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#Epitaphs From The Abyss
dirtyriver · 2 months
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Epitaphs from the Abyss #1, cover by Andrea Sorrentino (with Rian Hughes for the "artist edition" variant), colors by Dave Stewart
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ultrameganicolaokay · 10 days
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Epitaphs from the Abyss #2 by Matt Kindt, Tyler Crook, Jason Aaron, Jorge Fornés and Klaus Janson. Cover by Lee Bermejo. Variant covers by (2) Adam Pollina and (3) Jay Stephens. Out in August.
"EC COMICS PROUDLY PRESENTS… ANOTHER EPITAPH THAT'S GOOD UNTIL THE VERY LAST BALLOON POPS! In this month's terrifying festival of fright: Three ALL-NEW tales of depraved intention and traumatic tension—culled from the fingertips of death-addled writers Jason Aaron (Thor, Southern Bastards), Matt Kindt (BRZRKR, Mind MGMT), and writer/artist Tyler Crook (Harrow County), and forever wedded to the bloodstained brushstrokes of artists Klaus Janson (The Dark Knight Returns) and Jorge Fornes (Batman)! THREE UNRELENTING NAIL-BITERS FROM FIVE MASTERS OF THE COMICS TRADE… You'd have to be CRAZY to miss this—or DEAD!"
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smashpages · 25 days
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Epitaphs from the Abyss #1 (Oni Press, July 2024) EC Homage variant cover by Jay Stephens, along with the cover it's an homage of, The Vault of Horror #15 by Johnny Craig
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graphicpolicy · 8 days
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RISE! Charlie Adlard, Christopher Cantwell, Javier Fernandez, David Lapham, Riley Rossmo and more Join EC Comics Vengeful Resurrection
RISE! Charlie Adlard, Christopher Cantwell, Javier Fernandez, David Lapham, Riley Rossmo and more Join EC Comics Vengeful Resurrection #comics #comicbooks
EC COMICS IS BACK FROM THE GRAVE … AND NOTHING CAN STOP WHAT’S COMING NEXT! Oni Press has revealed the all-new cast of vile visionaries at the helm of September 2024’s two gargantuan releases pumping new blood into the iconic legacy of the immortal EC Comics: Epitaphs From the Abyss #3 and Cruel Universe #2! In anticipation of September’s frightful festivities, book your therapy appointment NOW…
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downthetubes · 4 months
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EC Comics gets set to storm back into comic stores
EC Comics is set to return from the grave in summer 2024, its new logo designed Rian Hughes.
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geekcavepodcast · 4 months
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EC Comics Returns at Oni Press
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EC Comics - founded by M.C. "Max" Gaines as "Educational Comics" back in 1944, renamed "Entertaining Comics" by William M. Gaines in the late 1940s, original home of Tales for the Crypt, Mad Magazine, Weird Science, Two-Fisted Tales, and more, killed by the censorship of The Comics Code Authority in 1956 - is now back after a near 70-year hiatus.
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Oni Press is partnering with William M. Gaines Agent, Inc. to foster the return of EC Comics with all-new series this summer. The publishing program will be overseen by Hunter Gorison (Oni Press President & Publisher) and Sierra Hahn (Oni Press Editor-in-Chief) in partnership with Cathy Gaines Mifud and Corey Mifsud, (administrators of William M. Gaines Agent, Inc, and daughter and grandson, respectively, of William M. Gaines).
Oni Press' curated line of EC titles will include at least two series on a monthly basis beginning in July 2024, in the genres of horror science fiction, fantasy, and more. Creatives include writers Jason Aaron, Brian Azzarello, Rodney Barnes, Corinna Bechko, Cullen Bunn, Christopher Cantwell, Cecil Castellucci, Chris Condon, Joshua Hale Fialkov, J. Holtham, Jeff Jensen, Matt Kindt, Sean Lewis, Stephanie Phillips, Jay Stephens, Zac Thompson, and Ben H. Winters and artists Kano, Peter Krause, Leomacs, Malachi Ward, and Dustin Weaver.
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New EC Comics Epitaphs from the Abyss #1, featuring a cover by Lee Bermejo, goes on sale in July 2024, and Cruel Universe #1, featuring a cover by Greg Smallwood, goes on sale in August 2024.
(Images via Oni Press - EC Comics 2024 Logo, Lee Bermejo's Cover of Epitaphs from the Abyss #1, Greg Smallwood's Cover of Cruel Universe #1)
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cryptofmadness · 15 days
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EPITAPHS FROM THE ABYSS Issue 2 Covers Revealed!
Posted by Chet Reams
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COVER A (pictured above) is illustrated by Lee Bermejo.
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COVER B (pictured above) is illustrated by Adam Pollina.
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The "EC HOMAGE VARIANT" (shown above) is illustrated by Jay Stephens.
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Then, also shown above, is the (B&W ARTIST EDITION VARIANT) cover variant for EPITATHS FROM THE ABYSS issue 2 coming August 21st, 2024 from EC Comics and Oni Press. The artwork is drawn by Adam Pollina.
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Finally there is the "EC ARCHIVE VARIANT" designed by Rian Hughes!
More info is available on the Oni Press/EC Comics revival Press Release on Oni Press' website , at this link.
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horrorpatch · 2 months
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Comic Crypt: EC Comics Returns With EPITAPHS FROM THE ABYSS #1 This July!
From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns on July 24th with its first BOLD AND BLOODY NEW series in nearly 70 years! In partnership with William M. Gaines Agent, Inc., Oni Press is proud to reveal the complete line-up of “all-killer” writers, artists, and cover…
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goryhorroor · 1 month
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What are some underrated horror films? I have watched all the popular ones and need more! Thanks!
mentally prepare yourself because im ready to give a gumbo list (this has been sitting in my inbox because i had to ask all my friends and this is the list we came up with):
curse of the demon (1957) the serpent and the rainbow (1988) paranoiac (1963) the old dark house (1932) countess dracula (1971) golem (1920) haxan (1968) island of lost souls (1932) mad love (1935) mill of the stone women (1960) the walking dead (1936) the ghoul (1933) tourist trap (1979) the seventh victim (1943) ganja & hess (1973) dead of night (1945) a bay of blood (1971) let's scare jessica to death (1971) alice sweet alice (1976) the deadly spawn (1983) the brain that wouldn't die (1962) all about evil (2010) black roses (1988) the baby (1973) parents (1989) a blade in the dark (1983) blood lake (1987) solo survivor (1984) lemora: a child's tale of supernatural (1973) eyes of fire (1983) epitaph (2007) nightmare city (1980) slugs (1988) death smiles on a murderer (1973) intruder (1989) short night of glass dolls (1971) the children (2008) alone in the dark (1982) end of the line (2007) the queen of spades (1949) the housemaid (1960) tormented (1960) captain clegg (1962) the long hair of death (1964) dark age (1987) the crawling eye (1958) the kindred (1987) the gorgon (1964) wicked city (1987) baba yaga (1973) 976-evil (1988) bliss (2019) decoder (1984) amer (2009) the visitor (1979) day of the animals (1977) leptirica (1973) planet of the vampires (1965) lips of blood (1975) berberian sound studio (2012) a wounded fawn (2022) matango (1963) the mansion of madness (1973) the killing kind (1973) symptoms (1974) morgiana (1972) whispering corridors (1998) dead end (2003) infested (2023) (this just came out but im adding it) triangle (2009) the premonition (1976) you'll like my mother (1972) the mafu cage (1978) white of the eye (1987) mister designer (1987) alison's birthday (1981) the suckling (1990) graveyard shift (1987) messiah of evil (1987) out of the dark (1988) seven footprints to satan (1929) burn witch burn (1962) the damned (1962) pin (1988) horrors of malformed men (1969) mr vampire (1985) the vampire doll (1970) contracted (2013) impetigore (2019) eyeball (1975) malatestas carnival of blood (1973) the witch who came from the sea (1976) i drink your blood (1970) nothing underneath (1985) sauna (2008) seance (2000) come true (2020) the last winter (2006) night tide (1961) the brain (1988) dementia (1955) don't go to sleep (1982) otogirisou (2001) reincarnation (2005) mutant (1984) spookies (1986) shock waves (1977) bloody hell (2020) the den (2013) wer (2013) olivia (1983) enigma (1987) graverobbers (1988) manhattan baby (1982) evil in the woods (1986) death bed: the bed that eats (1977) cathy's curse (1977) creatures from the abyss (1994) the dorm that dripped blood (1982) the witching (1993) madman (1981) vampire's embrace (1991) blood beat (1983) the alien factor (1978) savage weekend (1979) blood sisters (1987) deadly love (1987) playroom (1990) die screaming marianne (1971) pledge night (1990) night train to terror (1985) the devonsville terror (1983) ghostkeeper (1981) special effects (1984) blood feast (163) the child (1977) godmonster of indian flats (1973) blood rage (1980) the unborn (1991) screamtime (1983) the outing (1987) the being (1983) silent madness (1984) lurkers (1988) forver evil (1987) squirm (1976) death screams (1982) jack-o (1995) haunts (1976) a night to dismember (1983) creaturealm: demons wake (1998) the curse (1987) daddy's deadly darling (1973) nightwing (1979) the laughing dead (1989) the severed arm (1973) the orphan (1979) not like us (1995) prime evil (1988) the monstrosity (1987) dark ride (2006) antibirth (2016) iced (1988) the soultangler (1987) twisted nightmare (1987) puffball (2007) biohazard (1985) cameron's closet (1988) beast from haunted cave (1959) the she-creature (1956)
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moeitsu · 2 months
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The Tie Which Linked My Soul To Thee
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Hi everyone! I have a new Arthur x female!OC fic I've been working on that's posted up on Ao3, so I figured I would share it here as well. Please let me know what you think! This story is currently still on-going :)
Ao3  Wattpad Masterlist - All Chapters Ch.2 Ch.3 Ch.4 Ch.5 Ch.6 Ch.7 Ch.8 Ch.9 Ch.10
Summary: Kate McCanon, a young widow from the north, meets outlaw Arthur Morgan. When the two cross paths she discovers a complex man wrestling with his own sense of right and wrong. As their unlikely bond deepens, Kate becomes determined to guide Arthur towards a brighter path, even as tensions rise within his gang led by the enigmatic Dutch van der Linde. With danger lurking at every turn, Kate must navigate treacherous territory to protect those she holds dear, all while finding love in the most unexpected of places. Tags: Arthur Morgan/Original Female Character, Widowed, Original Character, Mutual Pining, Slow Build, Eventual Smut, Eventual Romance, Fluff and Angst, Hurt/Comfort, High Honor Arthur Morgan, Friends to Lovers, Child Loss, Trauma, Canon-Typical Violence, Arthur Morgan Does Not Have Tuberculosis, Arthur Morgan Deserves Happiness, Chubby Arthur Morgan, Alternate Universe - Canon Divergence
Chapter 1 - The Frost Gleams Where The Flowers Have Been
1890
Kate had never fancied herself a skilled woodworker. While she had lent a hand to her husband in constructing a barn, her role mostly entailed passing him tools and bringing him his lunch. But as she stood amidst the sawdust, tears streaking down her cheeks, she grappled with the daunting task ahead. She lacked both the sufficient wood and the patience to craft two coffins. Thus, the inevitable decision emerged: they would be laid to rest together.
The Reverend's suggestion to cremate the bodies, emphasizing the need to eradicate the disease completely, fell upon deaf ears. The mere thought of reducing her beloved husband and precious baby girl to ashes felt abhorrent to Kate. Instead, she harbored a tender hope that one day, perhaps, they would blossom into a magnificent Willow tree.
Amidst the melancholy chore, the vibrant symphony of birdsong provided a bittersweet backdrop, reminiscent of the lullabies she once crooned to her infant daughter. With a sorrowful melody humming in her heart, Kate toiled diligently, her hands blackened with grime, each wipe across her tear-stained cheeks a testament to her grief. As the sun dipped below the horizon, casting their modest farm in a golden hue, Kate's work pressed on.
Night descended swiftly, cloaking the world in shadows that seemed to stretch for an eternity. Kate, perched upon her porch swing, found no solace in slumber. Her vigil was solemn, her gaze never wavering from the rough-hewn coffins that cradled her entire world within their confines.
With the break of dawn, the Reverend returned, his disapproval evident, yet tempered by resignation. Together, in a somber silence, they labored to fashion a final resting place. By mid-afternoon, the grave stood ready, a solemn abyss awaiting its occupants. With the Reverend's assistance, Kate tenderly lowered her cherished husband and daughter into the earth's cold embrace.
As dusk settled, the Reverend offered prayers and parting words before taking his leave. Left alone in her sorrow, Kate felt the weight of despair bearing down upon her. In a world forged by men and seemingly devoid of solace for a solitary widow, she found herself with no recourse but to depart.
Beneath the twilight sky, the epitaph etched upon their shared gravestone bore silent witness to her profound loss:
Here Lies My Beloved Noah, And Our Beautiful Daughter, Lorena.
May God Keep Their Souls.
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1899 
As the sun rose over the horizon, casting its golden rays across the sprawling expanse of Emerald Ranch, Kate found herself amidst the ebb and flow of another day's labor. Nine years had slipped by since the tragic loss of her husband and daughter, a span of time marked by wandering footsteps and the pursuit of odd jobs on her journey westward. 
She had once heard her father say they had family in California, he had many sisters but only kept in touch with one. Kate wrote to her after the death of her husband, seeking asylum with a relative with nowhere else to go. Her Aunt wrote her back and gave her condolences, she said Kate would be welcome with open arms. 
However, the last she heard of her Aunt was 7 years ago. But still, she continued west. She had come too far and been through too much to stop now. What she hoped to find in the valleys of California, she did not know anymore. Over the years she became more cowboy and less of a woman, her once soft hands now calloused by years of labor. The untamed plains and cold hard ground had become both her refuge and her bed. 
She came to Emerald Ranch only a week ago, her boss; Seamus, was reluctant to hire a stranger, let alone a woman, to help on the ranch. Kate assured him she was cheap labor and was only looking for shelter and a place to rest until she was on the move again. Kate was no stranger to odd jobs, she took any work she could get and saved as much as she could. But she was no criminal. 
She heard Seamus talking to two men as she filled the troughs with clean water. The gentlemen said they were new in town and looking for a partnership, one in which they could both make money. 
“Look I ain't no idiot, and I don't trust folks outta the blue. If you want to work together then you're gonna have to prove to me you’re worth my time.” Her boss's voice raised above the usual noise of the barn animals. 
“Of course! We’re only interested in a partnership, just looking to make a little extra money.” Carried the voice of an older gentleman. 
“No doubt. I do interesting very well. It's trusting that I don't do so well.” her boss answered, still not convinced by the two strangers.
“Look at us, we’re honest as the day is long,” said the other man with cheer. 
“You really want us to prove ourselves to this clown Hosea?” said the other voice, sounding much younger than his partner. 
Seamus scoffed, “good day to you, Hosea.” 
“N-now wait a minute Seamus. Arthur can be rough, and quick with his tongue, but I swear you can trust him, you can trust me.” Hosea pleaded, following Seamus to the side of the barn. Kate now had a clear view of the new “business partners”. 
Kate didn't know Seamus very well, but she could tell he was an honest enough man. Wise for his years, and liked to keep his nose out of trouble. “I’m an old man Hosea,” he began, “and you know why I ain’t dead yet?” 
“Because you don't trust idiots,” Hosea finished.
“Exactly.”
“We’re not idiots, Seamus. Let us prove it to you.” Hosea had an air of confidence, he wasn't some runaway bum looking to make a quick buck. He was serious about a partnership. Although Kate wouldn't say the same for his partner, who loomed behind them like a panther ready to pounce. 
“Okay…I’ll tell you what, old Bob Crawford and his boys just bought a beautiful stolen stagecoach from up north. It’s in their barn. Now you go get that,” he looked around for anyone who might be listening to his scheming, “then we can work together.” He said quietly, placing a hand on Hosea’s shoulder. 
“Who’s Old Bob Crawford?” inquired Hosea.
“An acquaintance of mine…well, not just an acquaintance. He’s my cousin, by marriage.” Seamus explained. 
“Oh so now we’re meddlin’ in your family business?” Arthur boasted with skepticism. 
Hosea waved him off and continued speaking, “Where is he located?”
“Now hang on a moment, you boys could very easily take this coach and sell it yourselves for a pretty penny,” Seamus began. 
“So you comin’ with us? I thought you didn't want to be involved in shady business?” Arthur spoke up again. 
“Heavens no, if my cousin saw me it would be my death. I'm sending someone with you, as collateral.” Seamus turned around and saw Kate already watching them, he waved her over. 
Arthur shook his head disapprovingly, “nah, I don't do babysitters Seamus.” 
Kate was just as skeptical about her part in this, she told Seamus she was looking for honest work, and robbing his cousin certainly falls out of that line. 
“She’s not babysitting . She’ll take you to my cousin's farm and let you do the robbing. Kate has been working for me for a few days now and she’s tougher than she looks.” Seamus said turning to Kate, “I want you to make sure that stage coach gets back to me. You don't need to take part in the robbery.” 
“You’re fine with them robbing your cousin?” She spoke in a hushed tone so only Seamus could hear.
“By marriage,” he added, “and yes, I would love it. The man’s been a thorn in my ass for years.” He said amused.
She nodded in acknowledgement and turned to get a good look at the two strangers. One was indeed much older than the other, with cropped white hair peeking out from under his hat. The other gentleman was tall and burly, and he hid his eyes under the brim of his hat. He seemed wary of strangers and kept both hands resting on his gun belt. 
“Let me get my horse saddled and I’ll meet you boys at the intersection leading out of town.” She spoke, Hosea nodded and was already making his way to his horse. Arthur stood for a moment eyeing the woman, no doubt playing the intimidation tactic. But Kate had seen far scarier men than him in her days. “Y'know the quicker we get this done the quicker you fellas get paid.” She noted.
Arthur scoffed and finally followed Hosea to his horse, “don't need no damn babysitter,” he grumbled kicking dust.
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Kate made quick work of saddling her black Hungarian roan, she calls Lorena. After her infant daughter. In a moments pass she was on the dirt road leading out of Emerald Ranch and toward Carmody Dell. She waved for the two men to follow her, they stayed behind her a short distance and made no effort for small conversation.
However, she overheard snippets of their own conversation as they went, “I thought you wanted me to be the strong arm? That's usually how it goes,” Arthur spoke.
“Yes but..” Hosea hesitated, lowering his tone a little, “you know how this works.”
“Cmon Hosea that fellers a joke, he don't even trust us enough to handle it ourselves. Now we got a chaperone.” Arthur complained loudly, at least he’s not calling me a babysitter , Kate thought. 
“All the better, he won't cause us any problems. And I cant blame the guy for sending the girl. Two strangers looking for quick money? Hell, I’d want assurance too.” Hosea answered, “besides, if he’s sending protection that means there’s big money to be made. Seamus wants his cut.” 
Kate came to the same conclusion, up until now Seamus had given her the usual ranch-hand tasks. Feeding and cleaning mostly. This was very different, there must be good money for this stage coach. 
“I guess you’re right,” Arthur muttered.
Hosea mumbled something back to Arthur about “hanging up their hats” if they couldn't finish a job as easy as this. They laughed and began chatting about their travels in Emerald ranch, Kate tuned them out and began humming a song to her horse. 
Her singing always pleased her horse and calmed the girl’s nerves. She was a strong and fierce steed, but jumpy and needy like a baby sometimes. Kate thought naming her horse after her daughter would bring her closure, instead, she was almost convinced that her daughter's spirit lived on in Lorena somehow. In all ways except biological, her horse was her baby.
Carmody Dell was a short distance north past the train tracks and Fort Wallace, Kate had passed it once before. They rode at a steady pace, the men behind her never coming too close. She wondered for a moment what their story was, and why they needed money so bad. Perhaps they were travelers like her, maybe they even had a caravan. She entertained the thought of traveling with a group again, but shuddered at the memories. Her previous caravan adventures had not ended well. 
Once the ranch was in view she slowed and allowed the boys to catch up on either side of her. She led them to a grassy clearing off the road. 
“You should continue on foot from here, I’ll stay behind with your horses.” She said dismounting. The two of them nodded and dismounted their horses, Kate was almost surprised to hear no objections from Arthur. 
“C'mon son, let's see what we’re dealing with here.” Hosea commented walking towards a large rock in front of the house. 
“Son”, so they are family . She mentally noted. Arthur gave his horse a pat, “be a good girl for the lady” he said, tipping his hat towards Kate. She was slightly taken aback by the sudden politeness.
She busied herself with the horses for a bit while the men laid out their plan, she gave Hosea and Arthurs horse a treat and was about to start brushing his horse when he approached her again. Startled, she backed away from his mare, she didn't want him to think she was snooping in his saddle bags. 
“You can keep brushin’ her, she loves attention,” he half smiled reaching up and petting her snout. “I just came to tell ya’ we’re gonna wait till it gets dark. Less chance of getting caught that way.” 
“Smart,” she replied, for whatever reason she suddenly felt very shy in his presence. 
He stood a few feet away from her and she could see more of his features. He was around her age. He had short dirty blond hair under his leather hat, and bright blue/green eyes. Her eyes lingered over his body. He was big too, more than a foot taller than her and well fed and muscular. His bicep had to be the size of her head alone, and she could tell by the fabric of his button down he had a bit of a belly hidden behind his gun belt. 
“What’s her name?” His voice broke through her awkward silence. 
“Who?” She asked and looked back at him. 
He chortled, “the black beauty you got over there,” he nodded to her horse. 
Oh, duh! “Her name is Lorena, she also loves attention but she’s nervous around new people.” Kate answered, still a bit lost in her thoughts. 
Arthur made a clicking sound with his tongue, reaching out a hand and slowly walking toward her horse. “It’s alright girl,” he cooed while she sniffed his palm. He pulled out a peppermint and gave it to her, which Lorena happily accepted. 
Kate smiled at the interaction, “you introduce yourself to my horse before me?” she teased. 
“My apologies ma’am,” he turned to face her, “names Arthur Morgan.”
“Nice to meet you Mr. Morgan, I’m Kate McCanon.” She reached out her hand and he shook it. His grip was firm but polite. 
“Likewise, Miss.McCanon. That’s Belle your brushin’, and that’s Silver Dollar.” He pointed at Hosea’s horse. “I saw this beauty when we first rode into Emerald ranch, had no idea she was yours tho.” He was talking about her horse again, “told myself I’d inquire about buying her if she was available.” 
Kate smiled at the affection he was showing for her horse, she knew Lorena was a beautiful mare. She often received compliments on the road, and many have offered to pay for her purebred. 
“I’m sorry to disappoint you, but she’s not for sale.” 
“Well I can certainly see that,” he laughed, “she seems happy though. You must take real good care of her.” He said, his attention still on her mare as he scratched under her chin. 
“You some kind of horse breeder Mr. Morgan?” Kate asked. 
Arthur laughed, “no no. Nothing like that, though sometimes I wish I was.” He smiled as he said it but Kate noticed there was a sadness in his tone. “I just think they’re neat is all.” 
They had only just met, and while Arthur was not initially the most pleasant, she found it incredibly cute how enraptured he was by her horse. 
“I should probably also apologize for my rudeness earlier, it’s been a rough couple weeks for us and we uh- don’t always take too kindly to strangers.” Arthur took off his hat as he spoke and held it to his chest, a sincere gesture. 
Kate was shocked, the man she met at Emerald ranch not even an hour ago seemed like a completely different person than the man before her. His cold demeanor was gone, or at least reined in at the moment. 
“No apology needed Mr. Morgan. I understand,” She answered. “Although I wouldn’t call it rude, you were just skeptical. Rightfully so, can I ask what brings you to Emerald Ranch?” 
Arthur looked away from her as he spoke, choosing to focus on her horse. “We’re just stayin’ in the area for a few weeks. Passin’ through and tryna make money.” 
“By robbing stagecoaches?” Kate said in an amused tone, “you a bunch of outlaws or something?” She continued, half-joking. 
Arthur looked at her with surprise, “What? No, we uh- got laid off from the railway. Up-north. Just looking for money so we can find a place to settle down again. That’s all.” He looked away again, avoiding her gaze. 
“I’ll say it again, by robbing stagecoaches?” She kept her tone playful, but wasn’t entirely convinced by his story. But it felt good to be the intimidator.
“Wasn’t our idea, Seamus asked us to rob his cousin!” His voice rose slightly with anger. 
“By marriage,” Kate retorted. 
Arthur was about to speak again but only stared at her. 
“I’m just pulling your leg Mr. Morgan.” Kate laughed. “It’s no business of mine. I’m only passing through here, same as you. What you do here and how you earn your money is your business. As is mine.” 
Arthur scoffed, suddenly amused, did this woman just tease me?
He went to speak again before another voice interrupted them, “Arthur! Get over here!” Called Hosea. He pointed a finger at Kate as to say this isn’t over and walked away. 
Amused with herself, Kate grabbed an apple and sat down against a tree. Watching the sun set as she waited for the cover of night so the two men could pull off their heist. 
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Kate woke suddenly to the sound of horses moving. She quickly got up and looked in the direction of the ranch. Sure enough the stage coach was steadily moving down the path away from its place in the barn. She quickly mounted her horse and trotted over to them. 
“Nice work! Follow me back to Emerald Ranch and try to keep it in one piece.” She called up to Hosea who was driving the coach. With that she clicked her tongue and took off ahead of the coach at a steady but quick pace. Not wanting to get themselves caught. 
Before Hosea could crack the reins he looked to Arthur as he was about to get in the coach, “you ride ahead with her. I got this.” 
Arthur looked confused, “why wouldn’t I ride with you? The horses will follow.” 
Now Hosea was giving him an amused look, “I heard you with her earlier.” 
“And?” The cowboy replied slightly annoyed. 
“You’ve never fumbled our cover story so bad!” He quipped, “it was like listening to a child tell it!” 
Arthur shook his head, “now you’re playin’ match maker old man?” He teased, trying to hide his smile.   
“I’m just saying it wouldn’t kill you to go talk to her son."
Without another word Arthur nodded and dismounted the coach, getting into the saddle and riding off to catch up to Kate.
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dirtyriver · 2 months
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Epitaphs from the Abyss #1 & 2 and Cruel Universe #1, variant covers by Jay Stephens for the EC comics line published by Oni.
Homage to the covers of Vault of Horror #15 (Johnny Craig), Weird Science #16 (Wally Wood), and Haunt of Fear #15 (Johnny Craig)
A few random thoughts:
I have a soft spot for horror anthologies.
I love horror hosts.
I'm sick of this licensing model where publishers pay to use a name (Creepshow, EC) they have no legitimate association with.
If you really want to get the EC licence, try to come up with more EC-sounding titles than Epitaphs from the Abyss and Cruel Universe.
Despite all this I'm still interested in reading the comics, because I love horror anthologies and horror hosts.
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ultrameganicolaokay · 1 month
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Epitaphs from the Abyss #1 by Stephanie Phillips, J. Holtham, Chris Condon, Jorge Fornés, Peter Krause, Phil Hester and more. Cover by Lee Bermejo. Variant covers by (2) Andrea Sorrentino and (3) Jay Stephens. Out in July.
"THE MOST NOTORIOUS NAME IN TERROR IS BACK — WITH A VENGEANCE!
From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns . . . with its first ALL-NEW series in nearly 70 years! In our first extra-sized, 40-page dose of fear, witness shocking tales of torment and tension in the undying EC tradition — as wrenched from the grave by the vile intentions of acclaimed writers Brian Azzarello (Batman: Damned, 100 Bullets), Chris Condon (That Texas Blood, Night People), J. Holtham (Hulu's The Handmaid's Tale), and Stephanie Phillips (Harley Quinn, Grim) and realized into bloody reality by 'all-slaughter' artists Jorge Fornes (Rorschach, Danger Street) Phil Hester (Family Tree), Peter Krause (Irredeemable), and more! What the Comics Code Authority couldn't kill has only made it stronger . . .  EC COMICS LIVES AGAIN IN EPITAPHS FROM THE ABYSS!"
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smashpages · 4 months
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EC Comics will return this summer
Oni Press has announced a publishing partnership that will bring new EC material to print for the first time since the 1950s.
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johnwickb1tsch · 7 months
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you’re the worst thing (i’m addicted to)
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a john wick x Helen'sSister!Reader fic You are Helen's baby sister. When you meet John Wick at Helen's graveside, he invites you to dinner to celebrate her birthday. Set a few years after the first movie, 2-4 never happened. Use of y/n. Warnings: canon typical violence. Future reference to threat of noncon, (not John! because he's our assassin sweetiepie). Mourning. Smut. Grey areas. Questionable decisions. Sweetheart!John, BAMF!John Depressed!John - If you can handle the movie you should be fine here...
Part 1.
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“Hey, Hels.”
There is no answer, only the warbling of a bird in a distant tree. The day is bright and blue, spring has come again in all her glory. It doesn’t seem right, somehow, that the sun should still shine, and the birds should still sing.
Because she is gone.
It’s been two years, but you still haven’t really wrapped your head around it.
You still have your last text message thread with her in your phone. It’s as though you could just punch a few buttons and still talk to her. Always, she would answer you, no matter what she was doing. Sometimes you want to type in I miss you and hit send, just to see what might happen.
But then, maybe it is appropriate, that today should be such a beautiful day. On this day, forty-two years ago, your sister was born. Roughly ten years later, you followed. As a direct result, your mother died of complications in childbirth.
Your father still blamed you, but Helen never did.
In a way, Helen was your mother, more than the woman who bore you.
It makes it all hurt so much more.
“Happy birthday, by the way.”
You look down at the stone, this massive granite behemoth. You find it rather ugly, to be honest, but it will certainly stand the test of time, nuclear war notwithstanding. Loving Wife, reads the epitaph below.
You know it was true.
You know that perhaps John Wick is the only person Helen loved more than you. But the inscription still seems too brief. Short changing her, somehow. 
But then, John paid for the stone, so you suppose he got to pick what it said. 
You were ensuring her memory lived on in other ways. 
“I finally did as you asked,” you tell her. “I’ve used the photos you left me in a painting. We're going to be in a show together. I wish you were here to see it.”
There is a mean part of you that suspects your submission was only accepted because it contained work from the late, great, photographer Helen Morgan-Wick, but you shove that down into the seething pit with all the rest of your fears and doubts. You didn't use them for the attention. You did it to feel close to her, and because she asked you to. One final art project, the note had said. She knew you too well, knew that the only thing that kept you from toeing the line of the abyss was a good artistic obsession.
You knew she’d planned to leave a project for John too. A puppy, she’d said. You’d shared a laugh over it, through tears, the last time you’d been together. You never found out how that had gone. John hadn’t attended a family gathering since Helen passed.
Too painful.
You didn’t blame him one bit. 
“I miss you, Hels. I feel so lost without you.”
“Amen.”
The sound of another voice behind you nearly makes you jump out of your skin. You turn to find him, in one of his signature tailored black suits, looking unfairly scrumptious despite the dark circles under his eyes. He hadn't made a sound in his approach. He never did. The man moved like a ghost and looked like a dark dream. You'd always found him insanely attractive.
You'd never done anything about that, of course. But goddamn, you had eyes.
“Hi, John.”
“Hello, y/n.”
You’ve never run into him at the gravesite before, though you have seen the wilted offerings of daisies left by the stone, and you always had assumed they’d come from him. You haven’t seen him since Helen’s funeral. He hasn’t changed much, really, though there is a sharpness to his aspect you’d never noticed when Helen was alive. An edge to his gaze; how can eyes so dark convey so much? Despite yourself, it sends a little thrill down your spine that you absolutely know you should not revel in.  
Maybe you haven’t seen him in person after Helen passed, but you’ve gazed at him plenty through Helen’s lens. There had been so many photographs of him in the collection of prints she’d left you. Nothing risqué, but the way he’d looked at her even through the camera had been nothing less than intimate.
There were times, late at night in your studio, when you’d pretended he’d been looking at you that way.
“How…have you been?” 
He offers a grim shadow of a smile and a shake of his head that you understand all too well. 
“Nice to be with someone you don't have to pretend with.”
“Yeah.”
You both stare down at the grave, meditating on your loss of this woman who touched you both so completely.
“Do you think she can hear us?” you ask, unable to lift your voice above a whisper.
There is a long pause from her widower, the man she left behind.
“Not really.” He lifts his face to the sun, eyes closed, as though maybe he can feel something of her presence. “But you should talk to her anyway. I might be wrong.”
You smile at that.
“Do you ever talk to her?”
“All the time,” he admits with a huff of self-deprecating laughter. “But then, I might just be losing my mind.”
“Ah well. That makes two of us then.”
You gently lay down the bouquet of Gerber daisies you'd brought for her. Helen’s favorite. If you ever have a garden, you will plant some for her. As it is, you have to buy them from the store. You remember the patch of daisies she’d cultivated in the garden of your childhood home. Their cheerful faces and soft petals. They had been your mother’s favorite too. When you were a girl Helen would sing to you and braid them in your thick hair. You couldn’t know at the time, how precious those perfect days had been.
The wave of sorrow hits you like a freight train, the weight of your loss a crushing force. You start to cry, hiding your face in your hands; you would prefer to do this alone, but you cannot stop it.
You feel an arm about your shoulders. It surprises you—John was never a touchy-feely man, never one for hugs, always preferring a wave or a handshake. Only for Helen, did he ever display any sort of affection. They had always been touching, holding hands or sitting hip to hip on the couch, his strong arm slung protectively around her shoulders. You didn’t want to say you’d been envious of that, but…perhaps you’d wondered, what it might be like, to be so cherished.
When he pulls you against him you only manage some token resistance. “I’ll mess up your suit.” You sound pitiful, even to you.
“I have an excellent dry cleaner.”
His dry wit had always amused you. This time, it breaks you, and you give in. He is solid as an oak, and as it turns out, his chest is an excellent place to cry on. Under the shelter of his chin you wring yourself dry, until it feels like you have nothing left inside you. His large hand rests lightly upon the back of your head, shielding you from the world. He is warm, and his cologne is subtle but heavenly. Sandalwood, maybe, and something spiced. Cardamom, perhaps. A hint of pepper.
You don’t particularly want to move, even though you absolutely should. Yet his hold on you has not loosened, and you tell yourself that maybe John Wick needed a hug just as badly as you did.
“People keep telling me that it gets easier, and I just want to punch them in the face,” you sniffle.
A huff of laughter escapes him. You feel it stir your hair on the top of your head. “Yeah. I get that.”
Finally you pull back, though not as far as you should. You’ve never actually been this close to him before, and you look at each other from a foot away. Sometimes proximity can shatter the illusion of someone’s attractiveness—but not this man. The impossible angle of his cheekbones, the soft scruff of his beard…is it just you, or does the edge in his gaze soften a little, when he looks at you? It makes your legs a little weak, and you kind of hate yourself for it.
It has nothing to do with you, stupid, you tell yourself. Where you and Helen weren’t exactly twins, you did resemble each other strongly. In profile, you’d been mistaken for her in public plenty of times before. If anything, it was probably unnerving for this poor man who missed his wife so much, to hold you, a sorry facsimile, in his arms. Out of pity, most likely.  
Helen had been the good sister. The upstanding one, the kind one. You? You can be such a twisted little thing.
“Sorry,” you sigh, noticing the smudge of makeup on his lapel.
He doesn’t even glance down, that intense gaze still fixed upon you. “Don’t be.”
Unbidden heat blooms from your cheeks to your toes, finding yourself the subject of that gaze. You’ve got to go, before you really embarrass yourself.
“I'll leave you alone. It was nice to see you, John.”
You turn to go, hugging yourself against the early spring chill. Why did you have to feel so bereft, without his arms around you? You take a few steps before he calls after you, “Y/n?”
You freeze in your tracks, a thrill jetting down your spine. “Yeah?” you dare, turning to half look over your shoulder.
“I…was thinking about going to Helen’s favorite restaurant tonight. Would you like to join me?”
Your heart beats double time in your chest, as you slowly turn to face him. You should say no. There’s a thousand reasons you should say no. This was your sister’s husband. It doesn’t matter that he’s the most handsome man you’ve ever seen, and that he’s been kind to you, and that he’s looking at you like he might drown if you say no.
“I would like that,” you answer, and your heartbeat thundering in your ears sounds like the hammering of nails into your own coffin.
Part 2
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graphicpolicy · 15 days
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Oni has announced that Epitaphs From the Abyss #1 and Cruel Universe #1 will receive no second printings
Oni has announced that Epitaphs From the Abyss #1 and Cruel Universe #1 will receive no second printings #comics #comicbooks
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generationexorcist · 13 days
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"One of the Most Culturally Significant Publishers of All Time”: EC Comics Returns After 68 Years Thanks to Oni Press Revival
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After nearly seven decades since the line was shuttered, EC Comics is getting a new lease on life thanks to Oni Press. The publisher has revealed a few of the big plans it has in store for later this year when EC Comics makes its triumphant return to comic book stands everywhere.
Oni Press made waves when it revealed that it had formed a new partnership with William M. Gaines Agent Inc., a move that will result in EC Comics coming back this summer. Kicking off the new era for EC Comics is horror and science fiction anthology series, Epitaphs From the Abyss and Cruel Universe...
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