming to intone “can’t you see how they walk?” as bells and shakers swell violently. A squelching synth solo seeks out the sunrise and light kisses of dub delay work the snares as the track spreads further out into pastoral folk psychedelia, with ecclesiastical organ chords supporting jangling acoustic guitars. Vibraphones add soulful jazz flourishes and harmonize with bleary-eyed fusion leads as pleading vocals thread in and out of the stereo field and at the track’s conclusion, kick drums and shakers move together, hand drums spill over themselves, and those smokey vocal hazes continue flowing in round over light acoustic guitar brushstrokes, before it all ends in a fractal storm of xylophones and shakers. “Jaki & Bryn” comes to life on smoldering synth swells as twanging guitars play single note snake charmer leads before working into a potsmoke chug. Synthetic bells melt and pitter patter percussions pop beneath lyrical incantations, with everything slowly devolving into self-oscillating abstracting. As we snap to the groove, we find ourselves floating on a post-punk raga of skeletal guitar riffing while shakers and bongos guide the hypnotic groove. Organs dart and dash like fireflies and haunted vocalisms flow in each ear, with touches of downer prog and crooning blues mergin into a stoner lullaby. At some point, everything cuts away, leaving lonely lyricisms to float in the void, accompanied by a light panorama of shakers and melting chordscapes. Later, as ping pong echo drums rush us back into the groove, music box arps move drunkely over melting FM synth environments…the whole mix growing strange and alien. Subtle blasts of galactic magic suffuse the stereo field as we work towards the end and eventually, it all reduces to minimal guitar work and hazy vocal hymns, with drums clattering wildly and everything filtering towards darkness.

Minimalist organs join a dancing panorama of filtering chords in “Feuglace” before everything starts reversing in time. Subsonic drums and shakers emerge amidst a bubble cloud of echo-morphing vocal expressionism and as soul-soaked house chords pan across the spectrum, we drop into the groove proper, where dazzling cymbal patterns work around slap bass fusion lines while snares and claps swing on the beat. Idiophones play melancholic island melodies and at some point, the groove grows abstract, with militant percussions pounding then fading as kalimbas, marimbas, vibraphones, and tapped cymbals dance through a cloud of reverb. Then comes a smash cut into tribal hand drum rolls, Afro-folk guitar refractions, and ghostly vocal harmonizations while xylophones beat out sunshine refrains. And later, after the vocals morph into a cloud of fevered insect psychedelia, smeared deep house pianos return alongside handclaps and equatorial fusion basslines to guide an irresistible groove, wherein sparkling ride cymbals and cycling organ riffs refract sunshine and those scatting echo vocal swim far in the distance while the stereo swells with mutating choral hazes. The A-side closed with “Solar Mantra” and its steel pans dancing in a picturesque sunrise. Shakers and tambourines glitter over a tropical bongo groove and layers of plucked psaltery slowly suffuse the stereo field with a jangling dance of polyrhythmic string psychedelia. Sensual sub basslines soften the vibe and kalimba melodies fall like a gentle summer storm until suddenly, vocals ride in on effervescing tapestries of electronic drumming and sing towards the sky: “I want you to grow / praise the sun”. Bleary-eyed synths solo softly and vocal scats imitate shakers as everything reduces down to simplistic hand drumming, ambient thumb piano atmospheres, and plucked string shimmer. But eventually, the groove slowly builds back in strength, though somehow it all seems shambolic and barely held together as various passages flow in and around each other according to some unknowable logic, with plucked psaltery glowing and smokey vocals moving between the titular solar mantra and wordless soul reveries.

“Quetzal Pacino” builds wondrous anticipation from the outset, with mallets tapping and ethereal atmospheres swelling. Violins soar to the surface and drums take on a spaghetti western gallop before dropping into disco intoxication, with hi-hats working the mind via energetic double time flourishes and big synth basslines snapping and sliding. The background swirls with fantasy orchestrations and occasionally, marimbas emerge to beat out anthemic island melodies. Basslines filter into a monstrous growl, martial snare rolls portend some mighty climax, and radiant whooshes of electro-psychedelia flow across the mix until the drums drop away, leaving basslines and layered mallet instruments to pound on the beat, ride cymbals to swell into flashes of white light, and oceanic phaser strings to seek out the sky. Then, things reduce further and string synths start weaving paradise spells amidst a rainfall of cymbal shimmer. And as the extasy-laced disco groove builds back to epic proportions, with a sunset symphony swimming overheard and filtered basslines roaring, the vibe is of some thrilling chase scene…of convertibles careening down seaside highways in the light of the setting sun…the heart racing along with urgent disco drum pulsations while textures of tropical exotica subsume the spirit. Cosmic electronics harmonize with Renaud Guy-Rousseau’s clarinet in “Clairière,” with druidic cycles and ancient melodies spreading into delirium drone. Textured clicks move beneath howling ghosts while cymbal and rimshot splashes bring to life a tribalistic drum groove, which kicks fully into gear once romantic basslines begin executing drunken dances amidst layers of polyphonic idiophone mesmerism. Synths percolate like bubble clouds, hi-hats bash away, and moaning brass electronics mimic a siren until the rhythms disperse, leaving behind machine screams and computronic synth flourishes. Eventually, the clarinet re-emerges…its touches elegiac and reverb soaked jazz enticing the groove back into focus, now with sawing strings and sliding portamento sonics reminding me of the magisterial post-rock and desolate folk Americana of GY!BE, especially Efrim Menuck’s screwdriver guitar freakouts. 

In “Mount Bevray,” blurred e-piano bass chords support solar feedback swells as slap jazz and fusion funk basslines dance across shimmering ocean wave crests. Layered cymbal polyrhythms gleam in the sunlight, brass polysynths spread outwards into new age fusion cloudforms, and all the while, wordless vocal cycles build in support…these paradise incantations of impossible beauty…so simple yet so emotionally affecting. At some point its all obscured by dark filtering, with the cymbal patterns fading and synths soloing through banks of moonlit seafog. But soon, the radiant rhythms of tapped metal return, bringing with them the psych pop vocal cascades and nimble bassline motions as the background overflows with wavefronts of balearic bliss. “Llomé Dub” opens in a futuristic seaside saloon setting, where lofi island percussion and snake tail rattles surround daydream ivory leads and tapped cymbals fall like rain. Droning organs sing LSD lullabies and an upright piano flutters on an echo breeze until we lock into a breezy psych pop groove featuring Laurel Canyon basslines that occasionally transmute into subsonic bubbles and drums that swing and sway in the dubwsie sunshine. Echo modulating tom toms and hyperkinetic ride taps join dopamine choirs to background lazed acoustic guitar strums and after a devolution into crazed delay fx and anxious musique concrète, we transition towards one of the best musical moments of 2020, as vocalist Leya descends upon the mix like some balearic angel to sing flower power dream lullabies while heavy dub basslines skank over bopping reggae-pop drumbeats, body swaying clap rhythms, and soaring 60s organs. The good vibes only increase from here, as the song works itself into a breathtaking closed eye chorus seeing Leya’s vocals move towards pure wordless revery while crazed echo lasers whoosh upwards…the whole thing so perfect as to soar the spirit towards a cloudland paradise. Then, it all breaks down and returns again to the seaside western settings of the intro, as saloon pianos and echo panning guitars move over a ghost town bassline thump. And as the drums resume, bringing rimshot taps and a jazz pop swing, glorious cascades of piano chord mesmerism flow over seasick sequences and oceanic organ wavefronts before it all gives way to an outro of bleating synth detritus, abstracted ivory flutters, and underwater dub bass.

(images from my personal copy)

[lavendercoatedangels]

An Introduction

Hey there! I’ve gained several new followers, so I thought I’d put together an introduction.

I also have a Carrd:

Please note that this post is a living document, and things may add and / or change over time.

I’m a 22 year old woman from the northeastern United States.

I’m bisexual / pansexual.

I’m black / white biracial and politically leftist.

I’m an atheist and skeptic, meaning that in addition to not believing in Gods / a God, I am very skeptical of psueudoscience, the paranormal, things of that nature.

I regularly reblog things that have to do with aesthetics, cozy living, autumn & winter content, vintage, vaporwave, mental health, music, and / or alternative. I’ll also occasionally reblog movie things that I find interesting. My blog isn’t a specific /type/ of blog per se, but a conglomerate of things I am interested in.

Edited to Add (08/27/20): This blog will also frequently contain content that may trigger photosensitive epilepsy. Be careful. Those gifs are tagged with “flashing” or “flashing gif”.

Occasionally, there will be triggering posts/ depressing posts. I’ve been trying to cut back on that as of late. Those are marked with appropriate content warnings.

DO NOT INTERACT IF:

Your blog has to do with DDLG / regularly weblogs content having to do with CGL. This is a hard line.

You are a TERF, anti LGBTQ, or a conservative. This is also a hard line.

You are primarily a paranormal blog. The reasons for that are outlined in a post made below this bullet point. Nothing against those who do believe in that sort of thing, but it triggers paranoia / panic for me. Note that this does not apply to folks who post content related to horror or the like, as those scenarios are theoretical, I’m moreso talking about literal belief in ghosts and / or the paranormal.

You believe people with personality / cluster b disorders are inherently bad or abusive. We support people with cluster b disorders here. Helping people with mental health disorders means helping everyone, and everyone is worthy of help.

PLEASE INTERACT IF:

You regularly post 80’s-00’s alternative music.

You have a love of vaporwave.

You enjoy aesthetics as much as I do.

I love learning about literature from my followers, so please interact if you dig the likes of George Orwell and poetry.

You are also a queer leftist.

You love Star Trek.

You’re an atheist and skeptic. I’d love to talk!

You reblog country decor and / or cabin living.

You’re a nihilist / existentialist in some way. I love studying the philosophies of both, and would love to hear perspectives.

You post about cats. Not the horrible movie from 2019, but the animal. (Although I’ve seen the 2019 movie - would love to riff on it too.)

You love shoegaze / dreampop.

You love The Smashing Pumpkins.

You have a deep love of pizza.

You advocate for mental health recovery!

You’re just a cool as fuck and kind person.

I hope that you all enjoy this blog. ♥️

[jamieroxxartist]

Beautiful Machines ​​(Synthwave, Synthpop, Dreampop, Electropop) Interview 8 12 24 Pop Roxx Radio

Episode #1415 of 🎨#JamieRoxx’s www.PopRoxxRadio.com 🎙️#TalkShow and 🎧#Podcast w/ Featured Guests:

#BeautifulMachines ​​( #Synthwave, #Synthpop, #Dreampop, #Electropop )

​Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes Beautiful Machines (Synthwave, Synthpop, Dreampop, Electropop) to the Show!

● WEB: beautifulmachines.space ● FFM: ffm.bio/beautifulmachines ● IG: @beautifulmachinesmusic ● TK: @beautifulmachinesmusic ● FB: @BeautifulMachines ● YT: @BeautifulMachines

✨🌌 New Release Alert! 🌌✨

Step into the future with "#Angelica" – an epic synthwave masterpiece dropping on August 2nd. With an extensive synth solo and a narrative that explores AI and consciousness, this track is not just music; it's an experience.

Like something from a Ridley Scott movie, with lush moody vocals, epic guitar sounds, and big analog synthesizers, Beautiful Machines blends cinematic synthwave, postrock and synth-pop for a visual and sound reminiscent of M83 meets Blade Runner or Depeche Mode meets Stranger Things. With echoes of retro-futurism and flashes of AI-integrated art, the group is painting a picture of an era that does not yet exist.

After receiving an Independent Music Award for their debut album, the band’s follow up release Real Love caught the attention of Nylon saying "The band has a truly magnanimous sound that is as much a nod to the past as it is a reflection of the musical ingenuity of today." Recent release 2022 Control featured the band working alongside producer Ade Fenton (Gary Numan), was spun on BBC Radio 6, subsequently remixed by The New Division and had a video premiere in Clash Magazine describing the band “Gazing into the future, the group’s synth-enabled alt-pop is like mainlining a William Gibson novel, absorbing new ideas at every turn.”

Beautiful Machines supported OMD on tour in Germany 2022, performed at Infest 2022 in the UK, and headlined Rock the Planet 2022 a Space Party in Paris. The band has previously toured from North and Central America to Europe and Asia, with some notable performances at Northern Nights Music Festival, Island Life Festival, SXSW, UMS Festival, Boom Festival, Burning Man, and recently supporting Kraftwerk’s Wolfgang Flür. Each show is an unexpectedly emotional and curated multimedia experience. Beautiful Machines is Conrad Schuman (vocals, guitar, synths) and Stefanie Ku (Synths, backing vocals), and joined for live performances by Ralf Schumacher (electronic drums).

[chytilovian-daisy]

bands recommendations, please??

OK sorry if this is too long but idk what type of music you wanted so?? A comprehensive list… I tried to split it into parts!! Hopefully there’s something in here you dig I just kind of threw out some favs and some random ones? (If you want something more specific genre wise lmk!)

Visual Kei-Malice Mizer: (Goth rock, Pop) (PN: Tetsu’s era is my fav, but the other two are very close. Imo, theyre all quite unique and all worth a shot!!!)Recs:    Tetsu [x, x, x]  Gackt [x, x, x]  Klaha [x, x, x ]

-cali��gari (Early stuff is gothy/punk, experimental rock for sure.) (Another band with 3 dif vocalists! Sadly I don’t think the early early stuff is on yt (Maybe ill be the one to upload it lol I have it.))Recs: x   x  x   x   x  x

-Mercuro (Rock/Punk?) (I’ve only heard their stuff in seemingly lq and i’d describe it as sexi 90s side scroller pixel horror game music.)Recs: x  x   x   (Side-rec: Jigokue, singer’s other band x, x, x)-Luci'fer Luscious Violenoue [/GILLELOVES’/fiction] (Gothic Rock) (One of the rare ladies in the vk scene. Beautiful all around, haunting and enchanting vocals imo.)Recs:  x  x  x

-Sibilebashir: (Rock? Pop? Metal?? A mix.) (2010s vk. The singer is what launched my vk obsession really, I think it’s worth it to watch the extra videos even if you can’t understand what he’s saying. His voice may not be for everyone.)Recs: x  x  x (Side Rec: Roman Kyuko, the singer’s new band (2019) x, x)- deadman (00s Rock) (Beautiful vocals and music. Honestly an all-time favorite. After a long hiatus, theyre seemingly back!?)Recs:  x  x  x  (Related: Singers ex band, Kein. However, couldnt find any yt links… )

-Rands [2019 vk, throwback-ish. Rock.] (If you like 90s vk aes in a hq form, a big rec. Incredibly newer band however. Singer was also in AvelCain, but I don’t feel I know enough to comment there.)Recs:  x  x  x

-The Gallo [Late 00s/Current Vk, Rock] (Word of warning: Don’t look into the lyrics and their mvs can be bloody. VERY unusual vocals, i’d say it’s either a key point or a turn-off, however. Also sometimes their MVs are (unintentionally?) funny imo)Recs: x  x  x

Non-Visual Kei

- of Montreal [90s/Early 00s stuff is like Beatles/Beachboys, later goes into a whole mix up of funk, pop, electronica, psychedelic, ect. US] (One of my all time favs)Recs: x  x  x  x  x   x   x   x  x

-88Kasyo Junrei (Jrock, Prog-Rock) (Not considered Vk afaik, but very interesting and diverse.)Recs:  x [Flashing tw]  x   x

-Jack Off Jill (90s US Mallgoth, fem-fronted, metal) (My fav band for years. Still close to my heart, but im ngl it is a little angsty bc the lyrics are very personal)Recs: x  x  x (Side rec: If you like noise rock, check out the singer’s other band, Scarling:  x  x  x)-Snake River Conspiracy (90s-2000s Rock, Metal?, Fem-fronted. US) Recs: x  x  x

-Cinema Strange (90s US Goth) (imo a very cool and unique musical aes)Recs: x  x  x  x

-Circus Contraption (Circus…Goth? US) (I literally do not know how to call them. I listened to them a lot in early hs. They were a legit circus troupe before some of the members tragically died. Strange gem, multiple vocalists.)Recs: x   x  x-13th Moon (JP) (Goth) (Theres another 13th moon thats like, spanish metal or something idk) (Plays a lot but hasn’t released anything in YEARS sadly)Recs:  x   x   x

-She Devils (Argentinian LGBT Punk) (Didn’t release a lot afaik sadly )Recs:  x   x   x

- Lunachicks (90s US Punk rock) (Theo’s everything…. All i gotta say is thats New York)Recs: x  x  x

-Summer Camp (Throwback 80s nostalgia in the 00s from a cute married couple)Recs:  x  x  x-The Birthday Massacre [90s/00s/current US goth, synth, dreampop almost?]Recs:  x  x  x

[lostcollection]

These were here for a couple of days, so they really were lost, not set aside during a run.

The Lost Clothes The Tan Running Track, South Yarra 28 December, 2018 Savannah Lens // DreamCanvas Film // Dreampop Flash

[pappapol]

#untitled pic

[prettyinnoise]

KRITIK: Hot Flash Heat Wave – Sportswear

KRITIK: Hot Flash Heat Wave – Sportswear

Hinter Hot Flash Heat Wave verbirgt sich das aus San Francisco stammende Musiker-Trio Adam Abildgaard, Nick Duffy und Ted Davis. Sportswear by Hot Flash Heat Wave Die drei Künstler haben sich mit ihrem Mix aus Surf-, Post- und Dreampop in den letzten Monaten eine stetig wachsende Fangemeinde aufgebaut. Und das trotz Corona. Umso gespannter wartet man dieser Tage auf ihr Debüt, welches nun unter…