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#Eddie & Paula
moonyslove78 · 11 months
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The way this man always goes for the face hold during passionate kisses just— 🫠
This has got to be one of my biggest weaknesses! And when it’s AG it’s an even bigger weakness! 🥺😩
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lewisossokoh · 8 days
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ACTORS WHO APPEAR IN MUSIC VIDEOS PT. 3
Jennifer Lopez starring Ben Affleck in "Jenny From The Block".
The Rolling Stones starring Angelina Jolie in Anybody Seen My Baby
Bruce Springsteen starring Courtney Cox in "Dancing in the Dark".
Enrique Iglesias starring Jennifer Love Heiwitt in "Hero".
Aerosmith starring Alicia Silverstone in "Cryin".
Aerosmith starring Mila Kunis in "Jaded".
Michael Jackson starring Eddy Murphy & Iman in "Remember The Time".
Shakira & Cardi B starring Lucien Laviscount in "Punteria".
Michael Jackson starring Macaulay Culkin in "Black or White".
The Offspring starring Zoey Deschanel in "She's Got Issues".
Annie Lennox starring Hugh Laurie in "Walking on Broken Glass".
Michael Jackson starring John Travolta, Carl Weathers, Mayim Bialik, Whoopi Goldberg, Corey Feidman, Quincy Jones, Dan Aykroyd, Brigitte Nielsen, Danny Glover, Olivia Hussey, Billy Dee Williams, Paula Abdul, Lou Ferrigno, Richard Dreyfuss, Lou Diamond Philips, Don King, Jasmine Guy, Virginia Madsen, Rosanna Arquette, Steve Guttenberg, Amy Irving, Blair Underwood, Beverley Johnson, Malcolm-Jamal Warner, Jackie Collins, Emily Dreyfuss in "Liberian Girl".
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911whatsyourgratitude · 3 months
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Really the whole Diaz fam!
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Send Your Favorite Guest Star/Recurring Role!
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cutewhinygf · 2 years
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something i made for the giggles ^-^
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sincericida · 2 years
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Andrew Garfield & Rebecca Hall as Eddie Dunford & Paula Garland in "Red Riding The Year of Our Lord 1974" (2009, dir Julian Jarrold) 📽️🎞️
Andrew Garfield 🇬🇧 3 𝔂𝓮𝓪𝓻𝓼 𝓫𝓮𝓯𝓸𝓻𝓮 Spider-man
(X)
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cozyaliensuperstar7 · 11 months
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Cameos
#Repost @certifiedthrowback
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Who has been your favourite cameo in a music video! 🔥
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911firefox · 2 years
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Maybe it's silly but when married couple actors appear in the same show as each other as random characters it amuses me.
So I was checking the actresses name who plays Helena Diaz (It's Paula Marshall fyi) and she's married to Danny Nucci.
Who's Danny Nucci? He's Athena's friend and coworker Detective Rick Romero
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hoffmannwrites · 1 year
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I get so irrational upset whenever I see anything alluding to Eddie’s death. Like ACTUALLY he’s fine and he lived and Steve made it out and got him help just in time and everything is fine and also they’re in love and you’d KNOW that if you watched the show (the one that lives in my brain)!!!!! Like I’m deadass not gonna be able to watch next season because I have deluded myself completely.
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nightcourtcaps · 1 year
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faeriefully · 1 year
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Most of the Christians I know think Kenneth Copeland is a fraud and that his lavish lifestyle is unbiblical but atheists just wanna be presumptuous I guess 🤷‍♀️
The angry atheists in my askbox who use anon don’t care about what Christianity is or what orthodox doctrine is. They will reach for the low hanging fruit of false teachers without ever checking if we even acknowledge that they are false teachers.
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papermoonloveslucy · 11 months
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ANN MILLER at the PALACE
May 25, 1965
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On May 25, 1965, Ann Miller received a telegram from Lucille Ball praising her performance on “The Hollywood Palace” on May 22, 1965. Miller was so surprised that she called Western Union to verify the telegram’s authenticity. 
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“The Hollywood Palace” was an hour-long television variety show that aired from 1964 to 1970. It was staged at the Hollywood Playhouse on Vine Street. Desi Arnaz Jr. appeared on the show with Dino, Desi & Billy in 1964 and 1968.
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This episode was recorded on Friday, April 23, 1965. 
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This was Miller’s fourth appearance on the program. She performed “Trapped in a Web of Love” and “Won’t You Come Home Bill Bailey” with a leg injury, defying a doctor who told her she needed to stay in bed. She asked Bob Mackie to prepare a special set of tights that would help her dance on her injured leg. 
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The costume was auctioned off in 2009 fetching more than $1,200. 
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Miller had appeared with Lucille Ball and Desi Arnaz in their 1939 film Too Many Girls. 
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Ball had several reasons to watch that evening’s episode of “Hollywood Palace”.  In addition to Miller, the show was hosted by Tennessee Ernie Ford, who had appeared three times on “I Love Lucy” and would go on to make guest star appearances on “The Lucy Show” in 1967 and “Here’s Lucy” in 1969. In return, Ball also appeared on his television specials. 
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Guests included Edie Adams, who appeared on the very last episode of “The Lucy-Desi Comedy Hour” in April 1960. She went on to appear in a 1968 episode of “The Lucy Show.”  
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Comedian Jack Carter was the best man at Lucy’s wedding to Gary Morton in 1961. A few weeks later he married Paula Stewart, who played Lucy’s sister Janie in Broadway’s Wildcat. He acted in “Lucy Sues Mooney” (TLS S6;E12) and directed two episodes of “Here’s Lucy.”
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messyhairdiaz · 1 year
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You know what I’ll say it, I would fuck Dee Wallace
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operationbigskye · 2 years
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I always thought the actress who played Eddie’s mom looked familiar, and I just figured out where I’d seen her! She was the judgmental neighbor in Cheaper by the Dozen who said to a mother who’s child was missing “I always knew your kids would end up on milk cartons” 😕
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geezerwench · 2 years
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Eddie and Dustin
by Paula Garcia a Teefury
It's already on a shirt!
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hairmetal666 · 1 month
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Eddie thought inviting Steve to the Grammys would be fine, cool, no big deal. And it should be, but Steve is walking out of the suite's bedroom wearing a burgundy tuxedo that fits him like a fucking glove. His shirt is unbuttoned just enough to let chest hair peak out, and Eddie thinks he might faint.
He's always been attracted to Steve, of course, but never let it go further than that. Like, sure, Steve was hot as fuck, and sure he was the best guy Eddie had ever met, and sometimes, yeah, he did have to force away thoughts of Steve when he jerked off, and in other circumstances he'd totally be head over heels. Just, Steve is straight, the straightest, a fucking arrow.
Eddie tears his eyes from Steve's body. "You look great, man." He slaps Steve's back. Keeping it cool; keeping it so cool.
"Psh," Steve says. "Have you looked in a mirror? Oh my god." His eyes are saucer wide as they travel down Eddie's body.
"Is it too much?" Eddie crosses his arms over his bare chest.
"Are you kidding? You're--fuck, man. You look good as hell."
He's wearing a silky burgundy shirt, open to show off the necklaces around his throat, his tattoos, the silver in his nipples. His pants are leather, tight, sitting low on his hips and putting the cut of his pelvic bone on full display. They have a lace-up closure that comes dangerously close to showing pube.
Heat rushes to his face at the compliment. "It's--you know. Hazard of the job."
"Yeah, hazard, sure. Guess it's a hard life having hot dudes literally throwing themselves at you."
Eddie barks out a laugh. "That's a vast exaggeration."
"Is it?"
He blushes harder. "You're my date tonight, Steve."
"My point exactly."
His manager and publicist usher them out the door before he can ask what the hell that meant.
---
The ride is giddy and playful, Steve popping champagne to celebrate Eddie's nomination for Song of the Year, even though there's no chance in hell he wins.
Steve is happy. His face is bright with joy, eyes shining, laugh loud and infectious. He's gorgeous, knows it, will be an absolute menace on the red carpet. He's been with Eddie to parties and stuff before, doesn't have any anxiety in front of the camera and isn't obsessed with musicians like Eddie is, unafraid to meet them.
Or so Eddie thought.
Because now they're standing at the edge of the red carpet, Steve very nearly trembling next to him.
"Harrington?"
"That's--That's Madonna." Steve points to her. "We're not even ten feet away from Madonna." He gulps. "Eddie. Madonna."
Steve has met famous people before with Eddie. Ozzy, briefly, Janet Jackson, Dave Grohl, James Hetfield, and he'd always been fine. Barely batted an eye. But get him within reaching distance of Madonna and he falls apart.
Eddie doesn't think about it, grabs Steve's hand, twines their fingers together. "Okay?"
The smile Steve throws him, grateful and a little embarrassed, stabs straight through his heart. He calms as they make it up the carpet, but he doesn't drop Eddie's hand, even when they pause for pictures. In fact, he leans into it, drapes his arm around Eddie's shoulders, or around his waist, seeming to thrive the closer they are. Eddie feels this dangerous pull to indulge in it, to let himself believe it means something, and he doesn't quite have it in him to turn it off.
By the time they reach their seats, Steve is relaxed back to his normal charming and handsome self, doesn't bat an eye as Eddie introduces him around.
The show passes quickly with all the performances and Steve whispering jokes in his ear. It's the best time he's ever had at an award show, like he should have been bringing Steve along this whole time. He's so distracted that he's not really ready when Paula Abdul comes out to announce Song of the Year.
His name is read off as a nominee and Steve grabs his hand, squeezes tight. Eddie's heart flips in his chest. He's not paying attention when Paula opens the envelope, too focused on Steve's strong hand holding his. He hears her say, "And the Grammy goes to--" and everything goes fuzzy.
Steve is saying, "oh my god, oh my god, Eddie. Get up, get up."
And his fucking song is playing and everyone is cheering, a couple people slap his back, and oh shit, oh shit, he fucking won. He stands, Steve with him. He thinks they're going to hug, that's what you do in these situations, but Steve is kissing him. Not on the cheek and not a quick peck, but lip-to-lip, soft and sweet.
Steve just kissed him and he has to get on stage and give a speech. He has no idea what he says because Steve just kissed him. On the lips. On purpose. His ears are ringing and words tumble out of his mouth, thinks he says, "couldn't have done it without you, Stevie," before tripping over his feet to get backstage.
Interviews, photographs, congratulations all help him settle. He's still buzzing with the win, but aware enough now to think the kiss had to be an accident. They've been friends for nearly a decade and Steve never seemed interested in men generally or Eddie specifically.
It takes a while to finish up the backstage business, but when he makes it to his seat, Steve just beams at him. He doesn't mention the kiss, which makes Eddie think he's overreacting. It wasn't a big deal. Sure, he could still feel Steve's lips, warm and soft, against his own, but it didn't mean anything. He's just too in his big gay feelings to be objective.
They don't get a chance to really talk until they're back in the limo and on their way to the after-party.
"You won," Steve says.
"I won." Eddie smiles. "Crazy."
"You deserved it."
He shrugs. "I don't know about that."
"Doesn't matter. You did." Steve fidgets with the cuff of his jacket. "About earlier, um. The kiss. I--"
Eddie feels his face heating, heart kicking up. It was nothing, he knows, and Steve shouldn't have to-- "It was an accident. It's okay. I know you don't--it was the heat of the moment and--I know you're not--you don't--"
Steve blinks a lot, emotions flashing across his face faster than Eddie can categorize.
"What if I do?" Steve asks. His voice is too soft, eyes locked on the cuff link he's fiddling with.
"You--what?"
"What if I did mean it?"
"You're straight."
Steve goes pink. "I'm really not."
"Steve?" He shrieks. "Since when?"
"Um. Since you invited me to this?"
"What the fuck?" Eddie shoves him. "What the fuck, man?"
"I know, I know!" Steve pulls his hand through his hair. "You invited me and I freaked out and I didn't know why, and Robin made the saddest little face at me. Said, 'oh, dingus, you didn't know?' How the fuck was I supposed to know!"
"I think you wanting to fuck me should've been a pretty good indication!"
"I thought that happened to everyone!"
"It doesn't!"
"That's what Robin said!"
They're both yelling.
"Jesus christ. Jesus christ," Eddie keeps repeating.
"Look, I get it if you don't want me too, dude. I know that's not how it works, but I've been pretty crazy about you without realizing it for a while now, so--"
He doesn't mean to, he really doesn't, but he laughs. Like, super loud. Like a donkey bray.
"Okay, can the driver let me out? Like, can I go? I can't--"
"Wait, wait, sweetheart." Steve's gotten up, like he's about to knock on the partition, but Eddie grabs his wrist. "Of course I want you back, you idiot, oh my god."
"Oh." Steve's ears are pink. "Oh. Well. That's good."
Eddie huffs. "Just good? I won a Grammy and the guy I've been pining over for years wants me back. I'm having the night of my life."
"Shut-up." Steve's smile is so big, his eyes so bright.
He raises an eyebrow. "Make me," he says in his lowest register, but he's truly not prepared for it when Steve clambers over to him and lowers himself to straddle Eddie's hips.
"Holy shit," Eddie whispers. "Holy shit, Steve."
He give a wry little smile, eyes locked on Eddie's mouth. "Baby, can I kiss you?"
"Yes." Eddie clears his throat. "Yes, please, do that. Yeah."
Only, he doesn't. He's straddling Eddie, they're so close their breath mingles, and Steve's eyes flicker between Eddie's mouth and his eyes, lips so close to touching but not.
"C'mon, asshole," Eddie says.
"I knew you'd be a brat." He whispers. He wraps his hands into Eddie's hair. "Been dying to do this."
And then they're kissing. They're kissing and it steals all of Eddie's breath and his thoughts, and it's new but it's also like they've been kissing forever, like their lips and tongue know each other, like coming home.
He whines, high-pitched and breathy, and Steve laughs, kisses him deeper, moves closer, and Eddie feels how hard Steve is, the persistent pulse of him. And shit Eddie's close, on the brink just from this, from nothing, oh my god.
Steve's hands drift down Eddie's torso, mapping his chest and his stomach, coming to rest at the laces of his pants. "These have been driving me insane," Steve breaks the kiss to say. "Been thinking about undoing them all night."
"Fuck, sweetheart, you can't say shit like that," Eddie groans.
"Why not?"
"Because--because," Eddie sputters but then Steve's lips are on his neck and he's rolling his hips for friction.
Steve's fingers find the laces again, trace against them. Eddie's legs fall open, arching into the touch. "We're going to be so late," he murmurs as Steve's fingers get to work.
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munson-blurbs · 1 year
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Single Dad!Eddie x Fem!ReaderSeries
1 | 2 | 3 | 4 | 5 | 6
Summary: Conflict arises with Harris's new teacher, filling Halloween with more tricks than treats. But it's nothing a visit with Ms. Sweetheart can't fix.
Warnings: allusion to Reader and Eddie's one-night stand, panic attack, Reader's grandma has dementia.
WC: 5.6k
Chapter 6/20
Scruffy!Eddie edit credit to @eddiemunsons-missingnipple Divider credit to @saradika
Guns N’ Roses t-shirt: check. Goodwill jeans with makeshift holes in the knees: check. Bandana tied snugly around his forehead: check. Arms littered with an assortment of temporary tattoos: check.
Eddie grins as he assesses his son’s costume, reaching into the thrift store bag as he pulls out the pièce de résistance: a denim jacket, only two sizes bigger than Harris would usually wear. It was a bit over what he’d been hoping to spend, but he’d reasoned with himself that it could also be worn after Halloween. It was an investment, he’d decided, not a splurge.
His smile falters when Harris indignantly stomps his foot, crossing his arms over his chest. While Eddie had hoped his son would go with more badass tattoo options, perhaps a skull and crossbones or even a snake, he had insisted on a Sesame Street theme. Cookie Monster munches on his signature treat as Harris pouts.
“No, Daddy!” he whines, twisting away when Eddie holds the jacket closer to him. “I can’t wear that!”
“C’mon, Har,” he tries, scouring his brain to come up with a convincing enough lie. “Axl Rose wore jackets all the time!”
Harris doesn’t just shake his head; he swivels his entire body back and forth in protest. “I don’t care! No one’s gonna be able to see my tattoos!” He holds out both arms in front of him; nearly every square inch (besides the section blocked by his cast) is covered. Eddie had spent most of last night diligently applying them precisely where Harris had asked, lest there be a tantrum. There was, unfortunately, a headless Elmo from when Harris had asked–no, demanded–that he try by himself. Still, Eddie figured that only one casualty was a win.
“Those are some sweet ol’ tatties,” Eddie muses, biting back a laugh at the two-dimensional Big Bird on his son’s forearm. “But wouldn’t it be cool if you wore the jacket into school and then–BAM!--took it off and surprised everyone with them?
Harris appears to consider this, mouth tucked into his cheeks. “Can I show Ms. Sweetheart?”
“Sure, bud. We’ll stop by her classroom when I pick you up.” Whatever gets us out of the house in weather-appropriate attire. “But first, show me your most metal pose.”
The boy opens his mouth wide and sticks out his tongue as far as it extends, scrunching his face dramatically until the corners of his eyes crinkle. His middle and ring fingers press into his palm, thumb crossing over them, with his forefinger and pinky raised in the quintessential rock ‘n roll symbol. 
Eddie swoops down and smacks a wet kiss to Harris’s cheek. “That’s my boy!”
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Standing among the crowd of parents at pick-up, Eddie opts out of making banal small talk and instead chooses to look at the bulletin board. The previous art project that had been hanging against the faded blue paper–”self-portraits” that the students had made on the first day of school–have been replaced by finger paintings of orange blobs that vaguely resemble pumpkins. There wasn’t one for Harris because he was in Ms. Sweetheart’s classroom then, so it’s his first art project in his new class. He eagerly scans the board for Harris’s, frowning when he can’t find his name. 
Maybe it’s still drying, he tries to convince himself, imagining his son over-saturating the paper with globs of paint. It wouldn’t be entirely out of character.
Ms. Marion’s classroom is a sea of costumed children. A boy dressed as one of the Teenage Mutant Ninja Turtles stands by his mom. A Cinderella, a black cat, and a Thomas the Tank Engine surround Ms. Paula. As soon as Eddie spots Harris, he smiles and waves him over, hurriedly scribbling his signature on the sign-out sheet.
He expects Harris to zoom past the other kids, fueled by the standard Halloween diet of sugar and chocolate, but he just kind of…mopes to the doorway. His shoulders slump dejectedly, and though he keeps his gaze low, Eddie can still see the film of mist staining his innocent eyes.
“Har, what’s wrong?” He waits for an answer, and when he doesn’t receive one–an oddity for his perpetually chatty son–he tries a new tactic. “Wanna show me where your artwork is? I must be gettin’ old, because I couldn’t find it on the board out there.”
“‘S not there,” Harris mumbles, scratching off a flaking piece of the Rosita tattoo on the back of his hand. “I didn’t get to finish.”
Eddie watches as the tears start to slip down his cheeks, and he brings him into the hallway before Ms. Marion or Ms. Paula sees what’s going on. He can’t be certain, but his paternal instincts tell him that they’ve contributed to Harris’s sad state. “Why not?”
“I-I t-tried, but M-Ms. Mar-Marion and Ms. P-Paula got m-mad at me.” The words come out between choked sobs. “‘C-Cuz I c-couldn’t sit d-down.”
“What do you mean?”
“I k-keeped st-standing up, ‘cuz m-my legs wanted to st-stand.” The explanation tumbles out of him so quickly, as though he’s trying to beat the clock. “And they s-said if I did-didn’t sit down, I c-couldn’t do art. But I k-keeped f-f-forgetting, and th-they t-taked away my pay-pay-paper and said, ‘sit in the c-corner!’”
Eddie’s breath hitches, and he has to clear his throat before speaking again. “Did…did that happen in Ms. Sweetheart’s class? The legs thing?” 
“Mhm,” Harris manages, “b-but she let me stand and d-do ju-jumps to get the wig-wiggles out. She just t-t-telled me not to do ju-jumps with s-s-scissors, ‘cuz of s-safety.” His breathing increases to a rapid pace, face flushing red as his chest heaves. “B-But Ms. M-Marion ye-ye-yelled at me!”
Eddie’s brows pinch together, and he gently presses his calloused palms against Harris’s narrow shoulders, desperate to prevent him from hyperventilating. “Harris, you gotta calm down. I can’t understand you when you’re crying like this!” Despite his efforts, his frustration bleeds into his tone, and he winces when the latter sentence ends with an unwanted snap. “Shh, it’s okay. It’s just an art project.” 
“Harris?”
The sound of your voice draws the attention of both Munsons. You let out a small oof as Harris flings himself against your legs, and though he practically flew the five foot distance between his father and you, now is not the time to remind him about using his walking feet.
“Hey, hey, what’s going on?” You crouch down, taking his hand in yours, and notice his quick, shallow breaths. “We’re gonna breathe together, okay? Eyes on me.” You demonstrate inhaling for three seconds, holding for three seconds, and exhaling for three seconds. “Now let’s do it together.” 
He hesitates but ultimately follows your lead, and you guide him until his breathing slows enough for him to sputter, “I t-tried to sit, b-but I c-couldn’t.”
You haven’t the slightest idea what he’s referring to, but Eddie fills you in. You feel the heat of anger creeping through your body, not just for the way your co-worker treated the sweet boy, but for her insolent approach to teaching as a whole.
“We can go to my classroom,” you offer, silently sighing in relief when the boy nods in agreement. “I don’t know if I have the supplies to make the same project as Ms. Marion, but if you have a few minutes, you can draw something now. I bet Mr. Will would love to help you; he’s a super-duper artist.”
Just as you’d predicted, Will jumps at the opportunity to help Harris with his impromptu art project, encouraging him to draw something that makes him happy. While he does that, you comb through the mess left behind from the Halloween party you’d thrown. You’d sooner toss one hundred cupcake wrappers in the trash before attempting a conversation with Eddie Munson. He’s simply too unpredictable; kind and thoughtful one day, harsh and guarded the next.
One of the wrappers in your hand drops to the floor and you reach forward to pick it up, pinching the pleated material between your pointer and middle fingers. You can feel Eddie’s eyes on your form, the way the backs of your thighs are slightly exposed when you bend over, and you stand up quickly. 
“Are you the Magic School Bus lady?” He takes in your lavender dress with planets and stars stamped all over it. Oh. He wasn’t checking you out; he was just trying to figure out who you’d dressed up as. Good. Anything else would be inappropriate.
So why does a twinge of disappointment radiate through you?
You glance at your costume; with all of the commotion, you’d forgotten you’d even been wearing one “I mean, would I even be a teacher if I didn’t jump at the chance to be Ms. Frizzle?” You motion over to Will, decked out in green from head to toe with two yellow horns glued to a headband atop his mop of brown hair. “Have you met my trusty sidekick, Liz the Lizard?”
Eddie laughs. “Yeah, Byers actually used to play in my D&D club back in high school. Made some pretty sick art pieces to liven up that dingy excuse for a room.”
You look between the two of them, trying to do the mental math. “Will, didn’t you say you’re twenty-four?” And if Eddie is thirty, that means…
“I, uh, had a little trouble graduating,” Eddie sheepishly admits, ruffling the back of his hair and offering a tight grimace. “But I got there eventually. Class of ‘86, baby!” 
“Worked out for me,” Will shrugs with a grin, looking up from Harris’s drawing. “You were the best DM Hellfire ever had. Although, rumor has it that Erica Sinclair gave you a run for your money.”
Harris picks up a yellow marker, furiously scribbling a circle in the left-hand corner of his paper. You try peering over to see the whole drawing, but he presses his whole body against the table, successfully thwarting your plans. “No peeking!” he warns, not putting his feet back on the ground until you’ve averted your gaze. “‘S a surprise.”
You put your hands up in surrender. “All right, all right. I’ll be surprised.” You raise your eyebrows at Eddie, who shares a similar response in return.
“Dunno when he got so bossy,” he snorts before calling out to his son, “Har-Bear? Five more minutes. We gotta get home to trick-or-treat with Grampa Wayne.”
“Ooh, that sounds like fun!” you echo as Harris grabs a purple marker from the box. “What’s your favorite candy?”
“Hmm.” Harris uses his free hand–the one with the cast–to tap his chin, continuing to color with the other one. “M&Ms. But only the plain ones. Daddy doesn’t let me have the peanut ones ‘cause he says I could choke.”
You shoot a sly, knowing look at Eddie. “I’m sure that’s the only reason. Such a selfless father.” You cross your arms over your chest and cock your head innocently. “And what do you do with all of these confiscated peanut M&Ms, Mr. Munson? Donate them?” 
Eddie tucks his lips into his mouth to mask his grin. “Listen, the jig is gonna be up at some point,” he mumbles out of the corner of his mouth, loud enough so you can hear but soft enough that Harris can’t. “Let me enjoy my free candy while it lasts.”
“No judgment here,” you say with a small laugh, “they’re one of my favorites, too.”
“TA-DA!” Harris shouts, startling you, Eddie, and Will. He holds up the construction paper and smiles widely. To anyone without kids–or who didn’t teach preschool for a living–it would look like a bunch of colorful scribbles. But you can tell that he’s drawn a group of people standing by a tree (or a really, really tall flower) underneath the sun.
“Wow, Harris! That’s amazing!” you clap your hands together to punctuate your enthusiasm. “Who are all those people?”
Harris’s pointer finger travels left to right across the paper as he names each person: “That’s me, Grampa Wayne, Daddy, you, and Mr. Will!” The stick figure that represents you has a purple scribble on it, which you realize must be the costume you’re wearing. “An’ we’re all smiling because we’re happy!” Sure enough, each person has a curved red line at the bottom of their face. But there’s something else that catches your eye.
All of the people have a small space between them, except for you and Eddie. The circle that Harris drew to represent your left hand overlaps with the circle that is Eddie’s right. 
You glance at the real Eddie, and if he notices, he doesn’t give any indication. “I love it, buddy.” He takes the drawing and inspects it closely. “Yup, this one’s definitely going on the fridge when we get home.” He flicks the paper for good measure. “Go clean up the markers so we can head out, Axl Rose.”
Among the noise of markers clattering back in the bins, you lean in to Eddie, inadvertently inhaling the scent of his cigarettes and cologne. For a brief moment, you’re transported back to the night fate had led you to cross paths; the thought of his lips on your neck in the stairwell has you clenching your thighs and swallowing thickly as you murmur, “I can ask him to make a new one with just you, him, and his grandpa.”
Eddie shakes his head. “N-No. I like this one.” He lets one hand drop to his side and it grazes yours. His rings brush your knuckles, and you instinctively draw back at the sensation of the cool metal and the zing of heat that pulses at his light touch. “Sorry,” he mumbles, not making eye contact.
“S’okay.”
He blinks a few times and redirects his attention to his son. “What do you say to Mr. Will and Ms. Sweetheart for letting you do your art project?”
Harris’s little chest swells as he inhales deeply, storing up as much oxygen as he can fit in his lungs before bellowing, “THANK YOUUUUUUU!”
Eddie brings his palm to his ear canal, rotating his forefinger as though trying to repair a punctured eardrum. “Love the enthusiasm,” he says through gritted teeth. “Seriously, though. Thank you both so much.”
“Of course,” Will says warmly, picking up the marker bin and placing it in its space on the shelf.
“Anything for Harris.” You smile, motioning towards the little boy already by his father’s side. “Have fun trick-or-treating tonight, bud! I can’t wait to hear about all the yummy candy you got.”
Harris scrunches his nose in contemplation. “Are you going trick-or-treating, Ms. Sweetheart?”
“Nah,” you laugh, “I’m gonna stay home and give candy to all the kids who come by.” And pray that Grandma doesn’t curse them out, you silently add.
“Oh.” Harris pauses, grabbing his dad’s hand. “Okay, bye!”
Eddie chuckles as his son pulls him towards the door. “That’s my cue. Um, Happy Halloween,” he adds awkwardly, waving once before disappearing down the hallway.
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There’s so much more that he wants to say: you’re the best; you saved the day; you should be my son’s teacher instead of that old, bitchy bat. But he didn’t have time. Maybe another day. At least, that’s what he tells himself. 
Wayne arrives just a few minutes after Eddie and Harris get home. As soon as his gruff voice comes over the intercom, Harris excitedly buzzes him in. “Grampa Wayne’s here!” he yells, even though Eddie’s standing right next to him. He grabs the pillowcase from the couch; it was originally white, but after Eddie accidentally threw in a red sock with the white laundry, it’s tinted light pink.
No sooner does the older man cross the threshold into the apartment, Harris is trying to drag him out again. “Let’s go, before all the good candy is gone!” he whines. His eyebrows pinch together and he drops his grandfather’s hand. “Oh, wait, I gotta show you something.” He scampers off into the kitchen, and Wayne winces when he hears the rattle of magnets falling to the floor.
“I’m okay!” Harris calls out, running back with a piece of paper in his hand. “Look what I drawed at school today!” He gives Wayne the rundown of who’s who.
Wayne analyzes each person in the picture, stopping at the overlapping circles between you and Eddie. “This is great, Har-Bear,” he muses. “Are, um, are Daddy and Ms. Sweetheart holding hands?”
“Mhm,” Harris casually confirms, taking the drawing back. “‘Cause they’re married.”
Eddie chokes on air as Wayne does a double-take. “Congrats, Ed,” he jokes, clapping a hand to his nephew’s shoulder. “Gotta say, I thought I’d at least get an invite.”
“Shut up,” Eddie grumbles, rolling his eyes. “Harris, why do you think that Ms. Sweetheart and I are married?” He wracks his brain for answers, but he can’t come to a logical conclusion. Did I talk about her in my sleep? Oh, shit, what if it was when I had that dream—
“Because you gived her a present,” Harris says, eyes innocent and wide. “And when grown-ups love each other, they give each other presents.”
“Oh, he gave Ms. Sweetheart a present, huh?” On the surface, Wayne’s words are as innocuous as Harris’s, but Eddie hears the teasing buried just beneath. 
Harris nods. “Mhm. He gived her a tape!”
“It was the Toni Braxton one that she came into the shop for…that day that, uh…” Eddie raises his eyebrows at his uncle, who nods in acknowledgment. He brings his focus back to his son. “It doesn’t mean that we’re married. People have to go on dates and fall in love before they get married.”
The young boy absorbs this information. “So you should go on dates and fall in love with Ms. Sweetheart!” His face lights up at the idea of it, and it breaks Eddie’s heart to let him down. 
So, he doesn’t. 
“Why don’t you hang that back up so we can get outta here and get you some candy, huh?” He forces a smile and watches his son scamper into the kitchen before turning back to Wayne and shaking his head. 
Harris peels a magnet off of the fridge, the one Eddie bought him on their Daddy-Son day. It has a sea lion balancing a beach ball on its snout, with HAWKINS ZOO printed in bolded letters along the bottom.  
Lowering his voice to a whisper, he speaks directly to his drawing. “When Daddy and Ms. Sweetheart fall in love and get married, I’ll finally have a mommy.” He presses his hand flat against the paper as though he’s sealing in the wish. He stays like that for a moment until his dad calls his name, and he clutches his pillow case as they head out the door. 
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Eddie assumes that the love and marriage talk is done for the evening, but the feeling of relief doesn’t last long. The trio of Munson men is halfway down the stairwell when Wayne starts instigating. “Hey, Har, is Ms. Sweetheart pretty?”
“WAYNE!” Eddie grits his teeth and shoots a sharp look at his uncle. The last thing he needs is for Harris to get his hopes up about a blossoming romance between his dad and his former teacher. 
“Oh, yeah!” Harris gleefully agrees, oblivious to the mounting tension. He grips the railing and jumps from the second to last step onto the tiled landing below. “Super pretty! Like a princess.”
The eldest Munson turns to Eddie. “Didja hear that? Pretty like a princess.”
“I heard him,” Eddie replies tersely. 
“Daddy?”
No. Don’t ask me. Harris Wayne Munson, do not ask me what I think you’re going to—
“Do you think Ms. Sweetheart is pretty?”
Although he anticipated the question, Eddie still freezes. If he disagrees, Harris will inevitably want to know why not. And if he’s being honest with himself, he can’t name a single ugly thing about you. 
He does think you’re pretty. He thinks you’re beautiful. Gorgeous. Stunning. And even though he’s literally seen you naked, fully on display for him–a memory he revisits more often than he’s willing to admit–it’s the thought of what you did today that solidifies your beauty. The way you’d effortlessly calmed Harris down without Eddie even having to ask. The frown on his face almost instantly became a smile, the flow of his tears ceasing and turning into the giggles that brought sunlight into Eddie’s life. You did that.
Any woman can be sexy, but you? In that moment, you were perfect.
Fuck. 
“Daddy? Hello?”
At the sound of Harris’s voice, Eddie realizes that he physically hasn’t moved from his spot on the stairs. His hand is gripping the banister so tightly that it leaves an imprint in his palm. “Yeah, buddy,” he manages through his Sahara Desert throat. “I think Ms. Sweetheart’s pretty.”
“Like a princess?” Wayne’s eyes twinkle mischievously. It’s been a long time since he’s been able to tease his nephew about a crush, and he’s not passing up this limited opportunity. 
“Yeah. Like a princess.”
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Education outsiders might think that Halloween is one of the worst days to be a teacher. The lethal combination of sugar and excitement barely contained in tiny costumed bodies seems like a recipe for disaster. But any teacher worth their salt will tell you that there is a day far, far worse than Halloween: November 1st. 
On Halloween, there is the expectation for fun. There’s a costume parade, classroom trick-or-treating, and even a little party. The kids are out of control, but who cares? It’s Halloween. 
But on November 1st, there is work to be done. And you’re expected to teach the months of the year to 10 four-year-olds who are suffering from candy hangovers and won’t stop asking why they can’t go trick-or-treating again today. 
You and Will are preparing for battle as students trickle in, excited to show off the candy stashes they acquired the night before. Abby Carver cries because she ate her Reese’s cup and now she’s sad that it’s gone. Joshua Harrington is continuing to “sling webs” at the other kids despite your incessant reminders that he is no longer Spider-Man. A fight over a KitKat bar breaks out not even five minutes into the day, and you confiscate it before someone causes serious bodily harm. 
Two fingers lightly tap on your shoulder—too high up to be a kid—and you whirl around with an irritated, “what?”
“Whoa,” Eddie says, concern etched into his otherwise soft features. He takes a small step back, nearly tripping over a rogue Lego that somehow made its way out of the toy area. He stumbles but catches his balance easily. “Everything okay?”
“‘S a warzone out here,” you try and joke, but you feel it fall flat. You’re too tired for humor. Grandma may not have yelled at the trick-or-treaters like you’d feared, but she did get increasingly angrier with each knock on the door. After the fifth time of her snarling at you to “shut the hell up” (like you could simultaneously be on both sides of the door), you’d relented and just put the candy bowl on the welcome mat, scribbling “TAKE ONE” on a yellow sticky note, adhering it to the plastic container. 
Two decades earlier, Halloween at Grandma’s house had a completely different connotation. She’d have a little pizza party all set up for you, and she’d buy a big bag of your favorite candy, in case you didn’t get enough during your door-to-door quests. And she’d always let you watch whatever spooky movie your heart desired, regardless of your parents’ rules. 
“That’s what grandmas are for,” she’d said with a wink, and the two of you curled up to watch Little Shop of Horrors. Her demeanor matched the hokey magnet on her fridge that read, If I knew how fun my grandkids would be, I would’ve had them first. You’d stay like that until you both fell asleep, only being roused by your parents arriving to pick you up. The good old days, before Grandma waking up involved watching the confusion in her eyes as she tried and failed to place you.
“C-Can I help you with something?” Your guard goes up immediately when you notice that Harris isn’t with him. The time you’d spent together after school yesterday had been nice, fun, even, but you couldn’t trust that today would be the same. Not after what happened a few short weeks ago. 
“I, um…I just swung by to give you this.” He reaches into the inner pocket of his denim jacket; it’s the same one that he lent to Harris when he’d forgotten his at home. A flash of yellow paper catches your eye, and he unfurls his palm to reveal a small bag of peanut M&Ms. “You said they were one of your favorites, right?”
You look at the treat, not willing to reach out and grab it. What if it’s a joke? An elaborate ploy to reel you in, just to shout “gotcha” when you finally let your walls come down?
“Are they poisoned or something?” you quip, crossing your arms over your chest. “Did you spike them with Ex-Lax?”
Eddie’s lips part in surprise before he collects himself. “Guess I deserve that,” he mumbles. “But, no. They’re not. I swear on James Hetfield’s life.” He drags his fingernail over his heart in an X-formation. 
You take the bag, inspecting it for any sign of tampering, but you come up short. The edges are sealed, and there are no pinpricks as far as your eyes can see. “Dipped into Harris’s stash for me?”
“Hey, these bad boys are technically mine for the taking until he figures out that he can eat them without dying.” Eddie chuckles lightly, peering at you through impossibly long lashes. “But, yeah, I was hoping you’d accept these as part of my apology. Or apologies, I guess. For, uh, for not calling when I said I would, and all of the awful shi—awful things I said to you.” His voice is barely above a whisper as he steps closer and says, “I am so fucking sorry.”
You make a small tear in the bag, tapping it against your palm until an M&M falls out. Popping the blue candy in your mouth, you allow the shell to start dissolving on your tongue before crunching on the peanut, hoping you can process what he’s said by the time you’re finished chewing. 
This is what you’ve been waiting for—an actual heartfelt apology. His brown eyes reflect nothing but shame and remorse, and you can tell by the way that he’s fidgeting with his rings that he’s anxiously awaiting your reply. 
His vulnerability softens you slightly, and considering you haven’t keeled over after ingesting the candy, you throw him a bone. 
“This fun size bag covers the ‘not calling’ part, but I’m gonna need a lot more candy if you want me to forgive you for what you said at the music store.” You keep your tone light; teasing, even, but there’s a layer of truth to it. He can’t merely waltz into your classroom with a gift and expect you to forget his hurtful words. 
Eddie nods, his frizzy curls brushing the tops of his denim-clas shoulders. “I know. I’ve said some pretty terrible things in my life, but that might’ve been the worst. And, um,” he fumbles his words, desperately searching for the right ones. Semantics has never been his forte. “You didn’t deserve that. It’s not true; your grandma didn’t want to forget you. And…neither do I.” When you raise your eyebrows, he starts to backtrack. “Because you’re so great with Harris; like, you understand him and stuff. He’s always talking about you.”
Daddy, do you think Ms. Sweetheart is pretty? The question replays like a song he can’t shake from his head, its melody familiar but the notes still keeping him on edge. Pretty like a princess, only instead of saving her, I’m the one who needs to be rescued. So much for Prince Charming, huh?
The M&M melts in your mouth while you formulate a response to his candid admission. Sweetness seeps into your taste buds as you try to straddle the line between careful consideration and overthinking. Speak too quickly and you might say something you’ll regret. Take too long and you’ll make this even more awkward.
“W-Well, I’m glad to hear that.” Short, simple, to the point. Your words are slightly slurred by the candy obstruction, but what else is there to say? You could add that you forgive him, but you’re truthfully not sure that you do. His words scarred, had taken your already mangled self-worth and snapped it into pieces, and so did his reasoning for hurting you. Despite the love and kindness you’d shown his son, Eddie had fully believed that you were responsible for spreading personal information that would wound him. It was exactly as Jeff had said: Eddie struck below the belt at the first sign of conflict, so determined to protect himself that he didn’t even realize that he was attacking the people on his side.
The sound of books clattering to the floor snatches your attention from him, and you whip your head to your little classroom library to see two kids standing over a pile of fallen books, guilty looks stamped on their faces. “I’ve gotta go,” you blurt out, dashing off to assess the damage. You’ve never been so grateful for your students causing mischief.
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The hour hand crawls to the number two; at one point, you swore the clock was moving backwards. The chaos of the morning was only a preview of the rest of the day’s fiascos, but you and Will had navigated as best as you could.
“Jesus,” he murmurs once the kids have all been dismissed, gingerly rubbing his temples, “that was brutal. I can handle the day after Halloween; I can handle Fridays, but when they coincide? Nope, never again.” He slumps into a chair dramatically, letting his arms drape over the sides.
“Gonna have a glass of wine when you get home?” you joke, wiping Play-Doh residue from a tabletop.
Will nods. “Or a whole bottle.” His focus shifts to your desk, and he nods his chin in that direction. “I see you have something to look forward to tonight, too.”
You follow his gaze, widening your eyes when you see the object he’s referring to. A bag of peanut M&Ms–much bigger than the one you’d inhaled this morning–sits on top of your desk calendar; resting next to it is a cassette. You walk over, curiosity getting the better of you. The cassette is Guns N’ Roses’ Appetite for Destruction; you recognize the iconic cover as soon as it comes into view. It’s not your usual music choice, but you’ll listen to almost anything.
There’s a piece of paper taped to the giant yellow M&M bag, folded in equal triads. Messily scrawled across the front in black ink is Ms. Sweetheart. You gently pull the adhesive loose and open the letter, nervously running your forefinger across the irregular edge where it was obviously torn from a composition notebook.
Fun size mistake=fun size bag of candy
Family size mistake=family size bag of candy
I’m really good at fucking things up, but really bad at fixing them. I wish I could say that I didn’t mean to hurt you, but we both know that I did. 
You don’t have to forgive me, but I need you to know how sorry I am. 
-Eddie
P.S. Not sure if hard rock is your thing, but I saw this at work and it reminded me of the kindness you showed our favorite little Axl Rose yesterday.
“Who’s it from?” Will asks, breaking into your thoughts. “A secret admirer?” He brings his clasped hands to his cheek in mock dreaminess.
You manage a laugh as you fold the note back up and tuck it under the calendar. “If it is, he’s really bad at it, because he signed his name.” When did he even sneak in here to do this? Kind of scary that someone could walk in and you didn’t even notice.
“Aha! So it is a guy!” Will pumps his fist triumphantly, though you’re not quite sure what he thinks he’s won.
“Just Eddie Munson, thanking us for letting Harris draw here yesterday.” 
It’s not a total lie, but Will sees right through it. “Uh-huh. Thanking us? So that note is also for me? Can I read it?” He starts towards your desk, outstretched hand reaching towards where you’d tried to hide it, but you playfully swat them away.
You glance at the clock and frown. “If you leave a little early, I won’t tell anyone.”
Will flips you off; over the last two months, you two had developed a sibling-esque relationship that came out more once the kids had left for the day. He grabs his backpack from the supply closet and slings it over his shoulders. “You’re lucky I’m exhausted, or I’d stick around and keep bothering you.”
“Yeah, yeah.” You roll your eyes, knowing full well that he’s itching to leave regardless. “Gotta save up your energy for when Marshall visits.”
Will blushes at the mention of his long-distance boyfriend’s name. He still wasn’t out to many people, but when you’d casually mentioned the date Jess had with a girl named Robin, he’d felt comfortable opening up to you. “I can’t wait!” His grin is so wide you swear it’ll stretch right off of his face. “Thanks again; you’re the best.”
That leaves you alone with your gigantic bag of candy, a Guns N’ Roses cassette, and an apology that you have no idea what to do with.
Once again, Eddie Munson has given you more questions than answers.
--
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