#Eris crafts

[blowflyfag]

[unidentifiedmammal]

Alrighty so this is the post on lichen dyes!

this particular bath of lichen dyes was originally started over a year ago scraping a tentatively-ID'd lecanora and/or ochrolechia genus lichen off of a fallen branch (remember, don't gather lichen when it's still growing! it's very slow growing and easy to overharvest)

to start off, this particular type of dye is made through the ammonia-fermentation method, also known as ammonia maceration. No actual bacterial fermentation occurs though. Rather, the compound orcinol (and precursor compound to orcinols) react with ammonia (N2) and oxygen to form the compound orcein (also called orchil/archil) which is what makes the final dye!

this process takes anywhere from 3 weeks to 16+ weeks depending on the lichen species, its constituent acids, the temperature, and the frequency of aeration.

This batch was set aside for several months and neglected a good bit, but it still works. I strained out the crumbled lichens (which i set aside for later) and diluted it 1:4 as instructed by a very good book called Lichen Dyes: The New Source Book by Karen Diadick Casselman. This book is basically omnipresent everywhere you see lichen dyes mentioned, especially the orcein-based dyes. I also used several websites/videos/papers and such that i've hunted down over various internet crawls.

I use an old coffee pot for this as it's both a non-reactive material (glass) and is built to withstand heat. Ironically i also scraped the lichens off the branch using a tool i made out of a metal band from the broken handle of this same coffee pot!

I decided to dye some eri silk cakes that i fluffed up and scoured. these have been very good at absorbing dye in the past so i would hopefully get a good result from them. As lichens are a substantive dye i don't have to put a mordant on them, but i did soak them in an alum solution just before adding them to the dye bath to hopefully maximize dye uptake as well as improve fastness as lichen dyes are also fugitive and can fade in sunlight.

Substantive dyes contain mordants already embedded in them; fugitive dyes are a bit fuzzy to me but my understanding is they end up trapped in the fiber instead of actually bonding to the fiber in a stronger way. Mordants are used to help the dye "bite" onto the fiber better, improving both fastness (the ability of a due to resist fading from sunlight/washing/time) and the brightness of a color. Alum is useful in that it typically doesn't affect the end color of a dye more than simply making it slightly more strong!

it was pretty successful i'd say! i warmed up the dyebath, added the silk, let it simmer for a few hours, let it cool down overnight, and then warmed it back up the next day for a few hours; then, when it cooled, i took it out, let it dry, then rinsed it, and let it dry a second time. At that point, it was ready for spinning!

It was a lovely pink color that's not fully captured by the camera like most dyes, and eri silk is lovely because you can spin the clouds directly and easily without carding and make lovely relatively threadlike yarn

this was the first skein i got! i love how shiny the silk is. Some dyes can get really purple or even magenta-like!

next, i had the leftover lichens that i had set aside. They were a crumbly texture and dark black and i dried them out, crushed them up more, set them back in a jar, added more ammonia and water, and did the ammonia fermentation method a second time! this was after reading about the method for making french purple, and while this is definitely a very pale imitation of the method, the double-soak is the key feature here

here it is (on the left); it was already way darker purple than an in-progress lichen dye i had yet to crack open and use

speaking of which, heres a shot of various test lichens i had while working on this, you can see the blue-capped jar that has the second-soaked lichens. the foam will often give a preview of whether or not the dye will be red/purple or not!

Here it is, i forget how long i let it soak but i think it was a bit over a week. i strained the material out, diluted it, and then repeated the same warm/cool/warm/cool/dry/rinse/dry method with more eri silk

And below you can see the difference, it's definitely slight but still cool!

the left is from the original dyebath, the right is the second-soaked one. the first one is more salmon-colored while the second is a tad more blue-purpled!

I'm extremely excited about this, these dyes have such a fascinating history and have multiple historical uses everywhere from florentine orchil to norwegian korkje to scottish cudbear and more, and it was often used in tandem with the roman murex/tyrian purple dyes that come from a mussel. Some folks used the lichens to pre-dye the fabric before dyeing with tyrian purple, both to stretch the expensive tyrian purple and to make the end color more vibrant. It's all such a great topic that's mightily confusing and could take up a post of its own, same with the underlying chemistry of what makes these dyes work in the first place!

Anyways that's all for this post, i have more i'm working on involving actually turning these dyes into paint that i'll hopefully turn into a post on its own soon! I've also got other lichen dyes I'm waiting to get through the ammonia fermentation process that will hopefully give other colors, whenever that may be!

[vellichor01]

I am picking up a new serger tomorrow and going fabric shopping the day after so I can start to sew my wedding dress and my Starfall dress. Would y'all be interested in me posting my progress/updates?

[imonthemoonitsmadeofcheese]

hi moon, just wanted to let you know that your fanfiction and other's artwork who i follow here have inspired me to make fanfiction. i've written tamer stories but i've also written nsfw stuff as well about eris and drifter. i don't run out of ideas but i run out of steam and motivation to write, even when it involves characters that i love to either draw or write about. do you have any tips to keep going if, for example, you run into an art block of some kind? how can you filter out junk ideas for a good one to write about? also dialogue, it is my weakness but you pick up their mannerisms really well based on some of your work i've read. any tips to get them right in fanfiction? thanks for your time

I cannot express how delighted I am that things I have written have inspired you to write - especially things with Eris and the Drifter. I hope you will consider posting them somewhere and sending me a link either on here or in DMs (or if you are not posting it and still want to share, I invite you to email me - my ID for gmail is the same as it is here, on Discord, and on Ao3.)

Regarding motivation: Writing is a muscle and creativity responds well to routine use of it and sustenance. Motivation is also like a small child and sometimes needs coddling and protection.

I have found the most effective way through blocks is to freewrite through them, By this I mean set a timer, get a pen and paper (not keyboard unless you need one for accessibility reasons) and write whatever comes into your head for five or ten minutes (the number of minutes can vary - I often go up to 20 but even five can be hard at first). Your job is not to actually write, and the words don't actually matter, you just need to keep the pen moving and are not allowed to stop writing words, and then you want to try and do this every day. The point is not to write creatively, it's exercise. Most commonly this begins with phrasing like:

I must write words. I must keep them appearing on the page. I must not stop until the timer ends. I must write. I must write words.

And eventually you get very bored of writing the same thing over and over again and start including other things. For me the most common thing I start to write is lists of things I need to do that are not done yet or lists of things that are emotionally bothering me.

Eventually you run out of things and/or get tired of writing the same problems over and over again and your brain gets bored and starts dreaming up new things. That is good. Let your mind get bored. You want that. Let it play. Grammar is not important. No one else needs to ever see this, including yourself. Ethics/morality is not important. This is pure brain-vomit straight from within. You are teaching yourself to have a conversation with your mind in a nonjudgemental manner. If critical thoughts happen you can write them down, but try not to focus on criticism because that is the enemy of creativity.

For when you're not completely blocked and trying to avoid becoming so, write full first drafts before going back and editing them. Editing engages a different part of the brain from creation and engaging too early can divert your focus and sometimes make it hard to get back into the creative mindset again.

Take breaks. Play games (if you're writing D2 fanfication, this counts as research!) or step away from the computer (or paper). Eat a food. Drink a water. Human bodies were not designed to write for long periods of time. Too much and we start to cramp up and have bad posture and this eventually leads to being distracted by pain.

Protect your creativity. This may be more of a depression thing than a writing thing but few things strangle creativity more than immersing ourselves in toxicity. I curate what media I ingest very stringently. I've had to block people who I still consider to be fantastic artists and writers, whose work I genuinely respect, because it's just not healthy for me to interact with them. Constructive criticism is healthy and good to engage with, but when you encounter a person (or a group) who makes you feel bad routinely, ask yourself if you're actually getting anything out of that relationship. Are they making you a better writer (or a better person) or are they just shitting on everything you love? Sometimes we stay in places (especially online places) that are hostile to us because we feel socially obligated to do so and it harms, not just our creativity, but also our self-esteem. Remember to evaluate these things routinely. Sometimes the reason you're creatively blocked is simply a symptom of something larger. Sometimes your unconscious mind is trying to tell you that it's being poisoned and you need to change your environment so it can breathe again.

Regarding how to filter out junk ideas:

There are no junk ideas, only poor implementation. And even poor implementation is better than no implementation. Write them anyway. You can always edit it later. If your mind thinks something is shiny, pursue it, no matter how 'junk' you think it might be. If your mind thinks something is junk, put it aside, but keep it. It may become shiny later. It may be useful in another form.

Do not filter your ideas. Pile them in a giant heap like a dragon and lie on them. Roll around. Kick your feet. Play. Let your brain be a two-year-old magpie and just pick out whatever is shiniest at the time. Be indulgent. Be decadent. It is your mind. You can have favourites. You can get bored and pick up something else. It's allowed.

You are also allowed to force yourself to finish something when you are unblocked (if you wish) but you may find that doing so causes you to be blocked. Be careful of that. Human unconsciousness and creativity is very cat-like. It gets bored easily and will often be contrary just to fuck with you. It will sit in front of a door, demand you open it, and then begin to lick its ass. It didn't want to actually go through the door. It just wanted you to open it. And that's fine. Let your mind be flighty. You are not on a time limit (unless you are being paid - then it gets more difficult).

In my experience, when you are blocked, or close to it, the restrictions need to come off. Let your mind play and pick up shiny things and get distracted by something shinier or different or otherwise weird. Treat your unconscious like an unruly child, give it breaks. Let it take naps. Give it a cookie when it's done eating its vegetables (but also let it have cookies just because). If you end up with 300 unfinished things that's fine. I, myself, have oodles of them. I look through them and often later find them shiny again. This is fine. Keep your half-done things. Allow yourself to make them and to have them. They are part of your horde. Go looking for more. Shuffle them around. Mix them. Throw them against different walls periodically to see if they stick. Sometimes two things are not interesting but when you put them side by side a third thing appears, within or between them or in reaction to them, that is more lovely than either of them could have been on their own.

When you are writing something and feel bored with it, ask yourself if maybe it's just that you need something else happening at the same time. Maybe this part could use some foreshadowing of something dramatic that isn't yet stated. Or perhaps another scene could be woven into and happen simultaneously with what is happening now.

I work very hard at my dialogue. I am delighted you like it. Some voices (such as the Drifter) come to me far more easily than others and for some (like Eris) I need to immerse myself in them to get a good feel of them. Yet others I simply copy and paste some of their in-game dialogue into a notepad file and then replace individual words until it is saying something else. Or I splice two in-game lines together to make a new one with existing phrases. I often work with a notepad of just copy-pasted dialogue from the game along side what I'm writing so I can use it as a reference for how the character talks.

Conversations also don't tend to begin at the beginning and end at the end. If more context is needed later, you can fix that when you're editing. You're allowed to just skip to the fun parts. You're allowed to have external things interrupt.

Sometimes I go stand by a character in-game that has idle dialogue (both the Drifter and Eris are lovely for this) and I just listen to them while I do other things in an attempt to absorb their speech patterns through osmosis. Sometimes I look up transcriptions of their voice lines from the game, or find quotes from them, or play scenes from the destiny lore vault on youtube in the background, or look up transcriptions on the ishtar collective. I read through them and analyse them. I look for patterns and note them down for use later.

Distinctive character voices have distinctive quirks. Eris, for example, tends to use poetic language, and often uses a bigger word when a smaller one will do, but only when the meaning of the bigger word is actually more precise:

"We do not seek to exculpate the Witch Queen."

Her humour is subtle and pointed, often a little creepy or mean.

"Ikora and Zavala are dear friends. Even if we don't always see eye to eye… to eye."

She is also very blunt, not only in not sugarcoating anything but also in being forthright with her feelings and her tendency to state the obvious, sometimes uncomfortable things no one is talking about:

"Did Zavala send you? He does not trust me." "You give me hope."

Drifter loves colourful gritty memorable metaphors and his humour ranges from self deprecating and flirty to bleak as fuck - sometimes one after the other or at the same time for shock value.

"Otto does it so beautifully that, when he's done, you're standing there holding your guts in your hands and thanking him for the show."

But he's also prone to dispensing unrequested, often highly practical (but a bit unnerving) advice:

"The bullet always comes when you're not moving." "Ever headbut a Kell? Don't. You'll break your neck. Use bullets."

Dialogue also works best when something else is happening at the same time. People rarely talk to each other with their full focus unless the situation is emotionally charged and/or the conversation is extremely important. Figuring out what each one of them is doing in addition to talking can be very helpful even if it never shows up directly in the dialogue at all.

Dialogue also tends to work well when each character has a reason for having the conversation. The reasons don't need to be complicated. The Drifter can be hungry and want to eat dinner. Eris can be busy and want to finish the conversation quickly so she can go back to what she was doing. But having what the character wants in the background of what is being said can really give weight and context to what's being spoken.

Not all responses need to be verbal and many characters have distinctive non-word responses to things. Drifter often laughs, says 'Oooh!' or 'Huh.' Eris often says 'Hmmm…' or sighs. These are as important to their distinctive voices as the words they use.

Dialogue between two people may not need attribution if the voices are distinct enough but any more than two people in a conversation and attribution is usually needed or the reader will become confused. The goal for dialogue attribution is to make it as invisible as possible unless you are using it for a specific effect (for example, I often use attribution as pacing or to achieve a specific rhythmic effect). So anything that might confuse the reader and make them need to re-read or otherwise ask who is speaking is to be avoided. This means that 'said' is not a sin, and neither is 'growled' as long as whatever you choose doesn't stick out and draw attention to itself.

I hope this is useful to you. I love writing, and reading, and delight in sharing stories and ideas. I very much look forward to anything you write and, while I know it is challenging to show your work to others, it's also very rewarding. I hope some day you will be willing to share your things with me, especially if they include Eris and/or the Drifter. I tend to be a very sympathetic reader and will delight in your words and cherish them as expressions of joy and care.

Let there be more love in the world. Let us write it into existence. Let us sing our songs to the universe and delight in the songs we hear in return.

Aiat.

[aromanticannibal]

shouto hugs everyone fic and its just bait for every ship ever

[wildflowercryptid]

i already made a post sharing some of my ideas for paldean pokéship names, but i ended up coming up with more! so, here are some more names for the paldean ships i like / find interesting:

katy & tulip — SelfCareShipping

katy & saguaro — SecretSweetsShipping

eri & mela — EstrellaShipping

eri & nemona — BattleStarShipping

raifort & sada — PreservedPastShipping

jacq & turo — FutureTechShipping

[pettyprocrastination]

hey hi hello here is the vest I made for my seminar reading today because we agreed to dress as our genre +this book i got at the bookstore before going to see violent night with my class

[blowflyfag]

[unidentifiedmammal]

Okay i am still procrastinating on a larger/more comprehensive post but heres some of the colors i have so far from lichens, both AM and BWM (Ammomia method, sometimes called ammonia fermentation but there's no actual bacterial activity; then the boiling water method, literally what it sounds like)

I took them under 3 different indoor light sources to try to show the variance of the colors, sadly not the sun as it is hiding behind the clouds as of late

from left to right: first two lavender-like purple are silk, dyed with an fuzzily-ID'd lecanora/ochrolechia like lichen that was AM prepared; the second one used the same lichens but prepared different (second ammonia soak)

the third one is wool using a similar lichen that was also AM prepared, i was almost worried it wouldnt work/i messed up the vat because i set the pH too low but surprisingly it didn't brown out and turned a lovely pink salmon color

the white is the base color of the silk

the fifth one is some french angora rabbit that i dyed using ruffle lichens via the BWM method; a lovely intense orange

the 6th and 8th were dyed with ruffle lichens (BWM) as well a long time ago so i don't recall the details

the 7th was dyed with usnea lichens (BWM) around the same time as 6 and 8

Finally, the last two tiny strings were AM dyed a long time ago and i almost forgot about making them!

Of course, all lichens should be collected from deadfall, not directly from a tree/rock/etc to avoid overharvesting. It's also important to keep chemical safety in mind if you work with ammonia, or even things like alum and vinegar!

All the yarn was spun myself on a drop spindle too, after dyeing the fiber clouds (very technical term i know)

I have more posts i want to make on lichen dyes and the making/using thereof once i get my head screwed back on correctly, specifically some recent shenanigans concerning the first three yarns! the chemical pigment itself, the history, the troubleshooting, etc. Which i think will be very cool

Bonus drop spindle, and a ruffle lichen comparison!

You can even see an orange spot on the otherwise minty slate green of the ruffle lichens where it had started to decompose!

[goldensunset]

ok before i go take on eri again uhhhh hey does anyone know where i can get any max revives

[robertsbarbie]

thinking about how at the beginning of into the spiderverse that miles makes the statement “uncle aaron is good” and i really never thought much of it but that statement paired with aaron’s choice in the end to do the right thing (also the way before he even knew it was miles saying “come on kid just hand it over” indicating that all he cared about was getting the device not actually hurting anyone but whatever) adds so much layering and intention behind his character and his influence on miles and how he along with all the others in miles’ life shape his own goodness

[ahauntedcowboy]

i’m so proud of myself !!!!! i finally crochet a granny square !!!!!!

[regallibellbright]

I’ve been slowly thinking over the last… basically since Neo came out, that I’d probably want to do at least SOME TWEWY dolls at some point. It’s still a question which version of the original cast I’d go with - either version presents interesting challenges, I have SOME limits and would not want to do both, that is eleven dolls (with Eri) - but I’d sort of convinced myself away from the Wicked Twisters sans Beat and Neku because I’d feel the need to do all of them and Rindo’s coat is so elaborate and would be so difficult even simplifying for scale I’d sooner learn to weave.

Which was a shame, I’d think, because Shoka’s design looks like it’d be FUN.

And then sometime in the last couple weeks it occurred to me, the yarn I’ll be using for Roxas’s hair could easily also be used for Fret’s. But still, no. Rindo’s coat is up there with the Wayfinders’ everything, I’m not touching it.

And then yesterday I caught myself thinking about ways to do Rindo’s coat in crochet. Which I would absolutely not be doing, realistically I could probably manage it with advanced enough knitting after I do the other *deepest of sighs* NINE DOLLS, but crochet is just… no. No. I simplified out the leopard print on Lea’s pants why the HELL would I want to try something that has it in black and white along with like six other patterns?

But I can see which way my brain is going. It will not be soon. It will not be until I’ve finished SEVERAL other projects, and therefore probably not for over a year at least. But I think I should start planning for the fact that eventually there will probably be a Creative Urge that will eventually be the whole set of playable characters across both games. *

* What? Rhyme counts. Sure, she’s a pin and also a squirrel at the time but you DO control Rhyme.

I at least haven’t thought seriously about the Wayfinders. Yet. If I’m doing Rindo’s coat then the Wayfinders for Bro (for whom they are HIS favorite trio) seems like a matter of time no matter how implausible that sounds in yarn.

*Sigh* God help me.

[cosmicyeen]

Spun some eri silk dyed with ammonia fermented lichens, also have some unrelated pretty flowers to look at