Sequatchie County Sheriff’s Office works with Drug Task Force in Lewis Chapel operation
The Sequatchie County Sheriff’s Office works with the 12th Judicial Drug Task Force in Lewis Chapel operation...
The Sequatchie County Sheriff’s Office worked with the 12 th Judicial District Drug Task Force for several weeks on a drug investigation which has landed several people in jail and leaves others on the run and wanted by authorities.
The investigation focused on illegal drugs, primarily meth, being distributed in the Lewis Chapel community of Sequatchie County and it led to several drug related…
The Special Guest Stars of “Burke’s Law” read like a Who’s Who list of Hollywood of the era. Many of the appearances, however, were no more than one scene cameos. This is as complete a list ever compiled of all those who even made the briefest of appearances on the series.
Beverly Adams, Nick Adams, Stanley Adams, Eddie Albert, Mabel Albertson, Lola Albright, Elizabeth Allen, June Allyson, Don Ameche, Michael Ansara, Army Archerd, Phil Arnold, Mary Astor, Frankie Avalon, Hy Averback, Jim Backus, Betty Barry, Susan Bay, Ed Begley, William Bendix, Joan Bennett, Edgar Bergen, Shelley Berman, Herschel Bernardi, Ken Berry, Lyle Bettger, Robert Bice, Theodore Bikel, Janet Blair, Madge Blake, Joan Blondell, Ann Blyth, Carl Boehm, Peter Bourne, Rosemarie Bowe, Eddie Bracken, Steve Brodie, Jan Brooks, Dorian Brown, Bobby Buntrock, Edd Byrnes, Corinne Calvet, Rory Calhoun, Pepe Callahan, Rod Cameron, Macdonald Carey, Hoagy Carmichael, Richard Carlson, Jack Carter, Steve Carruthers, Marianna Case, Seymour Cassel, John Cassavetes, Tom Cassidy, Joan Caulfield, Barrie Chase, Eduardo Ciannelli, Dane Clark, Dick Clark, Steve Cochran, Hans Conried, Jackie Coogan, Gladys Cooper, Henry Corden, Wendell Corey, Hazel Court, Wally Cox, Jeanne Crain, Susanne Cramer, Les Crane, Broderick Crawford, Suzanne Cupito, Arlene Dahl, Vic Dana, Jane Darwell, Sammy Davis Jr., Linda Darnell, Dennis Day, Laraine Day, Yvonne DeCarlo, Gloria De Haven, William Demarest, Andy Devine, Richard Devon, Billy De Wolfe, Don Diamond, Diana Dors, Joanne Dru, Paul Dubov, Howard Duff, Dan Duryea, Robert Easton, Barbara Eden, John Ericson, Leif Erickson, Tom Ewell, Nanette Fabray, Felicia Farr, Sharon Farrell, Herbie Faye, Fritz Feld, Susan Flannery, James Flavin, Rhonda Fleming, Nina Foch, Steve Forrest, Linda Foster, Byron Foulger, Eddie Foy Jr., Anne Francis, David Fresco, Annette Funicello, Eva Gabor, Zsa Zsa Gabor, Reginald Gardiner, Nancy Gates, Lisa Gaye, Sandra Giles, Mark Goddard, Thomas Gomez, Pedro Gonzalez Gonzalez, Sandra Gould, Wilton Graff, Gloria Grahame, Shelby Grant, Jane Greer, Virginia Grey, Tammy Grimes, Richard Hale, Jack Haley, George Hamilton, Ann Harding, Joy Harmon, Phil Harris, Stacy Harris, Dee Hartford, June Havoc, Jill Haworth, Richard Haydn, Louis Hayward, Hugh Hefner, Anne Helm, Percy Helton, Irene Hervey, Joe Higgins, Marianna Hill, Bern Hoffman, Jonathan Hole, Celeste Holm, Charlene Holt, Oscar Homolka, Barbara Horne, Edward Everett Horton, Breena Howard, Rodolfo Hoyos Jr., Arthur Hunnicutt, Tab Hunter, Joan Huntington, Josephine Hutchinson, Betty Hutton, Gunilla Hutton, Martha Hyer, Diana Hyland, Marty Ingels, John Ireland, Mako Iwamatsu, Joyce Jameson, Glynis Johns, I. Stanford Jolley, Carolyn Jones, Dean Jones, Spike Jones, Victor Jory, Jackie Joseph, Stubby Kaye, Monica Keating, Buster Keaton, Cecil Kellaway, Claire Kelly, Patsy Kelly, Kathy Kersh, Eartha Kitt, Nancy Kovack, Fred Krone, Lou Krugman, Frankie Laine, Fernando Lamas, Dorothy Lamour, Elsa Lanchester, Abbe Lane, Charles Lane, Lauren Lane, Harry Lauter, Norman Leavitt, Gypsy Rose Lee, Ruta Lee, Teri Lee, Peter Leeds, Margaret Leighton, Sheldon Leonard, Art Lewis, Buddy Lewis, Dave Loring, Joanne Ludden, Ida Lupino, Tina Louise, Paul Lynde, Diana Lynn, James MacArthur, Gisele MacKenzie, Diane McBain, Kevin McCarthy, Bill McClean, Stephen McNally, Elizabeth MacRae, Jayne Mansfield, Hal March, Shary Marshall, Dewey Martin, Marlyn Mason, Hedley Mattingly, Marilyn Maxwell, Virginia Mayo, Patricia Medina, Troy Melton, Burgess Meredith, Una Merkel, Dina Merrill, Torben Meyer, Barbara Michaels, Robert Middleton, Vera Miles, Sal Mineo, Mary Ann Mobley, Alan Mowbray, Ricardo Montalbán, Elizabeth Montgomery, Ralph Moody, Alvy Moore, Terry Moore, Agnes Moorehead, Anne Morell, Rita Moreno, Byron Morrow, Jan Murray, Ken Murray, George Nader, J. Carrol Naish, Bek Nelson, Gene Nelson, David Niven, Chris Noel, Kathleen Nolan, Sheree North, Louis Nye, Arthur O'Connell, Quinn O'Hara, Susan Oliver, Debra Paget, Janis Paige, Nestor Paiva, Luciana Paluzzi, Julie Parrish, Fess Parker, Suzy Parker, Bert Parks, Harvey Parry, Hank Patterson, Joan Patrick, Nehemiah Persoff, Walter Pidgeon, Zasu Pitts, Edward Platt, Juliet Prowse, Eddie Quillan, Louis Quinn, Basil Rathbone, Aldo Ray, Martha Raye, Gene Raymond, Peggy Rea, Philip Reed, Carl Reiner, Stafford Repp, Paul Rhone, Paul Richards, Don Rickles, Will Rogers Jr., Ruth Roman, Cesar Romero, Mickey Rooney, Gena Rowlands, Charlie Ruggles, Janice Rule, Soupy Sales, Hugh Sanders, Tura Satana, Telly Savalas, John Saxon, Lizabeth Scott, Lisa Seagram, Pilar Seurat, William Shatner, Karen Sharpe, James Shigeta, Nina Shipman, Susan Silo, Johnny Silver, Nancy Sinatra, The Smothers Brothers, Joanie Sommers, Joan Staley, Jan Sterling, Elaine Stewart, Jill St. John, Dean Stockwell, Gale Storm, Susan Strasberg, Inger Stratton, Amzie Strickland, Gil Stuart, Grady Sutton, Kay Sutton, Gloria Swanson, Russ Tamblyn. Don Taylor, Dub Taylor, Vaughn Taylor, Irene Tedrow, Terry-Thomas, Ginny Tiu, Dan Tobin, Forrest Tucker, Tom Tully, Jim Turley, Lurene Tuttle, Ann Tyrrell, Miyoshi Umeki, Mamie van Doren, Deborah Walley, Sandra Warner, David Wayne, Ray Weaver, Lennie Weinrib, Dawn Wells, Delores Wells, Rebecca Welles, Jack Weston, David White, James Whitmore, Michael Wilding, Annazette Williams, Dave Willock, Chill Wills, Marie Wilson, Nancy Wilson, Sandra Wirth, Ed Wynn, Keenan Wynn, Dana Wynter, Celeste Yarnall, Francine York.
tagged by @batrachised and @daydreamingandprocrastination 🤗
Oof! This was tricky
A Book I Want To Re-read?
Recently the pull has been towards Far from the Madding Crowd by Thomas Hardy or North and South by Elizabeth Gaskell.
Any Books You Re-read Every 2-5 Years and Any Books You Re-read Once A Year:
Up until recently I’ve kind of been one and done reader… starting in middle school I’d read my mother/grandmother’s recycled novels. They were enjoyable but eventually they all blended together, so reading the next one was better than re-reading a book I knew the ending of.
At some point 5-10 years ago, I realized I hadn’t read any of the books that people talk about or hold dear. So I started by reading Jane Austen and the Anne of Green Gables series, then expanded to the rest of Montgomery’s works, then the Brontë sisters, Gaskell, Hardy, Dickens, Eliot. In those, I found stories that I wanted to read, re-read, and then read reviews and analyses.
Alls to say: I feel like I’ve missed years of reads and re-reads.
The Books You Re-read Within The Shortest Turnaround Time:
Emma, Persuasion, and Pride and Prejudice, The Blue Castle and one of the Anne books. I usually listen to them in the background while working. They’re familiar enough to not be too distracting, but also comforting.
Dana Andrews, Gene Tierney, and Lew Morphy in Laura (Otto Preminger, 1944)
Cast: Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson, Dorothy Adams. Screenplay: Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt, based on a novel by Vera Caspary. Cinematography: Joseph LaShelle. Art direction: Leland Fuller, Lyle R. Wheeler. Film editing: Louis R. Loeffler. Music: David Raksin.
Laura is a film noir spin on George Bernard Shaw's Pygmalion, with a Henry Higgins called Waldo Lydecker (Clifton Webb) whose protégée is an Eliza Doolittle called Laura Hunt (Gene Tierney). It's also a spin on the classical myth of Pygmalion, who fell in love with the statue of Galatea he had sculpted, bringing her to life. This Pygmalion is a detective, Mark McPherson (Dana Andrews), who falls in love with the portrait of Laura, who he thinks has been murdered, and is startled when she walks through the door, very much alive. Classical underpinning aside, Laura has become such an enduring movie because of its well-scripted story and sardonic dialogue (some of it contributed by an uncredited Ring Lardner Jr.) and the performances of Webb, Tierney, and Andrews, along with Vincent Price as the decadent Shelby Carpenter and Judith Anderson as the predatory Ann Treadwell. But most important of all, it was directed with the right attention to its slyly nasty tone by Otto Preminger, one of the most underrated Hollywood directors of the 1940s and '50s. Like such acerbic films as The Maltese Falcon (John Huston, 1941) and All About Eve (Joseph L. Mankiewicz, 1950), Laura is full of characters one would be well advised to steer clear of in real life, but who make for tremendous entertainment when viewed on a screen from a safe distance. It makes a feint at a conventional happily romantic ending, with Laura supposedly going off with McPherson, but do we really believe it? Laura Hunt has shown dubious taste in men -- whom McPherson characterizes as "a remarkable collection of dopes"-- including the desiccated fop Waldo and the smarmy kept man Shelby. So it's hard to believe the social butterfly Lydecker has created is going to settle down happily with a man who, as Waldo says once, fell in love with her when she was a corpse and apparently has never had a relationship with a woman other than the "doll in Washington Heights who once got a fox fur outta" him. Laura is notable, too, for its deft evasions of the Production Code, including Laura's hinted-at out-of-wedlock liaisons, which are at the same time undercut by the suggestions that Waldo and Shelby are gay -- another Code taboo. (Shelby, for example, has an exceptional interest in women's hats, including one of Laura's and the one of Ann's that he calls "completely wonderful.") This shouldn't surprise us, as Preminger went on to be one of the most aggressive Code-breakers, challenging its sexual taboos in The Moon Is Blue (1953) and its strictures on the depiction of drug use in The Man With the Golden Arm (1955), and giving the enforcers fits with Anatomy of a Murder (1959). In addition to the contributions to Laura's classic status already mentioned, there is also the familiar score by David Raksin. (Johnny Mercer added lyrics to its main theme after the film was released, creating the song "Laura.") And Joseph LaShelle won an Oscar for the film's cinematography.
A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house’s dark past.
Credits: TheMovieDb.
Film Cast:
Caroline Ellis: Kate Hudson
Violet Devereaux: Gena Rowlands
Luke Marshall: Peter Sarsgaard
Ben Devereaux: John Hurt
Jill: Joy Bryant
Bayou Woman: Marion Zinser
Mama Cynthia: Maxine Barnett
Hallie: Fahnlohnee R. Harris
Desk Nurse: Deneen Tyler
C.N.A.: Ann Dalrymple
Nurse Trula: Trula M. Marcus
Madeleine Thorpe: Jen Apgar
Robertson Thorpe: Thomas Uskali
Grace Thorpe: Jamie Lee Redmon
Martin Thorpe: Forrest Landis
Nurse Audrey: Tonya Staten
Creole Gas Station Owner: Isaach De Bankolé
Creole Mother: Christa Thorne
Papa Justify: Ronald McCall
Mama Cecile: Jeryl Prescott
Frail Customer: Lakrishi Kindred
Luke’s Secretary: Sabah
Paramedic: Joe Chrest
Party Guest: David J. Curtis
Party Guest: Tiffany Helland
Party Guest: Brian Ruppert
Film Crew:
Producer: Stacey Sher
Set Decoration: Beauchamp Fontaine
Original Music Composer: Ed Shearmur
Costume Design: Louise Frogley
Producer: Iain Softley
Director of Photography: Dan Mindel
Art Direction: Drew Boughton
Producer: Michael Shamberg
Unit Production Manager: Clayton Townsend
Casting: Ronna Kress
Production Design: John Beard
Producer: Daniel Bobker
Editor: Joe Hutshing
Writer: Ehren Kruger
Costume Supervisor: Joyce Kogut
Producer: Lorenzo P. Lampthwait
Steadicam Operator: Colin Anderson
Carpenter: Leo Lauricella
Sound Mixer: Peter J. Devlin
Set Production Intern: Hiro Taniguchi
Key Hair Stylist: Susan Germaine
Gaffer: Adam Harrison
Sound Designer: Harry Cohen
Standby Painter: Andrew P. Flores
Location Manager: M. Gerard Sellers
Production Supervisor: Gary R. Wordham
Visual Effects Coordinator: Stephanie Pollard
Greensman: Ronald S. Baratie
Key Grip: Thomas Gibson
Craft Service: Chris Winn
Stunt Coordinator: Buddy Joe Hooker
Lighting Technician: Greg Etheredge
Supervising Sound Editor: Wylie Stateman
Construction Foreman: Chuck Stringer
Painter: Andrew M. Casbon III
Stunts: Liisa Cohen
Transportation Captain: Louis Dinson
Scoring Mixer: Chris Fogel
Video Assist Operator: Greg Mitchell
Special Effects Supervisor: Jason Hamer
Thanks: Michelle Guish
Post Production Supervisor: Tania Blunden
Stand In: Lexi Shoemaker
Digital Compositors: Sean McPherson
Art Department Coordinator: Stephanie Higgins Frey
Makeup Artist: June Brickman
Set Costumer: Laurel Frushour
Set Dressing Artist: Dale E. Anderson
Propmaker: William Davidson
Rigging Gaffer: Martin Bosworth
Production Manager: Kimberly Sylvester
Music Supervisor: Sara Lord
Leadman: Jason Bedig
Leadman: Brad Bell
Grip: Gordon Ard
Production Intern: William Jackson
Transportation Coordinator: Ed Arter
Set Designer: Mick Cukurs
First Assistant Camera: John T. Connor
Visual Effects Supervisor: Karl Herbst
Script Supervisor: Elizabeth Ludwick-Bax
Best Boy Electric: Larry Cottrill
Production Coordinator: Zoila Gomez
Still Photographer: Merrick Morton
Special Effects Coordinator: Bob Stoker
Editorial Production Assistant: Jen Woodhouse
Foley: Craig S. Jaeger
Dolby Consultant: Thom ‘Coach’ Ehle
Art Department Assistant: Amanda Fernald Jones
Sculptor: Fred Arbegast
Aerial Director of Photography: Phil Pastuhov
Orchestrator: Robert Elhai
Visual Effects Supervisor: Dan DeLeeuw
Construction Coordinator: Dave DeGaetano
Seamstress: Giselle Spence
Driver: Bill C. Dawson
Property Master: Peter C. Clarke
Publicist: Patti Hawn
ADR Supervisor: Hugh Waddell
Sound Effects Editor: Christopher Assells
Assistant Art Director: Jann K. Engel
Hairstylist: Kathryn Blondell
First Assistant Director: Gary Marcus
First Assistant Editor: Davis Reynolds
Electrician: Jimmy Ellis
Production Accountant: Gregory D. Hemstreet
I/O Supervisor: Ryan Beadle
Set Medic: John Lavis
Visual Effects Producer: Gary Nolin
Rigging Grip: Mike Nami Jr.
Boom Operator: Kevin Cerchiai
Casting Associate: Courtney Bright
Stunt Coordinator: Tom Bahr
Stunts: Conrade Gamble
Stunts: Annie Ellis
ADR Mixer: Jeff Gomillion
Camera Production Assistant: Alex Scott
Storyboard Artist: Richard K. Buoen
Assistant Location Manager...
Heaven tribute edit for all old angels Mei Shan “Linda” Leung, Barbara Yung Mei-ling, Dayle Yoshie Okazaki, Elyas Yakub Abowath, William Makoto “Bill” Doi, Yuriko Lillie Kita Doi, Patty Elaine Higgins, Thomas E. Higgins, Lela Ellen Reed Kneiding, Bert Clyde Reed, Abana Bethalda Booth Reed, Maxson Carl “Max” Kneiding, Joyce Lucille Brown Nelson, Eris I Brown, Alma Winfred Coombe Owsley, Eugene Theodore Nelson, Margaret Ada Brown Yarnell, Tsai Lian “Veronica” Yu, Maxine Levenia Tedder Zazzara, Vincent Charles Zazzara, Betty Grace Peterson Zazzara, Edward Peterson, Violet Louise Dunlop Peterson, Katie Lee Smith Maggiore, Brian Keith Maggiore, Manuela Eleanore Rohrbeck Witthuhn, Dr Debra Alexandria Manning, Cheryl Grace “Cheri” Smith Domingo, Wayland Clifton Smith Jr., Janelle Lisa Cruz, Lyman Robert Smith, Charlene Herzenberg Smith, April 21, 1951: Lois Janes, 7, disappears from Harrisburg, Little Miss Nobody/Sharon Lee Gallegos, Louis XVII, Mary Crocker, Mary Kornman, Judy Garland, Rosina Lawrence, Joan of Arc, Jean d'Arc, Ilse Weber, Eazy-E, Ella Harper, Annie Oakley, Anne Frank, Margot Frank, Hana Brady, Pauline Adelaar, Annie Kerr Aiken, Gracie Perry Watson, Inez Clarke Briggs, Saint Paul the Apostle, Saint Valentine, Saint Patrick, Mona Lisa, Saint Mark, Saint Peter, Saint Rosalia, Saint Catherine of Siena, Saint Constantina of Rome, Saint Helena of Constantinople, Saint John the Baptist, King David, Matilda of Denmark, Anna D Crnkovic, Irmgard Christine Winter, Saint Clare of Assisi, Saint Ita of Killeedy, Saint Agnes of Rome, Saint Catherine of Siena, Saint Rita of Cascia, Saint Elizabeth Ann Bayley Seton, Sainte Bernadette Soubirous, Saint Kateri Tekakwitha, Teresa de Jesus, Saint James the Less, Catherine of Aragon, Olivia Twenty Dahl, Anne de Beauchamp, Isabel Despenser, Countess of Warwick, Isabella I, Isabella of Portugal, Isabel of Barcelos, Beatriz Pereira de Alvim, Mary I, Lucy M Haynes, Isabelle Romée, Anne Boleyn, Cleopatra, Eleanor of Aquitaine, Jacques d'Arc, Mary, Queen of Scots, Marie Curie, Pierre Cauchon, Catherine II of Russia, Anna Petrovna, Grand Duchess Anastasia Nikolaevna of Russia,
Podcast Adventure le film II et l'arc 1 : Teenage Years VO VS VA
Si le film marche, on aurais la possibilité de faire une suite de la fanfiction, ainsi que le premier arc de Podcast Adventure.
Le deuxième film se déroule après l'arc 1 donc en printemps 2014. Comme dans les Simpson, Bob l'éponge ou Pokémon, les âges reste les même. Il se déroule la moitie de la saison 3 d'Amphibia, la saison deux de Luz à Osville et entre la saison 1 et deux de Dead End : le parc des paranormal.
Durant l'arc 1, il se déroule après le premier film et les spin-off. Le premier épisode se déroule après l'Ecosse, tandis que l'épisode 2 et 6 se déroule avant le premier film et comme je l'ai dit : il se déroule à New-York et à Royal Wood
On auras aussi des nouveaux personnages des autres franchise.
Résumé :
Résumé de l'arc 1 :
VO et VA :
Univers TMNT
Léonardo : ? (VA : Nicolas Cantu)
Donatello : ? (VA :Micah Abbey)
Raphaël : ? (VA : Brady Noon)
Michelangelo : ? (VA : Shamon Brown Jr.)
Splinter : ? (VA : Jackie Chan)
April O'neil : ? (VA : Ayo Edebiri)
Bebop : ? (VA : Seth Rogen)
Rocksteady : ? (VA : John Cena)
Baxter Stockman : ? (VA : Giancarlo Esposito)
Univers The Loud House
Lincoln Loud : Nathalie Bienaimé (VA : Ashleigh Ball)
Lori Loud : Caroline Mozzone (VA : Catherine Taber)
Leni Loud : Claire Baradat (VA : Liliana Mumy)
Luna Loud ! Adeliene Chetail (VA : Nika Futterman)
Tracy Keely was a finalist for the Mary Higgins Clark Awards. She is the author of books such as The Longbourn Murders and Murder on the Bride's Side. She grew up with Jane Austen and Agatha Christie, is a self-proclaimed Englishman, and lives in Maryland with her husband and her three children.
𝐁𝐨𝐨𝐤 𝐑𝐞𝐯𝐢𝐞𝐰
Murder Most Persuasive is Tracy Keely's third crime novel loosely based on the Jane Austen novel. The influence can be easily guessed from the title. This is the third time Elizabeth Parker appears as a detective. Much like Miss Marple, she finds herself in the right place at the right time. Like Miss Marple, Elizabeth knows she has a talent for solving mysteries. In this case, Elizabeth gathered with her family at the funeral of her great-uncle Martin Reynolds. When Uncle Marty's St. Michael's house was sold for her three daughters, her Burrow's body was found buried under a pool. Michael, who was supposed to be married to Marty's eldest daughter, Reggie, disappeared the night before the wedding, days before the pool's concrete shell was poured.
Together with Michael spent most of Uncle Marty's money, which was supposedly embezzled by a runaway groom. With the discovery of Michael's body, the question on everyone's mind is:
How did Michael end up under that cement pad and what happened to the money? As with Tracy's other novels, the writing style is light and airy, and the mystery is fun to follow. In this case, the parallels with Austin's persuasion cannot be overlooked. Uncle Marty's second daughter, Anne, broke up with a young Joe Muldoon under the influence of her father and her late mother's best friend, and she still regrets it even now, eight years later. Meet Joe, now a successful man and case detective. Will this unhappy couple find love again? My inquisitive mind was not only curious, but completely satisfied.
The plot itself is a solid mystery plot, but the real reason to read this novel is the clever writing and great characters. This novel does a great job of pointing out the absurdity that exists in everyday situations. , demonstrated her skill in how to keep readers entertained in as many sequels as she wrote.
The ending can be a little predictable, especially for those who read a lot of crime novels, but Kiely makes the journey to it an enjoyable one. If you're an Austen fan and a fan of mysteries, you'll devour this book.
𝐒𝐮𝐦𝐦𝐚𝐫𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐬𝐭𝐨𝐫𝐲
Elizabeth and her colorful Aunt Winnie reunite and exchange Jane Austen quote at Elizabeth's great-uncle Martin's funeral. Martin's three daughters - conscientious Anne, stifling Frances and charming Regina - are at peace in his death after a long illness. As soon as Martin was buried, the family was devastated.
A body was found in a former villa. The victim, buried eight years ago, is Michael Burrow, Regina's ex-fiancée and heir to Martin's business until embezzlement was discovered a week after her disappearance. Bonnie heads to the spa to recuperate, and Anne ends up sorting out Martin's estate. Elizabeth volunteered to help Anne. This frees her from the irritating company of her sister and prepares her for police investigations. The crackdown is complicated by Anne's old relationship with the chief detective and Michael's misdeeds that motivated too many people to kill him. As Elizabeth asks questions and makes connections, the killer strikes again. No matter how much trouble her family causes, Elizabeth is determined to prove her innocence, even if it means risking her own life.
Critical Approaches
The Critical Approaches that were used was:
Formalist Approach because the story more focuses on the point of view of the character and doesn't focus on the gender of the character.
Moral Approach because the story went against injustice where the main characters' cousin was blamed without basis.
AND TO MY FRIEND WHO IS CELEBRATING HER SECOND WEDDING ANNIVERSARY THIS WEEK
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SEE ALSO
‘Confrontation based on colour had addled man since Moses married the Ethiopian woman and God made leprous the skin of the sneering man who challenged His right to move Moses to love.’ (West, 2019, p.77).