Evil Does Not Exist (dir. Ryûsuke Hamaguchi) x VIFF 2023.
It's an engaging yet unsettling portrait of anti-capitalist confrontation in the vein of true Japanese politeness. Despite the very serious, often grim tone, Evil Does Not Exist is frequently laugh-out-loud funny in its deliberately stilted dialogue. Still, Hamaguchi contines to make driving in cars and smoking silently (or doing both at the same time) look so damn cool on screen.
Screened at the 2023 Toronto International Film Festival as part of the Special Presentations program.
Maestro (a character has cancer and spits into a napkin a couple of times, but safe)
Fallen Leaves (a main character is an alcoholic, but safe)
All of Us Strangers (Andrew Scott’s character coughs repeatedly and gags a little in a subway scene, but safe)
Drive-Away Dolls
Evil Does Not Exist
Not safe:
Poor Things (Emma Stone’s character v* in the Lisbon chapter, when she steps outside alone and looks at the view after she eats a bunch of lil pastries)
Lisa Frankenstein (near the beginning Lisa goes to a party; when she and a boy go off to a bedroom she v* in a trash can. She also g* multiple times at the smell of a zombie’s tears)
Nyad (haven’t seen, but there are multiple graphic scenes)
The performances are as natural as the trees, and as stoic and deeply rooted. The sonic refrain is profoundly layered and evokes exactly what it needs to every time it returns while hinting of and containing everything the film asks of it. Everything is there from the beginning - it is masterfully structured - but the finale could never be anything but a horrifying surprise, never quite to be reconciled with its body, even as reflection makes clear its inevitability. Water flows downhill.