Everything is Relative to You
honeybeet @thehoneybeet
Chapters: 8/8
Fandom: Harry Potter - J. K. Rowling
Rating: Explicit
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Draco Malfoy/Harry Potter
Characters: Draco Malfoy, Harry Potter, Hermione Granger, Ron Weasley, Pansy Parkinson, Neville Longbottom, Garrick Ollivander, Original Characters
Additional Tags: Time Travel, Past Lives, Reincarnation, Dreams, Soul Magic, Magical Theory, Wandlore, Witch Burning, Veritaserum, Animal Familiar, renaissance era italy, Monet References, Brief Lesbian Drarry, Explicit Sexual Content, Wet Dream, Auror Harry Potter, Wandmaker Harry Potter, Unspeakable Draco Malfoy, pansy is a legilimens, Desi Harry Potter, egyptian ollivander, Indigenous Character, Sectumsempra Scars (Harry Potter), Temporary Character Death, Suicide Attempt, Magical Assault, Blood, Arrest, Brief Imprisonment, Drinking, Scars, Animal Death, Childbirth, Implied/Referenced Terminal Illness, Mention of colonialism, Implied/Referenced Canon-Typical Child Abuse, Angst with a Happy Ending, Non-Linear Narrative, H/D Erised 2022
Summary:
Potter was supposed to have lived. Draco is certain of this. That Potter would no longer walk the earth was tantamount to the sun moving west to east across the sky. If only he could have stopped this from happening, if he’d have known…
It comes to him as ideas often did: too late.
Or, Harry dreams of his past lives, and Draco is in every one.
(੭•̀ω•́)੭* . * ・ 。゚☆
Excerpt:
Potter collapses on the sofa, the very one Weasley had sat on earlier—no, later—that day.
“I died.”
“Not yet.”
“Who was it?”
“I don’t know.”
There is a ledge by the window. Draco shucks off his shoes and sits on it.
“What else?”
“That’s it.”
“You can’t give me any other fucking information?” Potter snaps.
Draco examines his fingernails. He has a hangnail. He hates those; he pulls it until blood wells up in its place. Potter’s gaze is intense, but the fire isn’t all anger, once he looks long enough to pay attention to it. The obvious prick isn’t even looking at Draco’s face, but towards his slightly open thigh, where it meets his crotch.
Draco has to do it. If Potter wants to fuck, Draco won’t stop him, especially if it will delay everything enough to prevent the situation altogether. And if Draco fails, Potter will die, and this will have been his last chance to—to not just have sex, but to be something to him.
“I’m here on borrowed time—literally,” says Draco, pulling the chain out of his shirt and holding the Time-Turner up. He frowns at it and puts it away. “Do you really want to hear the particulars of how you died? The gruesome details?”
Potter looks disconcerted. “I suppose not.”
“Right-o,” says Draco, who’s never said that before in his life. “Now that that’s over with, let’s cut to the fun part, shall we?”
Potter’s eyes flick down again. Draco rolls his. “You’re not going to work. We have all day.”
“The raid…” Potter begins. “It has to be today. There are people in danger.”
“People meaning you. Let’s just say I’m warning you out of the goodness of my heart, and since you definitely will be heeding my advice and not going on the bloody raid—”
“I never said I wouldn’t go.”
“—I’m sure I can think of ways you can thank me for it,” Draco finishes.
They stare at each other.
“Don’t be an idiot, Potter,” Draco says finally. It’s too soft.
“You want me,” Potter says, like a question.
“It’s a trap.”
Potter stands, crowds him against the window. “You want me. You’re saving my life.”
“Whether you live or die is irrelevant to me,” Draco sneers. “I’m just looking for a fuck.”
“So you don’t care about me,” Potter says. His eyes are dark. He looks like he’d drink in Draco’s every word if he could and hate every second of it.
Draco opens his legs. “Not at all.”
“Good.” Potter puts a hand just above his knee, pushes it farther apart, grips his inner thigh. “Wouldn’t want you to care about me when I’m dead—”
Draco kisses him, drags his face towards him so voraciously the back of his head smacks into the windowpane. He doesn’t care; if he thought he could undo Potter’s trousers while holding him exactly where he was, he’d do it. Perhaps he needs another go at the Time-Turner—not enough hands. But Potter is pressing back, one hand rising up to palm Draco’s crotch, the other pressing his shoulder into the cold, damp windowpane, so Draco is free to mess up his hair with shaking hands, drag them down Potter’s back, and pull his hips flush against him. He hooks a leg behind Potter’s, trapping him there.
They’re still kissing, if you can call it that, but it’s hungrier than kissing; messier, too. Potter opens Draco’s shirt but pulls away when his fingers brush scar tissue.
“I don’t care,” Draco says. “I don’t care.”
“I did this,” Potter says, and Draco could almost laugh at the mixture of possessiveness and anguish on his face, but he doesn’t.
“Irrelevant,” he says instead. “Are we fucking like you’re about to die or are we going to faff about?”
Potter laughs, soft and low. “I’m not going to die.” He presses his mouth to the hollow of Draco’s throat. Draco reaches down between them, shoving Potter’s fingers under his waistband.
“If you did, it wouldn’t matter—touch me for Christ’s sake.”
Potter pulls his hand back. “No.” He is infuriating in his smugness. “I thought you didn’t care.”
(。・‧̫・。).**♡
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🥀 Fic Claim: Everything is Relative to You (E, 43k)
Potter was supposed to have lived. Draco is certain of this. That Potter would no longer walk the earth was tantamount to the sun moving west to east across the sky. If only he could have stopped this from happening, if he’d have known…
It comes to him as ideas often did: too late.
Or, Harry dreams of his past lives, and Draco is in every one.
Tags (check the fic for a full list):
Time travel, Past Lives, Dreams, Magical Theory, Wandlore, Unspeakable Draco Malfoy, Auror Harry Potter, Wandmaker Harry Potter, Legilimens Pansy Parkinson, Suicide Attempt, Temporary Major Character Death, EWE, Angst with a Happy Ending, Nonlinear Narrative, Animal Familiars, Renaissance Era Italy, Witch Burning, Reincarnation
It was such a delight to write this for @amywaterwings as part of H/D Erised 2022. Amy, I have so much admiration for you as a writer, and it was so fun to comb through your fics (and comment replies) for themes you enjoy. Huge thank you to @the-fools-errand for her eyes and the @hd-erised mods for putting on another excellent fest: @gracerene, @firethesound, @dictacontrion, you deserve a million thanks for bringing Erised to life year after year. I also want to thank everyone who's already commented or left kudos, it truly means the world when you do 🌹
As a little something extra, here are two sketches Andrea did, because while Gio may be a phenomenal musician he can't draw for shit.
Full images under the cut because the first one is a little NSFW.
Gio posing as a sculpture, and a self-portrait of Andrea.
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Hello! As someone who is very confused on the layout of the mystery shack, I gotta ask: where does bill sleep??? Like I know he sleeps somewhere upstairs, but he doesn’t usually sleep in the attic since the door had been firmly shut prior to the tooth fairy arc. So does he sleep in the hallway?
he sleeps in the attic, he doesn't sleep in the attic bedroom.
the layout of the mystery shack is somewhat inconsistent, but we get this map in season 2 and for fic writing purposes and building in the sims 4 purposes I use this as the "canonical" layout of the Mystery Shack:
Each room identified:
For necessity's sake (i.e. we ran outta room on the first floor), i've decided that several rooms, most notably Stan's (former) master bedroom and the main bathroom, are on some kind of magical invisible impossible second floor that logistically can't exist since the staircase goes directly to the attic, but that we won't worry about anyway.
This is the attic:
Notice most of it is a big open room. It appears to partially be used for storage (such as: when we see all Mabel's puppet supplies sitting around in the main attic in Sock Opera) but is mostly empty.
The kids' room is closed off. Bill sleeps in the main attic, underneath the window seat:
Except at the end of Journal 3 we know they threw out the window shaped like Bill and replaced it with normal glass. So it's more like,
In the bottom right corner of the window seat pic you can see the top step of the staircase going downstairs; the attic window seat is in the open attic space, not in a "room" and not closed behind any doors.
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10, 12 and 18. Also love your fics 💕
Thank you so much, lovely anon! This is for the writer asks (I love to be asked things!)
10. How do you decide what to write?
I used to be wary of writing prompts, I think because all the ones I had seen before fanfic seemed derivative and unoriginal to me, or just too broad. But most of my fics have been created as part of an exchange or a prompt. I especially love exchange fests like @hd-erised because tailoring a story to the prompts and likes of a recipient has helped me write stories I don't think I ever would have come up with on my own.
It's a bit like visual art: a few limitations end up being incredibly inspiring and freeing.
As for telling when a prompt or idea feels right: usually when my mind starts daydreaming scenes easily and I get excited to write them.
12. Are there any tropes you used to dislike but have grown on you?
Hmm this is an interesting question! I think my process as a reader has been more the other way around. When I first started reading fic, I read anything. Gradually I've figured out what tropes I really love and tend to stick more to those, and generally avoid things that don't quite light me up.
As a writer, I think I'm growing more adventurous though, but this has more to do with my confidence in my abilities and less on what I like/dislike. I used to think I probably wouldn't write kink. Then I wrote wild with all regret.
As a result of writing for specific people, I've written tropes and storylines I probably wouldn't have picked out on my own. For example, soulmate fics where the characters have little agency aren't really my jam, but everything is relative to you is essentially an exploration of soulmates via reincarnation. But I think it was important for me that in each of their lives, they came together ultimately because they wanted to, and not because they were forced.
18. If you wrote a sequel to EIRTY, what would it involve?
Lately I've been daydreaming about a sequel that would really be more of a companion piece. In keeping with the physics theme, I might call it something like, "for every action there is an equal and opposite reaction", or just "for every action", and it would be a series of Andrea's (Harry's) letters to Gio (Draco), which Hermione read but Harry never got to read in the original fic. I might include some of Gio's letters too, if any can be scrounged up from the historical record.
I'm not sure if that's something people would be interested in reading, though. I know epistolary fics can be a challenge to get invested in sometimes. Would love to play with putting the letters in non-linear order. 16th century magical renaissance Italy, anyone? Let me know if that's something you would like to see!
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non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:
Shadow-travel
Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)
Becoming intangible/shadows
Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence
Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence
Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld
Inherent complete comprehension of Latin
Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)
Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)
Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)
Astral projection/”Walking in dreams”
Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.
Illusions
Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)
Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)
Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)
Temperature manipulation (seemingly only lowering temperature)/creating frost)
Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)
Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)
Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)
Lowering or manipulation of own vitals (breathing, heart rate, etc)
Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)
Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)
Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).
Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld
Enhanced strength/abilities when in the Underworld
Inherently unnaturally quiet (possibly able to silence sound on a designated target)
Hiding/shielding self from being perceived (seemingly related to shadows/silence)
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